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Plot Device
A plot device or plot mechanism is any technique in a narrative used to move the plot forward. A clichéd plot device may annoy the reader and a contrived or arbitrary device may confuse the reader, causing a loss of the suspension of disbelief. However, a well-crafted plot device, or one that emerges naturally from the setting or characters of the story, may be entirely accepted, or may even be unnoticed by the audience. Stories using plot devices Many stories, especially in the fantasy genre, feature an object or objects with some great magical power, such as a crown, sword, or jewel. Often what drives the plot is the hero's need to find the object and use it for good, before the villain can use it for evil, or if the object has been broken by the villains, to retrieve each piece that must be gathered from each antagonist to restore it, or, if the object itself is evil, to destroy it. In some cases destroying the object will lead to the destruction of the villain. In the In ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Narrative Technique
A narrative technique (also, in fiction, a fictional device) is any of several storytelling methods the creator of a story uses, thus effectively relaying information to the audience or making the story more complete, complex, or engaging. Some scholars also call such a technique a narrative mode, though this term can also more narrowly refer to the particular technique of using a commentary to deliver a story. Other possible synonyms within written narratives are literary technique or literary device, though these can also broadly refer to non-narrative writing strategies, as might be used in academic or essay writing, as well as poetic devices such as assonance, metre The metre (or meter in US spelling; symbol: m) is the base unit of length in the International System of Units (SI). Since 2019, the metre has been defined as the length of the path travelled by light in vacuum during a time interval of of ..., or rhyme scheme. Furthermore, narrative techniques are di ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Cambridge University Press
Cambridge University Press was the university press of the University of Cambridge. Granted a letters patent by King Henry VIII in 1534, it was the oldest university press in the world. Cambridge University Press merged with Cambridge Assessment to form Cambridge University Press and Assessment under Queen Elizabeth II's approval in August 2021. With a global sales presence, publishing hubs, and offices in more than 40 countries, it published over 50,000 titles by authors from over 100 countries. Its publications include more than 420 academic journals, monographs, reference works, school and university textbooks, and English language teaching and learning publications. It also published Bibles, runs a bookshop in Cambridge, sells through Amazon, and has a conference venues business in Cambridge at the Pitt Building and the Sir Geoffrey Cass Sports and Social Centre. It also served as the King's Printer. Cambridge University Press, as part of the University of Cambridge, was a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Euripides
Euripides () was a Greek tragedy, tragedian of classical Athens. Along with Aeschylus and Sophocles, he is one of the three ancient Greek tragedians for whom any plays have survived in full. Some ancient scholars attributed ninety-five plays to him, but the ''Suda'' says it was ninety-two at most. Of these, eighteen or nineteen have survived more or less complete (''Rhesus (play), Rhesus'' is suspect). There are many fragments (some substantial) of most of his other plays. More of his plays have survived intact than those of Aeschylus and Sophocles together, partly because his popularity grew as theirs declinedMoses Hadas, ''Ten Plays by Euripides'', Bantam Classic (2006), Introduction, p. ixhe became, in the Hellenistic Age, a cornerstone of ancient literary education, along with Homer, Demosthenes, and Menander.L.P.E.Parker, ''Euripides: Alcestis'', Oxford University Press (2007), Introduction p. lx Euripides is identified with theatrical innovations that have profoundly influ ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tragedy
A tragedy is a genre of drama based on human suffering and, mainly, the terrible or sorrowful events that befall a tragic hero, main character or cast of characters. Traditionally, the intention of tragedy is to invoke an accompanying catharsis, or a "pain [that] awakens pleasure,” for the audience. While many cultures have developed forms that provoke this paradoxical response, the term ''tragedy'' often refers to a specific Poetic tradition, tradition of drama that has played a unique and important role historically in the self-definition of Western culture, Western civilization. That tradition has been multiple and discontinuous, yet the term has often been used to invoke a powerful effect of cultural identity and historical continuity—"the Classical Athens, Greeks and the Elizabethan era, Elizabethans, in one cultural form; Hellenistic civilization, Hellenes and Christians, in a common activity," as Raymond Williams puts it. Originating in the theatre of ancient Greece ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Greek God
In ancient Greece, deities were regarded as immortal, anthropomorphic, and powerful. They were conceived of as individual persons, rather than abstract concepts or notions, and were described as being similar to humans in appearance, albeit larger and more beautiful. The emotions and actions of deities were largely the same as those of humans; they frequently engaged in sexual activity, and were jealous and amoral. Deities were considered far more knowledgeable than humans, and it was believed that they conversed in a language of their own. Their immortality, the defining marker of their godhood, meant that they ceased aging after growing to a certain point. In place of blood, their veins flowed with ichor, a substance which was a product of their diet, and conferred upon them their immortality. Divine power allowed the gods to intervene in mortal affairs in various ways: they could cause natural events such as rain, wind, the growing of crops, or epidemics, and were able to dict ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Mechane
A mechane (; , ''mēkhanḗ'') or machine was a crane used in Greek theatre, especially in the 5th and 4th centuries BC. Made of wooden beams and pulley systems, the device was used to lift an actor into the air, usually representing flight. This stage machine was particularly used to bring gods onto the stage from above,Plato, '' Crat.'' 425d; '' Clit''. 407a hence the Latin term '' deus ex machina'' ("god from the machine"). Euripides' use of the mechane in ''Medea'' (431 BC) is a notable use of the machine for a non-divine character. It was also often used by Aeschylus. Use in ancient Rome Stage machines were also used in ancient Rome, e.g. during the sometimes highly dramatic performances at funerals. For Julius Caesar's funeral service, Appian reports a mechane that was used to present a blood-stained wax effigy of the deceased dictator to the funeral crowd. The mechane was used to turn the body in all directions.App. ''B.C.'' 2.147. ''τὸ μὲν γὰρ σῶμα, ὡ� ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Theatre Of Ancient Greece
A Theatre, theatrical culture flourished in ancient Greece from 700 BC. At its centre was the Polis, city-state of Classical Athens, Athens, which became a significant cultural, political, and religious place during this period, and the theatre was institutionalised there as part of a festival called the Dionysia, which honoured the god Dionysus. Greek tragedy, Tragedy (late 500 BC), Ancient Greek comedy, comedy (490 BC), and the satyr play were the three dramatic genres emerged there. Athens exported the festival to its numerous colonies. Modern Western theatre comes, in large measure, from the theatre of ancient Greece, from which it borrows technical terminology, classification into genres, and many of its theme (arts), themes, stock characters, and plot elements. Etymology The word , from which the word "tragedy" is derived, is a compound (linguistics), compound of two Greek language, Greek words: or "goat" and meaning "song", from . This etymology indicates a link with th ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Deus
''Deus'' (, ) is the Latin word for 'God (word), god' or 'deity'. Latin ''deus'' and ''dīvus'' ('divine') are in turn descended from Proto-Indo-European language, Proto-Indo-European *''deiwos'', 'celestial' or 'shining', from the same root (linguistics), root as ''Dyeus, *Dyēus'', the reconstructed chief god of the Proto-Indo-European religion, Proto-Indo-European pantheon. In Classical Latin, Glossary of ancient Roman religion#deus, dea, di, dii, ''deus'' (feminine ''dea'') was a general noun List of Roman deities, referring to a deity, while in technical usage a Glossary of ancient Roman religion#divus, ''divus'' or ''diva'' was a figure who had become divine, such as a Imperial cult (ancient Rome), divinized emperor. In Late Latin, ''Deus'' came to be used mostly for the God in Christianity, Christian God. It was inherited by the Romance languages in Galician and Portuguese ''Deus'', Catalan and Sardinian ''Déu'', French and Occitan ''Dieu'', Friulian and Sicilian ''Diu' ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Nick Lowe (classicist)
Nick Lowe (; born 1956) is a British classical scholar and film critic. He is a reader in classics in the Department of Classics and Philosophy at Royal Holloway, a constituent college of the University of London, with interests including narratology and reception of Greek antiquity in historical fiction. Lowe is also a film reviewer for the science-fiction magazine '' Interzone'', writing the column ''Mutant Popcorn'' since the mid-1980s; he won a British Science Fiction Association Award for the column in 2009. The 25th anniversary of his column was celebrated by a special issue of ''Interzone'' in 2010, including reprints of his first reviews and an interview with Lowe. Early life and education He was born in Manchester, England, and raised in Glasgow, Scotland. He was educated at Fettes College, Edinburgh, before going on to read classics at Jesus College, Cambridge, where he received his Master of Arts and Doctor of Philosophy degrees. His doctoral advisor was Geoffre ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Lord Of The Rings
''The Lord of the Rings'' is an Epic (genre), epic high fantasy novel written by English author and scholar J. R. R. Tolkien. Set in Middle-earth, the story began as a sequel to Tolkien's 1937 children's book ''The Hobbit'' but eventually developed into a much larger work. Written in stages between 1937 and 1949, ''The Lord of the Rings'' is one of the List of best-selling books, best-selling books ever written, with over 150 million copies sold. The title refers to the story's main antagonist, the Dark Lord Sauron, who History of Arda#Second Age, in an earlier age created the One Ring, allowing him to rule the other Rings of Power given to Men in Middle-earth, men, Dwarves in Middle-earth, dwarves, and Elves in Middle-earth, elves, in his campaign to conquer all of Middle-earth. From homely beginnings in the Shire, a hobbit land reminiscent of the English countryside, the story ranges across Middle-earth, following Quests in Middle-earth, the quest to destroy the One Ring, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
One Ring
The One Ring, also called the Ruling Ring and Isildur's Bane, is a central plot element in J. R. R. Tolkien's ''The Lord of the Rings'' (1954–55). It first appeared in the earlier story '' The Hobbit'' (1937) as a magic ring that grants the wearer invisibility. Tolkien changed it into a malevolent Ring of Power and re-wrote parts of ''The Hobbit'' to fit in with the expanded narrative. ''The Lord of the Rings'' describes the hobbit Frodo Baggins's quest to destroy the Ring and save Middle-earth. Scholars have compared the story with the ring-based plot of Richard Wagner's opera cycle '' Der Ring des Nibelungen''; Tolkien denied any connection, but at the least, both men drew on the same mythology. Another source is Tolkien's analysis of Nodens, an obscure pagan god with a temple at Lydney Park, where he studied the Latin inscriptions, one containing a curse on the thief of a ring. Tolkien rejected the idea that the story was an allegory, saying that applicability to ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Lord Voldemort
Lord Voldemort ( , in the films) is a fictional character and the main antagonist in the ''Harry Potter'' series of novels by J. K. Rowling. He first appears in ''Harry Potter and the Philosopher's Stone'' (1997) and returns either in person or in flashbacks in each novel in the series except the third, ''Harry Potter and the Prisoner of Azkaban'', in which he is only mentioned. Voldemort, an anagrammatic sobriquet for his birth name Tom Marvolo Riddle, is the archenemy of Harry Potter (character), Harry Potter, who according to a prophecy has "the power to vanquish the Dark Lord". After killing Harry's parents, List of supporting Harry Potter characters, Lily and James Potter (character), James Potter, he attempts to murder the boy, but instead leaves him with a scar on his forehead in the shape of a lightning bolt. Nearly every witch or wizard dares not utter his name and refers to him instead with such monikers as "You-Know-Who", "He-Who-Must-Not-Be-Named", or ''The Dark ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
