Pyxis Of Al-Mughira
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Pyxis Of Al-Mughira
The Pyxis (vessel), pyxis made in 968 CE/357AH for Prince al-Mughira (15 cm x 8 cm) is a portable ivory carved container that dates from Medieval Islam's Umayyad conquest of Hispania, Spanish Umayyad period. It is in the collection of the Louvre in Paris. The container was made in one of the Medina Azahara, Madinat al-Zahra workshops, near modern-day Cordoba, Spain and is thought to have been a coming-of-age present for the son of caliph Abd al-Rahman III, 'Abd al-Rahman III. Historical sources say that the prince referred to as al-Mughira was Abu al-Mutarrif al-Mughira, the last born son of the caliph ‘Abd al-Rahman III, born to a concubine named Mushtaq. We are certain this pyxis belongs to al-Mughira because of the inscription around the base of the lid which reads: “Blessing from God, goodwill, happiness and prosperity to al-Mughīra, son of the Commander of the Faithful, may God's mercy [be upon him], made in the year 357" Physicality and Context Pixides are known ...
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10th-century Sculptures
1 (one, unit, unity) is a number representing a single or the only entity. 1 is also a numerical digit and represents a single unit of counting or measurement. For example, a line segment of ''unit length'' is a line segment of length 1. In conventions of sign where zero is considered neither positive nor negative, 1 is the first and smallest positive integer. It is also sometimes considered the first of the infinite sequence of natural numbers, followed by  2, although by other definitions 1 is the second natural number, following  0. The fundamental mathematical property of 1 is to be a multiplicative identity, meaning that any number multiplied by 1 equals the same number. Most if not all properties of 1 can be deduced from this. In advanced mathematics, a multiplicative identity is often denoted 1, even if it is not a number. 1 is by convention not considered a prime number; this was not universally accepted until the mid-20th century. Additionally, 1 is ...
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Islamic Art Of Spain
Islam (; ar, ۘالِإسلَام, , ) is an Abrahamic religions, Abrahamic Monotheism#Islam, monotheistic religion centred primarily around the Quran, a religious text considered by Muslims to be the direct word of God in Islam, God (or ''Allah'') as it was revealed to Muhammad, the Muhammad in Islam, main and final Islamic prophet.Peters, F. E. 2009. "Allāh." In , edited by J. L. Esposito. Oxford: Oxford University Press. . (See alsoquick reference) "[T]he Muslims' understanding of Allāh is based...on the Qurʿān's public witness. Allāh is Unique, the Creator, Sovereign, and Judge of mankind. It is Allāh who directs the universe through his direct action on nature and who has guided human history through his prophets, Abraham, with whom he made his covenant, Moses/Moosa, Jesus/Eesa, and Muḥammad, through all of whom he founded his chosen communities, the 'Peoples of the Book.'" It is the Major religious groups, world's second-largest religion behind Christianity, w ...
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Ivory Works Of Art
Ivory is a hard, white material from the tusks (traditionally from elephants) and Tooth, teeth of animals, that consists mainly of dentine, one of the physical structures of teeth and tusks. The chemical structure of the teeth and tusks of mammals is the same, regardless of the species of origin, but ivory contains structures of mineralised collagen. The trade in certain teeth and tusks other than elephant is well established and widespread; therefore, "ivory" can correctly be used to describe any mammalian teeth or tusks of commercial interest which are large enough to be carved or scrimshawed. Besides natural ivory, ivory can also be produced synthetically, hence (unlike natural ivory) not requiring the retrieval of the material from animals. Tagua nuts can also be carved like ivory. The trade of finished goods of ivory products has its origins in the Indus Valley. Ivory is a main product that is seen in abundance and was used for trading in Harappan civilization. Finished iv ...
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Arabic Art
Islamic art is a part of Islamic culture and encompasses the visual arts produced since the 7th century CE by people who lived within territories inhabited or ruled by Muslim populations. Referring to characteristic traditions across a wide range of lands, periods, and genres, Islamic art is a concept used first by Western art historians since the late 19th century. Public Islamic art is traditionally non- representational, except for the widespread use of plant forms, usually in varieties of the spiralling arabesque. These are often combined with Islamic calligraphy, geometric patterns in styles that are typically found in a wide variety of media, from small objects in ceramic or metalwork to large decorative schemes in tiling on the outside and inside of large buildings, including mosques. Other forms of Islamic art include Islamic miniature painting, artefacts like Islamic glass or pottery, and textile arts, such as carpets and embroidery. The early developments of Isla ...
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Leyre Casket
The Leyre Casket (, Museo de Navarra inventory number 1360-B, also known as the Leire Casket, Pamplona Casket) is one of the jewels of Hispano-Arab Islamic art. It is a casket or reliquary made of elephant ivory which was made in 1004/5 in the Caliphate of Cordoba. Form The casket takes the following form:Julie Harris,Muslim Ivories in Christian Hands: The Leire Casket in Context, ''Art History'', 18 (1995), 213-21. * Shape: rectangular, with a truncated pyramidal lid. * Material: elephant ivory and silver. * Dimensions, centimetres: 23.6 (height) x 38.4 (width) x 23.7 (depth) The casket is remarkable for its profusion of detail and the finesse of its execution. It is inscribed with sculptures depicting the Abrahamic God, as well as gazelles, eagles, lions, a unicorn and antelopes in a hunting scene. A kufic inscription runs around the top, naming five craftsmen and the object's recipient, ʿAbd al-Malik al-Muẓaffar (975-1008). In the description of Henry Luttikhuizen, This p ...
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Pyxis Of Zamora
The Pyxis of Zamora (made in 964 CE /353 aH) is an carved ivory casket () (pyx) that dates from the Caliphate of Córdoba. It is now in the National Archaeological Museum of Spain in Madrid, Spain. Background and Context This cylindrical carved box was commissioned by the Umayyad caliph Al-Hakam II in 964 CE for Subh, his concubine, and the mother of the princes Abd al-Rahman and Hishâm and is linked to the palatine ivory workshops of Madinat al-Zahra. It was intended to hold cosmetics, jewelry, or perfume containers. This portable piece represents the sophistication of the ruling class during the Caliphate of Cordoba. During this period, the Umayyads in Spain, or the al-Andalus, were both competing with the Abbasid society in Baghdad, and attempting to reclaim the power that they held from Damascus during the Umayyad period. In Cordoba, the Umayyads commissioned notable architectural developments and luxury goods, including textiles and ivory carvings, such as this pyxis, the ...
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Abbasid Caliphate
The Abbasid Caliphate ( or ; ar, الْخِلَافَةُ الْعَبَّاسِيَّة, ') was the third caliphate to succeed the Islamic prophet Muhammad. It was founded by a dynasty descended from Muhammad's uncle, Abbas ibn Abdul-Muttalib (566–653 CE), from whom the dynasty takes its name. They ruled as caliphs for most of the caliphate from their capital in Baghdad in modern-day Iraq, after having overthrown the Umayyad Caliphate in the Abbasid Revolution of 750 CE (132  AH). The Abbasid Caliphate first centered its government in Kufa, modern-day Iraq, but in 762 the caliph Al-Mansur founded the city of Baghdad, near the ancient Babylonian capital city of Babylon. Baghdad became the center of science, culture and invention in what became known as the Golden Age of Islam. This, in addition to housing several key academic institutions, including the House of Wisdom, as well as a multiethnic and multi-religious environment, garnered it a worldwide reputation as ...
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Pyxis (vessel)
A ''pyxis'' (, plural ''pyxides'') is a shape of vessel from the classical world, usually a cylindrical box with a separate lid. Originally mostly used by women to hold cosmetics, trinkets or jewellery, surviving ''pyxides'' are mostly Greek pottery, but especially in later periods may be in wood, metal, ivory, or other materials. The name derived from Corinthian boxes made of wood from the tree ''puksos'' (boxwood), that also came with covers. The shape of the vessel can be traced in pottery back to the Protogeometric period in Athens, however the Athenian ''pyxis'' has various shapes itself. At first, the two varieties of ''pyxis'' included the pointed and the flat-bottomed. The pointed ''pyxis'' didn't last much longer than the ninth century BCE, while the flat-bottomed continued into the late Geometric. It also continued to grow larger and more squat in proportions. The cover often depicts elaborately sculpted handles and the walls tend to be somewhat convex. During t ...
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Abd Al-Rahman III
ʿAbd al-Rahmān ibn Muḥammad ibn ʿAbd Allāh ibn Muḥammad ibn ʿAbd al-Raḥmān ibn al-Ḥakam al-Rabdī ibn Hishām ibn ʿAbd al-Raḥmān al-Dākhil () or ʿAbd al-Rahmān III (890 - 961), was the Umayyad Emir of Córdoba from 912 to 929, at which point he founded the Caliphate of Córdoba, serving as its first caliph until his death. Abd al-Rahman won the ''laqab'' (sobriquet) () in his early 20s when he supported the Maghrawa Berbers in North Africa against Fatimid expansion and later claimed the title of Caliph for himself. His half-century reign was known for its religious tolerance. Life Early years Lineage and appearance Abd al-Rahman was born in Córdoba, on 18 December 890. His year of birth is also given as 889 and 891. He was the grandson of Abdullah ibn Muhammad al-Umawi, seventh independent Umayyad emir of al-Andalus. His parents were Abdullah's son Muhammad and Muzna (or Muzayna), a Christian concubine. His paternal grandmother was also a Christian, t ...
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