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Majo No Shokuzai
''Majo'' (masc., ) or ''maja'' (fem., ), also ''manolo'' and ''manola'', after the most popular names, were people from the lower classes of Spanish society, especially in Madrid, who distinguished themselves by their elaborate outfits and sense of style in dress and manners, as well as by their cheeky behavior. They flourished from the late 18th to early 19th century, and to some extent later. ''Majos'' and ''majas'' were one of the favorite subjects of some 19th-century Spanish painters. The ''majos'' and ''majas'' outfits were exaggerations of traditional Spanish dress. The style stood in strong contrast to the French styles affected by many of the Spanish elite under the influence of the Enlightenment. ''Majos'' were known to pick fights with those they saw as ''afrancesados'' ("Frenchified" – fops). Etymology The word is suggested to derive from Spanish ''majar'', with the meaning of "bother," but a Romani etymology from ''masha'', "fascinator, enticer," is also suggest ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
El Paseo De Andalucía
EL, El or el may refer to: Arts and entertainment Fictional entities * El, a character from the manga series ''Shugo Chara!'' by Peach-Pit * Eleven (''Stranger Things'') (El), a fictional character in the TV series ''Stranger Things'' * El, family name of Kal-El (Superman) and his father Jor-El in the Superman dynasty * E.L. Faldt, character in the road comedy film ''Road Trip'' Music * Él Records, an independent record label from the UK founded by Mike Alway * ''Él ''(Lucerito album), a 1982 album by Lucerito * "Él", Spanish song by Rubén Blades from the album '' Caminando'' * "Él" (Lucía song), the Spanish entry performed by Lucía in the Eurovision Song Contest 1982 Other media * ''Él'', 1926 autobiographical novel by Mercedes Pinto * ''Él'' (film), a 1953 film by Luis Buñuel based on the 1926 novel * ''Él'' (visual novel), a 1991 Japanese adult visual novel * EL TV, an Azerbaijani regional television channel Companies and organizations * Estée Lauder Compan ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Flamenco Dancer
Flamenco () is an art form based on the various folkloric music traditions of southern Spain, developed within the gitano subculture of the region of Andalusia, and also having historical presence in Extremadura and Murcia. In a wider sense, the term is used to refer to a variety of both contemporary and traditional musical styles typical of southern Spain. Flamenco is closely associated to the gitanos of the Romani ethnicity who have contributed significantly to its origination and professionalization. However, its style is uniquely Andalusian and flamenco artists have historically included Spaniards of both gitano and non-gitano heritage. The oldest record of flamenco music dates to 1774 in the book ''Las Cartas Marruecas'' (The Moroccan Letters) by José Cadalso. The development of flamenco over the past two centuries is well documented: "the theatre movement of sainetes (one-act plays) and tonadillas, popular song books and song sheets, customs, studies of dances, and ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
History Of Madrid
The documented history of Madrid dates to the 9th century, even though the area has been inhabited since the Stone Age. The primitive nucleus of Madrid, a walled military outpost in the left bank of the Manzanares (river), Manzanares, dates back to the second half of the 9th century, during the rule of the Emirate of Córdoba. Conquered by Christians in 1083 or 1085, Madrid consolidated in the Late Middle Ages as a middle to upper-middle rank town of the Crown of Castile. The development of Madrid as administrative centre began when the court of the Spanish Empire, Hispanic Monarchy was settled in the town in 1561. Fortress and town The primitive urban nucleus of Madrid (''Majriṭ'') was founded in the late 9th century (from 852 to 886) as a citadel erected on behalf of Muhammad I of Córdoba, Muhammad I, the Emirate of Córdoba, Cordobese emir, on the relatively steep left bank of the Manzanares (river), Manzanares. Originally it was largely a military outpost for the quart ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Chicano
Chicano (masculine form) or Chicana (feminine form) is an ethnic identity for Mexican Americans that emerged from the Chicano Movement. In the 1960s, ''Chicano'' was widely reclaimed among Hispanics in the building of a movement toward political empowerment, ethnic solidarity, and pride in being of Indigenous peoples of Mexico, Indigenous descent (with many Nahuatl language in the United States, using the Nahuatl language or Chicano names, names). ''Chicano'' was used in a sense separate from ''Mexican American'' identity. Youth in ''Barrioization, barrios'' rejected cultural assimilation into Mainstream culture, mainstream American culture and embraced their own identity and worldview as a form of empowerment and resistance. The community forged an independent political and cultural movement, sometimes working alongside the Black power movement. The Chicano Movement faltered by the mid-1970s as a result of external and internal pressures. It was under state surveillance, infi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Cholo
''Cholo'' () was a racial category used in 18th-century Spanish America to refer to people who were three-quarters Amerindians, Amerindian by descent and one-quarter Spanish people, Spanish. Its origin is a somewhat derogatory term for Multiracial people, people of mixed-blood heritage in the Spanish Empire in Latin America and its successor states as part of ''castas'', the informal ranking of society by heritage. ''Cholo'' no longer necessarily refers only to ethnic heritage, and is not always meant negatively. ''Cholo'' can signify anything from its original sense as a person with one Indigenous peoples of the Americas, Indigenous parent and one ''mestizo'' parent, "gangster" in Mexico, an insult in some South American countries (similar to Majo, chulo in Spain), or a "person who dresses in the manner of a certain subculture" in the United States as part of the Cholo (subculture), cholo subculture. Historical usage In his work ''Vocabulario en Lengua Castellana y Mexica ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Apaches (subculture)
''Les Apaches'' () was a Parisian Belle Époque violent criminal underworld subculture of early 20th-century hooligans, night muggers, street gangs and other criminals. Philipp Blom, ''The Vertigo Years: Europe, 1900–1914'', 2008, ,p. 372/ref> After news of their notoriety spread over Europe, the term was used to describe violent street crime in other countries as well; for example, "Russian apaches". Name There are a number of stories about the origin of the term "Apaches", the common thread being that this was a comparison of their savagery with that attributed by Europeans to the Native American tribes of Apaches. A 1904 issue of the French Q&A magazine '' L'Intermédiaire des chercheurs et curieux'' credited a journalist named Victor Moris with the popularization of the term. In November 1900 a police inspector of the Belleville district of police was describing to him a particularly bloody scene and concluded with the words: "C'est un véritable truc d'Apaches!". A s ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
La Sape
La Sape, an abbreviation based on the phrase (French language, French; literally "Society of Ambiance-Makers and Elegant People") and hinting to the French slang word ''sape'' which means "clothes" or ''sapé'', which means "dressed up", is a subculture centered on the cities of Kinshasa and Brazzaville in the Democratic Republic of the Congo and Republic of Congo respectively. An adherent of La Sape is known as a ''sapeur'' or, if female, as a ''sapeuse''. The movement embodies the elegance in style and manners of colonial predecessor dandies. History ''La sape'' can be traced back to the period of colonialism in Africa, particularly in the cities of Brazzaville and Kinshasa. The houseboys used their connections in France to acquire their clothing. According to Gondola, Camille Diata frontlined the sape movement in Brazzaville in the 1930s, but also had a deep influence in France. He was also part of L'Amicale, "a loosely organized anti-colonial movement," formed in France i ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Guappo
Guappo (plural: ''guappi'') is a historical Italian criminal subculture and informal term of address in the Neapolitan language, roughly analogous to or meaning thug, swaggerer, pimp, braggart, or ruffian. While today the word is often used to indicate a member of the Camorra, a Mafia-type organisation in the region of Campania and its capital Naples in Italy, the ''guapperia'' (or ''guapparia''; i.e., the guappo subculture) predates the modern Camorra and was originally a different and separate criminal subculture that considered itself very much independent of the Camorra. Monica Florio''Il guappo''/ref> Historically, "guappo" referred to a loosely cohesive 19th and early 20th century subculture that thrived in the Naples area and, to a lesser extent, nearby regions of Southern Italy. The subculture stereotypically consisted of a type of boisterous, flashy, swaggering, free-spirited, and violent yet dandy-like criminal, pimp, outlaw, and ruffian that nonetheless followed a so ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ramón Bayeu
Ramón Bayeu y Subías (2 December 1744, Zaragoza – 1 March 1793, Aranjuez) was a Spanish Neoclassicist painter; known primarily for his work in tapestry design. Biography His father made surgical instruments and barbers' tools. He was the brother of Francisco Bayeu, with whom he worked, and Manuel Bayeu, also a painter. In 1758, when Francisco received a scholarship to study in Madrid, Ramón and his siblings followed; having been orphaned. Francisco was expelled in 1759, so Ramón returned to Zaragoza with him and became his first student. In 1763, when Francisco was given a position at the Royal Tapestry Factory by King Charles III of Spain, Charles III, he went back to Madrid and enrolled at the Real Academia de Bellas Artes de San Fernando. In 1766, he received a scholarship to study in Italy. After 1773, he painted designs and "cartones" (cartoons) for the tapestry factory; creating 35 in all. several of which became well known through reproductions. He collaborated with ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Mantilla
A mantilla is a traditional female liturgical lace or silk veil or shawl worn over the head and shoulders, often over a high hair ornament called a '' peineta'', particularly popular with women in Spain and Latin America. Within Christendom, it is worn by Catholic and Plymouth Brethren women around the world, Mennonite women in Argentina, and without the peineta by Eastern Orthodox women in Russia. When worn by Eastern Orthodox women the mantilla is often white, and is worn with the ends crossed over the neck and draped over the opposite shoulder. The mantilla is worn as a Christian headcovering by women during church services, as well as during special occasions. A smaller version of the mantilla is called a toquilla. History The lightweight ornamental mantilla came into use in the warmer regions of Spain towards the end of the 16th century, and ones made of lace became popular with women in the 17th and 18th centuries, being depicted in portraits by Diego Velázquez and Goya ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ulpiano Checa
Ulpiano Fernández-Checa y Sanz (3 April 1860 – 5 January 1916), known as Ulpiano Checa, was a Spanish painter, sculptor, poster designer and illustrator. He used both impressionistic and academic techniques, and mainly painted historical subjects. Biography He was born in Colmenar de Oreja, Spain, and exhibited a talent for art when he was a young child. At thirteen, he met Don José Ballester, the husband of a neighbor in Colmenar, who owned the Cafe de la Concepción in Madrid. Ballester was impressed with his work and, after consultation with Luis Taberner (1844–1900), a recognized and popular artist in Madrid, Ballester decided to bring Checa and his family to the capital to begin his art studies. In 1873, he entered the Escuela de Bellas Artes de San Fernando in Madrid, followed by study at the , where he would paint ''Invasion of the Barbarians'' (since lost in a fire) which won the gold medal at the National Exhibition of Fine Arts in 1887.Caso, E.D., ''Les Orie ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Buenos Aires
Buenos Aires, controlled by the government of the Autonomous City of Buenos Aires, is the Capital city, capital and largest city of Argentina. It is located on the southwest of the Río de la Plata. Buenos Aires is classified as an Alpha− global city, according to the Globalization and World Cities Research Network, GaWC 2024 ranking. The city proper has a population of 3.1 million and its urban area 16.7 million, making it the List of metropolitan areas, twentieth largest metropolitan area in the world. It is known for its preserved eclecticism, eclectic European #Architecture, architecture and rich culture, cultural life. It is a multiculturalism, multicultural city that is home to multiple ethnic and religious groups, contributing to its culture as well as to the dialect spoken in the city and in some other parts of the country. This is because since the 19th century, the city, and the country in general, has been a major recipient of millions of Immigration to Argentina, im ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
