List Of World Folk-epics
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List Of World Folk-epics
World folk-epics are those epics which are not just literary masterpieces but also an integral part of the worldview of a people. They were originally oral literatures, which were later written down by either single author or several writers. African languages * Bayajidda, a West African epic * Eri, a West African epic * Kebra Nagast, an Ethiopian epic * Lianja, a Central African epic * Mwindo, a Central African epic * Oduduwa, a West African epic * Silamaka, a West African epic * Epic of Sundiata, a West African epic American languages * La Araucana, an American Spanish epic *Popol Vuh, a Maya K'ich'e epic *Diné Bahaneʼ, a Navajo epic Southwest Asian languages * Bahman Nama, a Persian epic about the story of Bahman son of Isfandyar * Banu Goshasp Nama, a Persian epic about the daughter of Rustam * Kush Nama, a Persian epic recounting the story of Kush the Tusked and Abtin. * Taghribat Bani Hilal, an Arabic epic recounting the journeys and conquests of the Bani Hila ...
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Epic Poetry
An epic poem, or simply an epic, is a lengthy narrative poem typically about the extraordinary deeds of extraordinary characters who, in dealings with gods or other superhuman forces, gave shape to the mortal universe for their descendants. Etymology The English word ''epic'' comes from Latin ''epicus'', which itself comes from the Ancient Greek adjective (''epikos''), from (''epos''), "word, story, poem." In ancient Greek, 'epic' could refer to all poetry in dactylic hexameter (''epea''), which included not only Homer but also the wisdom poetry of Hesiod, the utterances of the Delphic oracle, and the strange theological verses attributed to Orpheus. Later tradition, however, has restricted the term 'epic' to ''heroic epic'', as described in this article. Overview Originating before the invention of writing, primary epics, such as those of Homer, were composed by bards who used complex rhetorical and metrical schemes by which they could memorize the epic as receiv ...
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Banu Goshasp
Bānu Goshasp ( fa, بانو گشسپ) or Goshasp Banu is an important heroine in Iranian mythology. , death_place = Kabulistan , death_cause = With the conspiracy of his half-brother Shaghad, he fell into a wel ... due to not recognizing each other. Disaster is avoided in time when they realize each other's identity. In another episode, she battles with her suitors, most of whom are taken captives or killed by her. It is only Giv, who passes the tests and ordeals imposed by Rustam on his daughter's suitors. Giv comes out victorious and is set to marry her. However, on the wedding night, she overpowers Giv and binds him down. Rostam comes to the rescue of Giv and mediates between the two. The Iranian hero Bijan is born of their marriage. Her exploits are also explained in other epic works such as Farāmarz-nāma, Borzu-nāma, and Bahman-nāma. Family tree Notes {{Persian literature Persian mythology Persian poems Characters in epic p ...
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Faramarz
Faramarz ( fa, فرامرز) is an Iranian legendary hero (''pahlavan'') in Ferdowsi's ''Shahnameh'' ("Book of Kings"). He was son of Rostam and at last killed by Kay Bahman. The book Faramarz-nama, written about a hundred years after Shahnameh, is about Faramarz and his wars. Also he is mentioned in other ancient books like Borzu Nama. See also * Shahnameh The ''Shahnameh'' or ''Shahnama'' ( fa, شاهنامه, Šāhnāme, lit=The Book of Kings, ) is a long epic poem written by the Persian poet Ferdowsi between c. 977 and 1010 CE and is the national epic of Greater Iran. Consisting of some 50 ... * Faramarz nama References Persian mythology Shahnameh characters Given names {{Shahnameh-stub ...
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Faramarz Nama
''Faramarz-nama'' or ''Faramarz-nameh'' ( fa, فرامرزنامه, italic=yes) is a Persian epic recounting the adventures of the hero Faramarz"FARĀMARZ-NĀMA" in Encyclopedia Iranica by Djalal Khaleghi-Motlagh. Accessed April 4, 2010/ref> who is the son of Rustam. Manuscripts The history book '' Tarikh-i Sistan'' (history of Sistan) mentions an account of Faramarz (akhbar-e Faramarz) in twelve volumes, but this work, which was likely in prose, has been lost. Instead, two Faramarz-namas (epic of Faramarz), both in the form of epic poems, are extant. First manuscript The first manuscript, which appears to be older, is written by an anonymous poet who introduces himself as an admirer of Ferdowsi and is dated between the mid-11th and 12th centuries. In the manuscript he introduces himself as a villager from Piruzabad (or possibly an orthographical error in the text for Forsabad, a town near Marv in Khorasan). The poet states that he composed the Faramarz-nama at the age of t ...
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Mesopotamia
Mesopotamia ''Mesopotamíā''; ar, بِلَاد ٱلرَّافِدَيْن or ; syc, ܐܪܡ ܢܗܪ̈ܝܢ, or , ) is a historical region of Western Asia situated within the Tigris–Euphrates river system, in the northern part of the Fertile Crescent. Today, Mesopotamia occupies modern Iraq. In the broader sense, the historical region included present-day Iraq and Kuwait and parts of present-day Iran, Syria and Turkey. The Sumerians and Akkadians (including Assyrians and Babylonians) originating from different areas in present-day Iraq, dominated Mesopotamia from the beginning of written history () to the fall of Babylon in 539 BC, when it was conquered by the Achaemenid Empire. It fell to Alexander the Great in 332 BC, and after his death, it became part of the Greek Seleucid Empire. Later the Arameans dominated major parts of Mesopotamia (). Mesopotamia is the site of the earliest developments of the Neolithic Revolution from around 10,000 BC. It ha ...
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Epic Of Gilgamesh
The ''Epic of Gilgamesh'' () is an epic poem from ancient Mesopotamia, and is regarded as the earliest surviving notable literature and the second oldest religious text, after the Pyramid Texts. The literary history of Gilgamesh begins with five Sumerian poems about Bilgamesh (Sumerian for "Gilgamesh"), king of Uruk, dating from the Third Dynasty of Ur (). These independent stories were later used as source material for a combined epic in Akkadian. The first surviving version of this combined epic, known as the "Old Babylonian" version, dates back to the 18th century BC and is titled after its incipit, ''Shūtur eli sharrī'' ("Surpassing All Other Kings"). Only a few tablets of it have survived. The later Standard Babylonian version compiled by Sîn-lēqi-unninni dates from the 13th to the 10th centuries BC and bears the incipit ''Sha naqba īmuru'' ("He who Saw the Abyss", in unmetaphoric terms: "He who Sees the Unknown"). Approximately two-thirds of this longer, twelv ...
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Georgians
The Georgians, or Kartvelians (; ka, ქართველები, tr, ), are a nation and indigenous Caucasian ethnic group native to Georgia and the South Caucasus. Georgian diaspora communities are also present throughout Russia, Turkey, Greece, Iran, Ukraine, United States, and European Union. Georgians arose from Colchian and Iberian civilizations of classical antiquity; Colchis was interconnected with the Hellenic world, whereas Iberia was influenced by the Achaemenid Empire until Alexander the Great conquered it. In the 4th century, the Georgians became one of the first to embrace Christianity and now the majority of Georgians are Orthodox Christians, with most following their national autocephalous Georgian Orthodox Church, although there are small Georgian Catholic and Muslim communities as well as a significant number of irreligious Georgians. Located in the Caucasus, on the continental crossroads of Europe and Asia, the High Middle Ages saw Georgian people fo ...
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The Knight In The Panther's Skin
''The Knight in the Panther's Skin'' ( ka, ვეფხისტყაოსანი, tr literally "the one with the skin of a tiger") is a Georgian medieval epic poem, written in the 12th or 13th century by Georgia's national poet Shota Rustaveli. A definitive work of the Georgian Golden Age, the poem consists of over 1600 Rustavelian Quatrains and is considered to be a "masterpiece of the Georgian literature". Until the early 20th century, a copy of this poem was part of the dowry of every bride. Although the poem takes place in the fictional settings of "India" and "Arabia", events in these distant lands are but a colorful allegory of the rule of Queen Tamar of Georgia, and the size and glory of the Kingdom of Georgia in its Golden Age. It tells the friendship of two heroes, Avtandil and Tariel, and their quest to find the object of love, Nestan-Darejan, an allegorical embodiment of Queen Tamar. These idealized heroes and devoted friends are united by courtly love, gener ...
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David Of Sassoun
David of Sassoun ( hy, Սասունցի Դավիթ ''Sasuntsi Davit also spelled David of Sasun'') is the main hero of Armenia's national epic ''Daredevils of Sassoun'', who drove Arab invaders out of Armenia. Background The ''Daredevils of Sassoun'' (also known as after its main hero ''David of Sassoun'') is an Armenian national epic poem recounting David's exploits. As an oral history, it dates from the 8th century, and was first put in written form in 1873 by Garegin Srvandztiants. He also published other ethnographic books. David of Sassoun is the name of only one of the four acts, but due to the popularity of the character, the entire epic is known to the public as David of Sassoun. The epic's full name is ''Sasna Tsrer'' (The Daredevils of Sassoun). In 1902, the prominent Armenian poet and writer Hovhannes Tumanyan penned a poem of the same name retelling the story of the David of Sassoun in a more modern language. In 2010, an animated film was produced called ''Sa ...
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Daredevils Of Sassoun
''Daredevils of Sassoun'' ( hy, Սասնա ծռեր ''Sasna cṙer'', also spelled Daredevils of Sasun) is an Armenian heroic epic poem in four cycles (parts), with its main hero and story better known as ''David of Sassoun'', which is the story of one of the four parts. In the initial decades following the discovery of the epic in the late nineteenth century a general consensus emerged attributing its theme to the struggle of four generations of Sassoun's warriors against Muslim rule in the 8th to 10th centuries. The pioneers of this interpretation of the epic were the philologist Manuk Abeghian in Armenia and academic Joseph Orbeli at the Hermitage Museum in Leningrad, who argued that there are no characters in the epic that could be attributed to a historical person from before the 10th century. The historicist school held its sway until the Armenian philologist Grigoryan first in an article (1981), then in a book (1989) argued following an incisive analysis of the epic, " ...
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Banu Hilal
The Banu Hilal ( ar, بنو هلال, translit=Banū Hilāl) was a confederation of Arabian tribes from the Hejaz and Najd regions of the Arabian Peninsula that emigrated to North Africa in the 11th century. Masters of the vast plateaux of the Najd, they enjoyed a somewhat infamous reputation, possibly owing to their relatively late (for the Arabian tribes) conversion to Islam and accounts of their campaigns in the borderlands between Iraq and Syria. When the Fatimid Caliphate became masters of Egypt and the founders of Cairo in 969, they hastened to confine the unruly Bedouin in the south before sending them to Central North Africa ( Libya, Tunisia and Algeria) and then to Morocco. Origin According to Arab genealogists, the Banu Hilal were a sub-tribe of the Mudar tribal confederation, specifically of the Amir ibn Sa'sa'a, and their progenitor was Hilal. According to traditional Arab sources, their full genealogy was the following: Hilāl ibn ''ʿ''Āmir ibn Ṣa ...
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Taghribat Bani Hilal
Al-Sirah al-Hilaliyyah (), also known as the Sirat Bani Hilal (سيرة بني هلال ''Sīra Banī Hilāl'') or the al-Hilali epic, is an Arabic epic oral poem that recounts the tale of the journey of the Bedouin tribe of the Banu Hilal from Najd in Arabia to Tunisia and Algeria via Egypt. It is built around historical events that took place in the 11th century. The Banu Hilal were dominant in central North Africa for over a century before their annihilation by the Almohads. The epic is folkloric and oral, not having been committed to writing until relatively recent times, and doesn't have a well-defined date of creation. Of the dozen odd major oral epic poems that developed within the Arab folk tradition between the Middle Ages and the 19th century, ''Sirat Bani Hilal'' is today the only one that is still performed in its integral musical form. The longest notable version contains 1,000,000 lines, the poet could sing this version about 100 hours. The epic, once widespread ...
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