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Live At Woodstock (Joe Cocker Album)
''Live at Woodstock'' is a live album documenting Joe Cocker's famous performance with The Grease Band at Woodstock Festival on 17 August 1969. It was released officially for the first time in 2009 by A&M/Universal. Track listing # "Dear Landlord" (Bob Dylan ) - 8:41 # "Something's Coming On" (Joe Cocker / Chris Stanton ) - 04:03 # "Do I Still Figure in Your Life" (Pete Dello ) - 3:59 # " Feelin' Alright" (Dave Mason ) - 5:23 # "Just Like a Woman" (Bob Dylan ) - 6:23 # "Let's Go Get Stoned" (Nickolas Ashford / Valerie Simpson ) - 7:06 # "I Don't Need No Doctor" (Jo Armstead / Nickolas Ashford / Valerie Simpson ) - 12:13 # "I Shall Be Released" (Bob Dylan ) - 5:59 # "Hitchcock Railway" (Don Dunn / Tony McCashen ) - 5:51 # "Something to Say" (Joe Cocker / Peter Nichols ) - 9:22 # "With a Little Help from My Friends" (John Lennon / Paul McCartney ) - 8:06 Personnel * Joe Cocker - lead vocals * Henry McCullough - lead guitar * Neil Hubbard - rhythm guitar * Alan Spenner - bass ...
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Joe Cocker
John Robert "Joe" Cocker (20 May 1944 – 22 December 2014) was an English singer known for his gritty, bluesy voice and dynamic stage performances that featured expressive body movements. Most of his best known singles were recordings of songs written by other song writers, though he composed a number of songs for most of his albums as well, often in conjunction with songwriting partner Chris Stainton. His With a Little Help from My Friends (Joe Cocker album), first album featured a recording of the Beatles' "With a Little Help from My Friends#Joe Cocker version, With a Little Help from My Friends", which brought him to near-instant stardom. The song reached number one in the UK in 1968, became a staple of his many live shows (Woodstock and the Isle of Wight Festival 1969, Isle of Wight in 1969, the Party at the Palace in 2002) and was also known as the theme song for the late 1980s American TV series ''The Wonder Years''. He continued his success with his Joe Cocker!, second ...
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Just Like A Woman
"Just Like a Woman" is a song by American singer-songwriter Bob Dylan first released on his seventh studio album, ''Blonde on Blonde'' on June 20, 1966. It was written by Dylan and produced by Bob Johnston. A shorter edit was released as a single in the United States during August 1966 and peaked at number 33 on the ''Billboard'' Hot 100. The song has been criticized for supposed sexism or misogyny in its lyrics, and has received a mixed critical reaction; some critics have suggested that the song was inspired by Edie Sedgwick, while other consider that it refers to Dylan's relationship with fellow folk singer Joan Baez. Dylan allegedly wrote "Just Like a Woman" on Thanksgiving Day in 1965, though some biographers doubt this, claiming he most likely improvised the lyrics in the studio. Dylan recorded the track at Columbia studio B in Nashville, Tennessee in March 1966, together with frequent collaborator Al Kooper along with guitarists Charlie McCoy and Joe South. Retros ...
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2009 Live Albums
9 (nine) is the natural number following and preceding . Evolution of the Arabic digit In the beginning, various Indians wrote a digit 9 similar in shape to the modern closing question mark without the bottom dot. The Kshatrapa, Andhra and Gupta started curving the bottom vertical line coming up with a -look-alike. The Nagari continued the bottom stroke to make a circle and enclose the 3-look-alike, in much the same way that the sign @ encircles a lowercase ''a''. As time went on, the enclosing circle became bigger and its line continued beyond the circle downwards, as the 3-look-alike became smaller. Soon, all that was left of the 3-look-alike was a squiggle. The Arabs simply connected that squiggle to the downward stroke at the middle and subsequent European change was purely cosmetic. While the shape of the glyph for the digit 9 has an ascender in most modern typefaces, in typefaces with text figures the character usually has a descender, as, for example, in . The mo ...
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Chris Stainton
Christopher Robert "Chris" Stainton (born 22 March 1944) is an English session musician, keyboard player, bassist and songwriter, who first gained recognition with Joe Cocker in the late 1960s. In addition to his collaboration with Cocker, Stainton is best known for his work with Eric Clapton, The Who, Andy Fairweather Low and Bryan Ferry. Career Stainton was born in Woodseats, Sheffield, West Riding of Yorkshire, England. After passing his eleven-plus examination, Stainton attended Rowlinson Technical School, Norton, Sheffield. Stainton's musical career began in 1960, when he played bass guitar with a local Sheffield band, 'Johnny Tempest and the Mariners'. The Mariners became 'The Cadillacs', before Stainton joined Joe Cocker in The Grease Band during 1966. Stainton co-wrote "Marjorine", Cocker's first UK Singles Chart hit in 1968. Chris played bass guitar on Joe Cocker's subsequent number 1 hit With a Little Help from My Friends. His time as a Cocker backing musician cam ...
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Henry McCullough
Henry Campbell Liken McCullough (21 July 1943 – 14 June 2016) was a Northern Irish guitarist, singer and songwriter. He was best known for his work as a member of Spooky Tooth, The Grease Band and Paul McCartney and Wings. He also performed and recorded as a solo artist and session musician. Early life McCullough was born in Portstewart, and first came to prominence in the early 1960s as the teenage lead guitarist with the Skyrockets showband from Enniskillen. McCullough was Protestant. In 1964, with three other members of the Skyrockets, he left and formed a new showband fronted by South African born vocalist Gene Chetty, which they named Gene and the Gents. In 1967 McCullough moved to Belfast where he joined Chris Stewart (bass), Ernie Graham (vocals) and Dave Lutton (drums) to form the psychedelic band the People. Later that year the band moved to London and were signed by Chas Chandler's management team, who changed the group's name to Éire Apparent. Under Chandl ...
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With A Little Help From My Friends
"With a Little Help from My Friends" is a song by the English rock band the Beatles, from their 1967 album ''Sgt. Pepper's Lonely Hearts Club Band''. It was written by John Lennon and Paul McCartney and sung by drummer Ringo Starr (as Sgt. Pepper band leader, Billy Shears), his lead vocal for the album. As the second track on the album, it segues from the applause of the title track. A subsequent recording of the track by Joe Cocker became a success in 1968—topping the UK Singles Chart—and an anthem for the Woodstock era. In 1978, the Beatles' recording, paired with "Sgt. Pepper's Lonely Hearts Club Band", was reissued as a single, and peaked at number 63 in Britain and number 71 in the United States. Starr has regularly performed the song in concert as a solo artist. The song was ranked number 311 on ''Rolling Stone''s list of the 500 Greatest Songs of All Time. Background and composition Lennon and McCartney finished writing the song in mid-March 1967, written specifica ...
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I Shall Be Released
"I Shall Be Released" is a 1967 song written by Bob Dylan. Dylan recorded two primary versions. The first recording was made in collaboration with the Band during the Basement Tapes sessions in 1967, and released on '' The Bootleg Series Volumes 1–3'' in 1991. A remixed version of the 1967 recording was rereleased with a preliminary take on '' The Bootleg Series Vol. 11: The Basement Tapes Complete'' in 2014. Of the initial demo, ''Rolling Stone''s Jann Wenner said, "Curiously enough the music in this song and the high pleading sound of Dylan's voice reminds one of the Bee Gees." The earliest official release of the song was by English musician Boz Burrell under the name Boz, whose version was released as a single on May 3, 1968 on Columbia. The Band recorded their version of the song for their debut album '' Music from Big Pink'', released two months later in July 1968, with Richard Manuel singing lead vocals, and Rick Danko and Levon Helm harmonizing on the chorus. Th ...
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I Don't Need No Doctor
"I Don't Need No Doctor" is an R&B song written by Nick Ashford, Valerie Simpson, and Jo Armstead. First released by Ashford on Verve in August 1966, it went nowhere. It was then picked up and recorded by Ray Charles and released in October 1966. Over the years, it has been covered by bands such as garage rock band The Chocolate Watchband in 1969, Humble Pie in 1971 , New Riders of the Purple Sage in 1972, metal band W.A.S.P. in 1986, by rock band Great White in 1987, and by the garage punk band The Nomads in 1989. Styx also covered this song. Humble Pie's version reached No. 73 on the ''Billboard'' Hot 100 singles chart and No. 72 in Canada. Venezuelan Hard Rock Blues band, La Banda De Casablanca recorded in their recording called El Sueño Jazz guitarist John Scofield recorded a version for his album '' That's What I Say: John Scofield Plays the Music of Ray Charles'' in 2005, featuring blues guitarist John Mayer on additional guitar and vocals. Mayer covere ...
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Let's Go Get Stoned (R&B Song)
"Let's Go Get Stoned" is a song originally recorded by The Coasters in May 1965. It was written by Nickolas Ashford, Valerie Simpson, and Josephine Armstead. Ronnie Milsap recorded it in October 1965 as a B-side to the single, "Never Had It So Good. Ray Charles recording It was a 1966 number one R&B hit for American recording artist Ray Charles. The single was released shortly after Charles was released from rehab after a 16-year heroin addiction. Charles heard a 1965 recording of the song by Ronnie Milsap. According to Milsap, Charles liked his version of the song so much that he decided to record it himself. It is notable for being one of Ashford & Simpson's first successful compositions together; the duo also penned Charles' "I Don't Need No Doctor". Chart positions Other notable covers * Manfred Mann recorded the song on their #1 British EP '' No Living Without Loving'', which topped the UK EP chart in December 1965. * The Amboy Dukes recorded a cover for their 1967 ...
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Feelin' Alright?
"Feelin' Alright?", also known as "Feeling Alright", is a song written by Dave Mason of the English rock band Traffic for their eponymous 1968 album ''Traffic''. It was also released as a single, and failed to chart in both the UK and the US, but it did reach a bubbling under position of #123 on the Billboard Hot 100. Joe Cocker performed a more popular rendition of the song that did chart in the U.S. Both Traffic's and Cocker's versions appear in the 2012 movie ''Flight''. The song had also been featured in the 2000 film ''Duets'', sung by Huey Lewis. Traffic version credits *Dave Mason – lead vocal, guitar * Chris Wood – tenor saxophone, backing vocal *Steve Winwood – piano, bass, backing vocal * Jim Capaldi – drums, percussion, backing vocal Joe Cocker version Joe Cocker recorded it to lead off his debut album ''With a Little Help from My Friends'' in 1969. He also amended the title of the original from "Feelin' Alright?" to "Feeling Alright". Released as a single in ...
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Woodstock Festival
Woodstock Music and Art Fair, commonly referred to as Woodstock, was a music festival held during August 15–18, 1969, on Max Yasgur's dairy farm in Bethel, New York, United States, southwest of the town of Woodstock, New York, Woodstock. Billed as "an Age of Aquarius, Aquarian Exposition: 3 Days of Peace & Music" and alternatively referred to as the Woodstock Rock Festival, it attracted an audience of more than 400,000 attendees. Thirty-two acts performed outdoors despite sporadic rain. It was one of the largest music festivals held in history. The festival has become widely regarded as a pivotal moment in popular music history as well as a defining event for the Counterculture of the 1960s, counterculture generation. The event's significance was reinforced by Woodstock (film), a 1970 documentary film, an accompanying Woodstock: Music from the Original Soundtrack and More, soundtrack album, and a Woodstock (song), song written by Joni Mitchell that became a major hit for b ...
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Dear Landlord
"Dear Landlord" is a song by American singer-songwriter Bob Dylan. It was recorded on November 29, 1967, at Columbia Recording Studios, Nashville, produced by Bob Johnston. The song was released on Dylan's album ''John Wesley Harding'' on December 27, 1967. It is a piano blues that has been interpeted as an address to his then-manager Albert Grossman. Background and recording The song is a piano blues and was Dylan's first piano song since "Ballad of a Thin Man" (1965). It was recorded on November 29, 1967, at Columbia Recording Studios, Nashville, produced by Bob Johnston, and was the last song recorded for ''John Wesley Harding''. It was released as the seventh track on the album, on December 27, 1967. Composition and lyrical interpretation The song's lyric "Please don't put a price on my soul" has been interpreted as a plea to his manager Albert Grossman, who was also his landlord at the time, or perhaps to his audience. In 1971, Dylan said that he did not have Grossman in m ...
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