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Minor Seventh Chord
In music, a minor seventh chord is a seventh chord composed of a root note, together with a minor third, a perfect fifth, and a minor seventh (1, 3, 5, 7). For example, the minor seventh chord built on C, commonly written as C–7, has pitches C–E–G–B: : Minor/minor seventh chord A seventh chord with a minor third, perfect fifth, and minor seventh is commonly called a minor seventh chord, but also sometimes a minor/minor seventh chord to distinguish it from the minor/major seventh chord discussed below. It can be represented as either as m7 or −7, or in integer notation, . This chord occurs on different scale degrees in different diatonic scales: * In a major scale, it is on the supertonic, mediant, and submediant degrees (, , and ). This is why the ii in a ii–V–I turnaround is a minor seventh chord (ii7). * In a natural minor scale, it is on the tonic, subdominant, and dominant degrees (, , and ).Benward & Saker (2003). ''Music: In ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Root (chord)
In music theory, the concept of root is the idea that a chord can be represented and named by one of its notes. It is linked to harmonic thinking—the idea that vertical aggregates of notes can form a single unit, a chord. It is in this sense that one speaks of a "C chord" or a "chord on C"—a chord built from C and of which the note (or pitch) C is the root. When a chord is referred to in Classical music or popular music without a reference to what type of chord it is (either major or minor, in most cases), it is assumed a major triad, which for C contains the notes C, E and G. The root need not be the bass note, the lowest note of the chord: the concept of root is linked to that of the inversion of chords, which is derived from the notion of invertible counterpoint. In this concept, chords can be inverted while still retaining their root. In tertian harmonic theory, wherein chords can be considered stacks of third intervals (e.g. in common practice tonality), the root ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Chic (band)
Chic ( ), currently called Nile Rodgers & Chic, is an American band that was formed in 1972 by guitarist Nile Rodgers and bassist Bernard Edwards. It recorded many commercially successful disco songs, including " Dance, Dance, Dance (Yowsah, Yowsah, Yowsah)" (1977), " Everybody Dance" (1977), " Le Freak" (1978), " I Want Your Love" (1978), "Good Times" (1979), and " My Forbidden Lover" (1979). The group regarded themselves as a rock band for the disco movement "that made good on hippie peace, love and freedom". In 2017, Chic was nominated for induction into the Rock and Roll Hall of Fame for the eleventh time. History 1970–1978: Origins and early singers Nile Rodgers and Bernard Edwards met in 1970 as session musicians working in the New York City area. They formed a rock band initially named The Boys, but soon changed it to The Big Apple Band, and played numerous gigs around New York City. Despite interest in their demos, they never garnered a record contract. Both joi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Long Train Runnin'
"Long Train Runnin" (or "Long Train Running") is a song recorded by the Doobie Brothers and written by band member Tom Johnston. It was included on the band's 1973 album '' The Captain and Me'' and was released as a single, becoming a hit and peaking at No. 8 on the US ''Billboard'' Hot 100. It was covered by the Italian band Traks in 1982, and then by the British girl group Bananarama in 1991. In 1993, the Doobie Brothers' version was remixed and charted again in several countries, including reaching No. 7 on the UK Singles Chart. Origin The tune evolved from an untitled and mostly ad-libbed jam that the Doobies developed onstage years before it was finally recorded. Its working title, according to Johnston, was "Rosie Pig Moseley" and later "Osborn". "I didn't want to cut it," Johnston later confessed. "...I just considered it a bar song without a lot of merit. Teddy empleman on the other hand, thought it had some." Templeman convinced Johnston to write words to the song. ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Doobie Brothers
The Doobie Brothers are an American rock band formed in 1970 in San Jose, California, known for their flexibility in performing across numerous genres and their vocal harmonies. Active for five decades, with their greatest success in the 1970s, the group's current lineup consists of founding members Tom Johnston (guitars, vocals) and Patrick Simmons (guitars, vocals), alongside Michael McDonald (keyboards, vocals) and John McFee (guitars, pedal steel, violin, backing vocals), and touring musicians including John Cowan (bass, vocals), Marc Russo (saxophones), Ed Toth (drums), and Marc Quiñones (percussion). Other long-serving members of the band include guitarist Jeff "Skunk" Baxter (1974–1979), bassist Tiran Porter (1972–1980, 1987–1992) and drummers John Hartman (1970–1979, 1987–1992), Michael Hossack (1971–1973, 1987–2012), and Keith Knudsen (1973–1982, 1993–2005). They performed gospel influenced songs such as " Take Me in Your Arms (Rock Me a Litt ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Killing Me Softly With His Song
"Killing Me Softly with His Song" is a song composed by Charles Fox with lyrics by Norman Gimbel. The lyrics were written in collaboration with Lori Lieberman after she was inspired by a Don McLean performance in late 1971. Denied writing credit by Fox and Gimbel, Lieberman released her version of the song in 1972, but it did not chart. The song has been covered by many other artists. In 1973, it became a number-one hit in the United States, Australia and Canada for Roberta Flack, and also reached number six in the UK Singles Chart. In 1996, Fugees recorded the song with Lauryn Hill on lead vocals, their version became a number-one hit in twenty countries. The version by Flack won the 1974 Grammy for Record of the Year and Best Female Pop Vocal Performance. In 1988, it appeared on Al B. Sure’s debut album, In Effect Mode, which sat atop the Billboard R&B charts for 7 weeks. The version by Fugees won the 1997 Grammy for Best R&B Performance by a Duo or Group with Vocal. Pr ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Roberta Flack
Roberta Cleopatra Flack (born February 10, 1937) is a retired American singer. She topped the ''Billboard'' charts with the No. 1 singles "The First Time Ever I Saw Your Face", "Killing Me Softly with His Song", " Feel Like Makin' Love", "Where Is the Love" and "The Closer I Get to You", the latter two duets with Donny Hathaway. Flack is also noted for her influence on the subgenre of contemporary R&B called quiet storm, along with her interpretations of songs by various songwriters, such as Leonard Cohen and members of the Beatles. Flack was the first artist to win the Grammy Award for Record of the Year in two consecutive years: "The First Time Ever I Saw Your Face" won in 1973 and "Killing Me Softly with His Song" won in 1974. Early life Flack was born in Black Mountain, North Carolina, to parents Laron Flack, a Veterans Administration draftsman, and Irene (Council) Flack a church organist, on February 10, 1937 (some sources have cited 1939 but the 1940 Census gives Rob ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Lady Marmalade
"Lady Marmalade" is a song written by Bob Crewe and Kenny Nolan, originally for Nolan's disco group. The song is famous for the repeated refrain of " ''Voulez-vous coucher avec moi''?" in French as part of the chorus, a sexually suggestive line that translates into English as: "Do you want to sleep with me?" The song first became a popular hit when it was recorded in 1974 by the American R&B group Labelle and held the number-one spot on the ''Billboard'' Hot 100 chart for one week, and also topped the Canadian '' RPM'' national singles chart. In 2021, the Library of Congress selected Labelle's version for preservation in the National Recording Registry for being "culturally, historically, or artistically significant." The song has had many cover versions over the years. In 1998, girl group All Saints released a cover of the song that peaked at number one on the UK Singles Chart. The 2001 version by singers Christina Aguilera, Mýa, Pink and rapper Lil' Kim, recorded for the ''M ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Melodic Minor Scale
In music theory, the minor scale is three scale patterns – the natural minor scale (or Aeolian mode), the harmonic minor scale, and the melodic minor scale (ascending or descending) – rather than just two as with the major scale, which also has a harmonic form but lacks a melodic form. In each of these scales, the first, third, and fifth scale degrees form a minor triad (rather than a major triad, as in a major scale). In some contexts, ''minor scale'' is used to refer to any heptatonic scale with this property (see Related modes below). Natural minor scale Relationship to relative major A natural minor scale (or Aeolian mode) is a diatonic scale that is built by starting on the sixth degree of its relative major scale. For instance, the A natural minor scale can be built by starting on the 6th degree of the C major scale: : Because of this, the key of A minor is called the ''relative minor'' of C major. Every major key has a relative minor, which starts o ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Harmonic Minor Scale
In music theory, the minor scale is three scale patterns – the natural minor scale (or Aeolian mode), the harmonic minor scale, and the melodic minor scale (ascending or descending) – rather than just two as with the major scale, which also has a harmonic form but lacks a melodic form. In each of these scales, the first, third, and fifth scale degrees form a minor triad (rather than a major triad, as in a major scale). In some contexts, ''minor scale'' is used to refer to any heptatonic scale with this property (see Related modes below). Natural minor scale Relationship to relative major A natural minor scale (or Aeolian mode) is a diatonic scale that is built by starting on the sixth degree of its relative major scale. For instance, the A natural minor scale can be built by starting on the 6th degree of the C major scale: : Because of this, the key of A minor is called the ''relative minor'' of C major. Every major key has a relative minor, which starts ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Dominant (music)
In music, the dominant is the fifth scale degree () of the diatonic scale. It is called the ''dominant'' because it is second in importance to the first scale degree, the tonic. In the movable do solfège system, the dominant note is sung as "So(l)". The triad built on the dominant note is called the dominant chord. This chord is said to have dominant function, which means that it creates an instability that requires the tonic for resolution. Dominant triads, seventh chords, and ninth chords typically have dominant function. Leading-tone triads and leading-tone seventh chords may also have dominant function. Dominant chords In music theory, the dominant triad is a major chord, symbolized by the Roman numeral "V" in the major scale. In the natural minor scale, the triad is a minor chord, denoted by "v". However, in a minor key, the seventh scale degree is often raised by a half step ( to ), creating a major chord. These chords may also appear as seventh c ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
