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List Of Typographic Features
Typographic features made possible using digital typographic systems have solved many the demands placed on computer systems to replicate traditional typography and have expanded the possibilities with many new features. Three systems are in common use: OpenType, devised by Microsoft and Adobe, Apple's Apple Advanced Typography (AAT), and SIL's Graphite. The lists below provide information about OpenType and AAT features. Graphite does not have a fixed set of features; instead it provides a way for fonts to define their own features. OpenType typographic features The OpenType format defines a number of typographic features that a particular font may support. Some software, such as Adobe InDesign or recent versions of Lua/ XeTeX, gives users control of these features, for example to enable fancy stylistic capital letters (swash caps) or to choose between ranging (full-height) and non-ranging (old-style, or lower-case) digits. Some web browsers also support OpenType features in acc ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Digital Typography
Desktop publishing (DTP) is the creation of documents using page layout software on a personal ("desktop") computer. It was first used almost exclusively for print publications, but now it also assists in the creation of various forms of online content. Desktop publishing software can generate layouts and produce typographic-quality text and images comparable to traditional typography and printing. Desktop publishing is also the main reference for digital typography. This technology allows individuals, businesses, and other organizations to self-publish a wide variety of content, from menus to magazines to books, without the expense of commercial printing. Desktop publishing often requires the use of a personal computer and WYSIWYG page layout software to create documents for either large-scale publishing or small-scale local multifunction peripheral output and distribution – although a non-WYSIWYG system such as LaTeX could also be used for the creation of highly structured a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Traditional Chinese Characters
Traditional Chinese characters are one type of standard Chinese character sets of the contemporary written Chinese. The traditional characters had taken shapes since the clerical change and mostly remained in the same structure they took at the introduction of the regular script in the 2nd century. Over the following centuries, traditional characters were regarded as the standard form of printed Chinese characters or literary Chinese throughout the Sinosphere until the middle of the 20th century, before different script reforms initiated by countries using Chinese characters as a writing system. Traditional Chinese characters remain in common use in Taiwan, Hong Kong and Macau, as well as in most overseas Chinese communities outside Southeast Asia; in addition, Hanja in Korean language remains virtually identical to traditional characters, which is still used to a certain extent in South Korea, despite differing standards used among these countries over some variant C ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Typographic Ligature
In writing and typography, a ligature occurs where two or more graphemes or letters are joined to form a single glyph. Examples are the characters æ and œ used in English and French, in which the letters 'a' and 'e' are joined for the first ligature and the letters 'o' and 'e' are joined for the second ligature. For stylistic and legibility reasons, 'f' and 'i' are often merged to create 'fi' (where the tittle on the 'i' merges with the hood of the 'f'); the same is true of 's' and 't' to create 'st'. The common ampersand (&) developed from a ligature in which the handwritten Latin letters 'E' and 't' (spelling , Latin for 'and') were combined. History The earliest known script Sumerian cuneiform and Egyptian hieratic both include many cases of character combinations that gradually evolve from ligatures into separately recognizable characters. Other notable ligatures, such as the Brahmic abugidas and the Germanic bind rune, figure prominently throughout ancient ma ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Swash (typography)
A swash is a typographical flourish, such as an exaggerated serif, terminal, tail, entry stroke, etc., on a glyph. The use of swash characters dates back to at least the 16th century, as they can be seen in Ludovico Vicentino degli Arrighi's ''La Operina,'' which is dated 1522. As with italic type in general, they were inspired by the conventions of period handwriting. Arrighi's designs influenced designers in Italy and particularly in France. Typefaces with swashes Most typefaces with swashes are serif fonts, among which (if present) they are often found solely in italics. Advanced digital fonts often supply two italic designs: one with swashes and a more restrained standard italic. Among old-style typefaces, some releases of Caslon, such as Adobe Caslon, and Garamond, including Adobe Garamond Pro and EB Garamond, have swash designs. Old-style typefaces which include swashes but do not follow a specific historical model include Minion by Robert Slimbach and Nexus by ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Slashed 0
The slashed zero is a representation of the Arabic digit " 0" (zero) with a slash through it. The slashed zero glyph is often used to distinguish the digit "zero" ("0") from the Latin script letter " O" anywhere that the distinction needs emphasis, particularly in encoding systems, scientific and engineering applications, computer programming (such as software development), and telecommunications. It thus helps to differentiate characters that would otherwise be homoglyphs. It was commonly used during the punch card era, when programs were typically written out by hand, to avoid ambiguity when the character was later typed on a card punch. Usage The slashed zero is used in a number of fields in order to avoid confusion with the letter 'O'. It is used by computer programmers, in recording amateur radio call signs and in military radio, as logs of such contacts tend to contain both letters and numerals. The slashed zero was used on teleprinter circuits for weather applications ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Stacked Fraction
''Stacked'' is an American television sitcom that aired on Fox from April 13, 2005 to January 11, 2006. Premise ''Stacked'' was described as the opposite of ''Cheers'', instead of a smart person in a "dumb" place, it is based on the concept of a dumb person in a "smart" place. A workplace ensemble comedy, ''Stacked'' revolves around Skyler Dayton (Pamela Anderson) who is tired of her non-stop partying lifestyle and bad choices in boyfriends. Wanting a major life change, she wanders into Stacked Books, a small, family-run bookstore owned by Gavin Miller (Elon Gold) and his brother, Stuart (Brian Scolaro). Divorced and unlucky in love himself, Gavin's inclined to regard Skyler as an embodiment of the vacuous, image-obsessed culture he has come to abhor. Stuart, however, is dazzled by Skyler's beauty and, much to Gavin's horror, offers her a job at their store, which she happily accepts as the first step in her quest for a steadier lifestyle. Unhappy that she is going to be minding ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Text Figures
Text figures (also known as non-lining, lowercase, old style, ranging, hanging, medieval, billing, or antique figures or numerals) are numerals designed with varying heights in a fashion that resembles a typical line of running text, hence the name. They are contrasted with lining figures (also called titling or modern figures), which are the same height as upper-case letters. Georgia is an example of a popular typeface that employs text figures by default. Design In text figures, the shape and positioning of the numerals vary as those of lowercase letters do. In the most common scheme, '' 0'', '' 1'', and '' 2'' are of x-height, having neither ascenders nor descenders; '' 6'' and '' 8'' have ascenders; and '' 3'', '' 4'', '' 5'', '' 7'', and '' 9'' have descenders. Other schemes exist; for example, the types cut by the Didot family of punchcutters and typographers in France between the late 18th and early 19th centuries typically had an ascending ''3'' and ''5'', a for ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ordinal Indicator
In written languages, an ordinal indicator is a character, or group of characters, following a numeral denoting that it is an ordinal number, rather than a cardinal number. In English orthography, this corresponds to the suffixes ''-st'', ''-nd'', ''-rd'', ''-th'' in written ordinals (represented either on the line ''1st'', ''2nd'', ''3rd'', ''4th'' or as superscript, ). Also commonly encountered are the superscript or superior (and often underlined) masculine ordinal indicator, , and feminine ordinal indicator, , originally from Romance and then via the cultural influence of Italian, as in 1º '' primo'' and 1ª '' prima''. In correct typography, the ordinal indicators and should be distinguishable from other characters. The practice of underlined (or doubly underlined) superscripted abbreviations was common in 19th-century writing (not limited to ordinal indicators in particular, and also extant in the numero sign ), and was also found in handwritten English until at ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Italic Type
In typography, italic type is a cursive font based on a stylised form of calligraphic handwriting. Owing to the influence from calligraphy, italics normally slant slightly to the right. Italics are a way to emphasise key points in a printed text, to identify many types of creative works, to cite foreign words or phrases, or, when quoting a speaker, a way to show which words they stressed. One manual of English usage described italics as "the print equivalent of underlining"; in other words, underscore in a manuscript directs a typesetter to use italic. The name comes from the fact that calligraphy-inspired typefaces were first designed in Italy, to replace documents traditionally written in a handwriting style called chancery hand. Aldus Manutius and Ludovico Arrighi (both between the 15th and 16th centuries) were the main type designers involved in this process at the time. Along with blackletter and Roman type, it served as one of the major typefaces in the history of ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Petite Caps
In typography, small caps (short for "small capitals") are characters typeset with glyphs that resemble uppercase letters (capitals) but reduced in height and weight close to the surrounding lowercase letters or text figures. This is technically not a case-transformation, but a substitution of glyphs, although the effect is often approximated by case-transformation and scaling. Small caps are used in running text as a form of emphasis that is less dominant than all uppercase text, and as a method of emphasis or distinctiveness for text alongside or instead of italics, or when boldface is inappropriate. For example, the text "Text in small caps" appears as in small caps. Small caps can be used to draw attention to the opening phrase or line of a new section of text, or to provide an additional style in a dictionary entry where many parts must be typographically differentiated. Well-designed small capitals are not simply scaled-down versions of normal capitals; they normally ret ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Small Caps
In typography, small caps (short for "small capitals") are characters typeset with glyphs that resemble uppercase letters (capitals) but reduced in height and weight close to the surrounding lowercase letters or text figures. This is technically not a case-transformation, but a substitution of glyphs, although the effect is often approximated by case-transformation and scaling. Small caps are used in running text as a form of emphasis that is less dominant than all uppercase text, and as a method of emphasis or distinctiveness for text alongside or instead of italics, or when boldface is inappropriate. For example, the text "Text in small caps" appears as in small caps. Small caps can be used to draw attention to the opening phrase or line of a new section of text, or to provide an additional style in a dictionary entry where many parts must be typographically differentiated. Well-designed small capitals are not simply scaled-down versions of normal capitals; they normally ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Chōonpu
The , also known as , , , or Katakana-Hiragana Prolonged Sound Mark by the Unicode Consortium, is a Japanese symbol that indicates a ''chōon'', or a long vowel of two morae in length. Its form is a horizontal or vertical line in the center of the text with the width of one kanji or kana character. It is written horizontally in horizontal text and vertically in vertical text (). The chōonpu is usually used to indicate a long vowel sound in katakana writing, rarely in hiragana writing, and never in romanized Japanese. The ''chōonpu'' is a distinct mark from the dash, and in most Japanese typefaces it can easily be distinguished. In horizontal writing it is similar in appearance to, but should not be confused with, the kanji character ("one"). The symbol is sometimes used with hiragana, for example in the signs of ramen restaurants, which are normally written /らあめん in hiragana, and ラーメン in katakana. Usually, however, hiragana does not use the ''chōonpu'' ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
