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Moto Perpetuo
In music, ''perpetuum mobile'' (English pronunciation /pərˌpɛtjʊəm ˈmoʊbɪleɪ/, /ˈmoʊbɪli/; Latin, literally, "perpetual motion"), ''moto perpetuo'' (Italian), ''mouvement perpétuel'' ( French), ''movimento perpétuo'' ( Portuguese) ''movimiento perpetuo'' ( Spanish), is a term used to describe a rapidly executed and persistently maintained figuration, usually of notes of equal length. Over time it has taken on two distinct applications: first, as describing entire musical compositions or passages within them that are characterised by a continuous stream of notes, usually but not always at a rapid tempo; and second, as describing entire compositions, or extended passages within them that are meant to be played in a repetitious fashion, often an indefinite number of times. Types of ''perpetuum mobile'' composition As a distinct composition, ''perpetuum mobile'' can be defined as one in which part or most of the piece is intended to be repeated an often unspecified n ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Italian Language
Italian (, , or , ) is a Romance language of the Indo-European language family. It evolved from the colloquial Latin of the Roman Empire. Italian is the least divergent language from Latin, together with Sardinian language, Sardinian. It is spoken by about 68 million people, including 64 million native speakers as of 2024. Italian is an official language in Languages of Italy, Italy, Languages of San Marino, San Marino, Languages of Switzerland, Switzerland (Ticino and the Grisons), and Languages of Vatican City, Vatican City; it has official Minority language, minority status in Minority languages of Croatia, Croatia, Slovene Istria, Romania, Bosnia and Herzegovina, and the municipalities of Santa Teresa, Espírito Santo, Santa Tereza, Encantado, Rio Grande do Sul, Encantado, and Venda Nova do Imigrante in Languages of Brazil#Language co-officialization, Brazil. Italian is also spoken by large Italian diaspora, immigrant and expatriate communities in the Americas and Austral ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
String Quartets, Op
String or strings may refer to: *String (structure), a long flexible structure made from threads twisted together, which is used to tie, bind, or hang other objects Arts, entertainment, and media Films * Strings (1991 film), ''Strings'' (1991 film), a Canadian animated short * Strings (2004 film), ''Strings'' (2004 film), a film directed by Anders Rønnow Klarlund * Strings (2011 film), ''Strings'' (2011 film), an American dramatic thriller film * Strings (2012 film), ''Strings'' (2012 film), a British film by Rob Savage * ''Bravetown'' (2015 film), an American drama film originally titled ''Strings'' * ''The String'' (2009), a French film Music Instruments * String (music), the flexible element that produces vibrations and sound in string instruments * String instrument, a musical instrument that produces sound through vibrating strings ** List of string instruments * String piano, a pianistic extended technique in which sound is produced by direct manipulation of the strings, r ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Circular Breathing
Circular breathing is a breathing technique used by players of some wind instruments to produce a continuous tone without interruption. It is accomplished by inhaling through the nose while simultaneously pushing air out through the mouth using air stored in the cheeks. History The technique was developed independently by several cultures and is used for many traditional wind instruments. Mongolian metalsmiths have long used circular breathing on flames to achieve sustained, consistent metal temperatures. Uses It is used extensively in playing the Eastern zurna, the Mongolian limbe, the Tibetan gyaling, the Sardinian launeddas, the Greek aulos, the Egyptian arghul, the Australian didgeridoo, the Basque alboka, many traditional oboes and flutes of Asia and the Middle East, and the saluang, a traditional bamboo flute from Minangkabau ethnic, West Sumatra, Indonesia. Some jazz and classical wind and brass players also use some form of circular breathing. Although many ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Obbligato
In Western classical music, ''obbligato'' (, also spelled ''obligato'') usually describes a musical line that is in some way indispensable in performance. Its opposite is the marking '' ad libitum''. It can also be used, more specifically, to indicate that a passage of music was to be played exactly as written, or only by the specified instrument, without changes or omissions. The word is borrowed from Italian (an adjective meaning ''mandatory''; from Latin ''obligatus'' p.p. of '' obligare'', to oblige); the spelling ''obligato'' is not acceptable in British English, but it is often used as an alternative spelling in the US. The word can stand on its own, in English, as a noun, or appear as a modifier in a noun phrase (e.g. ''organ obbligato''). The term has also come to refer to a countermelody. Independence ''Obbligato'' includes the idea of independence, as in C. P. E. Bach's 1780 Symphonies (with twelve ''obbligato'' parts) by which Bach was referring to the independent w ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Niccolò Paganini
Niccolò (or Nicolò) Paganini (; ; 27 October 178227 May 1840) was an Italian violinist and composer. He was the most celebrated violin virtuoso of his time, and left his mark as one of the pillars of modern violin technique. His 24 Caprices for Solo Violin (Paganini), 24 Caprices for Solo Violin Op. 1 are among the best known of his compositions and have served as an inspiration for many prominent composers. Son of a ship chandler from Genoa, Paganini showed great gifts for music from an early age and studied under Alessandro Rolla, Ferdinando Paer and Gasparo Ghiretti. Accompanied by his father, he toured northern Italy extensively as a teenager. By 1805 he had come into the service of Napoleon's sister, Elisa Bonaparte, who then ruled Lucca where Paganini was first violin. From 1809 on he returned to touring and achieved continental fame in the subsequent two and a half decades, developing a reputation for his technical brilliance and showmanship, as well as his extravagant ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ottokar Novacek
Ottokar is the medieval German form of the Germanic name Audovacar. People with the name Ottokar include: *Two kings of Bohemia, members of the Přemyslid dynasty ** Ottokar I of Bohemia (–1230) ** Ottokar II of Bohemia (–1278) *Four Styrian margraves, members of the Otakar dynasty ** Ottokar I of Styria (died 1075) ** Ottokar II of Styria (died 1122) ** Ottokar III of Styria (died 1164) ** Ottokar IV, Duke of Styria (1163–1192) * Ottokar Chiari (1853–1918), Austrian laryngologist * Ottokar Czernin (1872–1932), Austro-Hungarian diplomat * Ottokar Domma (1924–2007), German journalist and writer * Ottokar Fischer (1873–1940), Austrian magician * Ottokar Lorenz (1832–1904), Austrian-German historian and genealogist * Ottokar Nováček (1866–1900), Austro-Hungarian violinist * Ottokár Prohászka (1858–1927), Hungarian Roman Catholic theologian and bishop * Ottokar Runze (1925–2018), German film producer * Ottokar Tumlirz (1856–1928), Austrian physicist * O ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Felix Mendelssohn
Jakob Ludwig Felix Mendelssohn Bartholdy (3 February 18094 November 1847), widely known as Felix Mendelssohn, was a German composer, pianist, organist and conductor of the early Romantic music, Romantic period. Mendelssohn's compositions include symphony, symphonies, concertos, piano music, organ music and chamber music. His best-known works include the Overture#Concert overture, overture and incidental music for ''A Midsummer Night's Dream (Mendelssohn), A Midsummer Night's Dream'' (which includes his "Wedding March (Mendelssohn), Wedding March"), the ''Symphony No. 4 (Mendelssohn), Italian'' and ''Symphony No. 3 (Mendelssohn), Scottish'' Symphonies, the oratorios ''St. Paul (oratorio), St. Paul'' and ''Elijah (oratorio), Elijah'', the ''The Hebrides (overture), Hebrides'' Overture, the mature Violin Concerto (Mendelssohn), Violin Concerto, the Octet (Mendelssohn), String Octet, and the melody used in the Christmas carol "Hark! The Herald Angels Sing". Mendelssohn's ''Songs W ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Charles-Valentin Alkan
Charles-Valentin Alkan (; 30 November 1813 – 29 March 1888) was a French composer and virtuoso pianist. At the height of his fame in the 1830s and 1840s he was, alongside his friends and colleagues Frédéric Chopin and Franz Liszt, among the leading pianists in Paris, a city in which he spent virtually his entire life. Alkan earned many awards at the Conservatoire de Paris, which he entered before he was six. His career in the salons and concert halls of Paris was marked by his occasional long withdrawals from public performance, for personal reasons. Although he had a wide circle of friends and acquaintances in the Parisian artistic world, including Eugène Delacroix and George Sand, from 1848 he began to adopt a reclusive life style, while continuing with his compositions – virtually all of which are for the keyboard. During this period he published, among other works, his collections of large-scale studies in all the major keys (Op. 35) and all the minor keys ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Carl Maria Von Weber
Carl Maria Friedrich Ernst von Weber (5 June 1826) was a German composer, conductor, virtuoso pianist, guitarist, and Music criticism, critic in the early Romantic music, Romantic period. Best known for List of operas by Carl Maria von Weber, his operas, he was a crucial figure in the development of German ''Romantische Oper'' (German Romantic opera). Throughout his youth, his father, , relentlessly moved the family between Hamburg, Salzburg, Freiberg, Augsburg and Vienna. Consequently he studied with many teachers—his father, Johann Peter Heuschkel, Michael Haydn, Giovanni Valesi, Johann Nepomuk Kalcher, and Georg Joseph Vogler—under whose supervision he composed four operas, none of which survive complete. He had a modest output of non-operatic music, which includes two symphonies, two concertos and a Concertino for Clarinet (Weber), concertino for clarinet and orchestra, a Bassoon Concerto (Weber), bassoon concerto, a Concertino for Horn and Orchestra (Weber), horn concer ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Six Moments Musicaux (Schubert)
''Six moments musicaux'', D. 780 ( Op. 94) is a collection of six short pieces for solo piano composed by Franz Schubert. Along with the Impromptus, they are among the most frequently played of all Schubert's piano music, and have been recorded many times. No. 3 in F minor has been arranged by Karl Tausig, Leopold Godowsky and others. Background It has been said that Schubert was deeply influenced in writing these pieces by the ''Impromptus'', Op. 7, of Jan Václav Voříšek (1822). These pieces have been described as "akin to Beethoven’s Bagatelles in their brevity and quixotic character." They were published by Leidesdorf in Vienna in 1828, under the title "Six Momens icmusicals ic. The standard French forms are now usually used – moments (instead of ''momens''), and musicaux (instead of ''musicals''). Because the title is not Schubert's own, it has been argued that we "might reasonably conclude that these are not really 'moments' of music at all, as some of the s ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Impromptus (Schubert)
Franz Schubert's Impromptus are a series of eight pieces for solo piano composed in 1827. They were published in two sets of four impromptus each: the first two pieces in the first set were published in the composer's lifetime as Op. 90; the second set was published posthumously as Op. 142 in 1839 (with a dedication added by the publisher to Franz Liszt). The third and fourth pieces in the first set were published in 1857 (although the third piece was printed by the publisher in G major, instead of G as Schubert had written it, and remained available only in this key for many years). The two sets are now catalogued as D. 899 and D. 935 respectively. They are considered to be among the most important examples of this popular early 19th-century genre. Three other unnamed piano compositions (D. 946), written in May 1828, six months before the composer's death, are known as both "Impromptus" and ''Klavierstücke'' ("piano pieces"). The Impromptus are often considered companion pieces ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
