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Moulin De La Galette
The Moulin de la Galette is a windmill and associated businesses situated near the top of the district of Montmartre in Paris. Since the 17th century the windmill has been known for more than just its milling capabilities. Nineteenth-century owners and millers, the Debray family, made a brown bread, galette, which became popular and thus the name of the windmill and its businesses, which have included a famous guinguette and restaurant. In the 19th century, Le Moulin de la Galette represented diversion for Parisians seeking entertainment, a glass of wine and bread made from flour ground by the windmill. Artists, such as Renoir, van Gogh, and Pissarro have immortalized Le Moulin de la Galette; likely the most notable was Renoir's festive painting, ''Bal du moulin de la Galette''. Windmill The windmill Moulin de la Galette, also known as Blute-fin, was built in 1622. The name Blute-fin comes from the French verb ''bluter'' which means sifting flour for the separation from bran. Th ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Windmill
A windmill is a structure that converts wind power into rotational energy using vanes called windmill sail, sails or blades, specifically to mill (grinding), mill grain (gristmills), but the term is also extended to windpumps, wind turbines, and other applications, in some parts of the English speaking world. The term wind engine is sometimes used to describe such devices. Windmills were used throughout the High Middle Ages, high medieval and early modern periods; the horizontal or panemone windmill first appeared in Persia during the 9th century, and the vertical windmill first appeared in northwestern Europe in the 12th century. Regarded as an icon of Culture of the Netherlands, Dutch culture, there are approximately 1,000 windmills in the Netherlands today. Forerunners Wind-powered machines may have been known earlier, but there is no clear evidence of windmills before the 9th century. Hero of Alexandria (Heron) in first-century Roman Egypt described what appears to be a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Moulin De La Galette Foto
Moulins or Moulin ( French for ''mill'') may refer to: Places France * Diocese of Moulins * Moulins, Allier, in the Allier department (the largest Moulins) * Moulins, Aisne, in the Aisne department * Moulins, Ille-et-Vilaine, in the Ille-et-Vilaine department * Moulins-Engilbert, in the Nièvre department * Moulins-en-Tonnerrois, in the Yonne department * Moulins-la-Marche, in the Orne department * Moulins-le-Carbonnel, in the Sarthe department * Moulins-lès-Metz, in the Moselle department * Moulins-Saint-Hubert, in the Meuse department * Moulins-sur-Céphons, in the Indre department * Moulins-sur-Orne, in the Orne department * Moulins-sur-Ouanne, in the Yonne department * Moulins-sur-Yèvre, in the Cher department * Moulin-Mage, in the Tarn department * Moulin-Neuf, Ariège, in the Ariège department * Moulin-Neuf, Dordogne, in the Dordogne department * Moulin-sous-Touvent, in the Oise department Scotland *Moulin, Scotland, a small settlement just outside Pitlochry, in Perth ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Windmills Completed In 1622
A windmill is a structure that converts wind power into rotational energy using vanes called windmill sail, sails or blades, specifically to mill (grinding), mill grain (gristmills), but the term is also extended to windpumps, wind turbines, and other applications, in some parts of the English speaking world. The term wind engine is sometimes used to describe such devices. Windmills were used throughout the High Middle Ages, high medieval and early modern periods; the horizontal or panemone windmill first appeared in Persia during the 9th century, and the vertical windmill first appeared in northwestern Europe in the 12th century. Regarded as an icon of Culture of the Netherlands, Dutch culture, there are approximately 1,000 windmills in the Netherlands today. Forerunners Wind-powered machines may have been known earlier, but there is no clear evidence of windmills before the 9th century. Hero of Alexandria (Heron) in first-century Roman Egypt described what appears to be a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Monuments Historiques Of Paris
A monument is a type of structure that was explicitly created to commemorate a person or event, or which has become relevant to a social group as a part of their remembrance of historic times or cultural heritage, due to its artistic, historical, political, technical or architectural importance. Some of the first monuments were dolmens or menhirs, megalithic constructions built for religious or funerary purposes. Examples of monuments include statues, (war) memorials, historical buildings, archaeological sites, and cultural assets. If there is a public interest in its preservation, a monument can for example be listed as a UNESCO World Heritage Site. Etymology It is believed that the origin of the word "monument" comes from the Greek ''mnemosynon'' and the Latin ''moneo'', ''monere'', which means 'to remind', 'to advise' or 'to warn', however, it is also believed that the word monument originates from an Albanian word 'mani men' which in Albanian language means 'remember ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Buildings And Structures In The 18th Arrondissement Of Paris
A building, or edifice, is an enclosed structure with a roof and walls standing more or less permanently in one place, such as a house or factory (although there's also portable buildings). Buildings come in a variety of sizes, shapes, and functions, and have been adapted throughout history for a wide number of factors, from building materials available, to weather conditions, land prices, ground conditions, specific uses, prestige, and aesthetic reasons. To better understand the term ''building'' compare the list of nonbuilding structures. Buildings serve several societal needs – primarily as shelter from weather, security, living space, privacy, to store belongings, and to comfortably live and work. A building as a shelter represents a physical division of the human habitat (a place of comfort and safety) and the ''outside'' (a place that at times may be harsh and harmful). Ever since the first cave paintings, buildings have also become objects or canvasses of much artistic ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Post Mills In France
Post or POST commonly refers to: *Mail, the postal system, especially in Commonwealth of Nations countries **An Post, the Irish national postal service **Canada Post, Canadian postal service **Deutsche Post, German postal service **Iraqi Post, Iraqi postal service **Russian Post, Russian postal service **Hotel post, a service formerly offered by remote Swiss hotels for the carriage of mail to the nearest official post office **United States Postal Service or USPS **Parcel post, a postal service for mail that is heavier than ordinary letters *Post, a job or occupation Post, POST, or posting may also refer to: Architecture and structures *Lamppost, a raised source of light on the edge of a road *Post (structural), timber framing *Post and lintel, a building system * Steel fence post *Trading post *Utility pole or utility post Military *Military base, an assigned station or a guard post **Outpost (military), a military outpost **Guardpost, or guardhouse Geography *Post, Iran, a vil ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Montmartre (Van Gogh Series)
The ''Montmartre paintings'' are a group of works that Vincent van Gogh created in 1886 and 1887 of the Paris district of Montmartre while living there, at 54 Rue Lepic, with his brother Theo. Rather than capture urban settings in Paris, van Gogh preferred pastoral scenes, such as Montmartre and Asnières in the northwest suburbs. Of the two years in Paris, the work from 1886 often has the dark, somber tones of his early works from the Netherlands and Brussels. By the spring of 1887, van Gogh embraced use of color and light and created his own brushstroke techniques based upon Impressionism and Pointillism. The works in the series provide examples of his work during that period of time and the progression he made as an artist. Background Paris In 1886, van Gogh left the Netherlands for Paris and the guidance of his brother Theo van Gogh who was an art dealer. While he had been influenced not only by the great Dutch masters but also to a considerable extent by his cousin-in-law ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Le Moulin De La Galette (Van Gogh Series)
''Le Moulin de la Galette'' is the title of several paintings made by Vincent van Gogh in 1886 of a windmill, the Moulin de la Galette, which was near Van Gogh and his brother Theo's apartment in Montmartre. The owners of the windmill maximized the view on the butte overlooking Paris, creating a terrace for viewing and a dance hall for entertainment. The windmill paintings are a subset of paintings from Van Gogh's ''Montmartre'' series. Paris In 1886 van Gogh left the Netherlands for Paris and the guidance of his brother Theo van Gogh. While van Gogh had been influenced by great Dutch masters, coming to Paris meant that he would have the opportunity to be influenced by Impressionists, Symbolists, Pointillists, and Japanese art. His circle of friends included Émile Bernard, Paul Gauguin, Camille Pissarro, Henri de Toulouse-Lautrec, Paul Vogler and others. Montmartre, a butte overlooking Paris, was known for its bars, cafes, and dance-hall. It was also located on the edge of c ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Maurice Utrillo
Maurice Utrillo (), born Maurice Valadon; 26 December 1883 – 5 November 1955), was a French painter of the School of Paris who specialized in cityscapes. Born in the Montmartre quarter of Paris, France, Utrillo is one of the few famous painters of Montmartre who were born there. Biography Utrillo was the son of the artist Suzanne Valadon (born Marie-Clémentine Valadon), who was then an eighteen-year-old artist's model. She never revealed who was the father of her child; speculation exists that he was the offspring from a liaison with an equally young amateur painter named Boissy, or with the well-established painter Pierre-Cécile Puvis de Chavannes, or even with Renoir. (see below under ''Paternity''). In 1891 a Spanish artist, Miquel Utrillo, signed a legal document acknowledging paternity, although the question remains as to whether he was in fact the child's father. Valadon, who became a model after a fall from a trapeze ended her chosen career as a circus acrobat, fou ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Kees Van Dongen
Cornelis Theodorus Maria "Kees" van Dongen (26 January 1877 – 28 May 1968) was a Dutch-French painter who was one of the leading Fauvism, Fauves. Van Dongen's early work was influenced by the Hague School and symbolism and it evolved gradually into a rough pointillist style. From 1905 onwards – when he took part at the controversial 1905 Salon d'Automne exhibition – his style became more and more radical in its use of form and colour. The paintings he made in the period of 1905–1910 are considered by some to be his most important works. The themes of his work from that period are predominantly centered on the nightlife; he paints dancers, singers, masquerades, and theatre. Van Dongen gained a reputation for his sensuous – at times garish – portraits of especially women. Life and work Kees van Dongen was born in Delfshaven, then on the outskirts, and today a borough, of Rotterdam. He was the second of four children in a middle-class family. In 1892, at age 16, Kees va ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Paul François Quinsac
François Paul Auguste Quinsac (2 March 1858, Bordeaux – May 1929, Bordeaux) was a French painter. Quinsac was a painter of the French School known as Academic art, a specialist in mythological and allegorical subjects, figures and landscapes. He studied with Jean-Léon Gérôme and later he became professor at the School of Fine Arts of Bordeaux (). From 1880 he exhibited regularly to the Hall of the French Artists of which he became a member in 1887. He received an honourable mention during the exhibition of 1884, a medal of third class to the Exposition Universelle (1889), World Fair of 1889, as well as a travel grant. He was named Chevalier de la Legion of Honour, légion d’Honneur in 1903. He died in Bordeaux in May 1929, aged 71. in ''Le Figaro'', 16 May 1929 [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ramon Casas
Ramon Casas i Carbó (; 4 January 1866 – 29 February 1932) was a Catalan artist. Living through a turbulent time in the history of his native Barcelona, he was known as a portraitist, sketching and painting the intellectual, economic, and political elite of Barcelona, Paris, Madrid, and beyond. He was also known for his paintings of crowd scenes ranging from the audience at a bullfight to the assembly for an execution to rioters in the Barcelona streets (El garrot). Also a graphic designer, his posters and postcards helped to define the Catalan art movement known as ''modernisme''. Barcelona and Paris Casas was born in Barcelona. His father had made a fortune in Matanzas, Cuba; his mother was from a well-off Catalan family. In 1877 he abandoned the regular course of schooling to study art in the studio of Joan Vicens. In 1881, still in his teens, he was a co-founder of the magazine ''L'Avenç''; the 9 October 1881 issue included his sketch of the cloister of Sant Benet ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
_o_A_l'estiu%2C_tota_cuca_viu.jpg "Click for more on -> Ramon Casas")