Miserere Mei (Allegri)
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Miserere Mei (Allegri)
''Miserere'' (full title: ''Miserere mei, Deus'', Latin for "Have mercy on me, O God") is a setting of Psalm 51 (Psalm 50 in Septuagint numbering) by Italian composer Gregorio Allegri. It was composed during the reign of Pope Urban VIII, probably during the 1630s, for the exclusive use of the Sistine Chapel during the Tenebrae services of Holy Week, and its mystique was increased by unwritten performance traditions and ornamentation. It is written for two choirs, of five and four voices respectively, singing alternately and joining to sing the ending in 9-part polyphony. History Composed around 1638, Allegri's setting of the ''Miserere'' was amongst the falsobordone settings used by the choir of the Sistine Chapel during Holy Week liturgy, a practice dating to at least 1514. At some point, several myths surrounding the piece came to the fore, stemming probably from the fact that the Renaissance tradition of ornamentation as practiced in the Sistine Chapel was virtually unknown ...
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Mozart In Italy
Between 1769 and 1773, the young Wolfgang Amadeus Mozart and his father Leopold Mozart made three Italian journeys. The first, an extended tour of 15 months, was financed by performances for the nobility and by public concerts, and took in the most important Italian cities. The second and third journeys were to Milan, for Wolfgang to complete operas that had been commissioned there on the first visit. From the perspective of Wolfgang's musical development the journeys were a considerable success, and his talents were recognised by honours which included a papal knighthood and memberships in leading philharmonic societies. Leopold Mozart had been employed since 1747 as a musician in the Archbishop of Salzburg's court, becoming deputy Kapellmeister in 1763, but he had also devoted much time to Wolfgang's and sister Nannerl's musical education. He took them on a European tour between 1763 and 1766, and spent some of 1767 and most of 1768 with them in the imperial capital, Vienna ...
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King's College Chapel Roof And Organ
Kings or King's may refer to: *Monarchs: The sovereign heads of states and/or nations, with the male being kings *One of several works known as the "Book of Kings": **The Books of Kings part of the Bible, divided into two parts **The ''Shahnameh'', an 11th-century epic Persian poem **The Morgan Bible, a French medieval picture Bible **The Pararaton, a 16th-century Javanese history of southeast Asia *The plural of any king Business * Kings Family Restaurants, a chain of restaurants in Pennsylvania and Ohio * Kings Food Markets, a chain supermarket in northern New Jersey * King's Favourites, a brand of cigarettes *King's Variety Store, a chain of stores in the USA * King's (defunct discount store), a defunct chain of discount stores in the USA Education *King's College (other), various colleges * King's School (other), various schools * The King's Academy (other), various academies Electoral districts * King's (New Brunswick electoral district) (1867 ...
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A Cappella
''A cappella'' (, also , ; ) music is a performance by a singer or a singing group without instrumental accompaniment, or a piece intended to be performed in this way. The term ''a cappella'' was originally intended to differentiate between Renaissance polyphony and Baroque concertato musical styles. In the 19th century, a renewed interest in Renaissance polyphony, coupled with an ignorance of the fact that vocal parts were often doubled by instrumentalists, led to the term coming to mean unaccompanied vocal music. The term is also used, rarely, as a synonym for '' alla breve''. Early history A cappella could be as old as humanity itself. Research suggests that singing and vocables may have been what early humans used to communicate before the invention of language. The earliest piece of sheet music is thought to have originated from times as early as 2000 B.C. while the earliest that has survived in its entirety is from the first century A.D.: a piece from Greece called the ...
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Choir Of King's College Cambridge
The Choir of King's College, Cambridge is an English Anglican choir. It is considered one of today's most accomplished and renowned representatives of the great English choral tradition. It was created by King Henry VI, who founded King's College, Cambridge, in 1441, to provide daily singing in his Chapel, which remains the main task of the choir to this day. Today the choir is directed by Daniel Hyde and derives much of its fame from the Festival of Nine Lessons and Carols, broadcast worldwide to millions on Christmas Eve every year, and the TV service Carols from King's which accompanies it. The choir commissions a carol from a contemporary composer for each year's festival. History Early history The original statutes specified that the choir should consist of ten chaplains, six clerks (lay singers) and sixteen choristers who were to be "poor and needy boys, of sound condition and honest conversation ... knowing competently how to read and sing". Perhaps recognising the wor ...
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Ivor Atkins
Sir Ivor Algernon Atkins (29 November 1869 – 26 November 1953) was the choirmaster and organist at Worcester Cathedral from 1897 to 1950, as well as a composer of songs, church music, service settings and anthems. He is best known for editing Allegri's ''Miserere'' with the famous top-C part for the treble. He is also well known for " The Three Kings", an arrangement of a song by Peter Cornelius as a choral work for Epiphany. Born into a Welsh musical family at Llandaff, Atkins graduated with a bachelor of music degree from The Queen's College, Oxford in 1892, and subsequently obtained a Doctorate in Music (Oxford). He was assistant organist of Hereford Cathedral (1890-1893) and organist of St Laurence Church, Ludlow from 1893 to 1897. He directed the triennial Three Choirs Festival from his appointment at Worcester in 1897 through until 1948 (acting as conductor for 12 of them), and he succeeded in the difficult task of reviving the Festival in 1920 after a suspension ...
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Charles Burney
Charles Burney (7 April 1726 – 12 April 1814) was an English music historian, composer and musician. He was the father of the writers Frances Burney and Sarah Burney, of the explorer James Burney, and of Charles Burney, a classicist and book donor to the British Museum. He was a close friend and supporter of Joseph Haydn. Early life and career Charles Burney was born at Raven Street, Shrewsbury, the fourth of six children of James Macburney (1678–1749), a musician, dancer and portrait painter, and his second wife Ann (''née'' Cooper, c. 1690–1775). In childhood he and a brother Richard (1723–1792) were for unknown reasons sent to the care of a "Nurse Ball" at nearby Condover, where they lived until 1739. He began formal education at Shrewsbury School in 1737 and was later sent in 1739 to The King's School, Chester, where his father then lived and worked. His first music master was a Mr Baker, the cathedral organist, and a pupil of Dr John Blow. Returning to ...
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Grove Dictionary Of Music And Musicians
''The New Grove Dictionary of Music and Musicians'' is an encyclopedic dictionary of music and musicians. Along with the German-language '' Die Musik in Geschichte und Gegenwart'', it is one of the largest reference works on the history and theory of music. Earlier editions were published under the titles ''A Dictionary of Music and Musicians'', and ''Grove's Dictionary of Music and Musicians''; the work has gone through several editions since the 19th century and is widely used. In recent years it has been made available as an electronic resource called ''Grove Music Online'', which is now an important part of ''Oxford Music Online''. ''A Dictionary of Music and Musicians'' ''A Dictionary of Music and Musicians'' was first published in London by Macmillan and Co. in four volumes (1879, 1880, 1883, 1889) edited by George Grove with an Appendix edited by J. A. Fuller Maitland in the fourth volume. An Index edited by Mrs. E. Wodehouse was issued as a separate volume in 1890 ...
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Franz Liszt
Franz Liszt, in modern usage ''Liszt Ferenc'' . Liszt's Hungarian passport spelled his given name as "Ferencz". An orthographic reform of the Hungarian language in 1922 (which was 36 years after Liszt's death) changed the letter "cz" to simply "c" in all words except surnames; this has led to Liszt's given name being rendered in modern Hungarian usage as "Ferenc". From 1859 to 1867 he was officially Franz Ritter von Liszt; he was created a '' Ritter'' (knight) by Emperor Francis Joseph I in 1859, but never used this title of nobility in public. The title was necessary to marry the Princess Carolyne zu Sayn-Wittgenstein without her losing her privileges, but after the marriage fell through, Liszt transferred the title to his uncle Eduard in 1867. Eduard's son was Franz von Liszt., group=n (22 October 1811 – 31 July 1886) was a Hungarian composer, pianist and teacher of the Romantic period. With a diverse body of work spanning more than six decades, he is considered to be o ...
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Felix Mendelssohn
Jakob Ludwig Felix Mendelssohn Bartholdy (3 February 18094 November 1847), born and widely known as Felix Mendelssohn, was a German composer, pianist, organist and conductor of the early Romantic period. Mendelssohn's compositions include symphonies, concertos, piano music, organ music and chamber music. His best-known works include the overture and incidental music for ''A Midsummer Night's Dream'' (which includes his " Wedding March"), the '' Italian Symphony'', the '' Scottish Symphony'', the oratorio '' St. Paul'', the oratorio '' Elijah'', the overture ''The Hebrides'', the mature Violin Concerto and the String Octet. The melody for the Christmas carol " Hark! The Herald Angels Sing" is also his. Mendelssohn's ''Songs Without Words'' are his most famous solo piano compositions. Mendelssohn's grandfather was the renowned Jewish philosopher Moses Mendelssohn, but Felix was initially raised without religion. He was baptised at the age of seven, becoming a Reformed Chris ...
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Tommaso Bai
Tommaso Bai, or Tommaso Baj, was born in Crevalcore around 1650 and died in Rome on 22 December 1714. He was an Italian conductor, composer, and tenor at the Vatican. He is most well known for his ''Miserere'', which is associated with Gregorio Allegri's ''Miserere''. During the last years of his life he had been the Kapellmeister of the Cappella Giulia in Rome.Eitner, Robert (1832–1905), Biographisch-bibliographisches Quellen-Lexikon der Musiker und Musikgelehrten der christlichen Zeitrechnung bis zur Mitte des neunzehnten Jahrhunderts, Leipzig : Breitkopf & Haèrtel, 1900, S. 303 und 309, über: https://archive.org/details/biographischbibl01eitn/page/251/mode/1up Biography In the year of 1670 he joined the Choir of the Cappella Giulia and stayed there until his dying day. He also advanced to become a personal singer of the pope. He served the following superiors, who had been his predecessors as the Kapellmeister of the Cappella Giulia:Liliana Pannella - Dizionario Biografic ...
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Pietro Alfieri
Pietro Alfieri (29 June 1801 – 12 June 1863) was a Roman Catholic priest and at one time a Camaldolese monk, who was born and died in Rome. For many years, Alfieri was the professor of singing at the English College in Rome. He is remembered chiefly for his scientific writings and his collections of music of the old masters. Perhaps his most valuable work is his "Raccolta di Musica Sacra" in seven large volumes, a reprint of the sixteenth-century church music, mostly by Palestrina, which was supplemented by later and smaller collections, such as "Excerpta ex celebrioribus de musicâ viris" (Rome, 1840), and "Raccolta di Motetti" (Rome, 1841). On plain chant he published "Accompagnamento coll' organo" (Rome, 1840); "Ristabilmento del canto e della musica ecclesiastica" (Rome, 1843); "Saggio storico del canto Gregoriano" (Rome 1845); "Prodromo sulla restaurazione de' libri di canto Gregoriano" (Rome, 1857). He also translated into Italian Catel Catel Muller (born August 27, ...
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