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Mintons
Mintons was a major company in Staffordshire pottery, "Europe's leading ceramic factory during the Victorian era", an independent business from 1793 to 1968. It was a leader in ceramic design, working in a number of different ceramic bodies, decorative techniques, and "a glorious pot-pourri of styles - Rococo shapes with Oriental motifs, Classical shapes with Medieval designs and Art Nouveau borders were among the many wonderful concoctions". As well as pottery vessels and sculptures, the firm was a leading manufacturer of tiles and other architectural ceramics, producing work for both the Houses of Parliament and United States Capitol. The family continued to control the business until the mid-20th century. Mintons had the usual Staffordshire variety of company and trading names over the years, and the products of all periods are generally referred to as either "Minton", as in "Minton china", or "Mintons", the mark used on many. Mintons Ltd was the company name from 1879 o ...
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Victorian Majolica
Victorian majolica properly refers to two types of majolica made in the second half of the 19th century in Europe and America. Firstly, and best known, there is the mass-produced majolica decorated with coloured lead glazes, made in Britain, Europe and the US; typically hard-wearing, surfaces moulded in relief, vibrant translucent glazes, in occasionally classical but mostly naturalistic styles, often with an element of High Victorian whimsy. Secondly, there is the much less common tin-glazed majolica made primarily by Mintons from 1848 to circa 1880, typically with flat surfaces, opaque white glaze with fine brush painted decoration in imitation of the Italian Renaissance maiolica process and styles. Glazes Glaze is a vitreous coating on a ceramic. There are four types of glazing: feldspathic or alkali-glazed, salt-glazed, lead-glazed, and tin-glazed. It is important to understand that lead oxide is the main ingredient of both lead ''and'' tin glazes. Lead oxide is a flux ...
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Colin Minton Campbell
Colin Minton Campbell, of Woodseat in Staffordshire, was a British businessman and Member of Parliament. On his death of his uncle Herbert Minton in 1858, Colin Minton Campbell took over leadership of the family company Mintons, a leading firm making Staffordshire pottery of many kinds in Stoke-on-Trent. Biography Campbell was born on 27 August 1827, the son of John Campbell of Liverpool by his wife Mary, daughter of Thomas Minton of Stoke-upon-Trent. He joined the Mintons partnership in 1849, with a 1/3 share. His uncle Herbert had decreased his involvement in day-to-day management in the years before his death in 1858, and Campbell was probably effectively in charge. Mintons retained its leading position during his period in charge, continuing to innovate. He served as a Justice of the Peace for Derbyshire, as a Deputy Lieutenant, and as High Sheriff of Staffordshire in 1869. He represented North Staffordshire in Parliament from 1874 to 1880. He was mayor of Stoke from 1880 ...
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Parian Ware
Parian ware is a type of biscuit porcelain imitating marble. It was developed around 1845 by the Staffordshire pottery manufacturer Mintons, and named after Paros, the Greek island renowned for its fine-textured, white Parian marble, used since antiquity for sculpture. It was also contemporaneously referred to as ''Statuary Porcelain'' by Copeland. Parian was essentially designed to imitate carved marble,Information on Parian
(Stoke Museums)
with the great advantage that it could be prepared in a liquid form and cast in a mould, enabling .


Invention

The early history of the invention of Parian was confused ...
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Wedgwood
Wedgwood is an English fine china, porcelain and luxury accessories manufacturer that was founded on 1 May 1759 by the potter and entrepreneur Josiah Wedgwood and was first incorporated in 1895 as Josiah Wedgwood and Sons Ltd. It was rapidly successful and was soon one of the largest manufacturers of Staffordshire pottery, "a firm that has done more to spread the knowledge and enhance the reputation of British ceramic art than any other manufacturer", exporting across Europe as far as Russia, and to the Americas. It was especially successful at producing fine earthenware and stoneware that were accepted as equivalent in quality to porcelain (which Wedgwood only made later) but were considerably cheaper. Wedgwood is especially associated with the "dry-bodied" (unglazed) stoneware Jasperware in contrasting colours, and in particular that in "Wedgwood blue" and white, always much the most popular colours, though there are several others. Jasperware has been made continuously ...
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Thomas Minton
Thomas Minton (1765–1836) was an English potter. He founded Thomas Minton & Sons in Stoke-on-Trent, Staffordshire, which grew into a major ceramic manufacturing company with an international reputation. During the early 1780s Thomas Minton was an apprentice engraver at the Caughley Pottery Works in Shropshire, under the proprietorship of Thomas Turner, working on copperplate engravings for the production of transferware. The engraver Thomas Lucas went from there to work for Josiah Spode at Stoke-on-Trent in 1783, taking some elements of the fashionable chinoiserie patterns with him. While at Caughley Thomas Minton is thought to have worked on chinoiserie landscape patterns including willows, and to have prepared copperplates of them: but the Salopian works never produced the standard willow pattern which includes the bridge and the fence in the foreground. Minton left the Caughley works in 1785, and married Sarah in London in 1789. In 1793 he established his own pottery fac ...
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Pottery
Pottery is the process and the products of forming vessels and other objects with clay and other ceramic materials, which are fired at high temperatures to give them a hard and durable form. Major types include earthenware, stoneware and porcelain. The place where such wares are made by a ''potter'' is also called a ''pottery'' (plural "potteries"). The definition of ''pottery'', used by the ASTM International, is "all fired ceramic wares that contain clay when formed, except technical, structural, and refractory products". In art history and archaeology, especially of ancient and prehistoric periods, "pottery" often means vessels only, and sculpted figurines of the same material are called "terracottas". Pottery is one of the oldest human inventions, originating before the Neolithic period, with ceramic objects like the Gravettian culture Venus of Dolní Věstonice figurine discovered in the Czech Republic dating back to 29,000–25,000 BC, and pottery vessels that were ...
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Royal Doulton
Royal Doulton is an English ceramic and home accessories manufacturer that was founded in 1815. Operating originally in Vauxhall, London, and later moving to Lambeth, in 1882 it opened a factory in Burslem, Stoke-on-Trent, in the centre of English pottery. From the start, the backbone of the business was a wide range of utilitarian wares, mostly stonewares, including storage jars, tankards and the like, and later extending to pipes for drains, lavatories and other bathroom ceramics. From 1853 to 1901, its wares were marked Doulton & Co., then from 1901, when a royal warrant was given, Royal Doulton. It always made some more decorative wares, initially still mostly stoneware, and from the 1860s, the firm made considerable efforts to get a reputation for design, in which it was largely successful, as one of the first British makers of art pottery. Initially this was done through artistic stonewares made in Lambeth, but in 1882 the firm bought a Burslem factory, which was main ...
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Minton Archive
The Minton Archive is a collection of records for the English pottery firm Minton. The archive was originally housed in the firm's works at London Road, Stoke-on-Trent. It was catalogued by Alyn Giles Jones (1928-2000), Archivist and Keeper of Manuscripts at the University of Wales, Bangor, who acted as archival consultant for the Minton china company. The archive includes work by designers who were employed by Minton, including Augustus Pugin and Christopher Dresser. The future of the archive was put at risk when, as a result of the contraction of the Staffordshire pottery industry, the Minton factory was demolished in 2002. Ownership of the archive passed to Waterford Wedgwood plc which decided to auction it. Money was raised by the Art Fund and the archive was presented to the City of Stoke-on-Trent in 2015. The archive is kept in Hanley, where the documents are being digitised by the city's archive service (part of the Staffordshire and Stoke on Trent Archive Service). It i ...
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Slop Bowl
In Europe, a slop bowl, slop basin or waste bowl is one of the components of a traditional tea set. It was used to empty the cold tea and dregs in tea cups before refilling with hot tea, as there were often tea leaves in the bottom of the cups. As with the rest of the tea set, most slop bowls were in pottery, but some in silver. In the 18th century they typically held about half a pint, with some room to spare. Handleless ceramic bowls of this size and shape were also used for drinking tea at breakfast, sometimes known at the time as "breakfast basins", and it is not always possible to assign a particular role to a piece; indeed they may have been made as dual-purpose pieces. They became less common after about 1860, but services in the 1902 Sears Roebuck catalogue still offered them. In 2015 a slop bowl from the famous Swan Service in Meissen porcelain (originally 1737 to 1742) fetched £18,125 at a London auction, compared to £31,250 for a teacup and saucer.Bonham's, Lon ...
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Staffordshire Pottery
The Staffordshire Potteries is the industrial area encompassing the six towns Burslem, Fenton, Hanley, Longton, Stoke and Tunstall, which is now the city of Stoke-on-Trent in Staffordshire, England. North Staffordshire became a centre of ceramic production in the early 17th century, Fleming, John & Hugh Honour. (1977) ''The Penguin Dictionary of Decorative Arts. '' London: Allen Lane, p. 752. due to the local availability of clay, salt, lead and coal. Spread Hundreds of companies produced all kinds of pottery, from tablewares and decorative pieces to industrial items. The main pottery types of earthenware, stoneware and porcelain were all made in large quantities, and the Staffordshire industry was a major innovator in developing new varieties of ceramic bodies such as bone china and jasperware, as well as pioneering transfer printing and other glazing and decorating techniques. In general Staffordshire was strongest in the middle and low price ranges, though the finest ...
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Encaustic Tile
Encaustic tiles are ceramic tiles in which the pattern or figure on the surface is not a product of the glaze but of different colors of clay. They are usually of two colours but a tile may be composed of as many as six. The pattern appears inlaid into the body of the tile, so that the design remains as the tile is worn down. Encaustic tiles may be glazed or unglazed and the inlay may be as shallow as , as is often the case with "printed" encaustic tile from the later medieval period, or as deep as a quarter inch. History What were called encaustic tiles in the Victorian era were originally called inlaid tiles during the medieval period. The use of the word "encaustic" to describe an inlaid tile of two or more colors is linguistically incorrect. The word encaustic from grc, ἐγκαυστικός means "burning in" from the ''en'', "in" and ''kaiein'', "to burn". The term originally described a process of painting with a beeswax-based paint that was then fixed with heat. I ...
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Bone China
Bone china is a type of ceramic that is composed of bone ash, feldspathic material, and kaolin. It has been defined as "ware with a translucent body" containing a minimum of 30% of phosphate derived from animal bone and calculated calcium phosphate. Bone china is the strongest of the porcelain or china ceramics, having very high mechanical and physical strength and chip resistance, and is known for its high levels of whiteness and translucency.Ozgundogdu, Feyza Cakir. “Bone China from Turkey” Ceramics Technical; May2005, Issue 20, p29-32. Its high strength allows it to be produced in thinner cross-sections than other types of porcelain. Like stoneware, it is vitrified, but is translucent due to differing mineral properties. In the mid-18th century, English potters had not succeeded in making hard-paste porcelain (as made in East Asia and Meissen porcelain), but found bone ash a useful addition to their soft-paste porcelain mixtures, giving strength. This became standard at th ...
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