Ritual De Lo Habitual
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Ritual De Lo Habitual
''Ritual de lo Habitual'' is the second studio album by Jane's Addiction, released on August 21, 1990, by Warner Brothers. Co-produced by Dave Jerden, it was the band's final studio album before their initial break-up in 1991. Singles from ''Ritual de lo Habitual'' include "Been Caught Stealing" and " Stop!". ''Ritual de lo Habitual'' is certified 2× Platinum in the U.S. In 1990, one month after its release, the album had sold 500,000 units. Music The album is divided into halves. Tracks 1 through 5 are hard rock songs unrelated to each other. Tracks 6 through 9 are in memoriam of singer Perry Farrell's deceased girlfriend Xiola Blue, who died of a heroin overdose in 1987 at the age of 19. "Three Days" and "Then She Did" bear a progressive rock influence, while "Of Course" carries a klezmer influence, with a prominent violin throughout. Eric Avery refused to play bass on "Of Course" out of resentment from being told what to play on other songs. Recording engineer and guitar tech ...
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Jane's Addiction
Jane's Addiction is an American rock band from Los Angeles, formed in 1985. The band consists of vocalist Perry Farrell, guitarist Dave Navarro, drummer Stephen Perkins and bassist Eric Avery. Jane's Addiction was one of the first bands from the early 1990s alternative rock movement to gain both mainstream media attention and commercial success in the United States. Founded by Farrell and Avery, following the disintegration of Farrell's previous band Psi Com, Jane's Addiction's first release was a self-titled live album, '' Jane's Addiction'' (1987), which caught the attention of Warner Bros. Records. The band's first two studio albums, '' Nothing's Shocking'' (1988) and '' Ritual de lo Habitual'' (1990), were released to widespread critical acclaim, and an increasing cult fanbase. As a result, Jane's Addiction became icons of what Farrell dubbed the "Alternative Nation". The band's initial farewell tour, in 1991, launched the first Lollapalooza, which has since become ...
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Three Days (Jane's Addiction Song)
"Three Days" is a song on Jane's Addiction's 1990 album, ''Ritual de lo Habitual''. It is a three-part song that meditates on death and rebirth. The guitar solo by Dave Navarro was ranked as number 100 in '' Guitar World''s "100 best guitar solos" article. Lyrical meaning The song was inspired by Xiola Blue, a friend of Perry Farrell, who came to Los Angeles, possibly around the time of her father's funeral and spent three days with Farrell and his partner Casey Niccoli, in a "haze of sex and drugs". Blue was also the muse behind ''Xiola'', a song recorded by Farrell's first band Psi-Com. Xiola died aged 18 of a heroin overdose in New York City, June 1987. 'Three Days' was written before her death. Alternate versions A live version of the song appears on the band's 1997 rarities compilation ''Kettle Whistle''. This version appears on the soundtrack of Richard Kelly's 2007 film ''Southland Tales ''Southland Tales'' is a 2006 American dystopian comedy thriller film writte ...
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First Amendment To The United States Constitution
The First Amendment (Amendment I) to the United States Constitution prevents the government from making laws that regulate an establishment of religion, or that prohibit the free exercise of religion, or abridge the freedom of speech, the freedom of the press, the freedom of assembly, or the right to petition the government for redress of grievances. It was adopted on December 15, 1791, as one of the ten amendments that constitute the Bill of Rights. The Bill of Rights was proposed to assuage Anti-Federalist opposition to Constitutional ratification. Initially, the First Amendment applied only to laws enacted by the Congress, and many of its provisions were interpreted more narrowly than they are today. Beginning with '' Gitlow v. New York'' (1925), the Supreme Court applied the First Amendment to states—a process known as incorporation—through the Due Process Clause of the Fourteenth Amendment. In ''Everson v. Board of Education'' (1947), the Court drew on Thom ...
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Cover Art
Cover art is a type of artwork presented as an illustration or photograph on the outside of a published product such as a book (often on a dust jacket), magazine, newspaper (tabloid), comic book, video game ( box art), music album ( album art), CD, videotape, DVD, or podcast. The art has a primarily commercial function, for instance to promote the product it is displayed on, but can also have an aesthetic function, and may be artistically connected to the product, such as with art by the creator of the product. Album cover art Album cover art is artwork created for a music album. Notable album cover art includes Pink Floyd's '' The Dark Side of the Moon, King Crimson's In the Court of the Crimson King,'' the Beatles' ''Sgt. Pepper's Lonely Hearts Club Band'', '' Abbey Road'' and their self-titled "White Album" among others. Albums can have cover art created by the musician, as with Joni Mitchell's ''Clouds'', or by an associated musician, such as Bob Dylan's artwor ...
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Dub Reggae
Dub is an electronic musical style that grew out of reggae in the late 1960s and early 1970s. It is commonly considered a subgenre of reggae, though it has developed to extend beyond that style.Dub: soundscapes and shattered songs in Jamaican reggae, p.2 Generally, dub consists of remixes of existing recordings created by significantly manipulating the original, usually through the removal of vocal parts, the application of studio effects such as echo and reverb, emphasis of the rhythm section (the stripped-down drum-and-bass track is sometimes referred to as a riddim), and the occasional dubbing of vocal or instrumental snippets from the original version or other works.Michael Veal (2013)''Dub: Soundscapes and Shattered Songs in Jamaican Reggae'', pages 26-44, "Electronic Music in Jamaica" Wesleyan University Press Dub was pioneered by recording engineers and producers such as Osbourne "King Tubby" Ruddock, Lee "Scratch" Perry, Errol Thompson and others beginning in th ...
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Ian Dury And The Blockheads
Ian or Iain is a name of Scottish Gaelic origin, derived from the Hebrew given name (Yohanan, ') and corresponding to the English name John. The spelling Ian is an Anglicization of the Scottish Gaelic forename ''Iain''. It is a popular name in Scotland, where it originated, as well as other English-speaking countries. The name has fallen out of the top 100 male baby names in the United Kingdom, having peaked in popularity as one of the top 10 names throughout the 1960s. In 1900, Ian was the 180th most popular male baby name in England and Wales. , the name has been in the top 100 in the United States every year since 1982, peaking at 65 in 2003. Other Gaelic forms of "John" include "Seonaidh" ("Johnny" from Lowland Scots), "Seon" (from English), "Seathan", and "Seán" and "Eoin" (from Irish). Its Welsh counterpart is Ioan, its Cornish equivalent is Yowan and Breton equivalent is Yann. Notable people named Ian As a first name (alphabetical by family name) *Ian Agol (born ...
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Sex & Drugs & Rock & Roll
"Sex & Drugs & Rock & Roll" is a song and single by Ian Dury. It was originally released as a Stiff Records single, with "Razzle in My Pocket" as the B-side, on 26 August 1977. The song was released under the single name "Ian Dury", but three members of the Blockheads appear on the record – the song's co-writer and guitarist Chaz Jankel, Norman Watt-Roy on bass and drummer Charlie Charles. History The song was written by Ian Dury and Chaz Jankel in Dury's flat in Oval Mansions, London (nicknamed "Catshit mansions" by Dury) that overlooked The Oval cricket ground. The pattern of work adopted by the pair involved Dury presenting Jankel with his hand-typed lyric sheets. According to Jankel in ''Sex and Drugs and Rock and Roll: The Life of Ian Dury'' he would be repeatedly given the lyric for "Sex and Drugs and Rock and Roll" but Jankel kept rejecting the song, only for it to be at the top of the pile again the next time, only to be rejected again. This went on until Dury sung ...
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Dave Navarro
David Michael Navarro (born June 7, 1967) is an American guitarist. He is best known as a member of the rock band Jane's Addiction, with whom he has recorded four studio albums. Between 1993 and 1998, Navarro was the guitarist of the Red Hot Chili Peppers, recording one studio album, '' One Hot Minute'' (1995), before departing. He has also released one solo album, '' Trust No One'' (2001). Navarro has also been a member of Jane's Addiction-related bands Deconstruction and the Panic Channel. AllMusic's Greg Prato described Navarro as "one of alternative rock's first true guitar heroes", with an eclectic playing style that merges heavy metal, psychedelia, and modern rock. "He's one of the last great guitarists," said Henry Rollins, former Black Flag singer, who saw him playing with Jane's Addiction. Navarro was also the host and one of the judges on '' Ink Master'', an American tattoo competition reality series that aired on Paramount Network (formerly called ''Spike'') ...
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Classic Rock (magazine)
''Classic Rock'' is a British magazine and website dedicated to rock music, owned and published by Future. It was launched in October 1998 and is based in London. The magazine publishes 13 editions a year, mainly covering rock bands from the 60, 70s, 80s and 90s, with the likes of Led Zeppelin, AC/DC, Pink Floyd, The Rolling Stones, Queen, Black Sabbath, Aerosmith and Deep Purple amongst its most prominent cover stars. As well as veteran rock artists, ''Classic Rock'' also covers modern rock bands and releases, with Alter Bridge, Rival Sons, Halestorm, Ghost, Blackberry Smoke and The Struts amongst the younger artists to have appeared on its cover in recent years. Publication history ''Classic Rock'' was launched by Dennis Publishing in 1998. It was subsequently sold to Future in 2000, then sold again to start-up publishing company TeamRock in April 2013. Following the collapse of TeamRock in December 2016, Future bought back the magazine and its website in January 2017. On ...
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Eric Avery
Eric Adam Avery (born April 25, 1965) is an American musician. He is best known as the founding bass guitarist and co-songwriter of the alternative rock band Jane's Addiction, with whom he has recorded two studio albums. He is also currently the touring and recording bassist for Garbage, which he joined in 2005 as a sideman, and with whom he has recorded three studio albums. A core member of Jane's Addiction during its initial lifespan, Avery co-founded the band in 1985 with frontman Perry Farrell, and recorded two studio albums, '' Nothing's Shocking'' (1988) and '' Ritual de lo Habitual'' (1990), before the band's acrimonious break-up in 1991. Following Jane's Addiction's dissolution, Avery and guitarist Dave Navarro formed Deconstruction with drummer Michael Murphy, releasing one studio album in 1994. The following year, Avery began a solo project named Polar Bear, which he focused on between 1995 and 2000. Declining to take part in Jane's Addiction's 1997 and 2001 reunions, ...
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Klezmer
Klezmer ( yi, קלעזמער or ) is an instrumental musical tradition of the Ashkenazi Jews of Central and Eastern Europe. The essential elements of the tradition include dance tunes, ritual melodies, and virtuosic improvisations played for listening; these would have been played at weddings and other social functions. The musical genre incorporated elements of many other musical genres including Ottoman (especially Greek and Romanian) music, Baroque music, German and Slavic folk dances, and religious Jewish music. As the music arrived in the United States, it lost some of its traditional ritual elements and adopted elements of American big band and popular music. Among the European-born klezmers who popularized the genre in the United States in the 1910s and 1920s were Dave Tarras and Naftule Brandwein; they were followed by American-born musicians such as Max Epstein, Sid Beckerman and Ray Musiker. After the destruction of Jewish life in Eastern Europe during the Holoca ...
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Progressive Rock
Progressive rock (shortened as prog rock or simply prog; sometimes conflated with art rock) is a broad genre of rock music that developed in the United Kingdom and United States through the mid- to late 1960s, peaking in the early 1970s. Initially termed " progressive pop", the style was an outgrowth of psychedelic bands who abandoned standard pop traditions in favour of instrumentation and compositional techniques more frequently associated with jazz, folk, or classical music. Additional elements contributed to its " progressive" label: lyrics were more poetic, technology was harnessed for new sounds, music approached the condition of "art", and the studio, rather than the stage, became the focus of musical activity, which often involved creating music for listening rather than dancing. Progressive rock is based on fusions of styles, approaches and genres, involving a continuous move between formalism and eclecticism. Due to its historical reception, the scope of pro ...
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