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Pikovaya Dama
''The Queen of Spades'' or ''Pique Dame'', Op. 68 (russian: Пиковая дама, ''Pikovaya dama'' , french: La Dame de Pique) is an opera in three acts (seven scenes) by Pyotr Ilyich Tchaikovsky to a Russian libretto by the composer's brother Modest Tchaikovsky, based on the 1834 novella of the same name by Alexander Pushkin, but with a dramatically altered plot. The premiere took place in 1890 at the Mariinsky Theatre in Saint Petersburg, Russia. Composition history The Imperial Theatre offered Tchaikovsky a commission to write an opera based on the plot sketch by Ivan Vsevolozhsky in 1887/88. After first turning it down, Tchaikovsky accepted it in 1889. Toward the end of that year, he met with the theatre's managers to discuss the material and sketch out some of the scenes. He completed the full score in Florence in only 44 days. Later, working with the tenor who was to perform the lead character, he created two versions of Herman's aria in the seventh scene, using diff ...
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Pyotr Ilyich Tchaikovsky
Pyotr Ilyich Tchaikovsky , group=n ( ; 7 May 1840 – 6 November 1893) was a Russian composer of the Romantic period. He was the first Russian composer whose music would make a lasting impression internationally. He wrote some of the most popular concert and theatrical music in the current classical repertoire, including the ballets '' Swan Lake'' and ''The Nutcracker'', the '' 1812 Overture'', his First Piano Concerto, Violin Concerto, the '' Romeo and Juliet'' Overture-Fantasy, several symphonies, and the opera ''Eugene Onegin''. Although musically precocious, Tchaikovsky was educated for a career as a civil servant as there was little opportunity for a musical career in Russia at the time and no system of public music education. When an opportunity for such an education arose, he entered the nascent Saint Petersburg Conservatory, from which he graduated in 1865. The formal Western-oriented teaching that he received there set him apart from composers of the contemporary ...
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Iosif Pribik
Iosif may refer to: People *Iosif Amusin, Soviet historian *Iosif Anisim, Romanian sprint canoer * Iosif Blaga, Romanian literary theorist and politician * Iosif Bobulescu, Romanian bishop * Iosif Capotă, Romanian anti-communist resistance fighter * Iosif Iser, Romanian painter and graphic artist * Iosif Mendelssohn, Romanian chess master *Iosif Pogrebyssky, Ukrainian chess master *Iosif Rotariu, Romanian footballer *Iosif Shklovsky, Soviet astronomer and astrophysicist *Iosif Vitebskiy (born 1938), Soviet Ukrainian Olympic medalist and world champion fencer and fencing coach *Iosif Vigu, Romanian footballer and manager *Iosif Vulcan, Austro-Hungarian Romanian magazine editor and cultural figure *Dan Iosif, Romanian politician *Ștefan Octavian Iosif Ștefan Octavian Iosif (; 11 October 1875 – 22 June 1913) was an Austro-Hungarian-born Romanian poet and translator. Life Born in Brașov, Transylvania (part of Austria-Hungary at the time), he studied in his native town an ...
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Ivan Melnikov (baritone)
Ivan Aleksandrovich Melnikov (russian: Иван Александрович Мельников, links=no) (March 4, 1832 – July 8, 1906) was a Russian baritone opera singer. Early years and training Melnikov was trained as a choirboy in his youth. In 1861, he began studying with Gavriil Lomakin, and participated from 1862 until 1866 in the Free Music School concerts conducted by Lomakin. Melnikov continued his studies in Milan with a master of bel canto, E. Repetto.Macy, Laura Williams. ''The Grove Book of Opera Singers'' pp. 316-317. Oxford University Press: New York, 2008 Career In 1867, Melnikov made a triumphant St. Petersburg debut at Mariinsky Theatre, performing the role of Riccardo in Bellini's ''I puritani''. Melnikov appeared regularly at the Mariinsky, in both foreign and Russian roles, and was the first interpreter of more than dozen roles in Russian opera. Melnikov sang in every opera by Pyotr Ilyich Tchaikovsky except for '' Iolanta'', creating roles in four ...
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Baritone
A baritone is a type of classical male singing voice whose vocal range lies between the bass and the tenor voice-types. The term originates from the Greek (), meaning "heavy sounding". Composers typically write music for this voice in the range from the second F below middle C to the F above middle C (i.e. F2–F4) in choral music, and from the second A below middle C to the A above middle C (A2 to A4) in operatic music, but the range can extend at either end. Subtypes of baritone include the baryton-Martin baritone (light baritone), lyric baritone, ''Kavalierbariton'', Verdi baritone, dramatic baritone, ''baryton-noble'' baritone, and the bass-baritone. History The first use of the term "baritone" emerged as ''baritonans'', late in the 15th century, usually in French sacred polyphonic music. At this early stage it was frequently used as the lowest of the voices (including the bass), but in 17th-century Italy the term was all-encompassing and used to describe the aver ...
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Tenor
A tenor is a type of classical male singing voice whose vocal range lies between the countertenor and baritone voice types. It is the highest male chest voice type. The tenor's vocal range extends up to C5. The low extreme for tenors is widely defined to be B2, though some roles include an A2 (two As below middle C). At the highest extreme, some tenors can sing up to the second F above middle C (F5). The tenor voice type is generally divided into the ''leggero'' tenor, lyric tenor, spinto tenor, dramatic tenor, heldentenor, and tenor buffo or . History The name "tenor" derives from the Latin word '' tenere'', which means "to hold". As Fallows, Jander, Forbes, Steane, Harris and Waldman note in the "Tenor" article at ''Grove Music Online'': In polyphony between about 1250 and 1500, the enor was thestructurally fundamental (or 'holding') voice, vocal or instrumental; by the 15th century it came to signify the male voice that sang such parts. All other voices were normal ...
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Voice Type
A voice type is a group of voices with similar vocal ranges, capable of singing in a similar tessitura, and with similar vocal transition points ('' passaggi''). Voice classification is most strongly associated with European classical music, though it, and the terms it utilizes, are used in other styles of music as well. A singer will choose a repertoire that suits their voice. Some singers such as Enrico Caruso, Rosa Ponselle, Joan Sutherland, Maria Callas, Jessye Norman, Ewa Podleś, and Plácido Domingo have voices that allow them to sing roles from a wide variety of types; some singers such as Shirley Verrett and Grace Bumbry change type and even voice part over their careers; and some singers such as Leonie Rysanek have voices that lower with age, causing them to cycle through types over their careers. Some roles are hard to classify, having very unusual vocal requirements; Mozart wrote many of his roles for specific singers who often had remarkable voices, and so ...
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Vladimir Rosing
Vladimir Sergeyevich Rosing (russian: Владимир Серге́евич Розинг) (November 24, 1963), also known as Val Rosing, was a Russian-born operatic tenor and stage director who spent most of his professional career in the United Kingdom and the United States. In his formative years he experienced the last years of the "golden age" of opera, and he dedicated himself through his singing and directing into breathing new life into opera's outworn mannerisms and methods. Rosing was considered by many to rank as a singer and performer of the quality of Feodor Chaliapin. In ''The Perfect Wagnerite'', George Bernard Shaw called Chaliapin and Vladimir Rosing "the two most extraordinary singers of the 20th century". Vladimir Rosing's best known recordings are his performances of Russian art songs by composers such as Mussorgsky, Tchaikovsky, Rachmaninoff, Gretchaninov, Borodin and Rimsky-Korsakov. He was the first singer to record a song by Igor Stravinsky: ''Akahito'' ...
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Metropolitan Opera
The Metropolitan Opera (commonly known as the Met) is an American opera company based in New York City, resident at the Metropolitan Opera House at Lincoln Center, currently situated on the Upper West Side of Manhattan. The company is operated by the non-profit Metropolitan Opera Association, with Peter Gelb as general manager. As of 2018, the company's current music director is Yannick Nézet-Séguin. The Met was founded in 1883 as an alternative to the previously established Academy of Music opera house, and debuted the same year in a new building on 39th and Broadway (now known as the "Old Met"). It moved to the new Lincoln Center location in 1966. The Metropolitan Opera is the largest classical music organization in North America. Until 2019, it presented about 27 different operas each year from late September through May. The operas are presented in a rotating repertory schedule, with up to seven performances of four different works staged each week. Performances a ...
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Sergei Rachmaninoff
Sergei Vasilyevich Rachmaninoff; in Russian pre-revolutionary script. (28 March 1943) was a Russian composer, virtuoso pianist, and conductor. Rachmaninoff is widely considered one of the finest pianists of his day and, as a composer, one of the last great representatives of Romanticism in Russian classical music. Early influences of Tchaikovsky, Rimsky-Korsakov, and other Russian composers gave way to a thoroughly personal idiom notable for its song-like melodicism, expressiveness and rich orchestral colours. The piano is featured prominently in Rachmaninoff's compositional output and he made a point of using his skills as a performer to fully explore the expressive and technical possibilities of the instrument. Born into a musical family, Rachmaninoff took up the piano at the age of four. He studied with Anton Arensky and Sergei Taneyev at the Moscow Conservatory and graduated in 1892, having already composed several piano and orchestral pieces. In 1897, following th ...
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Gustav Mahler
Gustav Mahler (; 7 July 1860 – 18 May 1911) was an Austro-Bohemian Romantic composer, and one of the leading conductors of his generation. As a composer he acted as a bridge between the 19th-century Austro-German tradition and the modernism of the early 20th century. While in his lifetime his status as a conductor was established beyond question, his own music gained wide popularity only after periods of relative neglect, which included a ban on its performance in much of Europe during the Nazi era. After 1945 his compositions were rediscovered by a new generation of listeners; Mahler then became one of the most frequently performed and recorded of all composers, a position he has sustained into the 21st century. Born in Bohemia (then part of the Austrian Empire) to Jewish parents of humble origins, the German-speaking Mahler displayed his musical gifts at an early age. After graduating from the Vienna Conservatory in 1878, he held a succession of conducting posts of rising ...
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Vienna State Opera
The Vienna State Opera (, ) is an opera house and opera company based in Vienna, Austria. The 1,709-seat Renaissance Revival venue was the first major building on the Vienna Ring Road. It was built from 1861 to 1869 following plans by August Sicard von Sicardsburg and Eduard van der Nüll, and designs by Josef Hlávka. The opera house was inaugurated as the "Vienna Court Opera" (''Wiener Hofoper'') in the presence of Emperor Franz Joseph I and Empress Elisabeth of Austria. It became known by its current name after the establishment of the First Austrian Republic in 1921. The Vienna State Opera is the successor of the old Vienna Court Opera (built in 1636 inside the Hofburg). The new site was chosen and the construction paid by Emperor Franz Joseph in 1861. The members of the Vienna Philharmonic are recruited from the Vienna State Opera's orchestra. The building is also the home of the Vienna State Ballet, and it hosts the annual Vienna Opera Ball during the carnival season. ...
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Adolf Čech
Adolf Čech (born Adolf Jan Antonin Tausik; 11 December 184127 December 1903) was a Czech conductor, who premiered a number of significant works by Antonín Dvořák (the 2nd, 5th and 6th symphonies, more than any other conductor; other important orchestral works, four operas, the ''Stabat Mater''), Bedřich Smetana (''Má vlast'', five operas), Zdeněk Fibich (two operas) and other Czech composers. He also led the first performances outside Russia of two operas by Pyotr Ilyich Tchaikovsky and the Czech premieres of seven operettas by Jacques Offenbach. He was also a bass singer and a translator of opera librettos. Career Adolf Čech was born in Sedlec-Prčice, south of Prague as Adolf Jan Antonin Tausik, the son of a singing instructor. His brother was the singer Karel Čech. He trained as an engineer in Prague before turning to music. From 1862 he was choirmaster and assistant conductor at the Provisional Theatre, where he conducted operas such as Verdi's ''Il trovatore'', Don ...
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