|
Rhythm In Persian Music
Understanding the rhythmic aspect of Iranian music is aided by understanding the rhythmic structure of Persian poetry, the old Persian rhythmic cycles and the rhythmic characteristics of improvised and composed music. Analysis of more than fifty improvisations and pieces of composed music shows that the rhythmic organisation of ''gūsheh-ha'' and of musical genres in free metre, stretchable metre or fixed metre may be influenced by Persian poetic metres. Music-related manuscripts from the twelfth to fifteenth centuries CE provide an opportunity to compare more than thirty different rhythmic cycles. The system of rhythmic cycles is no longer explicitly used in Iranian music but contemporary improvisation and composition reveals that their influence is still felt, as in current techniques of tombak performance. This rich rhythmic vocabulary may bear ancestral relationship to the complex rhythms of India and certainly is related to traditional rhythms of North Africa and Ottoman ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sassanid Music Plate 7thcentury
The Sasanian () or Sassanid Empire, officially known as the Empire of Iranians (, ) and also referred to by historians as the Neo-Persian Empire, was the last Iranian empire before the early Muslim conquests of the 7th-8th centuries AD. Named after the House of Sasan, it endured for over four centuries, from 224 to 651 AD, making it the longest-lived Persian imperial dynasty. The Sasanian Empire succeeded the Parthian Empire, and re-established the Persians as a major power in late antiquity alongside its neighbouring arch-rival, the Roman Empire (after 395 the Byzantine Empire).Norman A. Stillman ''The Jews of Arab Lands'' pp 22 Jewish Publication Society, 1979 International Congress of Byzantine Studies ''Proceedings of the 21st International Congress of Byzantine Studies, London, 21–26 August 2006, Volumes 1–3'' pp 29. Ashgate Pub Co, 2006 The empire was founded by Ardashir I, an Iranian ruler who rose to power as Parthia weakened from internal strife and wars with t ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Persian Poetry
Persian literature ( fa, ادبیات فارسی, Adabiyâte fârsi, ) comprises oral compositions and written texts in the Persian language and is one of the world's oldest literatures. It spans over two-and-a-half millennia. Its sources have been within Greater Iran including present-day Iran, Iraq, Afghanistan, the Caucasus, and Turkey, regions of Central Asia (such as Tajikistan) and South Asia where the Persian language has historically been either the native or official language. For example, Rumi, one of the best-loved Persian poets, born in Balkh (in modern-day Afghanistan) or Wakhsh (in modern-day Tajikistan), wrote in Persian and lived in Konya (in modern-day Turkey), at that time the capital of the Seljuks in Anatolia. The Ghaznavids conquered large territories in Central and South Asia and adopted Persian as their court language. There is thus Persian literature from Iran, Mesopotamia, Azerbaijan, the wider Caucasus, Turkey, Pakistan, Bangladesh, India, Tajik ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Mohammad Reza Azadehfar
Mohammad Reza Azadehfar ( fa, محمدرضا آزادهفر), Professor in ethnomusicology and santūr performer, was born in 1969 in Isfahan, the Safavid capital of Iran. He started learning the Iranian traditional dulcimer ( santūr) under the supervision of Sa’id Na’imimanesh in 1981 and spent some 4 years at the Conservatory of Isfahan. In 1988 he moved to Tehran and attended classes in the santūr given by Faramarz Payvar and Sa’id Sabet. Azadehfar is also interested in film studies. He studied cinema at the Iranian Youth Cinema Society in 1982 and in 1988 he entered the faculty of Cinema and Theater at Tehran University of Arts to take a BA in cinema. His special interest in cinema was film scoring and editing. Azadehfar won the prize for best film scoring in 1987 for a short film by Asghar Farhadi and a prize for best editing in 1993 at the National Festival of Youth Cinema. Since 1993 Azadehfar has mainly focused on theoretical issues of Iranian music. He began ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tombak
The ''tombak'' (Persian: تمبک), ''tonbak'' (تنبک), or ''zarb'' (ضَرب) is an Iranian goblet drum. It is considered the principal percussion instrument of Persian music. The tombak is normally positioned diagonally across the torso while the player uses one or more fingers and/or the palm(s) of the hand(s) on the drumhead, often (for a ringing timbre) near the drumhead's edge. Sometimes, tombak players wear metal finger rings for an extra-percussive "click" on the drum's shell. Tombak virtuosi often perform solos lasting ten minutes or more. Description The tombak is a single-headed goblet drum is about 18 inches in height with a 28 centimetre diameter head. Its shell is carved from a single block of (sometimes highly figured, knotted or marbled) wood, maybe with a carved design or geometric pattern (such as furrows, flutes, diamonds and/or spirals—it is often a costly, heirloom-type or vintage musical instrument). At the bottom the shell is somewhat thicker tha ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tala (music)
A tala (IAST ''tāla'') literally means a 'clap, tapping one's hand on one's arm, a musical measure'. It is the term used in Indian classical music similar to musical meter, that is any rhythmic beat or strike that measures musical time. The measure is typically established by hand clapping, waving, touching fingers on thigh or the other hand, verbally, striking of small cymbals, or a percussion instrument in the Indian subcontinental traditions. Along with ''raga'' which forms the fabric of a melodic structure, the ''tala'' forms the life cycle and thereby constitutes one of the two foundational elements of Indian music. ''Tala'' is an ancient music concept traceable to Vedic era texts of Hinduism, such as the ''Samaveda'' and methods for singing the Vedic hymns. The music traditions of the North and South India, particularly the ''raga'' and ''tala'' systems, were not considered as distinct till about the 16th century. There on, during the tumultuous period of Islamic rule of ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ottoman Military Band
Ottoman military bands are the oldest recorded military marching band in the world. Though they are often known by the word ''Mehter'' ( ota, مهتر, plural: مهتران ''mehterân''; from "senior" in Persian) in West Europe, that word, properly speaking, refers only to a single musician in the band. In Ottoman, the band was generally known as ''mehterân'' (مهتران seniors), though those bands used in the retinue of a vizier or prince were generally known as ''mehterhane'' (Persian: مهترخانه, meaning "house of seniors"), the band as a whole is often termed ''mehter bölüğü'' ("''mehter'' company roop), ''mehter takımı'' ("''mehter'' platoon"). In West Europe, the band's music is also often called Janissary music because the janissaries formed the core of the bands. History Such military bands as the ''mehter''s, were not definitively mentioned until the 13th century. It is believed that the first "mehter" was sent to Osman I by the Seljuk Sultan Al ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Turkish Classical Music
Ottoman music ( tr, Osmanlı müziği) or Turkish classical music ( tr, Türk sanat müziği) is the tradition of classical music originating in the Ottoman Empire. Developed in the palace, major Ottoman cities, and Sufi lodges, it traditionally features a solo singer with a small to medium-sized instrumental ensemble. A tradition of music that reached its golden age around the early 18th century, Ottoman music traces its roots back to the music of the Hellenic and Persianate world, a distinctive feature of which is the usage of a modal melodic system. This system, alternatively called '' makam'', ''dastgah'' or ''echos'', are a large and varied system of melodic material, defining both scales and melodic contour. In Ottoman music alone, more than 600 makams have been used so far, and out of these, at least 120 makams are in common use and formally defined. Rhythmically, Ottoman music uses the ''zaman'' and ''usûl'' systems, which determine time signatures and accents respect ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Meter (music)
In music, metre ( Commonwealth spelling) or meter (American spelling) refers to regularly recurring patterns and accents such as bars and beats. Unlike rhythm, metric onsets are not necessarily sounded, but are nevertheless implied by the performer (or performers) and expected by the listener. A variety of systems exist throughout the world for organising and playing metrical music, such as the Indian system of '' tala'' and similar systems in Arabic and African music. Western music inherited the concept of metre from poetry, where it denotes: the number of lines in a verse; the number of syllables in each line; and the arrangement of those syllables as long or short, accented or unaccented. The first coherent system of rhythmic notation in modern Western music was based on rhythmic modes derived from the basic types of metrical unit in the quantitative metre of classical ancient Greek and Latin poetry. Later music for dances such as the pavane and galliard consisted o ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Metronome
A metronome, from ancient Greek μέτρον (''métron'', "measure") and νομός (nomós, "custom", "melody") is a device that produces an audible click or other sound at a regular interval that can be set by the user, typically in beats per minute (BPM). Metronomes may include synchronized visual motion. Musicians use the device to practise playing to a regular pulse. A kind of metronome was among the inventions of Andalusian polymath Abbas ibn Firnas (810–887). In 1815, German inventor Johann Maelzel patented his mechanical, wind-up metronome as a tool for musicians, under the title "Instrument/Machine for the Improvement of all Musical Performance, called Metronome". In the 20th century, electronic metronomes and software metronomes were invented. Musicians practise with metronomes to improve their timing, especially the ability to stick to a regular tempo. Metronome practice helps internalize a clear sense of timing and tempo. Composers and conductors often use a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Mohammad Esmaili
Muhammad ( ar, مُحَمَّد; 570 – 8 June 632 CE) was an Arab religious, social, and political leader and the founder of Islam. According to Islamic doctrine, he was a prophet divinely inspired to preach and confirm the monotheistic teachings of Adam, Abraham, Moses, Jesus, and other prophets. He is believed to be the Seal of the Prophets within Islam. Muhammad united Arabia into a single Muslim polity, with the Quran as well as his teachings and practices forming the basis of Islamic religious belief. Muhammad was born approximately 570CE in Mecca. He was the son of Abdullah ibn Abd al-Muttalib and Amina bint Wahb. His father Abdullah was the son of Quraysh tribal leader Abd al-Muttalib ibn Hashim, and he died a few months before Muhammad's birth. His mother Amina died when he was six, leaving Muhammad an orphan. He was raised under the care of his grandfather, Abd al-Muttalib, and paternal uncle, Abu Talib. In later years, he would periodically seclu ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Persian Traditional Music
Persian traditional music or Iranian traditional music, also known as Persian classical music or Iranian classical music, refers to the classical music of Iran (also known as ''Persia''). It consists of characteristics developed through the country's classical, medieval, and contemporary eras. It also influenced areas and regions that are considered part of Greater Iran. Due to the exchange of musical science throughout history, many of Iran's classical modes are related to those of its neighboring cultures. Iran's classical art music continues to function as a spiritual tool, as it has throughout history, and much less of a recreational activity. It belongs for the most part to the social elite, as opposed to the folkloric and popular music, in which the society as a whole participates. However, components of Iran's classical music have also been incorporated into folk and pop music compositions. History The history of musical development in Iran dates back thousands of years ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Persian Music
{{disambig ...
Persian music may refer to various types of the music of Persia/Iran or other Persian-speaking countries: * Persian traditional music * Persian ritual music *Persian pop music * Persian symphonic music * Persian piano music See also *Music of Iran The music of Iran encompasses music that is produced by Iranian artists. In addition to the traditional folk and classical genres, it also includes pop and internationally celebrated styles such as jazz, rock, and hip hop. Iranian music infl ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
.jpg "Click for more on -> Tala (music)")
.JPG "Click for more on -> Turkish Classical Music")
.jpg "Click for more on -> Meter (music)")
