Rhyming Letter Getter
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Rhyming Letter Getter
A rhyme is a repetition of similar sounds (usually the exact same phonemes) in the final stressed syllables and any following syllables of two or more words. Most often, this kind of rhyming (''perfect rhyming'') is consciously used for a musical or aesthetic effect in the final position of lines within poems or songs. More broadly, a rhyme may also variously refer to other types of similar sounds near the ends of two or more words. Furthermore, the word ''rhyme'' has come to be sometimes used as a shorthand term for any brief poem, such as a nursery rhyme or Balliol rhyme. Etymology The word derives from or , which might be derived from , a Germanic term meaning "series", or "sequence" attested in Old English (Old English: meaning "enumeration", series", or "numeral") and , ultimately cognate to , ( "number"). Alternatively, the Old French words may derive from , from (, rhythm). The spelling ''rhyme'' (from the original rime) was introduced at the beginning of the Mode ...
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Phoneme
A phoneme () is any set of similar Phone (phonetics), speech sounds that are perceptually regarded by the speakers of a language as a single basic sound—a smallest possible Phonetics, phonetic unit—that helps distinguish one word from another. All languages contain phonemes (or the spatial-gestural equivalent in sign languages), and all spoken languages include both consonant and vowel phonemes; phonemes are primarily studied under the branch of linguistics known as phonology. Examples and notation The English words ''cell'' and ''set'' have the exact same sequence of sounds, except for being different in their final consonant sounds: thus, versus in the International Phonetic Alphabet (IPA), a writing system that can be used to represent phonemes. Since and alone distinguish certain words from others, they are each examples of phonemes of the English language. Specifically they are consonant phonemes, along with , while is a vowel phoneme. The spelling of Engli ...
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Mnemonic
A mnemonic device ( ), memory trick or memory device is any learning technique that aids information retention or retrieval in the human memory, often by associating the information with something that is easier to remember. It makes use of elaborative encoding, retrieval cues and imagery as specific tools to encode information in a way that allows for efficient storage and retrieval. It aids original information in becoming associated with something more accessible or meaningful—which in turn provides better retention of the information. Commonly encountered mnemonics are often used for lists and in auditory system, auditory form such as Acrostic, short poems, acronyms, initialisms or memorable phrases. They can also be used for other types of information and in visual or kinesthetic forms. Their use is based on the observation that the human mind more easily remembers spatial, personal, surprising, physical, sexual, humorous and otherwise "relatable" information rather tha ...
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Pararhyme
Pararhyme is a form of rhyme in which there is vowel variation within the same consonant pattern. Examples " Strange Meeting" (1918) is a poem by Wilfred Owen, a war poet who used pararhyme in his writing. Here is a part of the poem that shows pararhyme: :Too fast in thought or death to be bestirred. :Then, as I probed them, one sprang up, and stared :With piteous recognition in fixed eyes, :Lifting distressful hands, as if to bless. :And by his smile, I knew that sullen hall, :By his dead smile I knew we stood in Hell. Pararhyme features in the Welsh cynghanedd poetic forms. The following short poem by Robert Graves is a demonstration in English of the ''cynghanedd groes'' form, in which each consonant sound before the caesura is repeated in the same order after the caesura (Graves notes that the ''ss'' of 'across' and the ''s'' of 'crows' match visually but are not the same sound): :Billet spied, :Bolt sped. :Across field :Crows fled, :Aloft, wounded, :Left one dead. James Jo ...
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Half Rhyme
Perfect rhyme (also called full rhyme, exact rhyme, or true rhyme) is a form of rhyme between two words or phrases, satisfying the following conditions: * The stressed vowel sound in both words must be identical, as well as any subsequent sounds. For example, the words ''kit'' and ''bit'' form a perfect rhyme, as do ''spaghetti'' and ''already'' in American accents. * The onset of the stressed syllable in the words must differ. For example, ''pot'' and ''hot'' are a perfect rhyme, while ''leave'' and ''believe'' are not. Word pairs that satisfy the first condition but not the second (such as the aforementioned ''leave'' and ''believe'') are technically identities (also known as identical rhymes or identicals). Homophones, being words of different meaning but identical pronunciation, are an example of identical rhyme. Imperfect rhyme Half rhyme or imperfect rhyme, sometimes called bastard rhyme, near-rhyme, lazy rhyme, or slant rhyme, is a type of rhyme formed by words with s ...
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Literary Consonance
Consonance is a form of rhyme involving the repetition of identical or similar consonants in neighboring words whose vowel sounds are different (e.g., coming home, hot foot). Consonance may be regarded as the counterpart to the vowel-sound repetition known as assonance. Alliteration is a special case of consonance where the repeated consonant sound is at the stressed syllable,Alliteration - The Free Dictionary
as in "few flocked to the fight" or "around the rugged rock the ragged rascal ran". Alliteration is usually distinguished from other types of consonance in poetic analysis and has different uses and effects. Another special case of consonance is sibilance, the use of several
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Assonance
Assonance is the repetition of identical or similar phonemes in words or syllables that occur close together, either in terms of their vowel phonemes (e.g., ''lean green meat'') or their consonant phonemes (e.g., ''Kip keeps capes ''). However, in American usage, ''assonance'' exclusively refers to this phenomenon when affecting vowels, whereas, when affecting consonants, it is generally called ''consonance''. The two types are often combined, as between the words ''six'' and ''switch'', which contain the same vowel and similar consonants. If there is repetition of the same vowel or some similar vowels in literary work, especially in stressed syllables, this may be termed "vowel harmony" in poetry (though linguists have a different definition of "vowel harmony"). A special case of assonance is rhyme, in which the endings of words (generally beginning with the vowel sound of the last stressed syllable) are identical—as in ''fog'' and ''log'' or ''history'' and ''mystery''. Vocal ...
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Liquid Consonant
In linguistics, a liquid consonant or simply liquid is any of a class of consonants that consists of rhotics and voiced lateral approximants, which are also sometimes described as "R-like sounds" and "L-like sounds". The word ''liquid'' seems to be a calque of the Ancient Greek word (; ), initially used by grammarian Dionysius Thrax to describe Greek sonorants. Liquid consonants are more prone to be part of consonant clusters and of the syllable nucleus. Their third formants are generally non-predictable based on the first two formants. Another important feature is their complex articulation, which makes them a hard consonant class to study with precision and the last consonants to be produced by children during their phonological development. They are also more likely to undergo certain types of phonological changes such as assimilation, dissimilation and metathesis. Most languages have at least one liquid in their phonemic inventory. English has two, and . His ...
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Syllable Rhyme
A syllable is a basic unit of organization within a sequence of speech sounds, such as within a word, typically defined by linguists as a ''nucleus'' (most often a vowel) with optional sounds before or after that nucleus (''margins'', which are most often consonants). In phonology and studies of languages, syllables are often considered the "building blocks" of words. They can influence the rhythm of a language, its prosody, its poetic metre; properties such as stress, tone and reduplication operate on syllables and their parts. Speech can usually be divided up into a whole number of syllables: for example, the word ''ignite'' is made of two syllables: ''ig'' and ''nite''. Most languages of the world use relatively simple syllable structures that often alternate between vowels and consonants. Despite being present in virtually all human languages, syllables still have no precise definition that is valid for all known languages. A common criterion for finding syllable boundar ...
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Dactyl (poetry)
A dactyl (; from Greek ) is a foot in poetic meter. In quantitative verse, often used in Greek or Latin, a dactyl is a long syllable followed by two short syllables, as determined by syllable weight. The best-known use of dactylic verse is in the epics attributed to the Greek poet Homer, the ''Iliad'' and the ''Odyssey''. In accentual verse, often used in English, a dactyl is a stressed syllable followed by two unstressed syllables—the opposite is the anapaest (two unstressed followed by a stressed syllable). An example of dactylic meter is the first line of Henry Wadsworth Longfellow's epic poem '' Evangeline'' (1847), which is in dactylic hexameter: :''This is the / forest prim- / eval. The / murmuring / pines and the / hemlocks, The first five feet of the line are dactyls; the sixth a trochee. Stephen Fry quotes Robert Browning's poem " The Lost Leader" as an example of the use of dactylic metre to great effect, creating verse with "great rhythmic dash and drive": ...
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Feminine Rhyme
A masculine ending and feminine ending or weak ending are terms used in prosody (poetry), prosody, the study of verse form. In general, "masculine ending" refers to a line ending in a accent (poetry), stressed syllable; "feminine ending" is its opposite, describing a line ending in a Unstressed syllable, stressless syllable. The terms originate from a grammatical pattern of the French language. When masculine or feminine endings are rhymed with the same type of ending, they respectively result in masculine or feminine rhymes. Poems often arrange their lines in patterns of masculine and feminine endings. The distinction of masculine vs. feminine endings is independent of the distinction between Metrical foot, metrical feet. Description In prosody (poetry), prosody (the study of verse form), masculine ending refers to a line ending in a accent (poetry), stressed syllable while a feminine or weak ending describes a line ending in a Unstressed syllable, stressless syllable. Etymo ...
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Masculine Rhyme
A masculine ending and feminine ending or weak ending are terms used in prosody, the study of verse form. In general, "masculine ending" refers to a line ending in a stressed syllable; "feminine ending" is its opposite, describing a line ending in a stressless syllable. The terms originate from a grammatical pattern of the French language. When masculine or feminine endings are rhymed with the same type of ending, they respectively result in masculine or feminine rhymes. Poems often arrange their lines in patterns of masculine and feminine endings. The distinction of masculine vs. feminine endings is independent of the distinction between metrical feet. Description In prosody (the study of verse form), masculine ending refers to a line ending in a stressed syllable while a feminine or weak ending describes a line ending in a stressless syllable. Etymology The terms ''masculine ending'' and ''feminine ending'' are not based on any cultural concept of masculinity or fe ...
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Poetry
Poetry (from the Greek language, Greek word ''poiesis'', "making") is a form of literature, literary art that uses aesthetics, aesthetic and often rhythmic qualities of language to evoke meaning (linguistics), meanings in addition to, or in place of, Denotation, literal or surface-level meanings. Any particular instance of poetry is called a poem and is written by a poet. Poets use a variety of techniques called poetic devices, such as assonance, alliteration, Phonaesthetics#Euphony and cacophony, euphony and cacophony, onomatopoeia, rhythm (via metre (poetry), metre), and sound symbolism, to produce musical or other artistic effects. They also frequently organize these effects into :Poetic forms, poetic structures, which may be strict or loose, conventional or invented by the poet. Poetic structures vary dramatically by language and cultural convention, but they often use Metre (poetry), rhythmic metre (patterns of syllable stress or syllable weight, syllable (mora) weight ...
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