Monument Of Aemilius Paullus
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Monument Of Aemilius Paullus
The Monument of Aemilius Paullus was erected in the Sanctuary of Apollo at Delphi shortly after 167 BCE in order to commemorate the Roman victory over King Perseus of Macedon at the Battle of Pydna. The incomplete pillar was intended as a base for a portrait of King Perseus. It was originally created to establish the Macedonian presence in Delphi, and to remind the Delphians of the tradition of friendship existing between them and the royal family. However, the monument was taken over by Aemilius Paullus to celebrate himself and Rome's victory noting that, "it was only proper that the conquered should give way to the victors."Plutarch, ''Life of Aemilius Paullus'' 28.4 The Monument of Aemilius Paullus stood in front of the Temple of Apollo along with two other commemorative pillars to Eumenes II of Pergamon and Prusias II of Bithynia. However, this pillar dominates over the other two. The completed monument had a bronze equestrian statue that sat on top of a rectangular pillar ove ...
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Pydna Relief
Pydna (in Greek: Πύδνα, older transliteration: Pýdna) was a Greek city in ancient Macedon, the most important in Pieria. Modern Pydna is a small town and a former municipality in the northeastern part of Pieria regional unit, Greece. Since the 2011 local government reform it is part of the municipality Pydna-Kolindros, of which it is a municipal unit. The municipal unit has an area of 105.059 km2, the community 41.334 km2. Pydna is situated in fertile land close to the Thermaic Gulf coast. The main village of the former municipality is Kitros. It lies 6 km north of Korinos, 8 km south of Methoni and 13 km northeast of Katerini. Motorway 1 and the Piraeus–Platy railway (nearest station at Korinos) pass east of the village. Ancient Pydna Ancient Pydna was already a part of the Macedonian kingdom under Alexander I (Thucydides I.137.1). It was unsuccessfully besieged by the Athenians in 432 BC and again, after seceding from the Macedonian kingdom ...
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High Relief
Relief is a sculptural method in which the sculpted pieces are bonded to a solid background of the same material. The term ''relief'' is from the Latin verb ''relevo'', to raise. To create a sculpture in relief is to give the impression that the sculpted material has been raised above the background plane. When a relief is carved into a flat surface of stone (relief sculpture) or wood ( relief carving), the field is actually lowered, leaving the unsculpted areas seeming higher. The approach requires a lot of chiselling away of the background, which takes a long time. On the other hand, a relief saves forming the rear of a subject, and is less fragile and more securely fixed than a sculpture in the round, especially one of a standing figure where the ankles are a potential weak point, particularly in stone. In other materials such as metal, clay, plaster stucco, ceramics or papier-mâché the form can be simply added to or raised up from the background. Monumental bronze reliefs ...
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Equestrian Statues In Italy
The word equestrian is a reference to equestrianism, or horseback riding, derived from Latin ' and ', "horse". Horseback riding (or Riding in British English) Examples of this are: *Equestrian sports *Equestrian order, one of the upper classes in ancient Rome * Equestrian statue, a statue of a leader on horseback * Equestrian nomads, one of various nomadic or semi-nomadic ethnic groups whose culture places special emphasis on horse breeding and riding *Equestrian at the Summer Olympics, a division of Olympic Games competition Other *The ship ''Equestrian'', used to transport convicts from England to Australia, for example Alfred Dancey. See also *Equestria, Pretoria Equestria is a suburb in Pretoria Pretoria () is South Africa's administrative capital, serving as the seat of the executive branch of government, and as the host to all foreign embassies to South Africa. Pretoria straddles the Apies Rive ... * Equestria, the fictional nation in which the television ...
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167 BC
__NOTOC__ Year 167 BC was a year of the pre-Julian Roman calendar. At the time, it was known as the Year of the Consulship of Paetus and Pennus (or, less frequently, year 587 '' Ab urbe condita''). The denomination 167 BC for this year has been used since the early medieval period, when the Anno Domini calendar era became the prevalent method in Europe for naming years. Events By place Seleucid Empire * King Antiochus IV Epiphanes, believing Judea to be in revolt, returns there after the failure of his Egyptian campaign. * The Jewish priest Mattathias of Modi'in defies the king Antiochus IV's decrees aimed at hellenizing the Jews and specifically defies the order that Jews should sacrifice to Zeus. Mattathias slays a Syrian official and escapes into the Judean hills with his five sons, beginning the Maccabean Revolt, a Jewish rebellion against Seleucid control of Judea. Greece * Private documents collected by the Romans when they capture Perseus of Macedon incriminat ...
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Victory Monuments
The term victory (from Latin ''victoria'') originally applied to warfare, and denotes success achieved in personal combat, after military operations in general or, by extension, in any competition. Success in a military campaign constitutes a strategic victory, while the success in a military engagement is a tactical victory. In terms of human emotion, victory accompanies strong feelings of elation, and in human behaviour often exhibits movements and poses paralleling threat display preceding the combat, which are associated with the excess endorphin built up preceding and during combat. Victory dances and victory cries similarly parallel war dances and war cries performed before the outbreak of physical violence. Examples of victory behaviour reported in Roman antiquity, where the term ''victoria'' originated, include: the victory songs of the Batavi mercenaries serving under Gaius Julius Civilis after the victory over Quintus Petillius Cerialis in the Batavian rebell ...
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Friezes
In architecture, the frieze is the wide central section part of an entablature and may be plain in the Ionic or Doric order, or decorated with bas-reliefs. Paterae are also usually used to decorate friezes. Even when neither columns nor pilasters are expressed, on an astylar wall it lies upon the architrave ("main beam") and is capped by the moldings of the cornice. A frieze can be found on many Greek and Roman buildings, the Parthenon Frieze being the most famous, and perhaps the most elaborate. This style is typical for the Persians. In interiors, the frieze of a room is the section of wall above the picture rail and under the crown moldings or cornice. By extension, a frieze is a long stretch of painted, sculpted or even calligraphic decoration in such a position, normally above eye-level. Frieze decorations may depict scenes in a sequence of discrete panels. The material of which the frieze is made of may be plasterwork, carved wood or other decorative medium. ...
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Foreshortening
Linear or point-projection perspective (from la, perspicere 'to see through') is one of two types of graphical projection perspective in the graphic arts; the other is parallel projection. Linear perspective is an approximate representation, generally on a flat surface, of an image as it is seen by the eye. Perspective drawing is useful for representing a three-dimensional scene in a two-dimensional medium, like paper. The most characteristic features of linear perspective are that objects appear smaller as their distance from the observer increases, and that they are subject to ''foreshortening'', meaning that an object's dimensions along the line of sight appear shorter than its dimensions across the line of sight. All objects will recede to points in the distance, usually along the horizon line, but also above and below the horizon line depending on the view used. Italian Renaissance painters and architects including Masaccio, Paolo Uccello, Piero della Francesca and Luc ...
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Historical Narrative
History (derived ) is the systematic study and the documentation of the human activity. The time period of event before the invention of writing systems is considered prehistory. "History" is an umbrella term comprising past events as well as the memory, discovery, collection, organization, presentation, and interpretation of these events. Historians seek knowledge of the past using historical sources such as written documents, oral accounts, art and material artifacts, and ecological markers. History is not complete and still has debatable mysteries. History is also an academic discipline which uses narrative to describe, examine, question, and analyze past events, and investigate their patterns of cause and effect. Historians often debate which narrative best explains an event, as well as the significance of different causes and effects. Historians also debate the nature of history as an end in itself, as well as its usefulness to give perspective on the problems of the ...
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Hellenistic
In Classical antiquity, the Hellenistic period covers the time in Mediterranean history after Classical Greece, between the death of Alexander the Great in 323 BC and the emergence of the Roman Empire, as signified by the Battle of Actium in 31 BC and the conquest of Ptolemaic Egypt the following year. The Ancient Greek word ''Hellas'' (, ''Hellás'') was gradually recognized as the name for Greece, from which the word ''Hellenistic'' was derived. "Hellenistic" is distinguished from "Hellenic" in that the latter refers to Greece itself, while the former encompasses all ancient territories under Greek influence, in particular the East after the conquests of Alexander the Great. After the Macedonian invasion of the Achaemenid Empire in 330 BC and its disintegration shortly after, the Hellenistic kingdoms were established throughout south-west Asia ( Seleucid Empire, Kingdom of Pergamon), north-east Africa ( Ptolemaic Kingdom) and South Asia ( Greco-Bactrian Kingdom, Indo-Gree ...
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Frieze
In architecture, the frieze is the wide central section part of an entablature and may be plain in the Ionic or Doric order, or decorated with bas-reliefs. Paterae are also usually used to decorate friezes. Even when neither columns nor pilasters are expressed, on an astylar wall it lies upon the architrave ("main beam") and is capped by the moldings of the cornice. A frieze can be found on many Greek and Roman buildings, the Parthenon Frieze being the most famous, and perhaps the most elaborate. This style is typical for the Persians. In interiors, the frieze of a room is the section of wall above the picture rail and under the crown moldings or cornice. By extension, a frieze is a long stretch of painted, sculpted or even calligraphic decoration in such a position, normally above eye-level. Frieze decorations may depict scenes in a sequence of discrete panels. The material of which the frieze is made of may be plasterwork, carved wood or other decorative medium. ...
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Plan Delphi Sanctuary Of Apollo Colored
A plan is typically any diagram or list of steps with details of timing and resources, used to achieve an objective to do something. It is commonly understood as a temporal set of intended actions through which one expects to achieve a goal. For spatial or planar topologic or topographic sets see map. Plans can be formal or informal: * Structured and formal plans, used by multiple people, are more likely to occur in projects, diplomacy, careers, economic development, military campaigns, combat, sports, games, or in the conduct of other business. In most cases, the absence of a well-laid plan can have adverse effects: for example, a non-robust project plan can cost the organization time and money. * Informal or ad hoc plans are created by individuals in all of their pursuits. The most popular ways to describe plans are by their breadth, time frame, and specificity; however, these planning classifications are not independent of one another. For instance, there is a clos ...
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Prusias II Of Bithynia
Prusias II Cynegus (Greek: Προυσίας ὁ Κυνηγός; "the Hunter", c. 220 BC – 149 BC, reigned c. 182 BC – 149 BC) was the Greek king of Bithynia. He was the son and successor of Prusias I and Apama III. Life Prusias was born to Prusias I and Apama III in 220 BC. His father died in 189 BC, at which point he became the king of Bithynia. Prusias II joined with the king of Pergamon, Eumenes II in a war against King Pharnaces I of Pontus (181–179 BC). He later invaded the territories of Pergamon (156–154 BC), only to be defeated, with Pergamon insisting on heavy reparations, including 500 talents and "twenty decked ships". Prusias II married his maternal cousin Apame IV, a sister of Perseus of Macedon and a princess from the Antigonid dynasty, by whom he had a son, Nicomedes II, and a daughter, Apama, who would marry Dyegilos, son of Cotys IV, King of Thrace, and his wife, Semestra. Prusias II was honoured by the Aetolian League The Aetolian (o ...
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