Love's Welcome At Bolsover
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Love's Welcome At Bolsover
''Love's Welcome at Bolsover'' (alternative archaic spelling, ''Balsover'') is the final masque composed by Ben Jonson. It was performed on 30 July 1634, three years before the poet's death, and published in 1641. The masque was not produced by the Stuart Court in one of the royal palaces around London, as many of Jonson's notable early masques were. Rather it was staged by William Cavendish, 1st Duke of Newcastle (at the time, he was the Earl of Newcastle) at Bolsover Castle in Derbyshire, in honor of King Charles I and Queen Henrietta Maria. Newcastle had put on a Jonson masque for his royal visitors at Welbeck in Nottinghamshire the year before: '' The King's Entertainment at Welbeck,'' performed on 21 May 1633. It was such a success that the King requested another on his 1634 royal progress. The Duke spent between £14,000 and £15,000 on staging the Bolsover masque and providing for his royal guests and their attendants, which was more than double the £4,000 to £5,000 he' ...
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Masque
The masque was a form of festive courtly entertainment that flourished in 16th- and early 17th-century Europe, though it was developed earlier in Italy, in forms including the intermedio (a public version of the masque was the pageant). A masque involved music, dancing, singing and acting, within an elaborate stage design, in which the architectural framing and costumes might be designed by a renowned architect, to present a deferential allegory flattering to the patron. Professional actors and musicians were hired for the speaking and singing parts. Masquers who did not speak or sing were often courtiers: the English queen Anne of Denmark frequently danced with her ladies in masques between 1603 and 1611, and Henry VIII and Charles I of England performed in the masques at their courts. In the tradition of masque, Louis XIV of France danced in ballets at Versailles with music by Jean-Baptiste Lully. Development The masque tradition developed from the elaborate pageants and cour ...
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Inigo Jones
Inigo Jones (; 15 July 1573 – 21 June 1652) was the first significant architect in England and Wales in the early modern period, and the first to employ Vitruvian rules of proportion and symmetry in his buildings. As the most notable architect in England and Wales, Jones was the first person to introduce the classical architecture of Rome and the Italian Renaissance to Britain. He left his mark on London by his design of single buildings, such as the Queen's House which is the first building in England designed in a pure classical style, and the Banqueting House, Whitehall, as well as the layout for Covent Garden square which became a model for future developments in the West End. He made major contributions to stage design by his work as theatrical designer for several dozen masques, most by royal command and many in collaboration with Ben Jonson. Early life and career Beyond the fact that he was born in Smithfield, London, as the son of clothworker Inigo Jones Snr., a ...
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English Renaissance Plays
English usually refers to: * English language * English people English may also refer to: Peoples, culture, and language * ''English'', an adjective for something of, from, or related to England ** English national identity, an identity and common culture ** English language in England, a variant of the English language spoken in England * English languages (other) * English studies, the study of English language and literature * ''English'', an Amish term for non-Amish, regardless of ethnicity Individuals * English (surname), a list of notable people with the surname ''English'' * People with the given name ** English McConnell (1882–1928), Irish footballer ** English Fisher (1928–2011), American boxing coach ** English Gardner (b. 1992), American track and field sprinter Places United States * English, Indiana, a town * English, Kentucky, an unincorporated community * English, Brazoria County, Texas, an unincorporated community ...
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Masques By Ben Jonson
The masque was a form of festive courtly entertainment that flourished in 16th- and early 17th-century Europe, though it was developed earlier in Italy, in forms including the intermedio (a public version of the masque was the pageant). A masque involved music, dancing, singing and acting, within an elaborate stage design, in which the architectural framing and costumes might be designed by a renowned architect, to present a deferential allegory flattering to the patron. Professional actors and musicians were hired for the speaking and singing parts. Masquers who did not speak or sing were often courtiers: the English queen Anne of Denmark frequently danced with her ladies in masques between 1603 and 1611, and Henry VIII and Charles I of England performed in the masques at their courts. In the tradition of masque, Louis XIV of France danced in ballets at Versailles with music by Jean-Baptiste Lully. Development The masque tradition developed from the elaborate pageants and cour ...
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Ben Jonson Folios
Ben Jonson (c. 11 June 1572 – c. 16 August 1637) collected his plays and other writings into a book he titled ''The Workes of Benjamin Jonson''. In 1616 it was printed in London in the form of a folio. Second and third editions of his works were published posthumously in 1640 and 1692. These editions of Ben Jonson's works were a crucial development in the publication of English Renaissance drama. The first folio collection, ''The Workes of Benjamin Jonson'', treated stage plays as serious works of literature and stood as a precedent for other play collections that followed—notably the First Folio of Shakespeare's plays in 1623, the first Beaumont and Fletcher folio in 1647, and other collections that were important in preserving the dramatic literature of the age. The first folio, 1616 ''The Workes of Benjamin Jonson'', the first Jonson folio of 1616, printed and published by William Stansby and sold through bookseller Richard Meighen, contained nine plays all previously pub ...
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A Tale Of A Tub (play)
''A Tale of a Tub'' is a Caroline era stage play, a comedy written by Ben Jonson. The last of his plays to be staged during his lifetime, ''A Tale of a Tub'' was performed in 1633 and published in 1640 in the second folio of Jonson's works. History The play was licensed for publication by Sir Henry Herbert, the Master of the Revels, on 7 May 1633, and acted by Queen Henrietta's Men at the Cockpit Theatre; it was the only one of Jonson's post-1614 plays not premiered by the King's Men. The play was also performed at Court on 14 January 1634, before King Charles I and Queen Henrietta Maria – though it was not well received. Scholars are divided on the date of authorship of the play. Some judge it to be an early work, first composed perhaps around 1596, that Jonson later revised not long before its 1633 production. Recent opinion holds that the Jonson wrote the play in the era when it premiered, the early 1630s, and that its apparently archaic aspects are deliberate artistic c ...
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1626 In Literature
This article contains information about the literary events and publications of 1626. Events *February – The King's Men premiere Ben Jonson's satire on the new newsgathering enterprise ''The Staple of News'', his first new play in almost a decade, at the Blackfriars Theatre in London. *November – The deaths of Lancelot Andrewes and Nicholas Felton, Bishop of Ely, prompt John Milton, then a student at Cambridge, to write elegies in Latin for both. *December 27 – Izaak Walton marries Rachel Floud (died 1640). New books Prose *Francis Bacon – ''The New Atlantis'' *Nicholas Breton – '' Fantastickes'' * Alonso de Castillo Solórzano – ''Jornadas alegres'' *Robert Fludd – ''Philosophia Sacra'' *Marie de Gournay – ''Les Femmes et Grief des Dames'' (The Ladies' Grievance) *Francisco de Quevedo – ''El Buscón'' (first published edition – unauthorized) Drama * Pieter Corneliszoon Hooft – ''Baeto, oft oorsprong der Holanderen'' * John Fletcher and collaborators ...
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The Staple Of News
''The Staple of News'' is an early Caroline era play, a satire by Ben Jonson. The play was first performed in late 1625 by the King's Men at the Blackfriars Theatre, and first published in 1631. Publication ''The Staple of News'' was entered into the Stationers' Register in Feb. 1626, but was not published till five years later. Like '' The Devil is an Ass,'' ''The Staple of News'' was intended to be part of the second folio collection of Jonson's works that was being readied for publication in 1630, as a follow-up to the first collection in 1616. The project was abandoned, apparently because Jonson grew dissatisfied with the quality of the printing (done by John Beale). ''The Staple of News'', again like ''Devil is an Ass'', was published separately in 1631 in folio format from the existing typesetting, by the bookseller Robert Allot – though it is unclear whether this was ever a commercial publication, or whether Jonson privately distributed copies of the play among friend ...
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1624 In Literature
This article contains information about the literary events and publications of 1624. Events *January 18 – The King's Men perform William Shakespeare's ''The Winter's Tale'' at Whitehall Palace. *August 5– 14 – The King's Men perform Thomas Middleton's satire ''A Game at Chess'' at the Globe Theatre, London, until it is suppressed in view of its allusions to the Spanish Match. *August 26 – Ferdinand II, Holy Roman Emperor, requires the legal deposit of new books to the ''Hof-Bibliothek ("Imperial Library") in Vienna, the modern-day Austrian National Library. *December – The King's Men get into further trouble for performing Philip Massinger's ''The Spanish Viceroy'' without a licence from the Master of the Revels. *December 20 – The King's Men provide Sir Henry Herbert (Master of the Revels) with a "submission," a written apology, signed by each actor who had taken part in ''The Spanish Viceroy'' earlier in the month. The signatories include Robert Benfield, Geor ...
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Neptune's Triumph For The Return Of Albion
''Neptune's Triumph for the Return of Albion'' was a Jacobean era masque, written by Ben Jonson, and designed by Inigo Jones. The masque is notable for the contradictory historical evidence connected with it and the confusion it caused among generations of scholars and critics. Context The masque was intended as the major entertainment of the 1623–24 Christmas holiday season, and was scheduled to be performed on Twelfth Night, 6 January 1624. During the Jacobean era, however, attendance at the performances of the Stuart Court masques was coveted and controversial – especially among the foreign diplomats of the Court, who competed fiercely among themselves for admittance to the masques and especially for seating near the King. In the case of ''Neptune's Triumph,'' the dispute between the French and Spanish ambassadors was so intense that James I cancelled the performance. There was more than ego or vague national pride involved: James's son and heir, the future Charl ...
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1622 In Literature
This article contains information about the literary events and publications of 1622. Events * January 6 (probably) – The Banqueting House, Whitehall, London, is opened with a performance of Ben Jonson's ''The Masque of Augurs'' designed by the building's architect, Inigo Jones. * March 12 – Teresa of Ávila (died 1582), devotional writer, is canonized by Pope Gregory XV. *June – Lucas Holstenius arrives in Britain to gather material for his ''Geographi Minores''. *November 19 – English writer and politician Sir Percy Herbert, created a baronet three days earlier, marries Elizabeth Craven, daughter of William Craven, a former Lord Mayor of London. *''unknown dates'' **Shakespeare's drama '' Othello'' is first published in the first quarto edition by Thomas Walkley in London, posthumously and nearly twenty years after the probable date of its first performance. New editions of four other Shakespeare plays in quarto are also issued this year, publishers being presumab ...
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The Masque Of Augurs
''The Masque of Augurs'' was a Jacobean era masque, written by Ben Jonson and designed by Inigo Jones. It was performed, most likely, on Twelfth Night, 6 January 1622. A second performance of the masque, with textual revisions by Jonson, occurred on 5 or 6 May 1622. The music for the masque was composed by Alfonso Ferrabosco and Nicholas Lanier; however, only one song by Lanier has survived. The show The masque opens with an anti-masque, a comic scene involving characters from the "court buttery-hatch," including a Lady Alwife, a brewer's clerk, and a "rare artist" named Vangoose, among others. A bearmaster named Urson introduces two dancing bears; the second anti-masque is "a perplexed dance of straying and deformed pilgrims," which is disrupted by the descent from the clouds of Apollo, the god of prophecy, who introduces the serious portion of the masque. Apollo brings with him a group of other figures from Greek mythology, including Orpheus, Linus, Idmon, and others; a ...
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