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Rhyme
A rhyme is a repetition of similar sounds (usually the exact same phonemes) in the final Stress (linguistics), stressed syllables and any following syllables of two or more words. Most often, this kind of rhyming (''perfect rhyming'') is consciously used for a musical or aesthetic effect in the final position of Line (poetry), lines within poems or songs. More broadly, a rhyme may also variously refer to other types of similar sounds near the ends of two or more words. Furthermore, the word ''rhyme'' has come to be sometimes used as a pars pro toto, shorthand term for any brief poem, such as a nursery rhyme or Balliol rhyme. Etymology The word derives from or , which might be derived from , a Germanic term meaning "series", or "sequence" attested in Old English (Old English: meaning "enumeration", series", or "numeral") and , ultimately cognate to , ( "number"). Alternatively, the Old French words may derive from , from (, rhythm). The spelling ''rhyme'' (from the original r ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Nursery Rhyme
A nursery rhyme is a traditional poem or song for children in Britain and other European countries, but usage of the term dates only from the late 18th/early 19th century. The term Mother Goose rhymes is interchangeable with nursery rhymes. From the mid-16th century nursery rhymes began to be recorded in English plays, and most popular rhymes date from the 17th and 18th centuries. The first English collections, '' Tommy Thumb's Song Book'' and a sequel, '' Tommy Thumb's Pretty Song Book'', were published by Mary Cooper in 1744. Publisher John Newbery's stepson, Thomas Carnan, was the first to use the term Mother Goose for nursery rhymes when he published a compilation of English rhymes, ''Mother Goose's Melody, or Sonnets for the Cradle'' (London, 1780). History Lullabies The oldest children's songs for which records exist are lullabies, intended to help a child fall asleep. Lullabies can be found in every human culture. The English term lullaby is thought to come from "lu, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Half Rhyme
Perfect rhyme (also called full rhyme, exact rhyme, or true rhyme) is a form of rhyme between two words or phrases, satisfying the following conditions: * The stressed vowel sound in both words must be identical, as well as any subsequent sounds. For example, the words ''kit'' and ''bit'' form a perfect rhyme, as do ''spaghetti'' and ''already'' in American accents. * The onset of the stressed syllable in the words must differ. For example, ''pot'' and ''hot'' are a perfect rhyme, while ''leave'' and ''believe'' are not. Word pairs that satisfy the first condition but not the second (such as the aforementioned ''leave'' and ''believe'') are technically identities (also known as identical rhymes or identicals). Homophones, being words of different meaning but identical pronunciation, are an example of identical rhyme. Imperfect rhyme Half rhyme or imperfect rhyme, sometimes called bastard rhyme, near-rhyme, lazy rhyme, or slant rhyme, is a type of rhyme formed by words with s ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Poem
Poetry (from the Greek language, Greek word ''poiesis'', "making") is a form of literature, literary art that uses aesthetics, aesthetic and often rhythmic qualities of language to evoke meaning (linguistics), meanings in addition to, or in place of, Denotation, literal or surface-level meanings. Any particular instance of poetry is called a poem and is written by a poet. Poets use a variety of techniques called poetic devices, such as assonance, alliteration, Phonaesthetics#Euphony and cacophony, euphony and cacophony, onomatopoeia, rhythm (via metre (poetry), metre), and sound symbolism, to produce musical or other artistic effects. They also frequently organize these effects into :Poetic forms, poetic structures, which may be strict or loose, conventional or invented by the poet. Poetic structures vary dramatically by language and cultural convention, but they often use Metre (poetry), rhythmic metre (patterns of syllable stress or syllable weight, syllable (mora) weight ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Feminine Rhyme
A masculine ending and feminine ending or weak ending are terms used in prosody (poetry), prosody, the study of verse form. In general, "masculine ending" refers to a line ending in a accent (poetry), stressed syllable; "feminine ending" is its opposite, describing a line ending in a Unstressed syllable, stressless syllable. The terms originate from a grammatical pattern of the French language. When masculine or feminine endings are rhymed with the same type of ending, they respectively result in masculine or feminine rhymes. Poems often arrange their lines in patterns of masculine and feminine endings. The distinction of masculine vs. feminine endings is independent of the distinction between Metrical foot, metrical feet. Description In prosody (poetry), prosody (the study of verse form), masculine ending refers to a line ending in a accent (poetry), stressed syllable while a feminine or weak ending describes a line ending in a Unstressed syllable, stressless syllable. Etymo ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Masculine Rhyme
A masculine ending and feminine ending or weak ending are terms used in prosody, the study of verse form. In general, "masculine ending" refers to a line ending in a stressed syllable; "feminine ending" is its opposite, describing a line ending in a stressless syllable. The terms originate from a grammatical pattern of the French language. When masculine or feminine endings are rhymed with the same type of ending, they respectively result in masculine or feminine rhymes. Poems often arrange their lines in patterns of masculine and feminine endings. The distinction of masculine vs. feminine endings is independent of the distinction between metrical feet. Description In prosody (the study of verse form), masculine ending refers to a line ending in a stressed syllable while a feminine or weak ending describes a line ending in a stressless syllable. Etymology The terms ''masculine ending'' and ''feminine ending'' are not based on any cultural concept of masculinity or fe ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Couplet
In poetry, a couplet ( ) or distich ( ) is a pair of successive lines that rhyme and have the same metre. A couplet may be formal (closed) or run-on (open). In a formal (closed) couplet, each of the two lines is end-stopped, implying that there is a grammatical pause at the end of a line of verse. In a run-on (open) couplet, the meaning of the first line continues to the second. Background The word "couplet" comes from the French word meaning "two pieces of iron riveted or hinged together". The term "couplet" was first used to describe successive lines of verse in Sir P. Sidney's ''Arcadia ''in 1590: "In singing some short coplets, whereto the one halfe beginning, the other halfe should answere." While couplets traditionally rhyme, not all do. Poems may use white space to mark out couplets if they do not rhyme. Couplets in iambic pentameter are called '' heroic couplets''. John Dryden in the 17th century and Alexander Pope in the 18th century were both well known for their w ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Pararhyme
Pararhyme is a form of rhyme in which there is vowel variation within the same consonant pattern. Examples " Strange Meeting" (1918) is a poem by Wilfred Owen, a war poet who used pararhyme in his writing. Here is a part of the poem that shows pararhyme: :Too fast in thought or death to be bestirred. :Then, as I probed them, one sprang up, and stared :With piteous recognition in fixed eyes, :Lifting distressful hands, as if to bless. :And by his smile, I knew that sullen hall, :By his dead smile I knew we stood in Hell. Pararhyme features in the Welsh cynghanedd poetic forms. The following short poem by Robert Graves is a demonstration in English of the ''cynghanedd groes'' form, in which each consonant sound before the caesura is repeated in the same order after the caesura (Graves notes that the ''ss'' of 'across' and the ''s'' of 'crows' match visually but are not the same sound): :Billet spied, :Bolt sped. :Across field :Crows fled, :Aloft, wounded, :Left one dead. James Jo ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Literary Consonance
Consonance is a form of rhyme involving the repetition of identical or similar consonants in neighboring words whose vowel sounds are different (e.g., coming home, hot foot). Consonance may be regarded as the counterpart to the vowel-sound repetition known as assonance. Alliteration is a special case of consonance where the repeated consonant sound is at the stressed syllable, as in "few flocked to the fight" or "around the rugged rock the ragged rascal ran". Alliteration is usually distinguished from other types of consonance in poetic analysis and has different uses and effects. Another special case of consonance is sibilance, the use of several [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Line (poetry)
A line is a unit of writing into which a poem or play is divided: literally, a single row of text. The use of a line operates on principles which are distinct from and not necessarily coincident with grammatical structures, such as the sentence or single clauses in sentences. Although the word for a single poetic line is '' verse'', that term now tends to be used to signify poetic form more generally. A line break is the termination of the line of a poem and the beginning of a new line. The process of arranging words using lines and line breaks is known as ''lineation'', and is one of the defining features of poetry. A distinct numbered group of lines in verse is normally called a '' stanza''. A title, in certain poems, is considered a line. General conventions in Western poetry Conventions that determine what might constitute line in poetry depend upon different constraints, aural characteristics or scripting conventions for any given language. On the whole, where relevant, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Alliteration
Alliteration is the repetition of syllable-initial consonant sounds between nearby words, or of syllable-initial vowels if the syllables in question do not start with a consonant. It is often used as a literary device. A common example is " Peter Piper picked a peck of pickled peppers". Historical use The word ''alliteration'' comes from the Latin word ''littera'', meaning "letter of the alphabet". It was first coined in a Latin dialogue by the Italian humanist Giovanni Pontano in the 15th century. Alliteration is used in the alliterative verse of Old English poems like Beowulf, Middle English poems like Sir Gawain and the Green Knight, Old Norse works like the Poetic Edda, and in Old High German, Old Saxon, and Old Irish. It was also used as an ornament to suggest connections between ideas in classical Latin, Greek, and Sanskrit poetry. Today, alliteration is used poetically in various languages around the world, including Arabic, Irish, German, Mongolian, Hungari ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Syllable
A syllable is a basic unit of organization within a sequence of speech sounds, such as within a word, typically defined by linguists as a ''nucleus'' (most often a vowel) with optional sounds before or after that nucleus (''margins'', which are most often consonants). In phonology and studies of languages, syllables are often considered the "building blocks" of words. They can influence the rhythm of a language, its prosody, its poetic metre; properties such as stress, tone and reduplication operate on syllables and their parts. Speech can usually be divided up into a whole number of syllables: for example, the word ''ignite'' is made of two syllables: ''ig'' and ''nite''. Most languages of the world use relatively simple syllable structures that often alternate between vowels and consonants. Despite being present in virtually all human languages, syllables still have no precise definition that is valid for all known languages. A common criterion for finding syllable bound ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
