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Memories Of El Monte
"Memories of El Monte" is a doo-wop metasong released in 1963 by the Penguins featuring Cleve Duncan. It was written by Frank Zappa and Ray Collins before they were in the Mothers of Invention. The song was first released as Original Sound 27. Composition In 1960, Art Laboe released one of the first oldies compilations, ''Memories of El Monte'', a collection of songs by bands that used to play at the dances Laboe organized at El Monte Legion Stadium in El Monte, California. At some point in the next few years, Ray Collins visited Frank Zappa at his house at 314 W. G Street in Ontario, California. Frank told him that he and a friend had thought of writing a song entitled "Memories of El Monte." Ray had been to the dances at El Monte Legion Stadium and had played there with tenor saxophonist Chuck Higgins. Ray sat down at Frank's piano, played the "Earth Angel" chord changes and immediately came up with the first lyrics for "Memories of El Monte." Frank Zappa took the song to ...
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Pal Recording Studio
Pal Recording Studio (1957–1964) was an independent recording studio that operated in Cucamonga, California (now known as Rancho Cucamonga.) The studio was started by engineer/innovator Paul Buff. The studio is known for its instrumental Surf music recordings such as " Wipe Out" and the original demo recording of " Pipeline". The first location was at 8020 North Archibald Avenue. Later, the studio moved down the street to 8040. Pal was also the training ground for a young Frank Zappa who worked at the studio starting in 1961. Zappa learned basic recording techniques at Pal. He recorded his first rock n' roll record, "Breaktime", by the Masters, which consisted of himself, Paul Buff, and Ronnie Williams. In 1964, Zappa bought the studio and renamed it Studio Z. Zappa lived at the studio building for a few months before it was closed in 1965. The building had to be torn down in order to widen North Archibald Avenue. Zappa made many other recordings at the studio. Some were rele ...
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Singing
Singing is the act of creating musical sounds with the voice. A person who sings is called a singer, artist or vocalist (in jazz and/or popular music). Singers perform music (arias, recitatives, songs, etc.) that can be sung with or without accompaniment by musical instruments. Singing is often done in an ensemble of musicians, such as a choir. Singers may perform as soloists or accompanied by anything from a single instrument (as in art song or some jazz styles) up to a symphony orchestra or big band. Different singing styles include art music such as opera and Chinese opera, Indian music, Japanese music, and religious music styles such as gospel, traditional music styles, world music, jazz, blues, ghazal, and popular music styles such as pop, rock, and electronic dance music. Singing can be formal or informal, arranged, or improvised. It may be done as a form of religious devotion, as a hobby, as a source of pleasure, comfort, or ritual as part of music ...
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Ace Records (US)
Ace Records was a record label that was started in August 1955 in Jackson, Mississippi by Johnny Vincent, with Teem Records as its budget subsidiary. History Ace also had the Vin label. Its records were distributed independently until 1962 when a distribution arrangement was set up with Vee-Jay Records. Ace Records stopped when Vee-Jay ran out of funds and went out of business. The label was relaunched in 1971 and sold in 1997 to the Demon Music Group in the UK. Ace recorded such artists as Earl King, Frankie Ford, Jimmy Clanton, Huey "Piano" Smith, Joe Tex, Scotty McKay, and Bobby Marchan. Ace Records received a marker on the Mississippi Blues Trail. Notable songs * "Rockin' Pneumonia and the Boogie Woogie Flu" by Huey "Piano" Smith and The Clowns (1957) * "Don't You Just Know It" by Huey "Piano" Smith and The Clowns (1958) * " Just a Dream" by Jimmy Clanton (1958) * "Sea Cruise" by Frankie Ford (1958) * "Go, Jimmy, Go" by Jimmy Clanton (1959) * " Gee Baby" by Joe and ...
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Chief Records
Chief Records, together with its Profile and Age subsidiaries, was an independent record label that operated from 1957 to 1964. Best known for its recordings of Chicago blues artists Elmore James, Junior Wells, Magic Sam, and Earl Hooker, the label had a diverse roster and included R&B artists Lillian Offitt and Ricky Allen. Chief Records was founded in Chicago in 1957 by Mel London, a 25-year-old R&B entrepreneur. London served as producer and wrote several of the label's best-known songs. Earl Hooker, one of the most well-regarded blues guitarists of his era, was an important contributor to the label. He worked closely with London and "was involved in over a dozen recording sessions, and his playing was featured on some forty titles and twenty-five singles, a dozen of which were released under his own name, the rest being ascribed to Junior Wells, A.C. Reed, Lillian Offitt, and Ricky Allen". Among Hooker's recordings are several slide-guitar instrumentals, including the 196 ...
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The Five Discs
The Five Discs were an American doo-wop group from Brooklyn, New York, United States. In 1954, the Lovenotes, a six-man group (no recordings) with Mario deAndrade and Andy Jackson formed in Bedford-Stuyvesant, Brooklyn. Down the block, Joe Barsalona, Tony Basile, and Paul Albano were trying to put a group together and often Mario deAndrade would come down the block and coach them on singing harmony. After about six months the Lovenotes broke up, and Mario and Andy went down the block and started singing with Joe, Tony, and Paul. That was the beginning of what would eventually be called the Five Discs. Their first demo recording A demo (shortened from "demonstration") is a song or group of songs typically recorded for limited circulation or for reference use, rather than for general public release. A demo is a way for a musician to approximate their ideas in a fixed for ... came in 1957, and they had regional hits in the northeast from 1958 through 1962, including "I Remember" ...
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The Chimes (US Band)
The Chimes (later Lenny Cocco & the Chimes) were an American doo wop group from Brooklyn. The group came together under the direction of lead singer Lenny Cocco in the mid-1950s. Their first single was a version of " Once in a While"—a 1937 hit for Tommy Dorsey—released on Tag Records. The song became a hit in the U.S., peaking at No. 11 on the ''Billboard'' Hot 100 in January 1961, and No. 15 in Canada. The follow-up single was " I'm in the Mood for Love", a song from the 1930s. This hit No. 38 later that year. In 1962, they began recording as Lenny & the Chimes, and moved to Metro Records and then to Laurie Records in 1963. In 1964, they released the single "Two Times" on Vee-Jay, but broke up shortly after. In subsequent decades they have re-formed for the doo-wop revival circuit, usually under the name Lenny Cocco and the Chimes. Cocco died in 2015 at age 78. Members Original *Lenny Cocco - lead singer and founder (born Leonard Cocco in Brooklyn in 1936; died on May 8, ...
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Marvin & Johnny
Marvin & Johnny were an American doo-wop duo which recorded in the 1950s. The duo comprised Marvin Phillips (born October 23, 1931) and Emory "Johnny" Perry (March 1, 1928 - January 6, 2011), who recorded the early doo-wop single, "Cherry Pie". Career Phillips was born in Guthrie, Oklahoma, United States and Perry in Sherman, Texas, but their impact in the music industry occurred in Los Angeles in 1954. The pair had become acquainted in 1949 when they were saxophonists for The Richard Lewis Band. Prior to teaming up with Perry, Phillips worked with several other artists who performed under the name "Johnny." The first was Carl Green, and later Johnny Starks. Phillips also paired with the R&B singer Jesse Belvin. They charted with "Dream Girl" b/w "Daddy Loves Baby" in late 1952. "Dream Girl" received good airplay and sales in California, but Belvin had opportunities elsewhere and left Phillips to pursue a solo career. Later, Marvin "Rip" Spencer, Phillips' nephew, would perform ...
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Cherry Pie (Joe Josea Song)
"Cherry Pie" is a song written by Joe Josea and originally performed by Marvin & Johnny in 1954 as the B-side to their single "Tick Tock". Other versions *Six years after its first recording, a version was released by the duo Skip & Flip. This version reached number 11 on the ''Billboard'' pop chart and number 27 on the US R&B chart in 1960. Skip & Flip's version was ranked number 79 on ''Billboard'' magazine's Top ''Hot 100'' songs of 1960. *Jess Conrad released a version of the song as a single in 1960 which reached number 39 on the UK Singles Chart. * Dave Bartholomew and His Orchestra released a version of the song as the B-side to their 1964 single "The Monkey Speaks His Mind". * Daddy Cool released a version of the song on their 1971 album, '' Daddy Who? Daddy Cool''. * The Hagers released a version of the song as a single in 1974. In popular culture *Marvin and Johnny's version of the song was mentioned in The Penguins ''The'' () is a grammatical article in Engli ...
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The Medallions
The Medallions were an American doo-wop vocal group led by Vernon Green (1937–2000). History The group formed in Los Angeles, California, United States, in 1954, after Vernon Green was heard singing on the street by Walter "Dootsie" Williams, the owner of Dootone Records. Green – who walked with a cane as a result of childhood polio – put together a singing group with three friends from Fremont High School, Andrew Blue (tenor), Randolph Bryant (baritone), and Ira Foley (bass), and named them the Medallions because of his own penchant for wearing medallions around his neck.Biography by Bryan Thomas at Allmusic.com
Retrieved 23 September 2013
Their first release, "Buick 59", based on T ...
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The Heartbeats
The Heartbeats were a 1950s American doo-wop group best known for their song " A Thousand Miles Away", which charted at No. 53 in the US '' Billboard'' listings in 1957. Career The Heartbeats began as a quartet in early 1953 in Jamaica, Queens as "The Hearts", consisting of baritone Vernon Sievers, bass Wally Roker, first tenor Albert Crump, and second tenor Robbie Tatum. When it was later discovered that there was a female group of the same name (who scored a minor ''Billboard'' hit with "Lonely Nights"), the male group extended their name to "Heartbeats". They were signed shortly after James "Shep" Sheppard joined the group as lead vocalist and were shuffled between various production companies and record labels over the next few years. The group split up in 1959 and Sheppard went on to form Shep and the Limelites Shep and the Limelites was an American doo-wop trio of the early 1960s, composed of James "Shep" Sheppard (September 24, 1935 – January 24, 1970), Clarence Ba ...
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A Thousand Miles Away
"A Thousand Miles Away" is a 1956 song recorded by the American doo-wop group The Heartbeats. The song was written by James Sheppard and William H. Miller. Background Sheppard co-wrote the song after his ex-girlfriend moved away to Texas. Track listing 7" Vinyl # a. "A Thousand Miles Away" - 2:22 # b. "Oh Baby Don't" - 2:25 Chart performance *"A Thousand Miles Away" reached #5 on the R&B Singles chart and #52 in the US on The Billboard Hot 100. *A 1960, reissue had the song peak at #96 on the Hot 100. Cover versions Other artists who have released a cover versions of the song are: *The Fleetwoods *The Diamonds *Harry Nilsson released a cover version of the song. In popular culture The song was featured in the 1973 film "American Graffiti ''American Graffiti'' is a 1973 American coming-of-age comedy-drama film directed by George Lucas, produced by Francis Ford Coppola, written by Willard Huyck, Gloria Katz and Lucas, and starring Richard Dreyfuss, Ron Howard (billed ...
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The Five Satins
The Five Satins are an American doo-wop group, best known for their 1956 million-selling song, " In the Still of the Night." They were formed in 1954 and continued performing until 1994. When it was formed, the group consisted of six members, which was eventually cut down to five. The group is in the Vocal Group Hall of Fame. Career The group, formed in New Haven, Connecticut, United States, in 1954, consisted of leader Fred Parris (March 26, 1936–January 13, 2022), Lewis Peeples, Stanley Dortche, Ed Martin, Jim Freeman, Nat Mosley. With little success, the group reorganized, with Dortche and Peeples leaving, and new member Al Denby entering. The group then recorded "In the Still of the Night", a big hit in the United States, which was originally released as the B-side to the single, "The Jones Girl". The single was initially issued on the tiny local "Standord" label (45 stock # 200) and after some local Connecticut sales, it was released the following year on the New York l ...
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