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Machine Gun (Jimi Hendrix Song)
"Machine Gun" is a song written by American musician Jimi Hendrix, and originally recorded for the 1970 ''Band of Gypsys'' album, with Billy Cox and Buddy Miles. It is a lengthy, loosely defined ( jam-based) protest of the Vietnam War, and perhaps a broader comment on conflict of any kind. At a performance in Berkeley, California, Hendrix introduced the song: Hendrix's 12-minute performance of "Machine Gun" for the ''Band of Gypsys'' is often lauded as his greatest, and is considered a stunning display of guitar virtuosity. Hendrix's long guitar solos and percussive riffs combine with controlled feedback to simulate the sounds of a battlefield, such as helicopters, dropping bombs, explosions, machine guns, and the screams and cries of those wounded or grieving. Although a proper studio recording was never realized, several other live recordings exist. Origins Hendrix debuted "Machine Gun" in September 1969 in a performance on ''The Dick Cavett Show''. He was backed by drummer ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jimi Hendrix
James Marshall "Jimi" Hendrix (born Johnny Allen Hendrix; November 27, 1942September 18, 1970) was an American guitarist, singer and songwriter. Although his mainstream career spanned only four years, he is widely regarded as one of the most influential electric guitarists in the history of popular music, and one of the most celebrated musicians of the 20th century. The Rock and Roll Hall of Fame describes him as "arguably the greatest instrumentalist in the history of rock music." Born in Seattle, Washington, Hendrix began playing guitar at the age of 15. In 1961, he enlisted in the US Army, but was discharged the following year. Soon afterward, he moved to Clarksville then Nashville, Tennessee, and began playing gigs on the chitlin' circuit, earning a place in the Isley Brothers' backing band and later with Little Richard, with whom he continued to work through mid-1965. He then played with Curtis Knight and the Squires before moving to England in late 1966 after bassist ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jerry Velez
Gerardo "Jerry" Velez (born August 15, 1947) is an American musician. Best known for performing with American psychedelic rock musician Jimi Hendrix at Woodstock Festival in August 1969, Velez is a veteran percussionist and drummer, who has performed with many artists covering a number of different genres of music. He is also a common member of jazz fusion band Spyro Gyra. Life and career Velez began his musical career in The Bronx, New York. He notably joined Jimi Hendrix's band Gypsy Sun and Rainbows in July 1969, performed at the Woodstock Festival and at a small number of studio sessions, before Hendrix disbanded the group in favour of returning to the three-piece format of The Jimi Hendrix Experience. The band's performance at Woodstock was released on the live album ''Woodstock'' in 1994, followed by live album and video '' Live at Woodstock'' in 1999. For all Hendrix releases on which he appears, Velez was credited with the nickname Jerry. Since performing with Jimi H ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Alan Douglas (record Producer)
Alan Douglas Rubenstein Richard Williamsbr>"Alan Douglas obituary" ''The Guardian'', 18 June 2014 (July 20, 1931 – June 7, 2014) was an American record producer from Boston, who worked with Jimi Hendrix, Miles Davis, John McLaughlin, Lenny Bruce and the Last Poets. He ran his own record label, Douglas Records. Early life Douglas was born Alan Douglas Rubenstein in Chelsea, Massachusetts, the son of Rose (Silbert) and William Rubenstein, a junk seller and later mattress manufacturer. His parents were Russian Jewish immigrants. His brother was actor Jerry Douglas. Jazz record producer In 1962, Douglas took charge of United Artists Records' jazz division. One of his first projects was Art Blakey and the Jazz Messengers' ''Three Blind Mice'' albums, recorded live at the Renaissance Club in Hollywood. He also coaxed trumpeter Kenny Dorham into the studio for ''Matador'', a soul-jazz classic shared with Jackie McLean and Bobby Timmons. Douglas's qualities as a producer were alread ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Live At The Isle Of Wight
Live at the Isle of Wight 1970, Live at the Isle of Wight Festival 1970, or Live at the Isle of Wight may refer to: * ''Live at the Isle of Wight 1970'' (Leonard Cohen album) (2009) * ''Live at the Isle of Wight Festival 1970'' (The Doors album) (2018) * ''Live at the Isle of Wight Festival 1970'' (Emerson, Lake & Palmer album) (1997) * '' Live Isle of Wight '70'', a 1991 album by Jimi Hendrix * '' Blue Wild Angel: Live at the Isle of Wight'', a 2002 album by Jimi Hendrix * '' Nothing Is Easy: Live at the Isle of Wight 1970'', a 2004 album by Jethro Tull * ''Live at the Isle of Wight Festival 1970'' (The Moody Blues album) (2008) * ''Live at the Isle of Wight'' (Taste album) (1971) * ''Live at the Isle of Wight Festival 1970'' (The Who album) (1996) ** ''Live at the Isle of Wight Festival 1970'' (film) (1998) See also *Isle of Wight Festival 1970 The Isle of Wight Festival 1970 was a music festival held between 26 and 31 August 1970 at Afton Down, an area on the western ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Live At Berkeley
''Live at Berkeley'' is a live album by American rock musician Jimi Hendrix. It documents his second performance at the Berkeley Community Theatre on May 30, 1970, and was released by MCA Records on September 16, 2003. Background Hendrix performed in Berkeley about one month into his The Cry of Love Tour with bassist Billy Cox and drummer Mitch Mitchell. The set list was fairly typical for the toura mix of popular tunes and some newer material. "Hey Joe", " Foxey Lady", " Purple Haze", and "Voodoo Child (Slight Return)" had been in Hendrix's concert repertoire since he first recorded them. "Machine Gun" was released two months earlier on the live ''Band of Gypsys'' album, and " Hey Baby (New Rising Sun)" was in development for his planned fourth studio album. Portions of some of these songs were included in the 1971 concert film ''Jimi Plays Berkeley''. Critical reception Rob Fawcett of BBC Music called ''Live at Berkeley'' "the strongest newly-released Hendrix material in ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Fillmore East First Show
''The'' () is a grammatical article in English, denoting persons or things already mentioned, under discussion, implied or otherwise presumed familiar to listeners, readers, or speakers. It is the definite article in English. ''The'' is the most frequently used word in the English language; studies and analyses of texts have found it to account for seven percent of all printed English-language words. It is derived from gendered articles in Old English which combined in Middle English and now has a single form used with pronouns of any gender. The word can be used with both singular and plural nouns, and with a noun that starts with any letter. This is different from many other languages, which have different forms of the definite article for different genders or numbers. Pronunciation In most dialects, "the" is pronounced as (with the voiced dental fricative followed by a schwa) when followed by a consonant sound, and as (homophone of pronoun ''thee'') when followed by a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Live At The Fillmore East (Jimi Hendrix Album)
''Live at the Fillmore East'' is a posthumous live album by Jimi Hendrix released on February 23, 1999. The album documents Hendrix's performances with the Band of Gypsys at the Fillmore East on December 31, 1969 and January 1, 1970. It is drawn from the same performances as, and can be seen as an extended complement to, the album ''Band of Gypsys'', consisting mostly of songs not on the original album. Since its original release, additional recordings from the Fillmore East performances have been issued on '' West Coast Seattle Boy: The Jimi Hendrix Anthology'' (2010), '' Machine Gun: The Fillmore East First Show'' (2013), and '' Songs for Groovy Children: The Fillmore East Concerts'' (2019). Critical reception Track listing All details are taken from the original MCA Records CD liner notes. All tracks written by Jimi Hendrix, except where noted. Personnel * Jimi Hendrixguitar, lead vocals (except those by Miles) * Buddy Milesdrums, backing vocals, lead vocals on "We ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Audio Feedback
Audio feedback (also known as acoustic feedback, simply as feedback) is a positive feedback situation which may occur when an acoustic path exists between an audio input (for example, a microphone or guitar pickup) and an audio output (for example, a loudspeaker). In this example, a signal received by the microphone is amplified and passed out of the loudspeaker. The sound from the loudspeaker can then be received by the microphone again, amplified further, and then passed out through the loudspeaker again. The frequency of the resulting howl is determined by resonance frequencies in the microphone, amplifier, and loudspeaker, the acoustics of the room, the directional pick-up and emission patterns of the microphone and loudspeaker, and the distance between them. The principles of audio feedback were first discovered by Danish scientist Søren Absalon Larsen, hence it is also known as the Larsen effect. Feedback is almost always considered undesirable when it occurs with a s ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Univibe
The Uni-Vibe, also marketed as the Jax Vibra-Chorus,Harry Shapiro, Michael Heatley, Roger Mayer''Jimi Hendrix Gear'', page 120 Voyageur Press is a footpedal-operated phaser or phase shifter for creating chorus and vibrato simulations for electric organ or guitar. Designed by audio engineer Fumio Mieda, it was introduced in the 1960s by Japanese company Shin-ei (at the time Honey) originally branded as the Vibra-Chorus. The effect (now named Uni-Vibe) was modified to have easier access to its fuse, and a speed control foot pedal was added. It was later released in North America by Univox in 1968. It is commonly thought the Uni-Vibe is intended to emulate the " Doppler sound" of a Leslie speaker. However Fumio Mieda revealed in an interview the effect was based on hearing radio signals (like Radio Moscow) undergoing “atmospheric modulation”. The effect has made its mark on tracks like Robin Trower's "Bridge of Sighs", Jimi Hendrix's "Machine Gun" and Pink Floyd's " Breath ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Fuzz Face
The Fuzz Face is an effects pedal for electric guitar, used also by some electric bass players. It is designed to produce a distorted sound referred to as "fuzz", originally achieved through accident such as broken electrical components or damaged speakers. History Arbiter Electronics Ltd. first issued the Fuzz Face in 1966. Later units bear the "Dallas Arbiter", "Dallas Music Industries Ltd.", "CBS/Arbiter Ltd." or "Dunlop Manufacturing Inc." name. The earliest units used germanium transistors. Silicon transistors were used in later editions of the pedal. Silicon transistors provided for a more stable operation, but have a different, harsher sound. The electronics are contained in a circular-shaped metal housing. Ivor Arbiter "got the idea for the round shape when he one day saw a microphone stand with a cast iron base".http://www.custom-sounds.com/epages/Gagar.sf/en_US/?ObjectPath=/Shops/CustomSounds/Categories/articles/fuzz "Fuzz Face" by David Morin The design was origina ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Wah-wah Pedal
A wah-wah pedal, or simply wah pedal, is a type of electric guitar effects pedal that alters the tone and frequencies of the guitar signal to create a distinctive sound, mimicking the human voice saying the onomatopoeic name "wah-wah". The pedal sweeps the peak response of a frequency filter up and down in frequency to create the sound, a spectral glide, also known as "the wah effect". The wah-wah effect originated in the 1920s, with trumpet or trombone players finding they could produce an expressive crying tone by moving a mute in and out of the instrument's bell. This was later simulated with electronic circuitry for the electric guitar when the wah-wah pedal was invented. It is controlled by movement of the player's foot on a rocking pedal connected to a potentiometer. Wah-wah effects may be used as a fixed-filter to alter an instrument’s timbre (known as a “cocked-wah”); they may be used when a guitarist is soloing; or, classically, they may be used to create a "wac ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Effects Unit
An effects unit or effects pedal is an electronic device that alters the sound of a musical instrument or other audio source through audio signal processing. Common effects include distortion/overdrive, often used with electric guitar in electric blues and rock music; dynamic effects such as volume pedals and compressors, which affect loudness; filters such as wah-wah pedals and graphic equalizers, which modify frequency ranges; modulation effects, such as chorus, flangers and phasers; pitch effects such as pitch shifters; and time effects, such as reverb and delay, which create echoing sounds and emulate the sound of different spaces. Most modern effects use solid-state electronics or digital signal processors. Some effects, particularly older ones such as Leslie speakers and spring reverbs, use mechanical components or vacuum tubes. Effects are often used as stompboxes, typically placed on the floor and controlled with footswitches. They may also be built into ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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