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Love And The Maiden
''Love and the Maiden'' is an oil painting (previously mistaken for tempera) on canvas by English Pre-Raphaelite artist John Roddam Spencer Stanhope (executed in 1877) that is currently housed at the Fine Arts Museums of San Francisco. History Known as one of the "second-generation" of Pre-Raphaelites, Stanhope was among Dante Gabriel Rossetti's mural-painting party at the Oxford Union in 1857, together with Arthur Hughes, John Hungerford Pollen, Valentine Prinsep, Edward Burne-Jones and William Morris. He was a founder member of the Hogarth Club, a direct descendant of the Pre-Raphaelite Brotherhood. This painting is considered one of Stanhope's best, and represents two radically different artistic phases of his life. Although he began as fervently Pre-Raphaelite in outlook, Stanhope was deeply attracted by the Aesthetic movement during the 1860s. ''Love and the Maiden'' is a succinct mingling of these two equally formative phases in his career. Its presence in the 1 ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
John Roddam Spencer Stanhope
John Roddam Spencer Stanhope (20 January 1829 – 2 August 1908) was an English artist associated with Edward Burne-Jones and George Frederic Watts and often regarded as a second-wave pre-Raphaelite. His work is also studied within the context of Aestheticism and British Symbolism. As a painter, Stanhope worked in oil, watercolor, fresco, tempera, and mixed media. (Some of his oil paintings are mistaken for tempera.) His subject matter was mythological, allegorical, biblical, and contemporary. Stanhope was born in Yorkshire, England, and died in Florence, Italy. He was the uncle and teacher of the painter Evelyn De Morgan. Life and career Stanhope was the son of John Spencer Stanhope of Horsforth and Cannon Hall, a classical antiquarian who in his youth explored Greece. The artist’s mother was Elizabeth Wilhemina Coke, third and youngest daughter of Thomas William Coke of Norfolk, first Earl of Leicester; she and her sisters had studied art with Thomas Gainsborough. St ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
William Morris
William Morris (24 March 1834 – 3 October 1896) was a British textile designer, poet, artist, novelist, architectural conservationist, printer, translator and socialist activist associated with the British Arts and Crafts Movement. He was a major contributor to the revival of traditional British textile arts and methods of production. His literary contributions helped to establish the modern fantasy genre, while he helped win acceptance of socialism in ''fin de siècle'' Great Britain. Morris was born in Walthamstow, Essex, to a wealthy middle-class family. He came under the strong influence of medievalism while studying Classics at Oxford University, there joining the Birmingham Set. After university, he married Jane Burden, and developed close friendships with Pre-Raphaelite artists Edward Burne-Jones and Dante Gabriel Rossetti and with Neo-Gothic architect Philip Webb. Webb and Morris designed Red House in Kent where Morris lived from 1859 to 1865, before moving ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
1877 Paintings
Events January–March * January 1 – Queen Victoria is proclaimed ''Empress of India'' by the '' Royal Titles Act 1876'', introduced by Benjamin Disraeli, the Prime Minister of the United Kingdom . * January 8 – Great Sioux War of 1876 – Battle of Wolf Mountain: Crazy Horse and his warriors fight their last battle with the United States Cavalry in Montana. * January 20 – The Conference of Constantinople ends, with Ottoman Turkey rejecting proposals of internal reform and Balkan provisions. * January 29 – The Satsuma Rebellion, a revolt of disaffected samurai in Japan, breaks out against the new imperial government; it lasts until September, when it is crushed by a professionally led army of draftees. * February 17 – Major General Charles George Gordon of the British Army is appointed Governor-General of the Sudan. * March – '' The Nineteenth Century'' magazine is founded in London. * March 2 – Compromise of 1877: The ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Pre-Raphaelite Paintings
The Pre-Raphaelite Brotherhood (later known as the Pre-Raphaelites) was a group of English painters, poets, and art critics, founded in 1848 by William Holman Hunt, John Everett Millais, Dante Gabriel Rossetti, William Michael Rossetti, James Collinson, Frederic George Stephens and Thomas Woolner who formed a seven-member "Brotherhood" modelled in part on the Nazarene movement. The Brotherhood was only ever a loose association and their principles were shared by other artists of the time, including Ford Madox Brown, Arthur Hughes and Marie Spartali Stillman. Later followers of the principles of the Brotherhood included Edward Burne-Jones, William Morris and John William Waterhouse. The group sought a return to the abundant detail, intense colours and complex compositions of Quattrocento Italian art. They rejected what they regarded as the mechanistic approach first adopted by Mannerist artists who succeeded Raphael and Michelangelo. The Brotherhood believed the Classica ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
List Of Pre-Raphaelite Paintings
This is a list of paintings produced by members of the Pre-Raphaelite Brotherhood and other artists associated with the Pre-Raphaelite style. The term "Pre-Raphaelite" is used here in a loose and inclusive fashion. PRB members James Collinson *''The Renunciation of St. Elizabeth of Hungary'' (1850) *''Answering the Emigrant's Letter'' (1850) *''A Son of the Soil'' (1856) *''Home Again'' (1856) *''To Let'', also known as ''The Landlady'' (1856) *''For Sale'', also known as ''At the Bazaar'' (1857) *'' The Sisters'' (c. 1860) *''Too Hot'' (1863) *'' The Holy Family'' (1878) William Holman Hunt *''Self-portrait at the Age of 14'' (1841), Ashmolean Museum, Oxford *''Love at First Sight'' (1846) *''F. G. Stephens'' (1847), Tate Britain, London *''Christ and the Two Marys'' aka ''The Risen Christ with the Two Marys in the Garden of Joseph of Aramathea'' (1847 and 1897), Art Gallery of South Australia, Adelaide *''The Escape of Madeline and Porphyro during the drunkenness attendi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
English Art
English art is the body of visual arts made in England. England has Europe's earliest and northernmost ice-age cave art. Prehistoric art in England largely corresponds with art made elsewhere in contemporary Britain, but early medieval Anglo-Saxon art saw the development of a distinctly English style, and English art continued thereafter to have a distinct character. English art made after the formation in 1707 of the Kingdom of Great Britain may be regarded in most respects simultaneously as art of the United Kingdom. Medieval English painting, mainly religious, had a strong national tradition and was influential in Europe. The English Reformation, which was antipathetic to art, not only brought this tradition to an abrupt stop but resulted in the destruction of almost all wall-paintings. Only illuminated manuscripts now survive in good numbers. There is in the art of the English Renaissance a strong interest in portraiture, and the portrait miniature was more popular in Engla ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Androgynous
Androgyny is the possession of both masculine and feminine characteristics. Androgyny may be expressed with regard to biological sex, gender identity, or gender expression. When ''androgyny'' refers to mixed biological sex characteristics in humans, it often refers to intersex people, who are born with congenital variations that complicate assigning their sex at birth. In comparison, hermaphroditism is the possession of both male and female reproductive organs. Regarding gender identity, androgynous individuals may identify with non-binary identities. Others may identify as transgender. As a form of gender expression, androgyny has fluctuated in popularity in different cultures and throughout history. Physically, an androgynous appearance may be achieved through personal grooming, fashion, or hormone treatment. Etymology The term derives from grc, ἀνδρόγυνος, from , stem - (''anér, andro-'', meaning man) and (''gunē, gyné'', meaning woman) through the l ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Oxford
Oxford () is a city in England. It is the county town and only city of Oxfordshire. In 2020, its population was estimated at 151,584. It is north-west of London, south-east of Birmingham and north-east of Bristol. The city is home to the University of Oxford, the oldest university in the English-speaking world; it has buildings in every style of English architecture since late Anglo-Saxon. Oxford's industries include motor manufacturing, education, publishing, information technology and science. History The history of Oxford in England dates back to its original settlement in the Saxon period. Originally of strategic significance due to its controlling location on the upper reaches of the River Thames at its junction with the River Cherwell, the town grew in national importance during the early Norman period, and in the late 12th century became home to the fledgling University of Oxford. The city was besieged during The Anarchy in 1142. The university rose to dom ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Aestheticism
Aestheticism (also the Aesthetic movement) was an art movement in the late 19th century which privileged the aesthetic value of literature, music and the arts over their socio-political functions. According to Aestheticism, art should be produced to be beautiful, rather than to serve a moral, allegorical, or other didactic purpose, a sentiment exemplified by the slogan " art for art's sake." Aestheticism originated in 1860s England with a radical group of artists and designers, including William Morris and Dante Gabriel Rossetti. It flourished in the 1870s and 1880s, gaining prominence and the support of notable writers such as Walter Pater and Oscar Wilde. Aestheticism challenged the values of mainstream Victorian culture, as many Victorians believed that literature and art fulfilled important ethical roles. Writing in ''The Guardian'', Fiona McCarthy states that "the aesthetic movement stood in stark and sometimes shocking contrast to the crass materialism of Britain in ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Grosvenor Gallery
The Grosvenor Gallery was an art gallery in London founded in 1877 by Sir Coutts Lindsay and his wife Blanche. Its first directors were J. Comyns Carr and Charles Hallé. The gallery proved crucial to the Aesthetic Movement because it provided a home for those artists whose approaches the more classical and conservative Royal Academy did not welcome, such as Edward Burne-Jones and Walter Crane. History The gallery was founded in Bond Street, London, in 1877 by Sir Coutts Lindsay and his wife Blanche. They engaged J. Comyns Carr and Charles Hallé as co-directors. Lindsay and his wife were well-born and well-connected, and both were amateur artists. Blanche was born a Rothschild, and it was her money which made the whole enterprise possible. The Grosvenor displayed work by artists from outside the British mainstream, including Edward Burne-Jones, Walter Crane and other members of the Pre-Raphaelite Brotherhood. But it also featured work by others that were widely s ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Aesthetic Movement
Aestheticism (also the Aesthetic movement) was an art movement in the late 19th century which privileged the aesthetic value of literature, music and the arts over their socio-political functions. According to Aestheticism, art should be produced to be beautiful, rather than to serve a moral, allegorical, or other didactic purpose, a sentiment exemplified by the slogan " art for art's sake." Aestheticism originated in 1860s England with a radical group of artists and designers, including William Morris and Dante Gabriel Rossetti. It flourished in the 1870s and 1880s, gaining prominence and the support of notable writers such as Walter Pater and Oscar Wilde. Aestheticism challenged the values of mainstream Victorian culture, as many Victorians believed that literature and art fulfilled important ethical roles. Writing in ''The Guardian'', Fiona McCarthy states that "the aesthetic movement stood in stark and sometimes shocking contrast to the crass materialism of Brita ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Pre-Raphaelite Brotherhood
The Pre-Raphaelite Brotherhood (later known as the Pre-Raphaelites) was a group of English painters, poets, and art critics, founded in 1848 by William Holman Hunt, John Everett Millais, Dante Gabriel Rossetti, William Michael Rossetti, James Collinson, Frederic George Stephens and Thomas Woolner who formed a seven-member "Brotherhood" modelled in part on the Nazarene movement. The Brotherhood was only ever a loose association and their principles were shared by other artists of the time, including Ford Madox Brown, Arthur Hughes and Marie Spartali Stillman. Later followers of the principles of the Brotherhood included Edward Burne-Jones, William Morris and John William Waterhouse. The group sought a return to the abundant detail, intense colours and complex compositions of Quattrocento Italian art. They rejected what they regarded as the mechanistic approach first adopted by Mannerist artists who succeeded Raphael and Michelangelo. The Brotherhood believed the Cla ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
