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Palazzo Dei Priori
The Palazzo dei Priori or comunale is one of the best examples in Italy of a public palace from the communal era (11th century). It is located in the central Piazza IV Novembre in Perugia, Umbria. It extends along Corso Vannucci up to Via Boncambi. It still houses part of the municipality, and, on the third floor, the Galleria Nazionale dell'Umbria. It takes its name from the Priori, the highest political authority governing the city in the medieval era. History and architecture It was built in Gothic style between 1293 and 1443, in several phases. The irregularity of the facade is explained by the long construction, due to constant additions and the incorporation of earlier buildings. The oldest part is the one that houses the Sala dei Notari, that is, the corner part between Piazza IV Novembre and . It displays three trifora windows with a trefoil portal on the side facing the square and ten triforas and four-light windows facing the Corso. It was the first building site, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Medieval Commune
Medieval communes in the European Middle Ages had sworn allegiances of mutual defense (both physical defense and of traditional freedoms) among the citizens of a town or city. These took many forms and varied widely in organization and makeup. Communes are first recorded in the late 11th and early 12th centuries, thereafter becoming a widespread phenomenon. They had greater development in central-northern Italy, where they became city-states based on partial democracy. At the same time in Germany they became free cities, independent from local nobility. Etymology The English and French word "commune" ( it, comune) appears in Latin records in various forms. They come from Medieval Latin , plural form of (that which is common, community, state), substantive noun from (common). Ultimately, the Proto-Indo-European root is ''*mey-'' (to change, exchange). When autonomy was won through violent uprising and overthrow, the commune was often called (a conspiracy) ( it, cospirazione ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Pulpit
A pulpit is a raised stand for preachers in a Christian church. The origin of the word is the Latin ''pulpitum'' (platform or staging). The traditional pulpit is raised well above the surrounding floor for audibility and visibility, accessed by steps, with sides coming to about waist height. From the late medieval period onwards, pulpits have often had a canopy known as the sounding board, ''tester'' or ''abat-voix'' above and sometimes also behind the speaker, normally in wood. Though sometimes highly decorated, this is not purely decorative, but can have a useful acoustic effect in projecting the preacher's voice to the congregation below. Most pulpits have one or more book-stands for the preacher to rest his or her bible, notes or texts upon. The pulpit is generally reserved for clergy. This is mandated in the regulations of the Catholic Church, and several others (though not always strictly observed). Even in Welsh Nonconformism, this was felt appropriate, and in some ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Capitano Del Popolo
Captain of the People ( it, Capitano del popolo, Lombard: ''Capitani del Popol'') was an administrative title used in Italy during the Middle Ages, established essentially to balance the power and authority of the noble families of the Italian city-states.Najemy, John M. 2006. ''A History of Florence 1200-1575''. Blackwell Publishing. . pp. 66–7, 75, 83–4, 94, 123, 157, 172, 178, 248. History It was created in the early 13th century when the ''populares'', the increasingly wealthy classes of commoners (merchants, professionals, craftsmen and, in maritime cities, ship-owners) began to acquire roles in the communal administration of various Italian city-states, and needed a municipal officeholder able to counter the political power of the nobles (called ''potentes''), represented usually by the '' podestà'' (a title used for chief magistrates and other top administrators in medieval Italian cities). One of the first ''capitani del popolo'' was created in Bologna in north ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sala Dei Notari
Sala or SALA may refer to: Places Europe * Sala, the historical name of the river IJssel and home of the Salii Franks * Sala (Estonian island), one of the Uhtju islands * Sala Baganza, a municipality in Emilia-Romagna, Italy * Sala Bolognese, a municipality in Emilia-Romagna, Italy * Sala Consilina, a municipality in Campania, Italy * Sala Municipality, Latvia, a municipality in Latvia * Sala, Sala Parish, a village in Latvia, an administrative centre of Sala municipality * Šaľa, Slovakia, a city in Slovakia * Sala Municipality, Sweden, a municipality in Sweden * Sala, Sweden, a city in Sweden, seat of Sala Municipality * Sala Parish (other), parishes (''socken'') in Sweden Africa * Salé ( ber, Sala, link=no), Morocco * Sala, an ancient city at Rabat, Morocco * Sala, Houet, a village in Satiri Department, Houet Province, Burkina Faso * Sala, Ziro, a village in Ziro Province, Burkina Faso * Sala Colonia, a Phoenician and Roman colony whose ruins are located in p ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Constantius Of Perugia
Constantius of Perugia (also known as Costantius, Constance or Costanzo) (died c. 170 AD) is one of the patron saints of Perugia, Italy. Legend According to his legend, of which four versions exist, he was arrested during the persecutions of Antoninus (some sources say Marcus Aurelius) and whipped, and then forced into a stove along with his companions, from which all escaped unharmed. He was jailed and set free by his guards, whom he had converted to Christianity. He sought refuge in a house owned by a Christian named Anastasius. But he, along with Anastasius, were arrested again and after being tortured in prisons at Assisi and Spello, were decapitated near Foligno. Local tradition makes him the first bishop of Perugia. This tradition states that he became the first bishop of the city at the age of 30. He was active in evangelism and care for the poor. Veneration His cult was diffused beyond Umbria. He was listed in the ''Martyrologium Hieronymianum'' under the feast day ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Herculanus Of Perugia
Herculanus of Perugia ( it, Ercolano; died 549 AD) was a bishop of Perugia. He was canonized as a saint by the Catholic Church and is recognised as patron saint of Perugia. His main feast day is November 7; his second feast is celebrated on March 1. According to Pope Gregory the Great in his '' Dialogues'', Herculanus suffered martyrdom when Totila, king of the Ostrogoths, captured Perugia in 549. Before the city was captured, Herculanus is said to have tried to save the city by feeding the last sack of grain to the last lamb. This was meant to give the Ostrogoth forces the impression that the Perugians had food to spare, and were able to feed a weak lamb with their precious grain. With food to spare, they were thus able to withstand the siege. However, Totila was not fooled by this trick and captured the city just the same. Totila is said to have given orders for Herculanus to be completely flayed. However, the Ostrogoth soldier who had to perform this task took pity on the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Saint Lawrence
Saint Lawrence or Laurence ( la, Laurentius, lit. " laurelled"; 31 December AD 225 – 10 August 258) was one of the seven deacons of the city of Rome under Pope Sixtus II who were martyred in the persecution of the Christians that the Roman Emperor Valerian ordered in 258. Life St. Lawrence is thought to have been born on 31 December AD 225, in Valencia (or less probably, in Huesca), the town from which his parents came in the later region of Aragon that was then part of the Roman province of Hispania Tarraconensis. The martyrs Orentius (Modern Spanish: ) and Patientia (Modern Spanish: ) are traditionally held to have been his parents.Sts. Orentius and Patientia Catholic Online Lawrence encountered the future |
Bas Reliefs
Relief is a sculptural method in which the sculpted pieces are bonded to a solid background of the same material. The term ''relief'' is from the Latin verb ''relevo'', to raise. To create a sculpture in relief is to give the impression that the sculpted material has been raised above the background plane. When a relief is carved into a flat surface of stone (relief sculpture) or wood (relief carving), the field is actually lowered, leaving the unsculpted areas seeming higher. The approach requires a lot of chiselling away of the background, which takes a long time. On the other hand, a relief saves forming the rear of a subject, and is less fragile and more securely fixed than a sculpture in the round, especially one of a standing figure where the ankles are a potential weak point, particularly in stone. In other materials such as metal, clay, plaster stucco, ceramics or papier-mâché the form can be simply added to or raised up from the background. Monumental bronze reliefs ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Quatrefoil
A quatrefoil (anciently caterfoil) is a decorative element consisting of a symmetrical shape which forms the overall outline of four partially overlapping circles of the same diameter. It is found in art, architecture, heraldry and traditional Christian symbolism. The word 'quatrefoil' means "four leaves", from the Latin , "four", plus , "leaf"; the term refers specifically to a four-leafed clover, but applies in general to four-lobed shapes in various contexts. In recent years, several luxury brands have attempted to fraudulently assert creative rights related to the symbol, which naturally predates any of those brands' creative development. A similar shape with three rings is called a trefoil. History The quatrefoil enjoyed its peak popularity during the Gothic and Renaissance eras. It is most commonly found as tracery, mainly in Gothic architecture, where a quatrefoil often may be seen at the top of a Gothic arch, sometimes filled with stained glass. Although the design is ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Torrita Di Siena
Torrita di Siena is a ''comune'' (municipality) in the Province of Siena in the Italian region of Tuscany, located about southeast of Florence and about southeast of Siena. Torrita di Siena borders the following municipalities: Cortona, Montepulciano, Pienza, Sinalunga, Trequanda. The most important event in Torrita di Siena is the "Palio dei Somari", a race among donkeys, which is run on Saint Joseph's Day (Torrita's patron saint) or the Sunday after this date. History The name "Torrita" appears for the first time on a code dated 1037. The castle, subject to the sovereignty and defense of the Republic of Siena, was protected by a wall equipped with squared towers and four gates: Porta a Pago, Porta Gavina, Porta Nuova and Porta a Sole. It was an advanced Siena stronghold (''castrum'') during the fight against Montepulciano. Later, in 1554, it was conquered by Florence and it was subject since then to the power of the Medici The House of Medici ( , ) was an Italian bank ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Arnolfo Di Cambio
Arnolfo di Cambio (c. 1240 – 1300/1310) was an Italian architect and sculptor. He designed Florence Cathedral and the sixth city wall around Florence (1284–1333), while his most important surviving work as a sculptor is the tomb of Cardinal de Braye in S. Domenico, Orvieto. Biography Arnolfo was born in Colle Val d'Elsa, Tuscany. He was Nicola Pisano’s chief assistant on the marble Siena Cathedral Pulpit for the Duomo in Siena Cathedral (1265–1268), but he soon began to work independently on an important tomb sculpture. In 1266–1267 he worked in Rome for King Charles I of Anjou, portraying him in the famous statue housed in the Campidoglio. Around 1282 he finished the monument to Cardinal Guillaume de Braye in the church of San Domenico in Orvieto, including an enthroned Madonna (a ''Maestà'') for which he took as a model an ancient Roman statue of the goddess Abundantia; the Madonna's tiara and jewels reproduce antique models. In Rome Arnolfo had seen the Cosm ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Lion (heraldry)
The lion is a common charge in heraldry. It traditionally symbolises courage, nobility, royalty, strength, stateliness and valour, because historically the lion has been regarded as the "king of beasts". The lion also carries Judeo-Christian symbolism. The Lion of Judah stands in the coat of arms of Jerusalem. Similar-looking lions can be found elsewhere, such as in the coat of arms of the Swedish royal House of Bjelbo, from there in turn derived into the coat of arms of Finland, formerly belonging to Sweden. History The animal designs in the heraldry of the high medieval period are a continuation of the animal style of the Viking Age, ultimately derived from the style of Scythian art as it developed from c. the 7th century BC. Symmetrically paired animals in particular find continuation from Migration Period art via Insular art to Romanesque art and heraldry. The animals of the "barbarian" (Eurasian) predecessors of heraldic designs are likely to have been us ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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