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Palace Of Justice, Rome
The Palace of Justice, Rome (Italian: ''Palazzo di Giustizia'', also colloquially named ''Il Palazzaccio''), the seat of the Supreme Court of Cassation and the Judicial Public Library, is located in the Prati district of Rome. It fronts onto the ''Piazza dei Tribunali'', the ''Via Triboniano'', the ''Piazza Cavour'', and the ''Via Ulpiano''. The huge building is popularly called in Italian the ''Palazzaccio (the bad Palace)''. History Designed by the Perugia architect Guglielmo Calderini and built between 1888 and 1910, the Palace of Justice is considered one of the grandest of the new buildings which followed the proclamation of Rome as the capital city of the Kingdom of Italy.Touring Club Italiano, ''Collana Guida d'Italia, Roma'' (8th ed., 1993; ), pp. 672–673 (Italian) The foundation stone was laid on 14 March 1888 in the presence of Giuseppe Zanardelli, Minister of Justice and Keeper of the Great Seal, who had insisted on a prestigious location in the Prati district, where ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Rome
, established_title = Founded , established_date = 753 BC , founder = King Romulus (legendary) , image_map = Map of comune of Rome (metropolitan city of Capital Rome, region Lazio, Italy).svg , map_caption = The territory of the ''comune'' (''Roma Capitale'', in red) inside the Metropolitan City of Rome (''Città Metropolitana di Roma'', in yellow). The white spot in the centre is Vatican City. , pushpin_map = Italy#Europe , pushpin_map_caption = Location within Italy##Location within Europe , pushpin_relief = yes , coordinates = , coor_pinpoint = , subdivision_type = Country , subdivision_name = Italy , subdivision_type2 = Region , subdivision_name2 = Lazio , subdivision_type3 = Metropolitan city , subdivision_name3 = Rome Capital , government_footnotes= , government_type = Strong Mayor–Council , leader_title2 = Legislature , leader_name2 = Capitoline Assembl ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Italian Baroque Architecture
Italian Baroque architecture refers to Baroque architecture in Italy. Central Italy Rome The Baroque architecture period began in the Italian period of the basilica with crossed dome and nave. One of the first Roman structures to break with the Mannerist conventions (as exemplified in the Church of the Gesù) was the church of Church of Saint Susanna, designed by Carlo Maderno in 1596. The dynamic organisation of columns and pilasters, central massing, and the protrusion and condensed central decoration add complexity to the structure. Most Baroque buildings present domes. There is an emerging playfulness with the rules of classic design, still maintaining rigour. The same emphasis on plasticity, continuity and dramatic effects is evident in the work of Pietro da Cortona, illustrated by Santi Luca e Martina (1635) and Santa Maria della Pace (1656). Santa Maria della Pace, with its concave wings devised to simulate a theatrical set, fills a tiny piazza in front of it. Other R ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Palaces In Rome
A palace is a grand residence, especially a royal residence, or the home of a head of state or some other high-ranking dignitary, such as a bishop or archbishop. The word is derived from the Latin name palātium, for Palatine Hill in Rome which housed the Imperial residences. Most European languages have a version of the term (''palais'', ''palazzo'', ''palacio'', etc.), and many use it for a wider range of buildings than English. In many parts of Europe, the equivalent term is also applied to large private houses in cities, especially of the aristocracy; often the term for a large country house is different. Many historic palaces are now put to other uses such as parliaments, museums, hotels, or office buildings. The word is also sometimes used to describe a lavishly ornate building used for public entertainment or exhibitions such as a movie palace. A palace is distinguished from a castle while the latter clearly is fortified or has the style of a fortification, whereas a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Palazzo Massimo Alle Colonne
The Palazzo Massimo alle Colonne is a Renaissance palace in Rome, Italy. History The palace was designed by Baldassarre Peruzzi in 1532–1536 on a site of three contiguous palaces owned by the old Roman Massimo family and built after arson destroyed the earlier structures during the Sack of Rome (1527). In addition the curved facade was dictated by foundations built upon the stands for the stadium (odeon) of the emperor Domitian. It fronts the now-busy Corso Vittorio Emanuele II, a few hundred yards from the front of the church of Sant'Andrea della Valle. Entrance The entrance is characterized by a central portico with six Doric columns, paired and single. Inside there are two courtyards, of which the first one has a portico with Doric columns as a basement for a rich loggia, which is also made of Doric columns. The column decorations gave the name to the palace, ''alle Colonne''. The facade is renowned as one of the most masterful of its time, combining both elegance with ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Palazzo Malta
Palazzo Malta, officially named as the Magistral Palace ( it, Palazzo Magistrale), and also known as ''Palazzo di Malta'' or ''Palazzo dell'Ordine di Malta'', is the more important of the two headquarters of the Sovereign Military Order of Malta (the other being Villa Malta), a Roman Catholic lay religious order and a sovereign subject of international law. It is located in Via dei Condotti, 68 in Rome, Italy, a few minutes' walk from the Spanish Steps, and has been granted extraterritoriality by the Italian Government. The Palace has been a property of the Order of Malta since 1630. Context On 12 June 1798, the French forces under Napoleon Bonaparte were seen over the horizon of the island of Malta, Malta had been the base of the Order of St. John of Jerusalem, also called the Order of Malta. The Order had been given the island by Charles V, Holy Roman Emperor in 1530. Napoleon left the island with a sizeable garrison and a handpicked administration. Following a Maltese uprisi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Paride Pascucci
Paride is a masculine Italian given name. Notable people with the name include: *Paride Grillo (born 1982), Italian cyclist *Paride Milianti (born 1934), Italian alpine skier *Paride Suzzara Verdi (1826–1879), Italian patriot, journalist and politician *Paride Taban (born 1936), South Sudanese Roman Catholic bishop *Paride Tumburus (1939–2015), Italian footballer See also *''Il Paride'', a 1662 Italian opera *''Parides ''Parides'', commonly called cattlehearts, is a genus of swallowtail butterflies in the family Papilionidae. They are found in the Americas (Neotropical realm). Species Listed alphabetically within groups according to Möhn ''et al.'', with ann ...'', a genus of swallowtail butterflies {{given name Italian masculine given names ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Cesare Maccari
Cesare Maccari (; 9 May 1840 – 7 August 1919) was an Italian painter and sculptor, most famous for his 1888 painting ''Cicerone denuncia Catilina'' (usually translated as ''Cicero Accuses Catiline'' or ''Cicero Denounces Catiline''). Early life Maccari was born in Siena, in the Grand Duchy of Tuscany. He was a student of the Institute of the Fine Arts in Siena together with Tito Sarrocchi, working in sculpture and helping complete the Monumento Pianigiani in Siena. He later worked in the atelier of Luigi Mussini in Florence. There in 1864 he was commissioned by an English society to copy works of Bernardino Pinturicchio found in the Cathedral of Siena. Some of his first patronage came from works the Marquis Pieri-Nerli, who also commissioned him to paint frescoes of the four evangelists for a private chapel in his home in Quinciano, a hamlet in the comune of Monteroni d'Arbia. Maccari soon won a stipend to study in Rome, that also allowed him to travel through Italy. Mat ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Fresco
Fresco (plural ''frescos'' or ''frescoes'') is a technique of mural painting executed upon freshly laid ("wet") lime plaster. Water is used as the vehicle for the dry-powder pigment to merge with the plaster, and with the setting of the plaster, the painting becomes an integral part of the wall. The word ''fresco'' ( it, affresco) is derived from the Italian adjective ''fresco'' meaning "fresh", and may thus be contrasted with fresco-secco or secco mural painting techniques, which are applied to dried plaster, to supplement painting in fresco. The fresco technique has been employed since antiquity and is closely associated with Italian Renaissance painting. The word ''fresco'' is commonly and inaccurately used in English to refer to any wall painting regardless of the plaster technology or binding medium. This, in part, contributes to a misconception that the most geographically and temporally common wall painting technology was the painting into wet lime plaster. Even in app ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
House Of Savoy
The House of Savoy ( it, Casa Savoia) was a royal dynasty that was established in 1003 in the historical Savoy region. Through gradual expansion, the family grew in power from ruling a small Alpine county north-west of Italy to absolute rule of the Kingdom of Sicily from 1713 to 1720, when they were handed the island of Sardinia, over which they would exercise direct rule from then onward. Through its junior branch of Savoy-Carignano, the House of Savoy led the Italian unification in 1860 and ruled the Kingdom of Italy until 1946; they also briefly ruled the Kingdom of Spain in the 19th century. The Savoyard kings of Italy were Victor Emmanuel II, Umberto I, Victor Emmanuel III, and Umberto II. The last monarch reigned for a few weeks before being deposed following the institutional referendum of 1946, after which the Italian Republic was proclaimed. History The name derives from the historical region of Savoy in the Alpine region between what is now France and Italy. Ove ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Coat Of Arms
A coat of arms is a heraldic visual design on an escutcheon (i.e., shield), surcoat, or tabard (the latter two being outer garments). The coat of arms on an escutcheon forms the central element of the full heraldic achievement, which in its whole consists of a shield, supporters, a crest, and a motto. A coat of arms is traditionally unique to an individual person, family, state, organization, school or corporation. The term itself of 'coat of arms' describing in modern times just the heraldic design, originates from the description of the entire medieval chainmail 'surcoat' garment used in combat or preparation for the latter. Rolls of arms are collections of many coats of arms, and since the early Modern Age centuries, they have been a source of information for public showing and tracing the membership of a noble family, and therefore its genealogy across time. History Heraldic designs came into general use among European nobility in the 12th century. System ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ettore Ximenes
Ettore Ximenes (11 April 1855, Palermo 20 December 1926, Rome) was an Italian sculptor. Biography Son of Antonio Ximenes and Giulia Tolentino, a Sicilian noble woman, Ettore Ximenes initially embarked on literary studies but then took up sculpture and attended the courses at the Palermo Academy of Fine Arts. After 1872, he continued training at the Naples Academy under Domenico Morelli and Stanislao Lista. He also established a close relationship with Vincenzo Gemito. He returned to Palermo in 1874 and won a competition for a four-year grant, which enabled him to study and open a studio for sculpture in Florence. In 1873 at Vienna, he exhibited ''Work without Genius''. In 1877 at Naples, he exhibited a life-size statue titled ''The Equilibrium'' about a gymnast walking on a sphere. He would make copies of this work in small marble and bronze statuettes. He exhibited a stucco ''Christ and the Adultress'' and ''Il cuore del re (Heart of the King)'', the latter depicting an of ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Quadriga
A () is a car or chariot drawn by four horses abreast and favoured for chariot racing in Classical Antiquity and the Roman Empire until the Late Middle Ages. The word derives from the Latin contraction of , from ': four, and ': yoke. The four-horse abreast arrangement in quadriga is distinct from the more common four-in-hand array of two horses in the front and two horses in the back. Quadriga was raced in the Ancient Olympic Games and other contests. It is represented in profile as the chariot of gods and heroes on Greek vases and in bas-relief. During the festival of the Halieia, the ancient Rhodians would sacrifice a quadriga by throwing it into the sea. The quadriga was adopted in ancient Roman chariot racing. Quadrigas were emblems of triumph; Victory or Fame often are depicted as the triumphant woman driving it. In classical mythology, the quadriga is the chariot of the gods; the god of the sun Helios (often identified with Apollo, the god of light) was depicted drivi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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