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Portrait Of Francesco D'Este
''Portrait of Francesco d'Este'' is a small oil on wood panel painting by the Netherlandish painter Rogier van der Weyden dating to around 1460. The work is in good conditionFry, 201 and has been in the Metropolitan Museum of Art, New York since 1931. When attributed as a van der Weyden in the early 20th century, there was much speculation amongst art historians as to the sitter's identity. He was identified as a member of the d'Este family from the crest on the reverse, and long thought to be Francesco's father Lionello, an Italian and highly placed Burgundian prince and patron of Rogier. In 1939 Ernst Kantorowicz identified the man as Lionello's illegitimate son Francesco (c. 1430 – after 1475), which is now generally accepted. The panel was painted when the sitter was about 30 years old
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Duchy Of Burgundy
The Duchy of Burgundy (; la, Ducatus Burgundiae; french: Duché de Bourgogne, ) emerged in the 9th century as one of the successors of the ancient Kingdom of the Burgundians, which after its conquest in 532 had formed a constituent part of the Frankish Empire. Upon the 9th-century partitions, the French remnants of the Burgundian kingdom were reduced to a ducal rank by King Robert II of France in 1004. Robert II's son and heir, King Henry I of France, inherited the duchy but ceded it to his younger brother Robert in 1032. Other portions had passed to the Imperial Kingdom of Burgundy-Arles, including the County of Burgundy (Franche-Comté). Robert became the ancestor of the ducal House of Burgundy, a cadet branch of the royal Capet dynasty, ruling over a territory that roughly conformed to the borders and territories of the modern region of Burgundy (Bourgogne). Upon the extinction of the Burgundian male line with the death of Duke Philip I in 1361, the duchy reverted ...
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Dukes Of Burgundy
Duke of Burgundy (french: duc de Bourgogne) was a title used by the rulers of the Duchy of Burgundy, from its establishment in 843 to its annexation by France in 1477, and later by Holy Roman Emperors and Kings of Spain from the House of Habsburg who claimed Burgundy proper and ruled the Burgundian inheritance in the Low Countries. The Duchy of Burgundy was a small portion of the traditional lands of the Burgundians west of the river Saône which, in 843, was allotted to Charles the Bald's kingdom of West Franks. Under the Ancien Régime, the Duke of Burgundy was the premier lay peer of the kingdom of France. Beginning with Robert II of France, the title was held by the Capetians, the French royal family. It was granted to Robert's younger son, Robert, who founded the House of Burgundy. When the senior line of the House of Burgundy became extinct, it was inherited by John II of France through proximity of blood. John granted the duchy to his younger son, Philip the Bold. The Va ...
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Donor Portrait
A donor portrait or votive portrait is a portrait in a larger painting or other work showing the person who commissioned and paid for the image, or a member of his, or (much more rarely) her, family. ''Donor portrait'' usually refers to the portrait or portraits of donors alone, as a section of a larger work, whereas ''votive portrait'' may often refer to a whole work of art intended as an ex-voto, including for example a Madonna, especially if the donor is very prominent. The terms are not used very consistently by art historians, as Angela Marisol Roberts points out, and may also be used for smaller religious subjects that were probably made to be retained by the commissioner rather than donated to a church. Donor portraits are very common in religious works of art, especially paintings, of the Middle Ages and Renaissance, the donor usually shown kneeling to one side, in the foreground of the image. Often, even late into the Renaissance, the donor portraits, especially when o ...
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International Gothic
International Gothic is a period of Gothic art which began in Burgundy, France, and northern Italy in the late 14th and early 15th century. It then spread very widely across Western Europe, hence the name for the period, which was introduced by the French art historian Louis Courajod at the end of the 19th century. Artists and portable works, such as illuminated manuscripts, travelled widely around the continent, leading to a common aesthetic among the royalty and higher nobility and considerably reducing the variation in national styles among works produced for the courtly elites. The main influences were northern France, the Netherlands, the Duchy of Burgundy, the Imperial court in Prague, and Italy. Royal marriages such as that between Richard II of England and Anne of Bohemia helped to spread the style. It was initially a style of courtly sophistication, but somewhat more robust versions spread to art commissioned by the emerging mercantile classes and the smaller nobility. ...
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Portrait Of A Carthusian
''Portrait of a Carthusian'' is a painting in oils on oak panel by the Early Netherlandish painter Petrus Christus in 1446. The work is part of the Jules Bache Collection housed at the Metropolitan Museum of Art in New York City. It is regarded as a masterpiece of Early Netherlandish painting and, because of the fly painted towards the bottom of the painting, a prominent, early example of ''trompe-l'œil''. In 2020, the painting became a meme after the subject was compared to a Northeast Philadelphia local. Overview The monk ''Portrait of a Carthusian'' depicts a three-quarter portrait of anonymous Carthusian monk captured in mid-turn, gazing directly at the viewer. Because the monk's body is turned to his left, he must look over his right shoulder to gaze at the viewer, creating a somewhat cumbersome diagonal pose. Petrus Christus balances this out by shifting the axis of the monk's face to the right, placing him just off center. By further modeling the monk's right shou ...
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Petrus Christus
Petrus Christus (; 1410/1420 – 1475/1476) was an Early Netherlandish painter active in Bruges from 1444, where, along with Hans Memling, he became the leading painter after the death of Jan van Eyck. He was influenced by van Eyck and Rogier van der Weyden and is noted for his innovations with linear perspective and a meticulous technique which seems derived from miniatures and manuscript illumination. Today, some 30 works are confidently attributed to him.Petrus Christus (active by 1444, died 1475/76)
. Metropolitan Museum of Art. Retrieved 9 March 2014
The best known include the '''' (1446) and ''
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Royal Museum Of Fine Arts, Antwerp
The Royal Museum of Fine Arts Antwerp (Dutch: ''Koninklijk Museum voor Schone Kunsten Antwerpen'', ''KMSKA'') is a museum in Antwerp, Belgium, founded in 1810, that houses a collection of paintings, sculptures and drawings from the fourteenth to the twentieth centuries. This collection is representative of the artistic production and the taste of art enthusiasts in Antwerp, Belgium and the Northern and Southern Netherlands since the 15th century. The neoclassical building housing the collection is one of the primary landmarks of the Zuid district of Antwerp. The majestic building was designed by Jean-Jacques Winders (1849–1936) and Frans Van Dijk (1853–1939), built beginning in 1884, opened in 1890, and completed in 1894. Sculpture on the building includes two bronze figures of Pheme with horse-drawn chariots by sculptor Thomas Vincotte, and seven rondel medallions of artists that include Boetius à Bolswert, Frans Floris, Jan van Eyck, Peter Paul Rubens, Quentin Mats ...
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Diptych Of Philip De Croÿ With The Virgin And Child
The ''Diptych of Philip de Croÿ with The Virgin and Child'' consists of a pair of small oil-on-oak panels painted c. 1460 by the Netherlandish artist Rogier van der Weyden. While the authorship and dating of both works are not in doubt, it is believed but not proven that they were created as wings of a devotional diptych and that at some unknown time the panels were broken apart. A diptych panel fitting the description of the Mary wing was described in a 1629 inventory of paintings owned by Alexandre d'Arenberg, a descendant of Philip I de Croÿ (1435–1511).Campbell, 110 Both have been approximately dated to 1460 and are now in Antwerp and San Marino, CA respectively. The reverse of de Croÿ's portrait is inscribed with the family crest and the title used by the sitter from 1454 to 1461. The right hand panel depicts Philip I de Croÿ, chamberlain to Philip the Good and comte de Chimay from 1472 until his death, possibly at battle, in 1482. De Croÿ would have been around ...
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Portrait Of Antoine, 'Grand Bâtard' Of Burgundy
''Portrait of Antoine, 'Grand Bâtard' of Burgundy'' (or ''Portrait of Anthony of Burgundy'') is an oil panel painting by the Netherlandish painter Rogier van der Weyden portraying Anthony of Burgundy, the bastard son of Philip the Good and one of his mistresses, Jeanne de Presle. The panel is dated to about 1460 and held in the Royal Museums of Fine Arts of Belgium, Belgium. It is one of three high-profile van der Weyden portraits commissioned by the Dukes of Burgundy around 1460. The other two are his portraits of Philip the Good and Charles the Bold.Allmand, 444 In common with most of van der Weyden's male portraits, Antoine is shown half profile staring aloofly into the middle distance. Description The sitter wears the livery collar of Order of the Golden Fleece, a chivalric order established on January 10, 1430, by Philip the Good, Duke of Burgundy. In 1456 Anthony was inducted into the prestigious Order, held by only 29 others at that time. The exact significance of the ...
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Royal Museums Of Fine Arts Of Belgium
The Royal Museums of Fine Arts of Belgium (french: Musées royaux des Beaux-Arts de Belgique, nl, Koninklijke Musea voor Schone Kunsten van België) are a group of art museums in Brussels, Belgium. They include six museums: the Oldmasters Museum, the Magritte Museum, the Fin-de-Siècle Museum, the Modern Museum, the Antoine Wiertz Museum and the Constantin Meunier Museum. The Royal Museums contains over 20,000 drawings, sculptures, and paintings, covering a period extending from the early 15th century to the present, such as those of Flemish old masters like Bruegel, Rogier van der Weyden, Robert Campin, Anthony van Dyck, Jacob Jordaens, and Peter Paul Rubens, making it the most popular art institution and most visited museum complex in Belgium. The Magritte Museum houses the world's largest collection of the works of the surrealist René Magritte. History Early history The museum was founded in 1801 by Napoleon and opened in 1803 as the Museum of Fine Arts of Bruss ...
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Portrait Of Philip The Good (van Der Weyden)
''Portrait of Philip the Good'' is a lost oil on wood panel painting by the Early Netherlandish painting, Early Netherlandish painter Rogier van der Weyden, dated variously from the mid 1440s to sometime after 1450. Several versions and copies of the lost original exist, including in Lille, Antwerp, LondonPhilip the Good, Duke of Burgundy (1396–1467) c. 1445
. Royal Collection, London. Retrieved 20 February 2016
and Paris, mostly attributed to his workshop. The highest quality version is in the Musée des Beaux-Arts de Dijon, Musée des Beaux-Arts, Dijon. The original may have been commissioned as half of a matrimonial diptych; given his age in the painting we can assume that it would have been alongside a portrait of his third wife, Isabella o ...
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