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Representation Of Slavery In European Art
African portrayed in European art date back to ancient times. They show slaves of varied ethnicity, white as well as black. In Europe, slavery became increasingly associated with blackness from the 17th century onwards. However, slaves before this period were predominantly white. The ''black'' in European art is not the same topic as the ''slave'' in European art: slaves were not always black and blacks not always slaves. The article also concentrates on European art rather than Western art in general. Slaves in art From the Renaissance onwards, a substantial number of bound figures, often naked and crouching, illustrate enslavement. This imagery had for one of its roots the ancient tradition of Roman Triumph, but its contemporaneous relevance was greatly magnified by the prevalence of slavery within European countries. In particular, galley slaves were often used by artists as models for muscular nude bodies. Sometimes the name of an individual who was a slave is known. O ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Triangular Trade
Triangular trade or triangle trade is trade between three ports or regions. Triangular trade usually evolves when a region has export commodities that are not required in the region from which its major imports come. It has been used to offset trade imbalances between different regions. The Atlantic slave trade used a system of three-way trans-Atlantic exchanges – known historically as the triangular trade – which operated between Europe, Africa and the Americas from the 16th to 19th centuries. A classic example is the colonial molasses trade, which involved the circuitous trading of slaves, sugar (often in liquid form, as molasses), and rum between West Africa, the West Indies and the northern colonies of British North America in the 17th and 18th centuries. The slaves grew the sugar that was used to brew rum, which in turn was traded for more slaves. In this circuit, the sea lane west from Africa to the West Indies (and later, also to Brazil) was known as the Middle Pa ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Slavery In Art
Slavery and enslavement are both the state and the condition of being a slave—someone forbidden to quit one's service for an enslaver, and who is treated by the enslaver as property. Slavery typically involves slaves being made to perform some form of work while also having their location or residence dictated by the enslaver. Many historical cases of enslavement occurred as a result of breaking the law, becoming indebted, or suffering a military defeat; other forms of slavery were instituted along demographic lines such as race. Slaves may be kept in bondage for life or for a fixed period of time, after which they would be granted freedom. Although slavery is usually involuntary and involves coercion, there are also cases where people voluntarily enter into slavery to pay a debt or earn money due to poverty. In the course of human history, slavery was a typical feature of civilization, and was legal in most societies, but it is now outlawed in most countries of the w ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Elizabeth McGrath (art Historian)
Elizabeth McGrath, (born 20 March 1945) is a British art historian, curator, and academic. Spending all of her career at the Warburg Institute of the University of London, she was curator of the photographic collection from 1991 to 2010 and Professor of the History of Art from 2000 to 2010. She additionally held the Slade Professorship of Fine Art at the University of Oxford from 1989 to 1990. Since her retirement in 2010, she has been Emeritus Professor and an honorary fellow of the Warburg Institute. Honours In 1998, McGrath was elected a Fellow of the British Academy (FBA), the United Kingdom's national academy A national academy is an organizational body, usually operating with state financial support and approval, that co-ordinates scholarly research activities and standards for academic disciplines, most frequently in the sciences but also the hu ... for the humanities and social sciences. In 2003, she was elected a Member of the Royal Flemish Academy of Belgium for ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Slavery In Antiquity
Slavery in the ancient world, from the earliest known recorded evidence in Sumer to the pre-medieval Antiquity Mediterranean cultures, comprised a mixture of debt-slavery, slavery as a punishment for crime, and the enslavement of prisoners of war. Masters could free slaves, and in many cases such freedmen went on to rise to positions of power. This would include those children born into slavery but who were actually the children of the master of the house. The slave master would ensure that his children were not condemned to a life of slavery. The institution of slavery condemned a majority of slaves to agricultural and industrial labor and they lived hard lives. In many of these cultures slaves formed a very large part of the economy, and in particular the Roman Empire and some of the Greek poleis built a large part of their wealth on slaves acquired through conquest. Ancient Near East The Sumerian king Code of Ur-Nammu includes laws relating to slaves, written circa 2100 – ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Page (servant)
A page or page boy is traditionally a young male attendant or servant, but may also have been a messenger in the service of a nobleman. During wedding ceremonies, a page boy is often used as a symbolic attendant to carry the rings. Etymology The origin of the term is uncertain, but it may come either from the Latin ''pagus'' (servant), possibly linked to peasant, or an earlier Greek word (''pais'' = child). The medieval page In medieval times, a page was an attendant to a nobleman, a knight, a governor or a castellan. Until the age of about seven, sons of noble families would receive training in manners and basic literacy from their mothers or other female relatives. Upon reaching seven years of age, a boy would be sent to the castle, great house or other estate of another noble family. This would match the age at which apprenticeships or servants' employment would be entered into by young males from lower social classes. A young boy served as a page for about sev ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
History Of Slavery
The history of slavery spans many cultures, nationalities, and religions from ancient times to the present day. Likewise, its victims have come from many different ethnicities and religious groups. The social, economic, and legal positions of enslaved people have differed vastly in different systems of slavery in different times and places. Slavery has been found in some hunter-gatherer populations, particularly as hereditary slavery, but the conditions of agriculture with increasing social and economic complexity offer greater opportunity for mass chattel slavery. Slavery was already institutionalized by the time the first civilizations emerged (such as Sumer in Mesopotamia, which dates back as far as 3500 BC). Slavery features in the Mesopotamian ''Code of Hammurabi'' (c. 1750 BC), which refers to it as an established institution. Slavery was widespread in the ancient world in Europe, Asia, Middle East, and Africa. It became less common throughout Europe during the Early Middl ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
George Cruikshank
George Cruikshank (27 September 1792 – 1 February 1878) was a British caricaturist and book illustrator, praised as the "modern Hogarth" during his life. His book illustrations for his friend Charles Dickens, and many other authors, reached an international audience. Early life Cruikshank was born in London. His father, Edinburgh-born Isaac Cruikshank, was one of the leading caricaturists of the late 1790s and Cruikshank started his career as his father's apprentice and assistant. His older brother, Isaac Robert, also followed in the family business as a caricaturist and illustrator. Cruikshank's early work was caricature; but in 1823, at the age of 31, he started to focus on book illustration. He illustrated the first, 1823 English translation (by Edgar Taylor and David Jardine) of ''Grimms' Fairy Tales'', published in two volumes as ''German Popular Stories''. On 16 October 1827, he married Mary Ann Walker (1807–1849). Two years after her death, on 7 March 1851, he ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Josiah Wedgwood
Josiah Wedgwood (12 July 1730 – 3 January 1795) was an English potter, entrepreneur and abolitionist. Founding the Wedgwood company in 1759, he developed improved pottery bodies by systematic experimentation, and was the leader in the industrialisation of the manufacture of European pottery. The renewed classical enthusiasms of the late 1760s and early 1770s were of major importance to his sales promotion. His expensive goods were in much demand from the upper classes, while he used emulation effects to market cheaper sets to the rest of society. Every new invention that Wedgwood produced – green glaze, creamware, black basalt, and jasperware – was quickly copied. Having once achieved efficiency in production, he obtained efficiencies in sales and distribution. His showrooms in London gave the public the chance to see his complete range of tableware. Wedgwood's company never made porcelain during his lifetime, but specialised in fine earthenwares and stonewares that h ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Abolitionism
Abolitionism, or the abolitionist movement, is the movement to end slavery. In Western Europe and the Americas, abolitionism was a historic movement that sought to end the Atlantic slave trade and liberate the enslaved people. The British abolitionist movement started in the late 18th century when English and American Quakers began to question the morality of slavery. James Oglethorpe was among the first to articulate the Enlightenment case against slavery, banning it in the Province of Georgia on humanitarian grounds, and arguing against it in Parliament, and eventually encouraging his friends Granville Sharp and Hannah More to vigorously pursue the cause. Soon after Oglethorpe's death in 1785, Sharp and More united with William Wilberforce and others in forming the Clapham Sect. The Somersett case in 1772, in which a fugitive slave was freed with the judgement that slavery did not exist under English common law, helped launch the British movement to abolish slaver ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Wedgwood - Anti-Slavery Medallion - Walters 482597
Wedgwood is an English fine china, porcelain and luxury accessories manufacturer that was founded on 1 May 1759 by the potter and entrepreneur Josiah Wedgwood and was first incorporated in 1895 as Josiah Wedgwood and Sons Ltd. It was rapidly successful and was soon one of the largest manufacturers of Staffordshire pottery, "a firm that has done more to spread the knowledge and enhance the reputation of British ceramic art than any other manufacturer", exporting across Europe as far as Russia, and to the Americas. It was especially successful at producing fine earthenware and stoneware that were accepted as equivalent in quality to porcelain (which Wedgwood only made later) but were considerably cheaper. Wedgwood is especially associated with the "dry-bodied" (unglazed) stoneware Jasperware in contrasting colours, and in particular that in "Wedgwood blue" and white, always much the most popular colours, though there are several others. Jasperware has been made continuously ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Dying Slave
The ''Dying Slave'' is a sculpture by the Italian Renaissance artist Michelangelo. Created between 1513 and 1516, it was to serve with another figure, the '' Rebellious Slave'', at the tomb of Pope Julius II. It is a marble figure 2.15 metres (7' 4") in height, and is held at the Louvre, Paris. In 1976 the art historian Richard Fly wrote that it "suggests that moment when life capitulates before the relentless force of dead matter". However, in a recent scholarly volume entitled ''The Slave in European Art'', Charles Robertson discusses the ''Dying Slave'' in the context of real slavery in Italy during the era of the Renaissance. Fourteen reproductions of the ''Dying Slave'' adorn the top storey of the 12th arrondissement police station in Paris. Although Art Deco in style, the building was designed in 1991 by architects and Miriam Teitelbaum. [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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