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Nomen à Clef
In romance languages, ''nomen à clef'' or ''nomen à clé'' (, French for "name with a key"), is a name describing a real person, behind a façade of fiction. By François Truffaut, Da Capo Press, 1994, , pg 131 "Key" in this context means a table one can use to swap out the names. It is the nomenclature complement of the . See also * * Film à clef *[...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Romance Languages
The Romance languages, sometimes referred to as Latin languages or Neo-Latin languages, are the various modern languages that evolved from Vulgar Latin. They are the only extant subgroup of the Italic languages in the Indo-European language family. The five most widely spoken Romance languages by number of native speakers are Spanish (489 million), Portuguese (283 million), French (77 million), Italian (67 million) and Romanian (24 million), which are all national languages of their respective countries of origin. By most measures, Sardinian and Italian are the least divergent from Latin, while French has changed the most. However, all Romance languages are closer to each other than to classical Latin. There are more than 900 million native speakers of Romance languages found worldwide, mainly in the Americas, Europe, and parts of Africa. The major Romance languages also have many non-native speakers and are in widespread use as linguae francae.M. Paul Lewis,Summ ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Name
A name is a term used for identification by an external observer. They can identify a class or category of things, or a single thing, either uniquely, or within a given context. The entity identified by a name is called its referent. A personal name identifies, not necessarily uniquely, a ''specific'' individual human. The name of a specific entity is sometimes called a proper name (although that term has a philosophical meaning as well) and is, when consisting of only one word, a proper noun. Other nouns are sometimes called "common names" or (obsolete) "general names". A name can be given to a person, place, or thing; for example, parents can give their child a name or a scientist can give an element a name. Etymology The word ''name'' comes from Old English ''nama''; cognate with Old High German (OHG) ''namo'', Sanskrit (''nāman''), Latin '' nomen'', Greek (''onoma''), and Persian (''nâm''), from the Proto-Indo-European (PIE) ''*h₁nómn̥''. Outside Indo-Europea ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Fiction
Fiction is any creative work, chiefly any narrative work, portraying individuals, events, or places that are imaginary, or in ways that are imaginary. Fictional portrayals are thus inconsistent with history, fact, or plausibility. In a traditional narrow sense, "fiction" refers to written narratives in prose often referring specifically to novels, novellas, and short stories. More broadly, however, fiction encompasses imaginary narratives expressed in any medium, including not just writings but also live theatrical performances, films, television programs, radio dramas, comics, role-playing games, and video games. Definition Typically, the fictionality of a work is publicly marketed and so the audience expects the work to deviate in some ways from the real world rather than presenting, for instance, only factually accurate portrayals or characters who are actual people. Because fiction is generally understood to not fully adhere to the real world, the themes and con ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Roman à Clef
''Roman à clef'' (, anglicised as ), French for ''novel with a key'', is a novel about real-life events that is overlaid with a façade of fiction. The fictitious names in the novel represent real people, and the "key" is the relationship between the nonfiction and the fiction. This metaphorical key may be produced separately—typically as an explicit guide to the text by the author—or implied, through the use of epigraphs or other literary techniques. Madeleine de Scudéry created the ''roman à clef'' in the 17th century to provide a forum for her thinly veiled fiction featuring political and public figures. The reasons an author might choose the ''roman à clef'' format include satire; writing about controversial topics and/or reporting inside information on scandals without giving rise to charges of libel; the opportunity to turn the tale the way the author would like it to have gone; the opportunity to portray personal, autobiographical experiences without having to ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Roman à Clef
''Roman à clef'' (, anglicised as ), French for ''novel with a key'', is a novel about real-life events that is overlaid with a façade of fiction. The fictitious names in the novel represent real people, and the "key" is the relationship between the nonfiction and the fiction. This metaphorical key may be produced separately—typically as an explicit guide to the text by the author—or implied, through the use of epigraphs or other literary techniques. Madeleine de Scudéry created the ''roman à clef'' in the 17th century to provide a forum for her thinly veiled fiction featuring political and public figures. The reasons an author might choose the ''roman à clef'' format include satire; writing about controversial topics and/or reporting inside information on scandals without giving rise to charges of libel; the opportunity to turn the tale the way the author would like it to have gone; the opportunity to portray personal, autobiographical experiences without having to ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Film à Clef
A ''film à clef'' (or ''cinéma à clef'', ''movie à clef'', ''film à clé'' (), French for "film with a key"), is a film describing real life, behind a façade of fiction. "Key" in this context means a table one can use to swap out the names. ''Film à clef'' is the film equivalent of the literary ''roman à clef'', and the two share the same techniques. Many ''films à clef'' are biopics of Hollywood personalities. Selected notable ''films à clef'' *''8½'' (1963) is based on Federico Fellini's experience suffering from " director's block." *'' 21'' (2008) *'' Adaptation'' (2002); while parts of the film are adapted from Susan Orlean's non-fiction book ''The Orchid Thief'', most of the film is a heavily fictionalized account of Charlie Kaufman's difficulty in adapting the book into a screenplay. *''All About Eve'' (1950) *'' All Good Things'' (2010) is inspired by the life of Robert Durst. *''All the King's Men'' (1949), is based on the life of Huey Long. *'' All That J ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Allegory
As a literary device or artistic form, an allegory is a narrative or visual representation in which a character, place, or event can be interpreted to represent a hidden meaning with moral or political significance. Authors have used allegory throughout history in all forms of art to illustrate or convey complex ideas and concepts in ways that are comprehensible or striking to its viewers, readers, or listeners. Writers and speakers typically use allegories to convey (semi-)hidden or complex meanings through symbolic figures, actions, imagery, or events, which together create the moral, spiritual, or political meaning the author wishes to convey. Many allegories use personification of abstract concepts. Etymology First attested in English in 1382, the word ''allegory'' comes from Latin ''allegoria'', the latinisation of the Greek ἀλληγορία (''allegoría''), "veiled language, figurative", which in turn comes from both ἄλλος (''allos''), "another, different ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Autobiographical Novel
An autobiographical novel is a form of novel using autofiction techniques, or the merging of autobiographical and fictive elements. The literary technique is distinguished from an autobiography or memoir by the stipulation of being fiction. Because an autobiographical novel is partially fiction, the author does not ask the reader to expect the text to fulfill the "autobiographical pact".Philippe Lejeune"Autobiographical Pact," pg. 19 Names and locations are often changed and events are recreated to make them more dramatic but the story still bears a close resemblance to that of the author's life. While the events of the author's life are recounted, there is no pretense of exact truth. Events may be exaggerated or altered for artistic or thematic purposes. Novels that portray settings and/or situations with which the author is familiar are not necessarily autobiographical. Neither are novels that include aspects drawn from the author's life as minor plot details. To be considere ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Literary Technique
A narrative technique (known for literary fictional narratives as a literary technique, literary device, or fictional device) is any of several specific methods the creator of a narrative uses to convey what they want —in other words, a strategy used in the making of a narrative to relay information to the audience and particularly to develop the narrative, usually in order to make it more complete, complex, or interesting. Literary techniques are distinguished from literary elements, which exist inherently in works of writing. Setting } from Homer's epic poem ''Odyssey'', whose role is carried by Leopold Bloom, much of the setting is described realistically, with great attention to detail. The locations within Dublin also represent locations in the Odyssey. Bloom's home is at 7 Eccles Street, and at the same time, Ithaca Ithaca most commonly refers to: *Homer's Ithaca, an island featured in Homer's ''Odyssey'' *Ithaca (island), an island in Greece, possibly Homer's Ith ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Semi-fiction
The following outline is provided as an overview of and topical guide to fiction: Fiction – narrative which is made up by the author. Literary work, it also includes theatrical, cinematic, documental, and musical work. In contrast to this is non-fiction, which deals exclusively in factual events (e.g.: biographies, histories). Semi-fiction is fiction implementing a great deal of non-fiction, e.g. a fictional description based on a true story. What ''type'' of thing is fiction? * Product of imagination – Fiction forms pure imagination in the reader, partially because these novels are fabricated from creativity and is not pure truth; When the reader reads a passage from a novel he or she connects the words to images and visualizes the event or situation being read in their imagination, hence the word. * Source of entertainment – This type of entertainment is usually pursued to escape reality and imagine their own; which is suppressing depression with an ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
