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Pakeezah
''Pakeezah'' (; ) is a 1972 Indian Hindustani-language musical romantic drama film that was written, directed, and produced by Kamal Amrohi. The film stars Ashok Kumar, Meena Kumari, and Raaj Kumar. It tells the story of Sahibjaan, a Lucknow-based courtesan or dancer, popularly known as tawaif. While asleep on a train, Sahibjaan receives a note from a stranger praising her beauty. Later, evacuating from a broken boat, she takes shelter in a tent and finds out its owner, a forest ranger named Salim, wrote the letter. Sahibjaan and Sahib plan to get married, causing conflicts with Sahibjaan's professional background. Amrohi, to whom Kumari was married, wanted to make a film dedicated to his wife; he began conceiving the story after the release of their collaborative film ''Daaera'' (1953). Production lasted 15 years. ''Pakeezah'' principal photography commenced in 1956 under the German cinematographer Josef Wirsching. The film faced many obstacles, particularly Amrohi and Kuma ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Meena Kumari
Meena Kumari (born Mahjabeen Bano; 1 August 1933 – 31 March 1972) was an Indian actress and poet, who worked in Hindi films. Popularly known as ''The Tragedy Queen'', she was active between 1939 and 1972. Kumari is widely considered one of the greatest actress of Indian cinema. In a career spanning 33 years, she starred in over 90 films until her premature death in 1972. Meena Kumari won four Filmfare Awards in the Best Actress category. She was the recipient of the inaugural Filmfare Best Actress Award for ''Baiju Bawra'' in 1954 and had a consecutive win in the second Filmfare Awards (1955) for '' Parineeta''. Kumari made history at the 10th Filmfare Awards (1963), by receiving all three of the Best Actress nominations, and won for her performance in '' Sahib Bibi Aur Ghulam''. In the 13th Filmfare Awards (1966), she won her last Best Actress award for ''Kaajal''. Critics often note that her character in ''Sahib Bibi Aur Ghulam'' was similar to the story of her life. Fa ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Pakeezah (soundtrack)
''Pakeezah'' is a 1972 film directed by Kamal Amrohi. The film is remembered as one of the most elaborate musicals of Indian Cinema. Development ''Pakeezah'' was conceptualised in 1954 as a Black & White venture. The mujra ''Inhin logon ne'' was shot on July 16, 1956 as written on the reel under Kamal Pictures. The film was eventually released under Kamal Pictures Pvt Ltd in 1972. It was '' Mirza Ghalib's'' music, which paved the path for Ghulam Mohammad to compose for Kamal Amrohi's dream project. After seeing ''Mirza Ghalib'', Kamal Amrohi decided on Ghulam though earlier he had C. Ramchandra in mind, who was on cloud nine after the success of '' Anarkali''. Majrooh Sultanpuri was supposed to write most of the songs of the film however, in between, he got invitation for a ''Mushaira'' and he wanted to attend it. Kamal Amrohi didn't want him to go before completing the song he was working on then but Majrooh told him clearly that poetry and participation in Mushaira were h ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Kamal Amrohi
Syed Amir Haider Kamal Naqvi (17 January 1918 – 11 February 1993), popularly known as Kamal Amrohi, was an Indian film director and screenwriter. He was also an Urdu and Hindi poet. His Hindi films include '' Mahal'' (1949), ''Pakeezah'' (1972) and '' Razia Sultan'' (1983). He established Kamal Pictures (Mahal Films) in 1953 and Kamalistan Studio in Bombay in 1958. Early life Kamal Amrohi was born in Amroha, United Provinces in British India (present-day Uttar Pradesh) and later took on the name Kamal Amrohi (or Amrohvi). He was a first cousin to Pakistani writers Jaun Elia and Rais Amrohvi. Career In 1938, he left Amroha to study in Lahore, now part of Pakistan, where singer K. L. Saigal discovered him and took him to Mumbai (Bombay) to work for Sohrab Modi's Minerva Movietone film company, where he started his career working on films like ''Jailor'' (1938), ''Pukar'' (1939), ''Bharosa'' (1940), A. R. Kardar's film (Shahjehan 1946). He made his debut as a director in 1949, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ghulam Mohammed (composer)
Ghulam Mohammed (1903 – 17 March 1968) was an Indian film score composer, who is notable for Hindi musicals such as '' Pardes'' (1950), ''Mirza Ghalib'' (1954), ''Shama'' (1961) and ''Pakeezah'' (1972). He received National Film Award for Best Music Direction (then called State Awards for Films) for ''Mirza Ghalib'' (1954). The shooting of his last film, ''Pakeezah'', was held up for many years due to marital and personal problems between the film producer Kamal Amrohi and the lead actress Meena Kumari, and was finally released only after Ghulam Mohammed's death. Early life and career Ghulam Mohammed was born in Bikaner, Rajasthan, into a family of musicians. His father, Nabi Baksh, was an accomplished tabla player. He started his career as a child actor at age six with the Punjab-based New Albert Theatrical Company and worked at the local Albert Theatre in Bikaner. He eventually signed on as a contract artiste for 25 rupees a month, but before he could take up the appointm ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
List Of Films With Longest Production Time
This is a list of films Principal photography, shot over three or more years. The list excludes projects comprising individual films not shot over a long period, such as the ''Up (film series), Up'' series, ''The Children of Golzow'', or the Harry Potter (film series), ''Harry Potter'' series. ''The Other Side of the Wind'' holds the record for a movie to be in production for the longest time: it was in production stage for 48 years (1970–2018). See also * List of media notable for being in development hell References {{reflist, refs= {{Cite web , last=Numakura , first=Arihito , date=2016-11-28 , title=Taking Japanese CG animation to a new stage with his love for movies and his exquisite sense of balance as a 3DCG expert ~The movie "GANTZ: O" directed by Yasushi Kawamura~ , url=https://cgworld.jp/interview/201611-gntzo-kwmrdr.html , access-date=2022-11-26 , website=CGWorld , language=ja {{Cite web , last=Kit , first=Borys , date=2017-05-22 , title=Zack Snyder Steps Down F ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Josef Wirsching
Josef Wirsching (22 March 1903 – 11 June 1967) sometimes credited as Joseph Wirsching, was a German cinematographer, who became a pioneer in cinematography in India and who contributed to the heritage of Cinema of India and still photography in its improvement into a scientific art of expression. His association with Indian cinema started in 1925, when he worked with another German, Franz Osten, in the Indo-European collaboration, ''The Light of Asia''. Thereafter he settled in India, went on to work in over 20 films with Bombay Talkies and subsequently with Kamal Amrohi in '' Mahal'' (1949), ''Dil Apna Aur Preet Parayi'' (1960) and his masterpiece ''Pakeezah'' (1972), though he died while it was still under production. Early life and education Born in Munich, Germany, where he also did his schooling. After his schooling he joined ‘Blau Weiβ Films’ in Munich as an apprentice photographer; he studied photography theory in the state run ‘Gewerbeschule’ in Munich. Person ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Raaj Kumar
Raaj Kumar (born Kulbhushan Pandit; 8 October 1926 3 July 1996) was an Indian actor who worked in Hindi films. He appeared in the Oscar-nominated 1957 film ''Mother India'' and starred in over 70 Hindi films in a career that spanned over four decades. Personal life Kulbhushan Pandit was born in Loralai, Baluchistan, British India (now Pakistan) in a Kashmiri Pandit family. In the late 1940s, he moved to Bombay, where he became a sub-inspector under Bombay Police. He married Jennifer Pandit, an Anglo-Indian, whom he met on a flight where she was an air hostess. She later changed her name to Gayatri Kumar as per Hindu customs. They had three children, sons Puru Raaj Kumar (an actor), Panini Raaj Kumar and daughter Vastavikta Pandit, who made her screen debut in 2006 film ''Eight: The Power of Shani''. Career Raaj Kumar made his acting debut in the 1952 film ''Rangili'' and appeared in films like ''Aabshar'', ''Ghamand'' and ''Lakhon Mein Ek'', but it was as Prince Naushazad ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Muslim Social
The Muslim social is a film genre in Bollywood that portrays Islamic culture in India. It flourished in the 1950s and 1960s and lasted till the early 1980s. Muslim socials are divided into two categories: "classic Muslim socials" that explore nawabi culture and focus on upper class or elite Muslim families, and "new wave Muslim socials" that portray middle class Muslim families who experience economic problems, discrimination and communal violence. Muslim socials often include ghazals, qawwalis, Urdu poetry and expressions, and musical forms commonly associated with Islamic culture. However, lately the label has also been criticized for cultural ghettoization of minority cinema. Director M.S. Sathyu who made '' Garam Hava'' (1973), called it "a skewed way to look at cinema. When there is no Hindu social or Christian social, how can there be a Muslim social". History The earliest Muslim socials were made in the 1930s after the advent of sound and continued to be popular until th ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ashok Kumar
Kumudlal Ganguly (13 October 1911 – 10 December 2001), better known by his stage name Ashok Kumar and also by Dadamoni, was an Indian actor who attained iconic status in Indian cinema and who was a member of the cinematic Ganguly family. He was honoured in 1988 with the Dadasaheb Phalke Award, the highest national award for cinema artists, by the Government of India and also received the Padma Bhushan in 1999 for his contributions to Indian cinema. Background and personal life Ashok Kumar was born Kumudlal Ganguly to a Bengali Hindu Brahmin family in Bhagalpur, Bengal Presidency, British India (present-day Bihar, India). His father, Kunjlal Ganguly, was a lawyer while his mother, Gouri Devi, was a house wife. Kumudlal was the eldest of four children. His only sister, Sati Devi, a few years younger to him, was married at a very young age to Sashadhar Mukherjee and became the matriarch of a large "film family". Next was his brother, Kalyan, 16 years younger (b.1927), who la ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Mujra
Mujra is a dance performance by women in a format that emerged during Mughal rule in India, where the elite class and local rulers like the nawabs of the Indian society (often connected to the Mughal emperor's court) used to frequent courtesans for their entertainment. Background and history It combines elements of the native classical Kathak dance with native music including thumris and ghazals. It also includes poems from other Mughal periods like the emperors from Akbar to Bahadur Shah Zafar's ruling periods. Mujra was traditionally performed at mehfils and in special houses called . During Mughal rule in the subcontinent, in places such as Delhi Delhi, officially the National Capital Territory (NCT) of Delhi, is a city and a union territory of India containing New Delhi, the capital of India. Straddling the Yamuna river, primarily its western or right bank, Delhi shares borders w ..., Lucknow, Jaipur, the tradition of performing mujra was a family art and often p ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tawaif
A ''tawaif'' was a highly successful entertainer who catered to the nobility of the Indian subcontinent, particularly during the Mughal Empire, Mughal era. The tawaifs excelled in and contributed to music, dance (mujra), theatre, and the Urdu literary tradition, and were considered an authority on etiquette. Tawaifs were largely a North Indian institution central to Mughal court culture from the 16th century onwards and became even more prominent with the weakening of Mughal rule in the mid-18th century. They contributed significantly to the continuation of traditional dance and music forms and then to the emergence of modern Indian cinema. History The patronage of the Mughal court before and after the Mughal Dynasty in the Doab region and the artistic atmosphere of 16th century Lucknow made arts-related careers a viable prospect. Many girls were taken at a young age and trained in both performing arts (such as Kathak and Hindustani classical music) as well as literature (ghazal ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Filmfare Award For Best Art Direction
The Filmfare Best Art Direction Award is given by the ''Filmfare'' magazine as part of its annual Filmfare Awards for Hindi films. Although the awards started in 1954, this category was started only in 1956. Superlatives Awards See also * Filmfare Awards * Bollywood * Cinema of India External linksFilmfare Awards Best Art Direction{{Filmfare Awards Art Direction Art director is the title for a variety of similar job functions in theater, advertising, marketing, publishing, fashion, film and television, the Internet, and video games. It is the charge of a sole art director to supervise and unify the visi ... Awards for best art direction ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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