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O Lieb, So Lang Du Lieben Kannst
"O lieb, so lang du lieben kannst" is an 1829 poem by the 19th-century German writer Ferdinand Freiligrath. Hungarian composer Franz Liszt set the first four stanzas in 1843 as a lied for soprano voice and piano, S. 298, and later adapted it into the third of his ''Liebesträume'' (Dreams of Love), S. 541. __TOC__ Text O lieb', solang du lieben kannst! O lieb', solang du lieben magst! Die Stunde kommt, die Stunde kommt, Wo du an Gräbern stehst und klagst! Und sorge, daß dein Herze glüht Und Liebe hegt und Liebe trägt, Solang ihm noch ein ander Herz In Liebe warm entgegenschlägt! Und wer dir seine Brust erschließt, O tu ihm, was du kannst, zulieb'! Und mach' ihm jede Stunde froh, Und mach ihm keine Stunde trüb! Und hüte deine Zunge wohl, Bald ist ein böses Wort gesagt! O Gott, es war nicht bös gemeint, – Der andre aber geht und klagt. O lieb', solang du lieben kannst! O lieb', solang du lieben magst! Die Stunde kommt, die Stunde kommt, Wo du an Gräbern stehst u ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ferdinand Freiligrath
Ferdinand Freiligrath (17 June 1810 – 18 March 1876) was a German poet, translator and liberal agitator, who is considered part of the Young Germany movement. Life Freiligrath was born in Detmold, Principality of Lippe. His father was a teacher. He left a Detmold gymnasium at 16 to be trained for a commercial career in Soest. There he also familiarized himself with French and English literature, and before he was 20 had published verses in local journals. He worked in Amsterdam from 1831 to 1836 as a banker's clerk. After publishing translations of Victor Hugo's ''Odes'' and ''Chants du crépuscule'', and launching a literary journal, ''Rheinisches Odeon'' (1836–38), in 1837 he started working as a bookkeeper in Barmen, where he remained until 1839. Later on, he started writing poems for the '' Musen-Almanach'' (edited by Adelbert von Chamisso and Gustav Schwab) and the '' Morgenblatt'' (ed. Cotta). His first collection of poems (''Gedichte'') was published in 1838 in Mai ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Franz Liszt
Franz Liszt, in modern usage ''Liszt Ferenc'' . Liszt's Hungarian passport spelled his given name as "Ferencz". An orthographic reform of the Hungarian language in 1922 (which was 36 years after Liszt's death) changed the letter "cz" to simply "c" in all words except surnames; this has led to Liszt's given name being rendered in modern Hungarian usage as "Ferenc". From 1859 to 1867 he was officially Franz Ritter von Liszt; he was created a '' Ritter'' (knight) by Emperor Francis Joseph I in 1859, but never used this title of nobility in public. The title was necessary to marry the Princess Carolyne zu Sayn-Wittgenstein without her losing her privileges, but after the marriage fell through, Liszt transferred the title to his uncle Eduard in 1867. Eduard's son was Franz von Liszt., group=n (22 October 1811 – 31 July 1886) was a Hungarian composer, pianist and teacher of the Romantic period. With a diverse body of work spanning more than six decades, he is considered to be o ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Stanza
In poetry, a stanza (; from Italian ''stanza'' , "room") is a group of lines within a poem, usually set off from others by a blank line or indentation. Stanzas can have regular rhyme and metrical schemes, but they are not required to have either. There are many different forms of stanzas. Some stanzaic forms are simple, such as four-line quatrains. Other forms are more complex, such as the Spenserian stanza. Fixed verse poems, such as sestinas, can be defined by the number and form of their stanzas. The stanza has also been known by terms such as ''batch'', ''fit'', and ''stave''. The term ''stanza'' has a similar meaning to '' strophe'', though ''strophe'' sometimes refers to an irregular set of lines, as opposed to regular, rhymed stanzas. Even though the term "stanza" is taken from Italian, in the Italian language the word "strofa" is more commonly used. In music, groups of lines are typically referred to as '' verses''. The stanza in poetry is analogous with the pa ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Lied
In Western classical music tradition, (, plural ; , plural , ) is a term for setting poetry to classical music to create a piece of polyphonic music. The term is used for any kind of song in contemporary German, but among English and French speakers, is often used interchangeably with " art song" to encompass works that the tradition has inspired in other languages as well. The poems that have been made into lieder often center on pastoral themes or themes of romantic love. The earliest lied date from the late fourteenth or early fifteenth centuries, and can even refer to from as early as the 12th and 13th centuries. It later came especially to refer to settings of Romantic poetry during the late eighteenth and nineteenth centuries, and into the early twentieth century. Examples include settings by Joseph Haydn, Wolfgang Amadeus Mozart, Ludwig van Beethoven, Franz Schubert, Robert Schumann, Johannes Brahms, Hugo Wolf, Gustav Mahler or Richard Strauss. History For G ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Soprano
A soprano () is a type of classical female singing voice and has the highest vocal range of all voice types. The soprano's vocal range (using scientific pitch notation) is from approximately middle C (C4) = 261 Hz to "high A" (A5) = 880 Hz in choral music, or to "soprano C" (C6, two octaves above middle C) = 1046 Hz or higher in operatic music. In four-part chorale style harmony, the soprano takes the highest part, which often encompasses the melody. The soprano voice type is generally divided into the coloratura, soubrette, lyric, spinto, and dramatic soprano. Etymology The word "soprano" comes from the Italian word '' sopra'' (above, over, on top of),"Soprano" '' |
Humphrey Searle
Humphrey Searle (26 August 1915 – 12 May 1982) was an English composer and writer on music. His music combines aspects of late Romanticism and modernist serialism, particularly reminiscent of his primary influences, Franz Liszt, Arnold Schoenberg and Anton Webern, who was briefly his teacher. As a writer on music, Searle published texts on numerous topics; he was an authority on the music of Franz Liszt, and created the initial cataloguing system for his works. Biography Searle was the son of Humphrey and Charlotte Searle and, through his mother, a grandson of Sir William Schlich. He was born in Oxford where he was a classics scholar before studying—somewhat hesitantly—with John Ireland at the Royal College of Music in London, after which he went to Vienna on a six-month scholarship to become a private pupil of Anton Webern, which became decisive in his composition career. Searle was one of the foremost pioneers of serial music in the United Kingdom, and used his role ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Liebesträume
' (German for ''Dreams of Love'') is a set of three solo piano works (S.541/R.211) by Franz Liszt, published in 1850. Originally the three ' were conceived as lieder after poems by Ludwig Uhland and Ferdinand Freiligrath. In 1850, two versions appeared simultaneously as a set of songs for high voice and piano, and as transcriptions for piano two-hands. The two poems by Uhland and the one by Freiligrath depict three different forms of love. Uhland's "" (exalted love) is saintly or religious love: the "martyr" renounces worldly love and "heaven has opened its gates". The second song "" (blessed death) is often known by its first line ("", "I had died"), and evokes erotic love; ("I was dead from love's bliss; I lay buried in her arms; I was wakened by her kisses; I saw heaven in her eyes"). Freiligrath's poem for the third nocturne is about unconditional mature love ("Love as long as you can!", " O lieb, so lang du lieben kannst"). Liebestraum No. 3 Liebestraum No. 3 in A-flat maj ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Harper's Magazine
''Harper's Magazine'' is a monthly magazine of literature, politics, culture, finance, and the arts. Launched in New York City in June 1850, it is the oldest continuously published monthly magazine in the U.S. (''Scientific American'' is older, but it did not become monthly until 1921). ''Harper's Magazine'' has won 22 National Magazine Awards. In the 19th and 20th centuries, the magazine published works of authors such as Herman Melville, Woodrow Wilson, and Winston Churchill. Willie Morris's resignation as editor in 1971 was considered a major event, and many other employees of the magazine resigned with him. The magazine has developed into the 21st century, adding several blogs. ''Harper's'' has been the subject of several controversies. History ''Harper's Magazine'' began as ''Harper's New Monthly Magazine'' in New York City in June 1850, by publisher Harper & Brothers. The company also founded the magazines '' Harper's Weekly'' and ''Harper's Bazaar'', and grew to become ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ruth Ziesak
Ruth Ziesak (born 9 February 1963) is a German soprano in opera and concert. Career Ruth Ziesak studied voice at the Frankfurt University of Music and Performing Arts with Elsa Cavelti and Christoph Prégardien. She has been a member of the Municipal Theatre Heidelberg since 1988 and the Deutsche Oper am Rhein in 1990. She appeared in roles of Mozart's operas, such as ''Pamina'' in ''The Magic Flute'' (at the Salzburg Festival 1991 and recorded with Georg Solti), ''Servilia'' in '' La clemenza di Tito'' (recorded with Nikolaus Harnoncourt) or the Countess in '' Le nozze di Figaro'' in Glyndebourne and with the Zurich Opera. In concert she appeared and recorded with the and took part in the project of Ton Koopman to record the complete vocal works of Johann Sebastian Bach with the Amsterdam Baroque Orchestra & Choir. In 2011 she performed the ''Liebesliederwalzer'' of Brahms and ''Spanische Liebeslieder'' op. 138 of Schumann with Anke Vondung, Werner Güra and Konrad ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Gerold Huber
Gerold Huber (born 1969) is a German classical pianist, best known as the regular duo partner of baritone Christian Gerhaher and accompanist of other singers. Career Born in Straubing, Huber studied on a scholarship at the , piano with Friedemann Berger and Lied accompaniment ("") with Helmut Deutsch. Together with the singer Christian Gerhaher he attended a master class with Dietrich Fischer-Dieskau in Berlin. Huber forms a duo with Christian Gerhaher and has also accompanied singers such as Ruth Ziesak, Franz-Josef Selig, Bernarda Fink, Cornelia Kallisch and Diana Damrau. He is the pianist of the "Liedertafel" founded in 2002 of James Taylor, Christian Elsner, Michael Volle and Franz-Josef Selig and has appeared with the Artemis Quartet. At the Rheingau Musik Festival 2010 he accompanied Christian Gerhaher in a Gustav Mahler program of ' (Seven Songs of Latter Days) and from ' the movements ' (The lonely one in Autumn) and ' (The Farewell). Awards * 2006 Gramo ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Poetry By Ferdinand Freiligrath
Poetry (derived from the Greek ''poiesis'', "making"), also called verse, is a form of literature that uses aesthetic and often rhythmic qualities of language − such as phonaesthetics, sound symbolism, and metre − to evoke meanings in addition to, or in place of, a prosaic ostensible meaning. A poem is a literary composition, written by a poet, using this principle. Poetry has a long and varied history, evolving differentially across the globe. It dates back at least to prehistoric times with hunting poetry in Africa and to panegyric and elegiac court poetry of the empires of the Nile, Niger, and Volta River valleys. Some of the earliest written poetry in Africa occurs among the Pyramid Texts written during the 25th century BCE. The earliest surviving Western Asian epic poetry, the ''Epic of Gilgamesh'', was written in Sumerian. Early poems in the Eurasian continent evolved from folk songs such as the Chinese ''Shijing'', as well as religious hymns (the Sanskrit '' ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
1829 Poems
Eighteen or 18 may refer to: * 18 (number), the natural number following 17 and preceding 19 * one of the years 18 BC, AD 18, 1918, 2018 Film, television and entertainment * ''18'' (film), a 1993 Taiwanese experimental film based on the short story ''God's Dice'' * ''Eighteen'' (film), a 2005 Canadian dramatic feature film * 18 (British Board of Film Classification), a film rating in the United Kingdom, also used in Ireland by the Irish Film Classification Office * 18 (''Dragon Ball''), a character in the ''Dragon Ball'' franchise * "Eighteen", a 2006 episode of the animated television series ''12 oz. Mouse'' Music Albums * ''18'' (Moby album), 2002 * ''18'' (Nana Kitade album), 2005 * '' 18...'', 2009 debut album by G.E.M. Songs * "18" (5 Seconds of Summer song), from their 2014 eponymous debut album * "18" (One Direction song), from their 2014 studio album ''Four'' * "18", by Anarbor from their 2013 studio album '' Burnout'' * "I'm Eighteen", by Alice Cooper commonly ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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