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Number 17 (1928 Film)
''Number 17'' (german: Haus Nummer 17) is a 1928 German- British silent crime film directed by Géza von Bolváry and starring Guy Newall, Lien Deyers, and Carl de Vogt. The film was based on the 1925 play '' Number 17'' by Joseph Jefferson Farjeon, later adapted by Alfred Hitchcock for his film '' Number Seventeen'' (1932). The 1928 film was one of several co-productions made in the 1920s between Britain's Gainsborough Pictures and Germany's Felsom Film. It was shot at the Tempelhof Studios in Berlin. The film's sets were designed by the art director Oscar Friedrich Werndorff Oscar Friedrich Werndorff (1880–1938) was an Austrian art director. After leaving Germany in the early 1930s he moved to Britain where he worked in the British film industry. He co-directed the 1931 film '' The Bells''.Bergfelder & Cargnell .... Cast References Bibliography * External links * Films of the Weimar Republic 1928 films British silent feature films German silent featur ...
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Géza Von Bolváry
Géza von Bolváry (born Géza Gyula Mária Bolváry Zahn, german: Géza Maria von Bolváry-Zahn; 26 December 1897 – 10 August 1961) was a Hungarian actor, screenwriter, and film director, who worked principally in Germany and Austria. Biography Géza von Bolváry was born in Budapest. He attended the Imperial Military Academy in Budapest and subsequently served in the Hungarian army (Honved Hussars). After World War I he left military service with the rank of Royal Hungarian '' Rittmeister''. He then earned his living in the new Hungarian film industry. He began his career in about 1920 as an actor in various silent films, but soon changed to the Star-Film company, where he was first active as a director and made his debut as director and screenwriter with ''A Kétarcú asszony''. In 1922 the film concern Emelka in Munich hired him as a director for four years. Between 1926 and 1928 he worked for the firm Felsom Film in Berlin, after which he went to London for a year to ...
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English Language
English is a West Germanic language of the Indo-European language family, with its earliest forms spoken by the inhabitants of early medieval England. It is named after the Angles, one of the ancient Germanic peoples that migrated to the island of Great Britain. Existing on a dialect continuum with Scots, and then closest related to the Low Saxon and Frisian languages, English is genealogically West Germanic. However, its vocabulary is also distinctively influenced by dialects of France (about 29% of Modern English words) and Latin (also about 29%), plus some grammar and a small amount of core vocabulary influenced by Old Norse (a North Germanic language). Speakers of English are called Anglophones. The earliest forms of English, collectively known as Old English, evolved from a group of West Germanic (Ingvaeonic) dialects brought to Great Britain by Anglo-Saxon settlers in the 5th century and further mutated by Norse-speaking Viking settlers starting in the 8 ...
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Hertha Von Walther
Hertha von Walther (born Hertha Stern und Walter von Monbary, 12 June 1903 – 12 April 1987) was a German film actress. She appeared in 80 films between 1921 and 1983. Biography Hertha von Walther was born Hertha Stern und Walther von Monbary on 12 June 1903 to Clara Stern und Walther von Monbary (née Gabain) and the Prussian general Arthur Stern und Walther von Monbary (1853–1917). Her father had been born Arthur Stern-Gwiazdowski in Poland to a mother of French descent and was the adopted son of Rudolf Walther von Monbary. At 17 years old, von Walther left the boarding school she had been attending in Wolfenbüttel and went to the Leipzig acting school with a scholarship. Her first stage experience came at the Leipzig Opera, where she played as an extra. She later moved to Berlin and found work at the Theater am Zoo and the Renaissance Theater. von Walther made her film debut in ''Destinée'' (1920), followed by Julot the Apache (1921), and Duke Ferrante's En ...
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Ernst Reicher
Ernst Reicher (19 September 1885 – 1 May 1936) was a German-Jewish actor, screenwriter, film producer and film director of the silent era. Biography His father was the actor Emanuel Reicher, born in Galicia, then part of the Kingdom of Austria. Emanuel married firstly the opera singer Hedwig Reicher-Kindermann (15 July 1853 – 2 June 1883): their son was the actor Frank Reicher. After Hedwig's death, he married the actress Lina Harf and the couple had three children: Hedwiga Reicher, Ernst, and Elly (b. Berlin 1893), who all worked as actors. At Continental-Kunstfilm's studios Ernst Reicher acted, wrote scripts and directed films from 1912 to 1918. In December 1912 he starred in ''Vorglühen des Balkanbrandes'', directed by Joe May. He wrote, directed and starred in two films: ''Das Werk'' in February 1913, and ''Die Statue'' in 1914, which was banned by the Berlin police censor until 1919. Starting in winter 1913/14, he wrote and starred in the first three of ...
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Oscar Friedrich Werndorff
Oscar Friedrich Werndorff (1880–1938) was an Austrian art director. After leaving Germany in the early 1930s he moved to Britain where he worked in the British film industry. He co-directed the 1931 film '' The Bells''.Bergfelder & Cargnelli p.78 Selected filmography Art director * '' The Count of Cagliostro'' (1920) * ''The Story of a Maid'' (1921) * ''Money in the Streets'' (1922) * ''The Daughter of the Brigadier'' (1922) * '' The Slipper Hero'' (1923) * ''The Three Marys'' (1923) * ''The Wonderful Adventure'' (1924) * '' Carlos and Elisabeth'' (1924) * '' Man Against Man'' (1924) * ''Unmarried Daughters'' (1926) * '' Nanette Makes Everything'' (1926) * '' A Modern Dubarry'' (1927) * ''Always Be True and Faithful'' (1927) * '' Heaven on Earth'' (1927) * '' Odette'' (1928) * '' Dyckerpotts' Heirs'' (1928) * ''The Singing City'' (1930) * '' The First Mrs. Fraser'' (1932) * '' The Camels Are Coming'' (1934) * ''Forbidden Territory'' (1934) * ''Heat Wave'' (1935) * '' Fighti ...
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Art Director
Art director is the title for a variety of similar job functions in theater, advertising, marketing, publishing, fashion, film and television, the Internet, and video games. It is the charge of a sole art director to supervise and unify the vision of an artistic production. In particular, they are in charge of its overall visual appearance and how it communicates visually, stimulates moods, contrasts features, and psychologically appeals to a target audience. The art director makes decisions about visual elements, what artistic style(s) to use, and when to use motion. One of the biggest challenges art directors face is translating desired moods, messages, concepts, and underdeveloped ideas into imagery. In the brainstorming process, art directors, colleagues and clients explore ways the finished piece or scene could look. At times, the art director is responsible for solidifying the vision of the collective imagination while resolving conflicting agendas and inconsistencies be ...
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Berlin
Berlin ( , ) is the capital and List of cities in Germany by population, largest city of Germany by both area and population. Its 3.7 million inhabitants make it the European Union's List of cities in the European Union by population within city limits, most populous city, according to population within city limits. One of Germany's States of Germany, sixteen constituent states, Berlin is surrounded by the Brandenburg, State of Brandenburg and contiguous with Potsdam, Brandenburg's capital. Berlin's urban area, which has a population of around 4.5 million, is the second most populous urban area in Germany after the Ruhr. The Berlin/Brandenburg Metropolitan Region, Berlin-Brandenburg capital region has around 6.2 million inhabitants and is Metropolitan regions in Germany, Germany's third-largest metropolitan region after the Rhine-Ruhr and Frankfurt Rhine-Main, Rhine-Main regions. Berlin straddles the banks of the Spree (river), Spree, which flows into the Havel (a tributary of ...
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Tempelhof Studios
The Tempelhof Studios are a film studio located in Tempelhof in the German capital of Berlin. They were founded in 1912, during the silent era, by German film pioneer Alfred Duskes, who built a glass-roofed studio on the site with financial backing from the French company Pathé. The producer Paul Davidson's PAGU then took control and constructed a grander structure. The First World War propaganda drama ''The Yellow Passport'', the historical comedy '' Madame DuBarry'' and the expressionist 1920 silent film '' The Golem'' were made there by PAGU. During the 1920s the site came into the hands of the dominant German company UFA which also controlled the Babelsberg and Staaken Studios in the city. It was used for several of the company's major productions during the Weimar Republic including '' The Last Laugh''. It was partly used by Terra Film during the Nazi era. In 1945 the studios were captured by Soviet Army troops during the Battle of Berlin while the shooting of the come ...
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Number Seventeen
''Number Seventeen'' is a 1932 comedy thriller film directed by Alfred Hitchcock and starring John Stuart, Anne Grey and Leon M. Lion. The film, which is based on the 1925 burlesque stage play '' Number Seventeen'' written by Joseph Jefferson Farjeon, concerns a group of criminals who commit a jewel robbery and hide their loot in an old house over a railway leading to the English Channel. The film's title is derived from the house's street number. Plot Along a coastline in rural England, police Detective Barton arrives at a house marked for sale or rent. The door is unlocked and he wanders in. An unknown person with a candle is wandering about and a dead body is found. When confronted, the mysterious person claims innocence of the murder. Barton, who introduces himself as Forsythe, asks the stranger about the contents of his pockets before the shadow of a hand is shown reaching for a doorknob. The stranger, who later introduces himself as Ben, a homeless derelict, searches ...
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Alfred Hitchcock
Sir Alfred Joseph Hitchcock (13 August 1899 – 29 April 1980) was an English filmmaker. He is widely regarded as one of the most influential figures in the history of cinema. In a career spanning six decades, he directed over 50 feature films, many of which are still widely watched and studied today. Known as the "Master of Suspense", he became as well known as any of his actors thanks to his many interviews, his cameo roles in most of his films, and his hosting and producing the television anthology ''Alfred Hitchcock Presents'' (1955–65). His films garnered 46 Academy Award nominations, including six wins, although he never won the award for Best Director despite five nominations. Hitchcock initially trained as a technical clerk and copy writer before entering the film industry in 1919 as a title card designer. His directorial debut was the British-German silent film '' The Pleasure Garden'' (1925). His first successful film, '' The Lodger: A Story of the London Fo ...
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Crime Film
Crime films, in the broadest sense, is a film genre inspired by and analogous to the crime fiction literary genre. Films of this genre generally involve various aspects of crime and its detection. Stylistically, the genre may overlap and combine with many other genres, such as drama or gangster film, but also include comedy, and, in turn, is divided into many sub-genres, such as mystery, suspense or noir. Screenwriter and scholar Eric R. Williams identified crime film as one of eleven super-genres in his Screenwriters Taxonomy, claiming that all feature-length narrative films can be classified by these super-genres.  The other ten super-genres are action, fantasy, horror, romance, science fiction, slice of life, sports, thriller, war and western. Williams identifies drama in a broader category called "film type", mystery and suspense as "macro-genres", and film noir as a "screenwriter's pathway" explaining that these categories are additive rather than exclusionary. '' C ...
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Silent Film
A silent film is a film with no synchronized Sound recording and reproduction, recorded sound (or more generally, no audible dialogue). Though silent films convey narrative and emotion visually, various plot elements (such as a setting or era) or key lines of dialogue may, when necessary, be conveyed by the use of intertitle, title cards. The term "silent film" is something of a misnomer, as these films were almost always accompanied by live sounds. During the silent era that existed from the mid-1890s to the late 1920s, a piano, pianist, theatre organ, theater organist—or even, in large cities, a small orchestra—would often play music to accompany the films. Pianists and organists would play either from sheet music, or musical improvisation, improvisation. Sometimes a person would even narrate the inter-title cards for the audience. Though at the time the technology to synchronize sound with the film did not exist, music was seen as an essential part of the viewing experie ...
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