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Palazzo Di Propaganda Fide
The Palazzo di Propaganda Fide (in English: Palace of the Propagation of the Faith) is a palace located in Rome, designed by Gian Lorenzo Bernini, then Francesco Borromini. Since 1626, it has housed the Congregation for the Evangelization of Peoples and since 1929 is an Properties of the Holy See, extraterritorial property of the Holy See. The complex includes a dormitory and chapel as well. History The building is located in the Rioni of Rome, Rione Colonna (rione of Rome), Colonna, at the southern end of piazza di Spagna. Its southern facade is in front of the basilica Sant'Andrea delle Fratte, whose cupola and the bell were the work of Borromini. The main facade was created by Bernini (1644), and the front side of the via di Propaganda by Borromini (1646). This setting aside of Bernini's work was a request of Pope Innocent X, who preferred Borromini's style. The work was completed in 1667. The palace is still devoted to its original purpose, but the ground floor has been conve ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Giuseppe Vasi
Giuseppe Vasi (27 August 1710 – 16 April 1782) was an Italian engraver and architect, best known for his ''Veduta, vedute''. Biography He was born in Corleone, Sicily and later, around 1736, moved to Rome. After a period of intense visits and studies, Vasi started to work as an engraver in thCalcografia Camerale, the main public institution of Rome devoted to engraving and etching, founded some years before by Pope Clement XII. His views for the Calcografia include panoramas of the Trevi Fountain and of the Spanish Steps. Later on Vasi started to work on his own, producing and selling series of his views to a public made principally of grand tourists. The first series of akin consists in the ''Vedute di Roma sul Tevere'', i.e. ''Views of the Tiber'', circa 1743 and later adapted to become part of the ''Magnificenze di Roma antica e moderna''. In these years Vasi also hosted in his workshop for a limited period of time the young Giovanni Battista Piranesi, his major pupil, who ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Pope Urban VIII
Pope Urban VIII (; ; baptised 5 April 1568 – 29 July 1644), born Maffeo Vincenzo Barberini, was head of the Catholic Church and ruler of the Papal States from 6 August 1623 to his death, in July 1644. As pope, he expanded the papal territory by force of arms and advantageous politicking, and was also a prominent patron of the arts, commissioning works from artists like Gian Lorenzo Bernini and a reformer of Church missions. His papacy also covered 21 years of the Thirty Years' War. The massive debts incurred during his pontificate greatly weakened his successors, who were unable to maintain the papacy's longstanding political and military influence in Europe. He was also an opponent of Copernicanism and was involved in the Galileo affair, which saw the astronomer tried for heresy. He is the last pope to date to take the papal name ''Urban''. Biography Early life Maffeo Vincenzo Barberini was born in April 1568, the son of Antonio Barberini, a Florentine nobleman, and C ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Francesco Borromini Buildings
Francesco, the Italian (and original) version of the personal name "Francis", is one of the most common given name among males in Italy. Notable persons with that name include: People with the given name Francesco * Francesco I (other), several people * Francesco Barbaro (other), several people * Francesco Bernardi (other), several people *Francesco di Giorgio Martini (1439-1501), Italian architect, engineer and painter *Francesco Zurolo (first half of the 15th century–1480), Italian feudal lord, baron and italian leader * Francesco Berni (1497–1536), Italian writer * Francesco Canova da Milano (1497–1543), Italian lutenist and composer * Francesco Primaticcio (1504–1570), Italian painter, architect, and sculptor * Francesco Albani (1578–1660), Italian painter * Francesco Borromini (1599–1667), Swiss sculptor and architect * Francesco Cavalli (1602–1676), Italian composer * Francesco Maria Grimaldi (1618–1663), Italian mathematician and ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Gian Lorenzo Bernini Buildings
Gian is a given name of Italian origin. It is a shortened version of Giovanni, another name of Italian origin. Notable people Notable people whose name is now typically expressed as Gian include: * Gian Paolo Lomazzo, Italian painter * Gian Lorenzo Bernini, Italian sculptor * Gian Rinaldo Carli, Italian count, economist, and antiquarian * Gian Gastone de' Medici, Grand Duke of Tuscany * Gian Francesco Albani, Italian Catholic cardinal * Gian Francesco Malipiero, Italian composer * Gian Galeazzo Visconti, First Lord of Milan * Gian Galeazzo Sforza, Sixth Lord of Milan * Gian Marco Berti (born 1982), Sammarinese sports shooter * Gian Marco Centinaio, Italian politician * Gian Croci, Argentine footballer * Gian Pyres, British musician * Gian Maria Volonté, former actor * Gian Sammarco, former actor * Gian Carlo Menotti, composer and librettist * Gian Sotto, Filipino politician * Gian Piero Ventura, Italian football manager * Gian Piero Gasperini, Italian football manager * ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Baroque Architecture In Rome
The Baroque ( , , ) is a Western Style (visual arts), style of Baroque architecture, architecture, Baroque music, music, Baroque dance, dance, Baroque painting, painting, Baroque sculpture, sculpture, poetry, and other arts that flourished from the early 17th century until the 1750s. It followed Renaissance art and Mannerism and preceded the Rococo (in the past often referred to as "late Baroque") and Neoclassicism, Neoclassical styles. It was encouraged by the Catholic Church as a means to counter the simplicity and austerity of Protestant architecture, art, and music, though Lutheran art#Baroque period, Lutheran Baroque art developed in parts of Europe as well. The Baroque style used contrast, movement, exuberant detail, deep color, grandeur, and surprise to achieve a sense of awe. The style began at the start of the 17th century in Rome, then spread rapidly to the rest of Italy, France, Spain, and Portugal, then to Austria, southern Germany, Poland and Russia. By the 1730s, i ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Baroque Architecture In Lazio
The Baroque ( , , ) is a Western style of architecture, music, dance, painting, sculpture, poetry, and other arts that flourished from the early 17th century until the 1750s. It followed Renaissance art and Mannerism and preceded the Rococo (in the past often referred to as "late Baroque") and Neoclassical styles. It was encouraged by the Catholic Church as a means to counter the simplicity and austerity of Protestant architecture, art, and music, though Lutheran Baroque art developed in parts of Europe as well. The Baroque style used contrast, movement, exuberant detail, deep color, grandeur, and surprise to achieve a sense of awe. The style began at the start of the 17th century in Rome, then spread rapidly to the rest of Italy, France, Spain, and Portugal, then to Austria, southern Germany, Poland and Russia. By the 1730s, it had evolved into an even more flamboyant style, called ''rocaille'' or ''Rococo'', which appeared in France and Central Europe until the mid to late 1 ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Extraterritorial Properties Of The Holy See In Rome
In international law, extraterritoriality or exterritoriality is the state of being exempted from the jurisdiction of local law, usually as the result of diplomatic negotiations. Historically, this primarily applied to individuals, as jurisdiction was usually claimed on peoples rather than on lands. Extraterritoriality can also be partly applied to physical places. For example, such is the immunity granted to diplomatic missions, military bases of foreign countries, or offices of the United Nations. The three most common cases recognized today internationally relate to the persons and belongings of foreign heads of state and government, the persons and belongings of ambassadors and other diplomats, and ships in international waters. Forms In the past, pre-modern states generally claimed sovereignty over persons, creating something known as personal jurisdiction. As people move between borders, this led, in the framework of a territorial jurisdiction, to certain persons being u ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Column Of The Immaculate Conception, Rome
The Column of the Immaculate Conception (Italian: ''La Colonna della Immacolata Concezione'') is a nineteenth-century monument in central Rome depicting the Blessed Virgin Mary, located in what is called Piazza Mignanelli, towards the south east part of Piazza di Spagna. It was placed aptly in front of the offices of the Palazzo di Propaganda Fide which houses the Congregation for the Evangelization of Peoples, as well as in front of the Spanish embassy as recognition by the pontiff of the defense that this nation has always made of this dogma of faith. Since December 1953, Pontiffs have visited the monument annually and offered a bouquet of flowers at the base of the column with help of Roman firemen commemorating the Feast of the Immaculate Conception. History The column. The Marian monument was designed by the architect Luigi Poletti, and commissioned by Ferdinand II, King of the Two Sicilies. In part, he wanted to put closure to the dispute between Naples and the Papal Sta ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
List Of Works By Gian Lorenzo Bernini
The following is a list of works of sculpture, architecture, and painting by the Italian Baroque artist Gian Lorenzo Bernini. The numbering follows Rudolph Wittkower's Catalogue, published in 1966 in ''Gian Lorenzo Bernini: The Sculptor of the Roman Baroque''. Works Notes References * * * * * * * * Further reading * * * * External links Web Gallery of ArtMap Showing the Location of Bernini's Works in Rome {{DEFAULTSORT:Bernini, Gian Lorenzo Arts-related lists, Bernini Lists of works of art, Bernini Works by Gian Lorenzo Bernini Lists of sculptures ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Cornice
In architecture, a cornice (from the Italian ''cornice'' meaning "ledge") is generally any horizontal decorative Moulding (decorative), moulding that crowns a building or furniture element—for example, the cornice over a door or window, around the top edge of a pedestal, or along the top of an interior wall. A simple cornice may be formed with a crown, as in crown moulding atop an interior wall or above kitchen cabinets or a bookcase. A projecting cornice on a building has the function of throwing rainwater free of its walls. In residential building practice, this function is handled by projecting gable ends, roof eaves, and rain gutter, gutters. However, house eaves may also be called "cornices" if they are finished with decorative moulding. In this sense, while most cornices are also eaves (overhanging the sides of the building), not all eaves are usually considered cornices. Eaves are primarily functional and not necessarily decorative, while cornices have a decorative a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Piano Nobile
( Italian for "noble floor" or "noble level", also sometimes referred to by the corresponding French term, ) is the architectural term for the principal floor of a '' palazzo''. This floor contains the main reception and bedrooms of the house. The German term is (meaning "beautiful storey", from the French ). Both date to the 17th century. Characteristics The ''piano nobile'' is usually the first floor (in European terminology; second floor in American terms) or sometimes the second storey and contains major rooms, located above the rusticated ground floor containing the minor rooms and service rooms. The reasons were so that the rooms above the ground floor would have finer views and to avoid the dampness and odours of the street level. That is especially true in Venice, where the ''piano nobile'' of the many '' palazzi'' is especially obvious from the exterior by virtue of its larger windows and balconies and open loggias. Examples are Ca' Foscari, Ca' d'Oro, Ca' Vend ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Entablature
An entablature (; nativization of Italian , from "in" and "table") is the superstructure of moldings and bands which lies horizontally above columns, resting on their capitals. Entablatures are major elements of classical architecture, and are commonly divided into the architrave (the supporting member immediately above; equivalent to the lintel in post and lintel construction), the frieze (an unmolded strip that may or may not be ornamented), and the cornice (the projecting member below the pediment). The Greek and Roman temples are believed to be based on wooden structures, the design transition from wooden to stone structures being called petrification. Overview The structure of an entablature varies with the orders of architecture. In each order, the proportions of the subdivisions (architrave, frieze, cornice) are defined by the proportions of the column. In Roman and Renaissance interpretations, it is usually approximately a quarter of the height of the column. Va ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
