Nude Descending A Staircase, No.2
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Nude Descending A Staircase, No.2
''Nude Descending a Staircase, No. 2'' (French: ''Nu descendant un escalier n° 2'') is a 1912 painting by Marcel Duchamp. The work is widely regarded as a Modernist classic and has become one of the most famous of its time. Before its first presentation at the 1912 Salon des Indépendants in Paris it was rejected by the Cubists as being too Futurist. It was then exhibited with the Cubists at Galeries Dalmau's ''Exposició d'Art Cubista'', in Barcelona, 20 April–10 May 1912.Roger Allard, ''Sur quelques peintre'', Les Marches du Sud-Ouest, June 1911, pp. 57-64. In Mark Antliff and Patricia Leighten, ''A Cubism Reader, Documents and Criticism, 1906-1914'', The University of Chicago Press, 2008 The painting was subsequently shown, and ridiculed, at the 1913 Armory Show in New York City. ''Nude Descending a Staircase, No. 2'' was reproduced by Guillaume Apollinaire in his 1913 book, '' Les Peintres Cubistes, Méditations Esthétiques''. It is now in the Louise and Walter Arensberg C ...
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Marcel Duchamp
Henri-Robert-Marcel Duchamp (, , ; 28 July 1887 – 2 October 1968) was a French painter, sculptor, chess player, and writer whose work is associated with Cubism, Dada, and conceptual art. Duchamp is commonly regarded, along with Pablo Picasso and Henri Matisse, as one of the three artists who helped to define the revolutionary developments in the plastic arts in the opening decades of the 20th century, responsible for significant developments in painting and sculpture. Duchamp has had an immense impact on twentieth-century and twenty first-century art, and he had a seminal influence on the development of conceptual art. By the time of World War I he had rejected the work of many of his fellow artists (such as Henri Matisse) as "retinal" art, intended only to please the eye. Instead, Duchamp wanted to use art to serve the mind. Early life and education Marcel Duchamp was born at Blainville-Crevon in Normandy, France, to Eugène Duchamp and Lucie Duchamp (formerly Lucie Nicolle) ...
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Cylindrical
A cylinder (from ) has traditionally been a three-dimensional solid, one of the most basic of curvilinear geometric shapes. In elementary geometry, it is considered a prism with a circle as its base. A cylinder may also be defined as an infinite curvilinear surface in various modern branches of geometry and topology. The shift in the basic meaning—solid versus surface (as in ball and sphere)—has created some ambiguity with terminology. The two concepts may be distinguished by referring to solid cylinders and cylindrical surfaces. In the literature the unadorned term cylinder could refer to either of these or to an even more specialized object, the ''right circular cylinder''. Types The definitions and results in this section are taken from the 1913 text ''Plane and Solid Geometry'' by George Wentworth and David Eugene Smith . A ' is a surface consisting of all the points on all the lines which are parallel to a given line and which pass through a fixed plane curve i ...
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Armory Show, 1913, The Cubist Room, Raymond Duchamp-Villon, Albert Gleizes, Marcel Duchamp, Alexander Archipenko, New York Tribune, 17 February 1913, P
Armory or armoury may mean: * An arsenal, a military or civilian location for the storage of arms and ammunition Places *National Guard Armory, in the United States and Canada, a training place for National Guard or other part-time or regular military staff, often chiefly an athletic facility and/or indoor marching practice space *Armoury, Innsbruck *Armoury (Siġġiewi) *The Armory (San Francisco), a historic building in the Mission District of San Francisco, California Other uses *Armory, a discipline relating to the design and study of coats of arms, or a collection of coats of arms *Armory (comics), a Marvel Comics character *Armoury Studios See also *List of armories and arsenals in New York City and surrounding counties *List of armouries in Canada *''Armory v Delamirie , (1722) 1 Strange 505, is a famous English case on personal property law and finder's rights. It is one of the first cases that established possession as a valuable property right and as evidence of own ...
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Eadweard Muybridge
Eadweard Muybridge (; 9 April 1830 – 8 May 1904, born Edward James Muggeridge) was an English photographer known for his pioneering work in photographic studies of motion, and early work in motion-picture projection. He adopted the first name "Eadweard" as the original Anglo-Saxon form of "Edward", and the surname "Muybridge", believing it to be similarly archaic. Born in Kingston upon Thames, England, at the age of 20 he emigrated to the United States as a bookseller, first to New York City, and eventually to San Francisco. In 1860, he planned a return trip to Europe, and suffered serious head injuries in a stagecoach crash in Texas en route. He spent the next few years recuperating in Kingston upon Thames, where he took up professional photography, learned the wet-plate collodion process, and secured at least two British patents for his inventions. He returned to San Francisco in 1867, a man with a markedly changed personality. In 1868, he exhibited large photographs ...
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Étienne-Jules Marey
Étienne-Jules Marey (; 5 March 1830, Beaune, Côte-d'Or – 15 May 1904, Paris) was a French scientist, physiologist and chronophotographer. His work was significant in the development of cardiology, physical instrumentation, aviation, cinematography and the science of laboratory photography. He is widely considered to be a pioneer of photography and an influential pioneer of the history of cinema. He was also a pioneer in establishing a variety of graphical techniques for the display and interpretation of quantitative data from physiological measurement. Biography Marey started by studying blood circulation in the human body. Then he shifted to analyzing heart beats, respiration, muscles (myography), and movement of the body. To aid his studies he developed many instruments for precise measurements. For example, in 1859, in collaboration with the physiologist Auguste Chauveau and the watch manufacturer Breguet, he developed a wearable ''Sphygmograph'' to measure the pu ...
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Chronophotography
Chronophotography is a photographic technique from the Victorian era which captures a number of phases of movements. The best known chronophotography works were mostly intended for the scientific study of locomotion, to discover practical information for animal handlers and/or as reference material for artists. Although many results were not intended to be exhibited as moving pictures, there is much overlap with the more or less simultaneous quest to register and exhibit photographic motion pictures. Definition Chronophotography is defined as "a set of photographs of a moving object, taken for the purpose of recording and exhibiting successive phases of motion". The term ''chronophotography'' was coined by French physiologist Étienne-Jules Marey to describe photographs of movement from which measurements could be taken and motion could be studied. It is derived from the Greek word χρόνος '' chrónos'' ("time") combined with ''photography''.The J. Paul Getty Museum (199 ...
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Futurism (art)
Futurism ( it, Futurismo, link=no) was an artistic and social movement that originated in Italy, and to a lesser extent in other countries, in the early 20th century. It emphasized dynamism, speed, technology, youth, violence, and objects such as the car, the airplane, and the industrial city. Its key figures included the Italians Filippo Tommaso Marinetti, Umberto Boccioni, Carlo Carrà, Fortunato Depero, Gino Severini, Giacomo Balla, and Luigi Russolo. Italian Futurism glorified modernity and according to its doctrine, aimed to liberate Italy from the weight of its past. Important Futurist works included Marinetti's 1909 ''Manifesto of Futurism'', Boccioni's 1913 sculpture ''Unique Forms of Continuity in Space'', Balla's 1913–1914 painting ''Abstract Speed + Sound'', and Russolo's ''The Art of Noises'' (1913). Although Futurism was largely an Italian phenomenon, parallel movements emerged in Russia, where some Russian Futurists would later go on to found groups of thei ...
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Cubism
Cubism is an early-20th-century avant-garde art movement that revolutionized European painting and sculpture, and inspired related movements in music, literature and architecture. In Cubist artwork, objects are analyzed, broken up and reassembled in an abstracted form—instead of depicting objects from a single viewpoint, the artist depicts the subject from a multitude of viewpoints to represent the subject in a greater context. Cubism has been considered the most influential art movement of the 20th century. The term is broadly used in association with a wide variety of art produced in Paris (Montmartre and Montparnasse) or near Paris (Puteaux) during the 1910s and throughout the 1920s. The movement was pioneered by Pablo Picasso and Georges Braque, and joined by Jean Metzinger, Albert Gleizes, Robert Delaunay, Henri Le Fauconnier, Juan Gris, and Fernand Léger. One primary influence that led to Cubism was the representation of three-dimensional form in the late works of Paul C ...
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Female Nude Motion Study By Eadweard Muybridge (2)
Female (symbol: ♀) is the sex of an organism that produces the large non-motile ova (egg cells), the type of gamete (sex cell) that fuses with the male gamete during sexual reproduction. A female has larger gametes than a male. Females and males are results of the anisogamous reproduction system, wherein gametes are of different sizes, unlike isogamy where they are the same size. The exact mechanism of female gamete evolution remains unknown. In species that have males and females, sex-determination may be based on either sex chromosomes, or environmental conditions. Most female mammals, including female humans, have two X chromosomes. Female characteristics vary between different species with some species having pronounced secondary female sex characteristics, such as the presence of pronounced mammary glands in mammals. In humans, the word ''female'' can also be used to refer to gender in the social sense of gender role or gender identity. Etymology and usage Th ...
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Eadweard Muybridge 1
Eadweard is the Anglo-Saxon form of ''Edward''. It may refer to: * Eadweard I (c. 874–924), known as Edward the Elder, king of the Anglo-Saxons * Eadweard II (c. 962–978), known as Edward the Martyr, king of England * Eadweard III (c. 1003–1066), known as Edward the Confessor, king of England * Eadweard Muybridge (1830–1904), English photographer * '' Eadweard Muybridge, Zoopraxographer'', a 1975 American documentary film * ''Eadweard'' (film), a 2015 Canadian drama film See also * Eadward, 12th-century prelate in Scotland * Edward (other) Edward is an English given name. Edward may also refer to: * ''Edward'' (ballad), a traditional murder ballad * ''Edward'' (EP), by British singer-songwriter Emmy the Great * Edward (mango), a mango cultivar * Lake Edward Lake Edward (locally R ...
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Palette (painting)
A palette , in the original sense of the word, is a rigid, flat surface on which a painter arranges and mixes paints. A palette is usually made of wood, plastic, ceramic, or other hard, inert, nonporous material, and can vary greatly in size and shape. The most commonly known type of painter's palette is made of a thin wood board designed to be held in the artist's hand and rest on the artist's arm. Watercolor palettes are generally made of plastic or porcelain with rectangular or wheel format with built in wells and mixing areas for colors. Palettes are also a universal symbol of painting and art in general, alongside paintbrushes, for example in the symbol of Microsoft Paint. See also {{Commons category, Painting palettes * Palette (computing) * Color scheme * Palette knife A palette knife is a blunt tool used for mixing or applying paint, with a flexible steel blade. It is primarily used for applying paint to the canvas, mixing paint colors, adding texture to the pain ...
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Transparency And Translucency
In the field of optics, transparency (also called pellucidity or diaphaneity) is the physical property of allowing light to pass through the material without appreciable light scattering by particles, scattering of light. On a macroscopic scale (one in which the dimensions are much larger than the wavelengths of the photons in question), the photons can be said to follow Snell's law. Translucency (also called translucence or translucidity) allows light to pass through, but does not necessarily (again, on the macroscopic scale) follow Snell's law; the photons can be scattered at either of the two interfaces, or internally, where there is a change in index of refraction. In other words, a translucent material is made up of components with different indices of refraction. A transparent material is made up of components with a uniform index of refraction. Transparent materials appear clear, with the overall appearance of one color, or any combination leading up to a brilliant spectrum ...
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