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Native Hawaiian Culture
The culture of the Native Hawaiians encompasses the social behavior, institutions, and norms practiced by the original residents of the Hawaiian islands, including their knowledge, beliefs, arts, laws, customs, capabilities, and habits. Humans are estimated to have first inhabited the archipelago between 124 and 1120 AD when it was settled by Polynesians who voyaged to and settled there. Polynesia is made of multiple island groups that spread from Hawaii to New Zealand across the Pacific Ocean. These voyagers developed Hawaiian cuisine, Hawaiian art, and the Native Hawaiian religion. ''Hula'' ''Hula'' is the dance form originating in Hawaii. It derives from other Polynesian dance forms. It has two basic forms: ''Hula Auana'' and ''Hula Kahiko''. ''Hula Auana'' reflects European/American influences and is performed with musical instruments that do not originate from the Hawaiian Islands. ''Hula Kahiko'' was developed prior contact with these other cultures. The annual Merri ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Hula Kahiko Hawaii Volcanoes National Park 01
Hula () is a Hawaiian dance form accompanied by chant (oli) or song (Mele (Hawaiian language), mele). It was developed in the Hawaiian Islands by the Native Hawaiians who originally settled there. The hula dramatizes or portrays the words of the oli or mele in a visual dance form. There are many sub-styles of hula, with the main two categories being Hula ʻAuana and Hula Kahiko. Ancient hula, as performed before Western encounters with Hawaii, is called ''kahiko''. It is accompanied by chant and traditional instruments. Hula, as it evolved under Western influence in the 19th and 20th centuries, is called ''auana'' (a word that means "to wander" or "drift"). It is accompanied by song and Western-influenced musical instruments such as the guitar, the ukulele, ukulele, and the double bass. Terminology for two main additional categories is beginning to enter the hula lexicon: "Monarchy" includes any hula which were composed and choreographed during the 19th century. During that t ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Polynesian Voyaging Society
The Polynesian Voyaging Society (PVS) is a non-profit research and educational corporation based in Honolulu, Hawaii. PVS was established to research and perpetuate traditional Polynesian voyaging methods. Using replicas of traditional double-hulled canoes, PVS undertakes voyages throughout Polynesia navigating without modern instruments. History The society was founded in 1973 by nautical anthropologist Ben Finney, Hawaiian artist Herb Kawainui Kane, and sailor Charles Tommy Holmes. The three wanted to show that ancient Polynesians could have purposely settled the Polynesian Triangle using non-instrument navigation. The first PVS project was to build a replica of a double-hulled voyaging canoe. In the genesis of the Society, the East–West Center was instrumental in convincing the UN authorities in the Pacific of the necessity of the project. The navigator Pius "Mau" Piailug, master of the techniques of traditional navigation, was named Special Fellow by the Center. [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Hawaiian Volcano Observatory
The Hawaiian Volcano Observatory (HVO) is an agency of the U.S. Geological Survey (USGS) and one of five volcano observatories operating under the USGS Volcano Hazards Program. Based in Hilo, Hawaii, the observatory monitors six Hawaiian volcanoes: Kīlauea, Mauna Loa, Kamaʻehuakanaloa (formerly Lōʻihi), Hualālai, Mauna Kea, and Haleakalā, of which, Kīlauea and Mauna Loa are the most active. The observatory has a worldwide reputation as a leader in the study of active volcanism. Due to the relatively non-explosive nature of Kīlauea's volcanic eruptions for many years, scientists have generally been able to study ongoing eruptions in proximity without being in extreme danger. Prior to May 2018, the observatory's offices were located at Uwekahuna Bluff, the highest point on the rim of Kīlauea Caldera. The summit collapse events during the 2018 eruption of Kīlauea damaged those facilities, so the observatory has since been operating from various temporary offices locat ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Pele (deity)
In Hawaiian religion, Pele (pronounced ) is the goddess of volcanoes and fire and the creator of the Hawaiian Islands. Often referred to as "Madame Pele" or "Tūtū Pele" as a sign of respect, she is a well-known deity within Hawaiian mythology and is notable for her contemporary presence and cultural influence as an enduring figure from ancient Hawaii. Epithets of the goddess include ''Pele-honua-mea'' ("Pele of the sacred land") and ''Ka wahine ʻai honua'' ("The earth-eating woman"). In different stories talking about the goddess Pele, she was born from the female spirit named Haumea. This spirit is important when talking about Hawaiʻi's gods as she descended from Papa, or Earth Mother, and Wakea, Sky Father, both descendants of the supreme beings. Pele is also known as "She who shapes the sacred land," known to be said in ancient Hawaiian chants. The first published stories of Pele were written by William Ellis. Legends Kīlauea is a currently active volcano that is lo ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Lono
In Hawaiian religion, the god Lono is associated with fertility, agriculture, rainfall, music and peace. In one of the many Hawaiian stories of Lono, he is a fertility and music god who descended to Earth on a rainbow to marry Laka. In agricultural and planting traditions, Lono was identified with rain and food plants. He was one of the four gods (with Kū, Kāne, and Kāne's twin brother Kanaloa)The Kumulipō, line 1714 who existed before the world was created. Lono was also the god of peace. In his honor, the great annual festival of the Makahiki was held. During this period (from October through February), war and unnecessary work was kapu (forbidden). In Hawaiian weather terminology, the winter Kona storms that bring rain to leeward areas are associated with Lono. Lono brings on the rains and dispenses fertility, and as such was sometimes referred to as Lono-makua (Lono the Provider). Ceremonies went through a monthly and yearly cycle. For 8 months of the year, the luakini ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Kanaloa
In the traditions of ancient Hawaii, Kanaloa is a god symbolized by the squid or by the octopus, and is typically associated with Kāne. It is also an alternative name for the island of Kahoolawe. In legends and chants, Kāne and Kanaloa are portrayed as complementary powers. For example, whereas Kāne was called during the canoe building, Kanaloa was called while the canoe was being sailed. Likewise, Kāne governed the northern edge of the ecliptic while Kanaloa governed its southern edge, Kanaloa is "the subconscious to Kāne's conscious". In this way, they represent a divine duality of wild and taming forces similar to (by Georges Dumézil, et al.) in Indo-European chief god-pairs like Odin– Týr and Mitra–Varuna, or the more widely known '' yin and yang'' of Taoism. Kanaloa is also traditionally depicted as an ocean god, hence his association with seamanship, or cephalopods.Beckwith However, there are also interpretations that see Kanaloa as subordinate to Kāne. K ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Kāne
In Hawaiian mythology, Kāne is considered the highest of the three major Hawaiian deities, along with Kū and Lono. He represented the god of procreation and was worshipped as ancestor of chiefs and commoners. Kāne is the creator and gives life associated with dawn, sun and sky. No human sacrifice or laborious ritual was needed in the worship of Kāne. In the Kumuhonua legend, he created Earth, bestowed upon it sea creatures, animals, plants, and created man and woman. Mythology The 1907 book '' Legends of Hawaii'' has the following account of creation involving Kāne. The author says that there are several versions of this story, probably due to waves of immigration from different areas of Polynesia at different times, but generally they agree on the major points. It says that in the beginning, there was nothing but Po; the endless black chaos. Then Kāne, sensing that he was separate from the Po, pulled himself free of Po by an act of sheer will. Sensing Kāne's presence ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Animism
Animism (from Latin: ' meaning ' breath, spirit, life') is the belief that objects, places, and creatures all possess a distinct spiritual essence. Potentially, animism perceives all things— animals, plants, rocks, rivers, weather systems, human handiwork, and perhaps even words—as animated and alive. Animism is used in the anthropology of religion, as a term for the belief system of many Indigenous peoples, especially in contrast to the relatively more recent development of organized religions. Animism focuses on the metaphysical universe, with a specific focus on the concept of the immaterial soul. Although each culture has its own mythologies and rituals, animism is said to describe the most common, foundational thread of indigenous peoples' "spiritual" or "supernatural" perspectives. The animistic perspective is so widely held and inherent to most indigenous peoples, that they often do not even have a word in their languages that corresponds to "animism" (o ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Polytheism
Polytheism is the belief in multiple deities, which are usually assembled into a pantheon of gods and goddesses, along with their own religious sects and rituals. Polytheism is a type of theism. Within theism, it contrasts with monotheism, the belief in a singular God who is, in most cases, transcendent. In religions that accept polytheism, the different gods and goddesses may be representations of forces of nature or ancestral principles; they can be viewed either as autonomous or as aspects or emanations of a creator deity or transcendental absolute principle ( monistic theologies), which manifests immanently in nature ( panentheistic and pantheistic theologies). Polytheists do not always worship all the gods equally; they can be henotheists, specializing in the worship of one particular deity, or kathenotheists, worshiping different deities at different times. Polytheism was the typical form of religion before the development and spread of the Abrahamic religion ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Haupia
Haupia is a traditional coconut milk-based Hawaiian dessert often found at luaus and other local gatherings in Hawaii. Since the 1940s, it has become popular as a topping for white cake, especially at weddings. Although technically considered a pudding, the consistency of haupia closely approximates gelatin dessert, and it is usually served in blocks like gelatin. It is also served in local ice cream parlors as Haupia Ice Cream. History The traditional Hawaiian recipe for haupia calls for heated coconut milk to be mixed with ground ''pia'' (Polynesian arrowroot, '' Tacca leontopetaloides'') until the mixture thickens. Due to the lack of availability of arrowroot starch, some modern recipes for haupia substitute cornstarch. Haupia is very similar to the European dessert blancmange. In the typical modern recipe, diluted coconut milk, sugar, and salt are mixed with arrowroot or cornstarch and heated until thickened and smooth, then poured into a rectangular pan and chilled with ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Poke (fish Salad)
Poke ( Hawaiian for "to slice" or "cut crosswise into pieces"; sometimes anglicised as 'poké' to aid pronunciation) is diced raw fish served either as an appetizer or a main course and is one of the popular dishes in Hawaii. Traditional forms are ''aku'' (skipjack tuna) and ''he'e'' (octopus). ''Heʻe poke'' is sometimes called ''tako poke'' in places where the Hawaiian language is not spoken. Poke differs from other raw fish dishes in that it does not use citrus fruits as a curing agent. History Poke began with fishermen seasoning the cut-offs from their catch to serve as a snack. According to the food historian Rachel Laudan, the present form of poke became popular around the 1970s. It used skinned, deboned, and filleted raw fish served with Hawaiian salt, seaweed, and roasted, ground candlenut meat. This form of poke is still common in the Hawaiian islands. Beginning around 2012, poke became increasingly popular in North America.Vince DixonData Dive: Tracking the Poke T ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Lau-lau
Laulau, otherwise known as Lū in Tonga, Palusami in Melanesia(Fiji) and Samoa, and Rukau in the Cook Islands, is a Polynesian dish consisting of cooked taro leaves containing fillings such as pork, fish or coconut cream. In old Hawaii, laulau was assembled by taking a few leaves and placing a few pieces of fish and pork in the center. In modern times, the dish uses taro leaves, salted butterfish, and either pork, beef, or chicken and is usually steamed on the stove. Laulau is a typical plate lunch dish and is usually served with a side of rice and macaroni salad. In the classical preparation, the ends of the luau leaf are folded and wrapped again in the leaf. When ready, all the laulau is placed in an underground oven called an imu. Hot rocks are placed on the dish, covered in banana leaves, and buried again. A few hours later, the laulau is ready to eat. See also *Cabbage roll *Callaloo * Laing (food) *List of stuffed dishes *Vine leaf roll A vine ( Latin ''vīnea'' ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
