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Remixed (Deborah Cox Album)
Canadian singer and songwriter Deborah Cox has released ten albums (including five studio albums, three compilation albums, one remix album, and one extended play), and more than three dozen singles (including seven as a featured artist). She began her career in 1994 as a protégé of music executive Clive Davis, who signed her with Arista Records. Her self-titled debut album, a blend of R&B, soul and hip hop soul, was released in September 1995 and peaked at number 25 on the US ''Billboard'' Top R&B/Hip-Hop Albums. A steady seller, it was eventually certified Gold by the Recording Industry Association of America (RIAA) for sales of over 500,000 units. Lead single " Sentimental" became a top thirty success on the US ''Billboard'' Hot 100, while second single "Who Do U Love" fared even better on the charts, peaking at number 17 on the Hot 100, while becoming her first number-one hit on the Dance Club Songs. '' One Wish'', Cox's second album with Arista, was released in Septembe ...
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Deborah Cox
Deborah Cox (born July 13, 1974) is a Canadian singer, songwriter, actress, and record producer. Born and raised in Toronto, she began performing on television commercials at age 12, and entered various talent shows in her teenage years before becoming a professional backing vocalist for Celine Dion. In 1994, Cox relocated to the United States and was signed to Arista Records by Clive Davis, releasing her self-titled debut album the following year. Her second studio album, '' One Wish'' (1998), was certified platinum in the United States. It was marked by the commercial success of the pop crossover single " Nobody's Supposed to Be Here", which would become her most successful entry on the ''Billboard'' Hot 100 chart, peaking at number two and remaining there for eight consecutive weeks. Cox signed with J Records for her third studio album '' The Morning After'' (2002), which saw moderate commercial success. Cox ventured into acting in the 2000s, making her film debut in the ...
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Sentimental (Deborah Cox Song)
"Sentimental" is a song by Canadian singer-songwriter Deborah Cox. It was written by Cox, Colin Wolfe, and Dallas Austin for her self-titled debut studio album (1995), while production was helmed by Austin. Released as the album's lead single by Arista Records, it became a top-40 success in Canada and the United Kingdom while peaking at number 27 on the US ''Billboard'' Hot 100 and number four on the ''Billboard'' Hot R&B Singles chart. Critical reception Gil L. Robertson IV from ''Cash Box'' wrote, "This single is an impressive debut for Arista Records new soul diva. Throughout this mid-tempo track Cox delivers crisp, confident vocals that gives the song a winning edge. Expect wide urban airplay with some pop possibilities as well." Music video A music video for "Sentimental" was directed by Brett Ratner. It starts off with actor Omar Epps, co-starring as Cox's ex love interest (; ) were stock characters within the theatre style known as commedia dell'arte, who appeared in ...
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Hot Dance Airplay
Dance/Mix Show Airplay (formerly Hot Dance Airplay) is a monitored electronic dance music radio chart that is published weekly by ''Billboard'' magazine. The chart came about as a result of the small but influential impact of electronic dance music on the radio in the United States and the stations that program it. The current number-one song on the chart is "Wrap Yourself Around Me" by D.O.D. and NORTH. History Debuting as Hot Dance Radio Airplay in the issue dated October 25, 2003, it initially ranked the 25 most-played songs over eight radio stations playing mainly dance music and monitored by Nielsen BDS. When published for the first time, " Just the Way You Are" by Milky was ranked as the number-one song, but that was following after a ten-week unpublished chart history. " Crazy in Love" by Beyoncé featuring Jay-Z spent the first seven weeks of the chart at number one, which ''Billboard'' recognizes retroactively. With the issue dated November 19, 2011, ''Billboard'' ch ...
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Something Happened On The Way To Heaven
Something may refer to: Philosophy and language * Something (concept) * "Something", an English indefinite pronoun Music Albums * ''Something'' (Chairlift album), 2012 * ''Something'' (Shirley Bassey album), 1970 * ''Something'' (Shirley Scott album), 1970 Songs * "Something" (Beatles song), 1969 * "Something" (Lasgo song), 2001 * "Something" (TVXQ song), 2014 *" Something (To Make You Feel Alright)", by Alex Marsh as Silosonic, 2005 *"Something", by Aerosmith from ''Music from Another Dimension!'', 2012 *"Something", by Andrius Pojavis, representing Lithuania in the Eurovision Song Contest 2013 *"Something", by Dark Lotus from '' Tales from the Lotus Pod'', 2001 *"Something", by Escape the Fate from '' This War Is Ours'', 2008 *"Something", by Girl's Day from '' Girl's Day Everyday #3'', 2014 *"Something", by Gnash, 2016 *"Something", by Guy Sebastian from ''Conscious'', 2017 *"(something)", by the Microphones from ''It Was Hot, We Stayed in the Water'', 2000 *"(something)" ...
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House Music
House is a genre of electronic dance music characterized by a repetitive Four on the floor (music), four-on-the-floor beat and a typical tempo of 115–130 beats per minute. It was created by DJs and music producers from Chicago's underground Clubbing (subculture), club culture and evolved slowly in the early/mid 1980s as DJs began altering disco songs to give them a more mechanical beat. By early 1988, house became mainstream and supplanted the typical 80s music beat. House was created and pioneered by DJs and producers in Chicago such as Frankie Knuckles, Ron Hardy, Jesse Saunders, Chip E., Joe Smooth, Steve "Silk" Hurley, Farley "Jackmaster" Funk, Marshall Jefferson, Phuture, and others. House music initially expanded to New York City, then internationally to cities such as London, and ultimately became a worldwide phenomenon. House has a large influence on pop music, especially dance music. It was incorporated into works by major international artists including Whitney Hou ...
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Club Music
Electronic dance music (EDM), also referred to as dance music or club music, is a broad range of percussive electronic music genres originally made for nightclubs, raves, and festivals. It is generally produced for playback by DJs who create seamless selections of tracks, called a DJ mix, by segueing from one recording to another. EDM producers also perform their music live in a concert or festival setting in what is sometimes called a live PA. Since its inception EDM has expanded to include a wide range of subgenres. In the late 1980s and early 1990s, following the emergence of raving, pirate radio, Party crews, underground festivals, and an upsurge of interest in club culture, EDM achieved mainstream popularity in Europe. However, rave culture was not as broadly popular in the United States; it was not typically seen outside of the regional scenes in New York City, Florida, the Midwest, and California. Although the pioneer genres of electro, Chicago house and Detroit tec ...
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Play Your Part
"Play Your Part" is a song by Canadian singer Deborah Cox. It was written and produced by frequent collaborator Shep Crawford for her third studio album '' The Morning After'' (2002). Released as the album's third single, it became her eighth number one hit on ''Billboard'''s US Dance Club Songs The Dance Club Songs (also known as National Disco Action, Hot Dance/Disco Club Play, and Hot Dance Club Play) was a chart published weekly between 1976 and 2020 by ''Billboard'' magazine. It used club disc jockeys set lists to determine the mos ... chart. Track listings Charts References 2002 songs 2003 singles Deborah Cox songs Songs written by Shep Crawford {{2000s-R&B-song-stub ...
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The Morning After (Deborah Cox Album)
''The Morning After'' is the third album by Canadian singer-songwriter Deborah Cox. It was released on November 5, 2002 in the United States. ''The Morning After'' marked the Cox's first record under Clive Davis's J Records roster, with Davis once more serving as executive producer. Keen to build on the success of her previous album '' One Wish'' (1998), he enlisted the help of renowned producers such as Jimmy Jam and Terry Lewis, Jermaine Dupri, Rodney "Darkchild" Jerkins, and Shep Crawford as well as up-and-coming producers Warryn Campbell, Johntá Austin and Alex Richbourg, among others. The album contains a blend of urban R&B and adult contemporary songs with additional dance/house tracks being include. It became her biggest-charting album on the US ''Billboard'' 200 yet, debuting and peaking at number 38, and remains her highest-charting album as of 2018. Commercially, the album was less successful than her previous album however. ''The Morning After'' album generated four ...
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J Records
J Records was an American record label owned and operated by Bertelsmann Music Group until it was transferred to Sony Music Entertainment when they acquired all of BMG's record labels in late 2008 at the end of their merger. It was distributed through the RCA Music Group. The label was founded in 2000 by Clive Davis and was dissolved into RCA Records in 2011. Company history J Records was founded in 2000 by industry veteran Clive Davis with $150 million in financing from BMG, after his ousting from Arista Records the same year, and initially operated as an independently managed company distributed through BMG. Olivia was the first artist to sign with J Records but was later dropped because of poor album sales. In 2001, the label found success with its multi- platinum record inaugural release, '' Songs in A Minor'', the debut album of Alicia Keys, which sold over 12 million copies worldwide. The same year, Lyric signed to the label and became the first female group ac ...
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We Can't Be Friends
"We Can't Be Friends" is a song by Canadian singer Deborah Cox, featuring American singer RL of R&B group Next. It was written by Shep Crawford and Jimmy Russell for her second studio album '' One Wish'' (1998), while production was overseen by Crawford. Selected as the album's third single, the duet was airplayed on December 21, 1998 but released on September 14, 1999, and became her second single to reach number one on the ''Billboard'' Hot R&B/Hip-Hop Songs The Hot R&B/Hip-Hop Songs chart ranks the most popular R&B and hip hop songs in the United States and is published weekly by '' Billboard''. Rankings are based on a measure of radio airplay, sales data, and streaming activity. The chart had 100 ..., while peaking at number eight on the ''Billboard'' Hot 100. Critical reception Chuck Taylor from '' Billboard'' wrote that "Cox shows off the full maturity of her magnificent voice in this shimmering R&B ballad, which she shares with the equally compelling R.L. from Nex ...
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It's Over Now (Deborah Cox Song)
"It's Over Now" is a song by Canadian singer Deborah Cox. It was written by Keir "KayGee" Gist, Taura Stinson, Alonzo Jackson, and DeMone Griffin for her second studio album '' One Wish'' (1998), while production was overseen by KayGee and Jackson. Released as the album's second following the major success of "Nobody's Supposed to Be Here", it became a moderate commercial success on the charts, peaking at number 20 on ''Billboard'''s US Hot R&B/Hip-Hop Songs, while becoming her third consecutive and fourth overall number one hit on the Dance Club Songs. The song has been sampled several times, including "It's Over Now" by Big Ang featuring Siobhan in 2005 (UK # 29), "Watchin'" by Freemasons featuring Amanda Wilson in 2006 (UK #19) and " Lies" by Burns Burns may refer to: Astronomy * 2708 Burns, an asteroid * Burns (crater), on Mercury People * Burns (surname), list of people and characters named Burns ** Burns (musician), Scottish record producer Places in the United ...
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Nobody's Supposed To Be Here
"Nobody's Supposed to Be Here" is a song by Canadian recording artist Deborah Cox, released as the lead single from her second studio album, '' One Wish'' (1998). Written by Montell Jordan and its producer, Anthony "Shep" Crawford, the song was released on the same day as the album, on September 15, 1998, by Arista Records. It is Cox's most successful song, peaking at number two on the ''Billboard'' Hot 100 for eight weeks and spending a then-record 14 weeks at number one on the Hot R&B Singles & Tracks chart. In 2017, ''Billboard'' ranked the song at number five on its "Greatest of All Time Hot R&B/Hip-Hop Songs" chart. Critical reception Larry Flick of ''Billboard'' wrote, "Cox previews her second album with a stirring old-school soul ballad that's perhaps the best vocal showcase she's ever had. The groove cruises at a languid, finger-poppin' jeep pace, giving her plenty of room to get down and dirty, vamping as if she's lived every syllable of the song's tale of a love fra ...
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