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Night Music (Bartók)
Night music is a musical style of the Hungarian composer Béla Bartók which he used mostly in slow movements of multi-movement ensemble or orchestra compositions in his mature period. It is characterized by "eerie dissonances providing a backdrop to sounds of nature and lonely melodies".Schneider, p. 84. Characteristics As with many musical styles, it is not possible to make a satisfying let alone indisputable definition of Night music. Bartók did not say or explain much about this style, but he approved of the term and used it himself. Most of the works in Night music style do not carry a title. From an audience point of view "'Night Music' consists of those works or passages which convey to the listener the sounds of nature at night". This is quite subjective and self-referential. Mostly, subjective and far-fetched descriptions are available: "quiet, blurred cluster chords and imitations of the twittering of birds and croaking of nocturnal creatures", "In an atmosphere of hus ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Béla Bartók
Béla Viktor János Bartók (; ; 25 March 1881 – 26 September 1945) was a Hungarian composer, pianist and ethnomusicologist. He is considered one of the most important composers of the 20th century; he and Franz Liszt are regarded as Hungary's greatest composers. Among his notable works are the opera ''Bluebeard's Castle'', the ballet ''The Miraculous Mandarin'', ''Music for Strings, Percussion and Celesta'', the Concerto for Orchestra (Bartók), Concerto for Orchestra and List of string quartets by Béla Bartók, six string quartets. Through his collection and analytical study of folk music, he was one of the founders of comparative musicology, which later became known as ethnomusicology. Per Anthony Tommasini, Bartók "has empowered generations of subsequent composers to incorporate folk music and classical traditions from whatever culture into their works and was "a formidable modernist who in the face of Schoenberg’s breathtaking formulations showed another way, forgi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tuplet
In music, a tuplet (also irrational rhythm or groupings, artificial division or groupings, abnormal divisions, irregular rhythm, gruppetto, extra-metric groupings, or, rarely, contrametric rhythm) is "any rhythm that involves dividing the beat into a different number of equal subdivisions from that usually permitted by the time-signature (e.g., triplets, duplets, etc.)" This is indicated by a number, or sometimes two indicating the fraction involved. The notes involved are also often grouped with a bracket or (in older notation) a slur. The most common type of tuplet is the triplet. Terminology The modern term 'tuplet' comes from a rebracketing of compound words like quintu(s)-(u)plet and sextu(s)-(u)plet, and from related mathematical terms such as "tuple", "-uplet" and "-plet", which are used to form terms denoting multiplets (''Oxford English Dictionary'', entries "multiplet", "-plet, ''comb. form''", "-let, ''suffix''", and "-et, ''suffix''1"). An alternative modern ter ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Viola Concerto (Bartók)
The Viola Concerto, Sz. 120, BB 128 (also known as Concerto for Viola and Orchestra) was one of the last pieces Béla Bartók wrote. He began composing it while living in Saranac Lake, New York, in July 1945. It was commissioned by William Primrose, a respected violist who knew that Bartók could provide a challenging piece for him to perform. He said that Bartók should not "feel in any way proscribed by the apparent technical limitations of the instrument". Bartók was suffering the terminal stages of leukemia when he began writing the piece and left only sketches at the time of his death. History Primrose asked Bartók to write the concerto in the winter of 1944. They exchanged several letters about the piece. In one, from September 8, 1945, Bartók claims that he is nearly done with it and only has the orchestration to complete. The sketches show that this was not truly the case. After Bartók died, his close friend Tibor Serly completed the piece in 1949. A first revision was m ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Concerto For Orchestra (Bartók)
The Concerto for Orchestra, Sz. 116, BB 123, is a five-movement orchestral work composed by Béla Bartók in 1943. It is one of his best-known, most popular, and most accessible works. The score is inscribed "15 August – 8 October 1943". It was premiered on December 1, 1944, in Symphony Hall, Boston, by the Boston Symphony Orchestra conducting, conducted by Serge Koussevitzky. It was a great success and has been regularly performed since. It is perhaps the best-known of a number of pieces that have the apparently contradictory title ''Concerto for Orchestra''. This is in contrast to the conventional concerto form, which features a solo instrument with orchestral accompaniment. Bartók said that he called the piece a concerto rather than a symphony because of the way each section of instruments is treated in a soloistic and virtuosic way.Bartók, Béla. "Explanation to Concerto for Orchestra," for the Boston premiere at Symphony Hall. Composition The work was written in respo ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Mikrokosmos (Béla Bartók)
Microcosm or macrocosm, also spelled mikrokosmos or makrokosmos, may refer to: Philosophy * Microcosm–macrocosm analogy, the view according to which there is a structural similarity between the human being and the cosmos Music * ''Macrocosm'' (album), seventh studio album by the German electronic composer Peter Frohmader, released in 1990 * '' Makrokosmos'', a series of four volumes of pieces for piano by American composer George Crumb * "Mic-rocosm", a song by American rapper Prodigy from the album ''Hegelian Dialectic'' * ''Microcosm'' (album), 2010 album by Flow * ''Microcosmos'' (Drudkh album) * ''Microcosmos'' (Thy Catafalque album) * ''Mikrokosmos'' (Bartók), a cycle of piano pieces written 1926-1939 by Hungarian composer Béla Bartók * ''Mikrokosmos'' (Turovsky), four cycles of lute pieces, ''Mikrokosmos I-IV'', by Ukrainian-American composer Roman Turovsky * ''Mikrokosmos'', pseudonym used by former Dark Star frontman Christian Hayes for solo material * ''Mikroko ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Music For Strings, Percussion And Celesta
''Music for Strings, Percussion and Celesta'', Sz. 106, BB 114 is one of the best-known compositions by the Hungarian composer Béla Bartók. Commissioned by Paul Sacher to celebrate the tenth anniversary of the chamber orchestra '' Basler Kammerorchester'', the score is dated 7 September 1936. The work was premiered in Basel, Switzerland, on January 21, 1937 by the chamber orchestra conducted by Sacher, and was published the same year by Universal Edition. Analysis As its title indicates, the piece is written for string instruments (violins, violas, cellos, double basses, and harp), percussion instruments ( xylophone, snare drum, cymbals, tam-tam, bass drum, and timpani) and celesta. The ensemble also includes a piano, which, due to the hammer mechanisms inside, can also be considered a percussion instrument; the celesta player joins the pianist in some four-hands passages. Bartók divides the strings into two ensembles which, he directs, should be placed antiphonally o ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
String Quartet No
String or strings may refer to: *String (structure), a long flexible structure made from threads twisted together, which is used to tie, bind, or hang other objects Arts, entertainment, and media Films * ''Strings'' (1991 film), a Canadian animated short * ''Strings'' (2004 film), a film directed by Anders Rønnow Klarlund * ''Strings'' (2011 film), an American dramatic thriller film * ''Strings'' (2012 film), a British film by Rob Savage * '' Bravetown'' (2015 film), an American drama film originally titled ''Strings'' * '' The String'' (2009), a French film Music Instruments * String (music), the flexible element that produces vibrations and sound in string instruments * String instrument, a musical instrument that produces sound through vibrating strings ** List of string instruments * String piano, a pianistic extended technique in which sound is produced by direct manipulation of the strings, rather than striking the piano's keys Types of groups * String band, music ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Slovak Dance
''Slovakian Dance'' is a piece for solo piano by Hungarian composer Béla Bartók. It was presumably composed in 1923, but it was not published until 1999. Composition This scherzo-style composition was meant to be placed between the second and the third movement of Bartók's ''Dance Suite (Bartók), Dance Suite'', but he eventually refused because of his Golden Ratio, mathematical principles, as placing it in the Suite would ruin the proportion of the whole work. Since ''Dance Suite'' was an orchestral suite, this ''Slovakian Dance'' remained as a sketch, unpublished and unorchestrated, until his son, Peter Bartók, made slight changes for it to be published in 1999 by Universal Edition. As this is one of the sketches that he dismissed, there is no identification number for this composition, and most catalogues do not include it. Structure ''Slovakian Dance'' is scored for a solo piano and takes around 2 minutes to perform. It has a total of 92 bars and three different section ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Dance Suite (Bartók)
''Dance Suite'' (; ), Sz. 77, BB 86a, is a well-known 1923 orchestral work by the Hungarian composer Béla Bartók. The composer produced a reduction for piano (Sz. 77, BB 86b) in 1925, though this is less commonly performed. Composition Béla Bartók composed the ''Dance Suite'' in 1923 in order to celebrate the 50th anniversary of the union of the cities Buda and Pest, to form the Hungarian capital Budapest. Then, after its great success, the director of Universal Edition, Emil Hertzka, commissioned from him an arrangement for piano, which was published in 1925. However, he never publicly performed this arrangement, and it was premiered in March 1945, a few months before his death, by his friend György Sándor. Structure This suite has six movements, even though some recordings conceive it as one single full-length movement. A typical performance of the whole work would last approximately fifteen minutes. This work consists of five dances with Arabic, Wallachian and ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Eight Improvisations On Hungarian Peasant Songs
''Eight Improvisations on Hungarian Peasant Songs'', Op. 20, Sz. 74, BB 83, also known as ''Improvisations on Hungarian Peasant Songs'' or simply as ''Improvisations'', is a composition for solo piano by Hungarian composer Béla Bartók. It was finished in 1920. Composition This composition is the last one on which Bartók put an Opus number because henceforth he would treat his folk music and his more artistic side as equal. However, this work is far from his folk pieces, with its abrasive harmonies and rhythms. Structure This composition has eight movements: The first movement, ''Molto moderato'', the original melody is repeated three times without not much variation and a coda at the end. The mode of this melody comes from the Dorian mode scale on C, but the accompaniment plays unrelated triad chords, all of them derived from melody notes. In the second movement, ''Molto capriccioso'', the main melody is repeated also three times, but here, even though it shares its Dorian ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Miraculous Mandarin
''The Miraculous Mandarin'' (, ; ) Op. 19, Sz. 73 (BB 82), is a one act pantomime ballet composed by Béla Bartók between 1918 and 1924, and based on the 1916 story by Melchior Lengyel. Premiered on 27 November 1926 conducted by Eugen Szenkar at the Cologne Opera, Germany, it caused a scandal and was subsequently banned on moral grounds. Although more successful at its Prague premiere, it was generally performed during the rest of Bartók's life in the form of a concert suite, which preserves about two-thirds of the original pantomime's music. Synopsis # Beginning—Curtain rises # First seduction game # Second seduction game # Third seduction game—the Mandarin enters # Dance of the girl # The chase—the tramps leap out # Suddenly the Mandarin's head appears # The Mandarin falls to the floor After an orchestral introduction depicting the chaos of the big city, the action begins in a room belonging to three tramps. They search their pockets and drawers for money, but fin ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Five Songs, Op
5 (five) is a number, numeral and digit. It is the natural number, and cardinal number, following 4 and preceding 6, and is a prime number. Humans, and many other animals, have 5 digits on their limbs. Mathematics 5 is a Fermat prime, a Mersenne prime exponent, as well as a Fibonacci number. 5 is the first congruent number, as well as the length of the hypotenuse of the smallest integer-sided right triangle, making part of the smallest Pythagorean triple ( 3, 4, 5). 5 is the first safe prime and the first good prime. 11 forms the first pair of sexy primes with 5. 5 is the second Fermat prime, of a total of five known Fermat primes. 5 is also the first of three known Wilson primes (5, 13, 563). Geometry A shape with five sides is called a pentagon. The pentagon is the first regular polygon that does not tile the plane with copies of itself. It is the largest face any of the five regular three-dimensional regular Platonic solid can have. A conic is determine ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
