Night Beat (Sam Cooke Album)
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Night Beat (Sam Cooke Album)
''Night Beat'' is the tenth studio album by American singer Sam Cooke, released in August 1963 by RCA Victor. The album title originated from late-night recording sessions by Cooke and a quartet of studio musicians in February 1963. It has been featured in "best-of" lists by contemporary music critics and regarded as one of Cooke's best. Background Cooke and his musicians—pianist Ray Johnson, organist Billy Preston (who was 16 at the time of recording), lead guitarist Barney Kessel, alternating drummers Hal Blaine and Ed Hall, bassist Cliff Hils and Clif White, and René Hall on rhythm guitar—cut ''Night Beat'' in three days during late-night recording sessions at RCA Victor Studios in Hollywood in February 1963. "I Lost Everything", "Get Yourself Another Fool" and "Trouble Blues" were laid down on February 22, with the group returning, sans Kessel, the following day to record "Nobody Knows the Trouble I've Seen", "Mean Old World", "Little Red Rooster" and "Laughin' and Clow ...
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Sam Cooke
Samuel Cook (January 22, 1931 – December 11, 1964), known professionally as Sam Cooke, was an American singer and songwriter. Considered to be a pioneer and one of the most influential soul artists of all time, Cooke is commonly referred to as the " King of Soul" for his distinctive vocals, notable contributions to the genre and significance in popular music. Cooke was born in Clarksdale, Mississippi and later relocated to Chicago with his family at a young age, where he began singing as a child and joined the Soul Stirrers as lead singer in the 1950s. Going solo in 1957, Cooke released a string of hit songs, including "You Send Me", " A Change Is Gonna Come", "Cupid", " Wonderful World", " Chain Gang", "Twistin' the Night Away", " Bring It On Home to Me", and "Good Times". During his eight-year career, Cooke released 29 singles that charted in the Top 40 of the ''Billboard'' Pop Singles chart, as well as 20 singles in the Top Ten of ''Billboard'' Black Singles chart. In ...
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René Hall
René Joseph Hall (September 26, 1912 ‒ February 11, 1988) was an American guitarist and arranger. He was among the most important behind the scenes figures in early rock and roll, but his career spanned the period from the late 1920s to the late 1980s, and encompassed multiple musical styles. Biography Born in Morgan City, Louisiana, René Hall first recorded in 1933 as a banjo player with Joseph Robichaux in New Orleans. He then worked around the country as a member of the Ernie Fields Orchestra, with whom he made his earliest recordings. In the group he was known by the nickname ''Lightnin' ''. Later he joined Earl Hines as musical arranger. During the 1940s he built up a considerable reputation as a session musician in New York City. In the late 1940s, he formed his own sextet which recorded for various labels including Jubilee, Decca, and RCA. He also worked as a talent scout for King Records, discovering such acts as Billy Ward and the Dominoes. In the mid-1950s, ...
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Legacy Recordings
Legacy Recordings is an American record label that is a division of Sony Music. Formed in 1990 after Sony's acquisition of CBS Records, Legacy originally handled the archives of Sony Music-owned labels Columbia Records and Epic Records. In 2004, under the Sony BMG joint venture, the label began to manage the archives of RCA Records, J Records, Windham Hill Records, Arista, LaFace, Jive, and Buddah Records. Legacy Recordings also distributes Philadelphia International Records and the catalog of recordings produced by Phil Spector. It is not related to the defunct British independent label Legacy Records. Reissues The ''Essential'' series are one- or two-disc compilations of an artist's extensive catalog. On occasion, certain albums in this series would include a limited edition third disc (labeled ''Essential'' ''3.0''), or be revised to include an artist's newer work (for example ''The Essential Bob Dylan).'' , several volumes in the ''Essential'' series are available on vin ...
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RCA Records
RCA Records is an American record label currently owned by Sony Music Entertainment, a subsidiary of Sony Corporation of America. It is one of Sony Music's four flagship labels, alongside RCA's former long-time rival Columbia Records; also Arista Records, and Epic Records. The label has released multiple genres of music, including pop, classical, rock, hip hop, afrobeat, electronic, R&B, blues, jazz, and country. Its name is derived from the initials of its defunct parent company, the Radio Corporation of America (RCA). RCA Records was fully acquired by Bertelsmann in 1987, making it a part of Bertelsmann Music Group (BMG) and became a part of Sony BMG Music Entertainment after the 2004 merger of BMG and Sony; it was acquired by the latter in 2008, after the dissolution of Sony/BMG and the restructuring of Sony Music. RCA Records is the corporate successor of the Victor Talking Machine Company, founded in 1901, making it the second-oldest record label in American his ...
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Jesse Stone
Jesse Albert Stone (November 16, 1901 – April 1, 1999) was an American rhythm and blues musician and songwriter whose influence spanned a wide range of genres. He also used the pseudonyms Charles Calhoun and Chuck Calhoun. His best-known composition as Calhoun was "Shake, Rattle and Roll". Ahmet Ertegun once stated that "Jesse Stone did more to develop the basic rock 'n' roll sound than anybody else." Early life Stone was born in Atchison, Kansas, United States, and raised in Kansas. His grandparents were formerly enslaved in Tennessee. Stone was influenced by a wide array of styles. He came from a musical family who put on minstrel shows, and performed with them by age of five. He was part of a trained dog act at the age of four. Career By 1926, Stone had formed a group, the Blue Serenaders, and cut his first record, "Starvation Blues", for Okeh Records in 1927. For the next few years he worked as a pianist and arranger in Kansas City, recording with Julia Lee amon ...
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Shake, Rattle And Roll
"Shake, Rattle and Roll" is a song, written in 1954 by Jesse Stone (usually credited as Charles Calhoun, his songwriting name). The original recording by Big Joe Turner is ranked number 127 on the ''Rolling Stone'' magazine's list of The 500 Greatest Songs of All Time. Background In early 1954, Ahmet Ertegun of Atlantic Records suggested to Jesse Stone that he write an up-tempo blues for Big Joe Turner, a blues shouter whose career had begun in Kansas City before World War II. Stone played around with various phrases before coming up with "shake, rattle and roll".Nick Tosches, ''Unsung Heroes of Rock 'n' Roll'' (2nd ed. 1991), page 12-21. (Stone used his real name for ASCAP songs, while using the pseudonym "Charles Calhoun" for BMI-registered songs, such as "Shake, Rattle and Roll"). However, the phrase had been used in earlier songs. In 1910, vaudeville performer "Baby" Franklin Seals published "You Got to Shake, Rattle and Roll", a ragtime tune about gambling with dice ...
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You Gotta Move (song)
"You Gotta Move" is a traditional African-American spiritual song. Since the 1940s, the song has been recorded by a variety of gospel musicians, usually as "You Got to Move" or "You've Got to Move". It was later popularized with blues and blues rock secular adaptations by Mississippi Fred McDowell and the Rolling Stones. Early gospel songs The Two Gospel Keys recorded "You've Got to Move", which was released on a 78-rpm record in 1948. Emma Daniels (vocals and guitar) and Mother Sally Jones (vocals and tambourine) comprised the gospel music duo. Similar renditions followed by Elder Charles D. Beck (1949), Sister Rosetta Tharpe (1950), the Original Five Blind Boys of Alabama (1953), and the Hightower Brothers (1956). Reverend Gary Davis recorded the song in 1962; his lyrics include: Later renditions In 1964, soul singer Sam Cooke recast the song with lyrics about a broken relationship for his 1963 album '' Night Beat''. ''Cash Box'' described it as having "top shuffle-rhythm b ...
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Willie Dixon
William James Dixon (July 1, 1915January 29, 1992) was an American blues musician, vocalist, songwriter, arranger and record producer. He was proficient in playing both the upright bass and the guitar, and sang with a distinctive voice, but he is perhaps best known as one of the most prolific songwriters of his time. Next to Muddy Waters, Dixon is recognized as the most influential person in shaping the post–World War II sound of the Chicago blues.Trager, Oliver (2004). ''Keys to the Rain: The Definitive Bob Dylan Encyclopedia''. Billboard Books. pp. 298–299. . Dixon's songs have been recorded by countless musicians in many genres as well as by various ensembles in which he participated. A short list of his most famous compositions includes "Hoochie Coochie Man", " I Just Want to Make Love to You", "Little Red Rooster", "My Babe", "Spoonful", and "You Can't Judge a Book by the Cover". These songs were written during the peak years of Chess Records, from 1950 to 1965, and wer ...
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Little Red Rooster
"Little Red Rooster" (or "The Red Rooster" as it was first titled) is a blues standard credited to arranger and songwriter Willie Dixon. The song was first recorded in 1961 by American blues musician Howlin' Wolf in the Chicago blues style. His vocal and slide guitar playing are key elements of the song. It is rooted in the Delta blues tradition and the theme is derived from folklore. Musical antecedents to "Little Red Rooster" appear in earlier songs by blues artists Charlie Patton and Memphis Minnie. A variety of musicians have interpreted and recorded "Little Red Rooster". Some add new words and instrumentation to mimic the sounds of animals mentioned in the lyrics. American soul music singer Sam Cooke adapted the song using a more uptempo approach and it became a successful single on both the US rhythm and blues and pop record charts in 1963. Concurrently, Dixon and Howlin' Wolf toured the UK with the American Folk Blues Festival and helped popularize Chicago blues wi ...
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Charles Brown (musician)
Tony Russell "Charles" Brown (September 13, 1922 – January 21, 1999) was an American singer and pianist whose soft-toned, slow-paced nightclub style influenced West Coast blues in the 1940s and 1950s. Between 1949 and 1952, Brown had seven Top 10 hits in the U.S. ''Billboard'' R&B chart. His best-selling recordings included "Driftin' Blues" and "Merry Christmas Baby". Early life Brown was born in Texas City, Texas. As a child he loved music and received classical music training on the piano.Dahl, Bill. "Biography". Allmusic.com
Retrieved 10 November 2015
He graduated from Central High School in

Mean Old World
"Mean Old World" is a blues song recorded by American blues electric guitar musician T-Bone Walker in 1942. It has been described (along with the single's B-side) as "the first important blues recordings on the electric guitar". Over the years it has been interpreted and recorded by numerous blues, jazz and rock and roll artists. Original song T-Bone Walker began performing "Mean Old World" when he was with Les Hite and His Orchestra from 1939 to 1940. After leaving Hite's band, Walker continued to develop and refine his style on the Los Angeles club circuit. On July 20, 1942, he recorded "Mean Old World" for Capitol Records. The song was performed in the West Coast blues style, with a small combo of pianist Freddie Slack, bassist Jud DeNaut, and drummer Dave Coleman accompanying Walker on vocal and guitar. "Mean Old World" "showcased T-Bones's new, and already developed, style, in which he answered his smoky, soulful vocal phrases with deft, stinging, jazz-inflected lead l ...
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Nobody Knows The Trouble I've Seen
"Nobody Knows the Trouble I've Seen" is an African-American spiritual song that originated during the period of slavery but was not published until 1867. The song is well known and many cover versions of it have been done by artists such as Marian Anderson, Lena Horne, Louis Armstrong, Harry James, Paul Robeson, and Sam Cooke among others. Anderson had her first successful recording with a version of this song on the Victor label in 1925. Horne recorded a version of the song in 1946. Deep River Boys recorded their version in Oslo on August 29, 1958. It was released on the extended play ''Negro Spirituals Vol. 1'' (HMV 7EGN 27). The song was arranged by Harry Douglas. Traditional lyrics :Nobody knows the trouble I've been through :Nobody knows my sorrow :Nobody knows the trouble I've seen :Glory hallelujah! :Sometimes I'm up, sometimes I'm down :Oh, yes, Lord :Sometimes I'm almost to the ground :Oh, yes, Lord :Although you see me going 'long so :Oh, yes, Lord :I have my t ...
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