List Of Songs Written By Stephen Foster
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List Of Songs Written By Stephen Foster
This is a list of songs written by Stephen Foster Stephen Collins Foster (July 4, 1826January 13, 1864), known also as "the father of American music", was an American composer known primarily for his parlour and minstrel music during the Romantic period. He wrote more than 200 songs, inc ... (1826-1864) including those published posthumously. Foster may have written words and/or music for each song. Several of Foster's songs have alternate titles which are included in the "Title" column along with the original title. The original title is always given first. Table References External linksStephen Foster Detailed Song List Songwriters Hall of Fame {{Stephen Foster Foster, Stephen, List of songs written by * ...
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Stephen Foster
Stephen Collins Foster (July 4, 1826January 13, 1864), known also as "the father of American music", was an American composer known primarily for his parlour and minstrel music during the Romantic period. He wrote more than 200 songs, including "Oh! Susanna", "Hard Times Come Again No More", "Camptown Races", "Old Folks at Home" ("Swanee River"), "My Old Kentucky Home", "Jeanie with the Light Brown Hair", "Old Black Joe", and "Beautiful Dreamer", and many of his compositions remain popular today. He has been identified as "the most famous songwriter of the nineteenth century" and may be the most recognizable American composer in other countries. Most of his handwritten music manuscripts are lost, but editions issued by publishers of his day feature in various collections. Biography There are many biographies of Foster, but details differ widely. Among other issues, Foster wrote very little biographical information himself, and his brother Morrison Foster may have des ...
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Jeanie With The Light Brown Hair
"Jeanie with the Light Brown Hair" is a parlor song by Stephen Foster (1826–1864). It was published by Firth, Pond & Co. of New York in 1854. Foster wrote the song with his estranged wife Jane McDowell in mind. The lyrics allude to a permanent separation. "Jeanie" was a notorious beneficiary of the ASCAP boycott of 1941, a dispute caused by ASCAP increasing its licensing fees. During this period, radio broadcasters played only public-domain music or songs licensed by ASCAP rival BMI. According to a 1941 article in ''Time'' magazine, "So often had BMI's Jeannie icWith the Light Brown Hair been played that she was widely reported to have turned grey." Lyrics Other versions Bing Crosby recorded the song on March 22, 1940, for Decca Records with John Scott Trotter and His Orchestra. Violinist Jascha Heifetz transcribed the song for the violin and it became a signature piece for him for years. The transcription has been performed by many subsequent violinists. In popular ...
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Emily Sullivan Oakey
Emily S. Oakey (sometimes incorrectly spelled, "Oakley"; October 8, 1829 – May 11, 1883) was an American educator, author, and poet. She published ''Dialogues and Conversations'' in 1879, and ''At the Foot of Parnassus'' in 1883. Biography Emily Sullivan Oakey was born October 8, 1829, in Albany, New York. She was graduated from the Albany Female Academy in 1850. In 1850, she wrote the lyrics to "What Shall the Harvest Be?", but was not generally known until Mr. Sankey included it among his solos, the music being composed especially for it by Mr. P. P. Bliss. It was her only contribution to the cause of evangelism. She was the author of ''Dialogues and Conversations'', as well as ''At the Foot of Parnassus'', a collection of poems. Beginning in 1854 and until her death in 1883, she taught English literature, logic, Latin, German, and French in Albany Female Academy. She died May 11, 1883, in Albany. Bibliography * ''Dialogues and Conversations'', by Emily S. Oakey (New York ...
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Jack Lawrence (songwriter)
Jack Lawrence (born Jacob Louis Schwartz, April 7, 1912 – March 16, 2009) was an American songwriter. He was inducted into the Songwriters Hall of Fame in 1975. Life and career Jack Lawrence was born in Brooklyn, New York to an Orthodox Jewish family of modest means as the third of four sons. His parents Barney (Beryl) Schwartz and Fanny (Fruma) Goldman Schwartz were first cousins who had run away from their home in Bila Tserkva, Ukraine to go to America in 1904. Lawrence wrote songs while still a child, but because of parental pressure after he graduated from Thomas Jefferson High School, he enrolled in the First Institute of Podiatry, where he received a D.P.M. degree in 1932. The same year, his first song was published and he immediately decided to make a career of songwriting rather than podiatry. That song, "Play, Fiddle, Play", won international fame and he became a member of ASCAP that year at age 20. In the early 1940s, Lawrence and several fellow hitmakers forme ...
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Ring, Ring De Banjo
''Ring, Ring de Banjo'' is a minstrel song written in 1851. The song's words and music are from Stephen Foster. The song, written to mimic the dialect of Black people in the Southern United States, is about a newly-freed slave who wishes to come back to his master's plantation A plantation is an agricultural estate, generally centered on a plantation house, meant for farming that specializes in cash crops, usually mainly planted with a single crop, with perhaps ancillary areas for vegetables for eating and so on. The .... As his old master is dying, the singer plays the banjo on his old master's deathbed until he dies. It is one of "minstrelsy's most explicit evocations of the potentially violent relationship in slavery between master and slave" and inspired a number of imitators, including the abolitionist Harriet Beecher Stowe. References {{Stephen Foster American folk songs Songs about musical instruments Blackface minstrel songs Songs written by Stephen Foster ...
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George Pope Morris
George Pope Morris (October 10, 1802 – July 6, 1864) was an American editor, poet, and songwriter. Life and work With Nathaniel Parker Willis, he co-founded the daily ''New York Evening Mirror''Sova, Dawn B. ''Edgar Allan Poe: A to Z''. New York: Checkmark Books, 2001: 160. by merging his fledgling weekly ''New-York Mirror'' with Willis's ''American Monthly'' in August 1831. Morris is credited with the longevity the ''Evening Mirror'' would enjoy and for giving it a wide scope, covering not only news and entertainment but reviews of the fine arts, editorials, and many original engravings. Morris also funded in advance Willis's trip to Europe, for which Willis wrote several letters to be published in the ''Mirror'', which helped establish his fame. On January 29, 1845, the ''Evening Mirror'' published an "advance copy" of Edgar Allan Poe's "The Raven". It was the first publication of that poem with the author's name. The publishing partners also issued an anthology called ''The ...
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Open Thy Lattice Love (song)
Open Thy Lattice Love was a song composed by Stephen Foster Stephen Collins Foster (July 4, 1826January 13, 1864), known also as "the father of American music", was an American composer known primarily for his parlour and minstrel music during the Romantic period. He wrote more than 200 songs, inc ... on February 1, 1844 in Pittsburgh, Pennsylvania. Susan E. Robinson was the last remaining member of the quartet that performed the song and the person who the song was written for. She died at age 85 on December 31, 1916. Other sources give a different date of publication. The song is mentioned in Chapter IX of MacKinlay Kantor's Pulitzer Prize-winning novel "Andersonville" (1955). Lyrics Open thy lattice, love listen to me! The cool balmy breeze is abroad on the sea! The moon like a queen, roams her realms of blue, And the stars keep their vigils in heaven for you Ere morn's gushing light tips the bills with its ray, Away o'er the waters away and away! Then open thy latti ...
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Old Folks At Home
"Old Folks at Home" (also known as " Swanee River") is a minstrel song written by Stephen Foster in 1851. Since 1935, it has been the official state song of Florida, although in 2008 the original lyrics were revised. It is Roud Folk Song Index no. 13880. Composition "Old Folks at Home" was commissioned in 1851 by E. P. Christy for use by Christy's Minstrels, his minstrel troupe. Christy also asked to be credited as the song's creator, and was so credited on early sheet music printings. As a result, while the song was a success, Foster did not directly profit much from it, though he continued to receive royalties for the song. Foster had composed most of the lyrics but was struggling to name the river of the opening line, and asked his brother, Morrison, to suggest one. Morrison wrote, “One day in 1851, Stephen came into my office, on the bank of the Monongahela, Pittsburgh, and said to me, ‘What is a good name of two syllables for a Southern river? I want to use it ...
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Old Black Joe
"Old Black Joe" is a parlor song by Stephen Foster (1826–1864). It was published by Firth, Pond & Co. of New York in 1860. Ken Emerson, author of the book ''Doo-Dah!'' (1998), indicates that Foster's fictional Joe was inspired by a servant in the home of Foster's father-in-law, Dr. McDowell of Pittsburgh. The song is not written in dialect. Emerson believes that the song's "soft melancholy" and its "elusive undertone" (rather than anything musical), brings the song closest to the traditional African-American spiritual. Harold Vincent Milligan describes the song as "one of the best of the Ethiopian ontemporary parlance for blackface minstrel songssongs ... its mood is one of gentle melancholy, of sorrow without bitterness. There is a wistful tenderness in the music." Jim Kweskin covered the song on his 1971 album ''Jim Kweskin's America''. The song has sometimes been recorded as "Poor Old Joe", including by Paul Robeson who recorded it several times, for example in 1928 and 193 ...
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Oh! Susanna
"Oh! Susanna" is a minstrel song by Stephen Foster (1826–1864), first published in 1848. It is among the most popular American songs ever written. Members of the Western Writers of America chose it as one of the Top 100 Western songs of all time. Background In 1846, Stephen Foster moved to Cincinnati, Ohio, and became a bookkeeper with his brother's steamship company. While in Cincinnati, Foster wrote "Oh! Susanna", possibly for his men's social club. The song was first performed by a local quintet at a concert in Andrews' Eagle Ice Cream Saloon in Pittsburgh, Pennsylvania, on September 11, 1847. It was first published by W. C. Peters & Co. in Cincinnati in 1848. Blackface minstrel troupes performed the work, and, as was common at the time, many registered the song for copyright under their own names. As a result, it was copyrighted and published at least twenty-one times from February 25, 1848, through February 14, 1851. Foster earned just $100 ($ in 2016 dollars) for the s ...
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My Old Kentucky Home
"My Old Kentucky Home, Good-Night!" is a sentimental ballad written by Stephen Foster, probably composed in 1852. It was published in January 1853 by Firth, Pond, & Co. of New York. Foster was likely inspired by Harriet Beecher Stowe's anti-slavery novel ''Uncle Tom's Cabin,'' as evidenced by the title of a sketch in Foster’s sketchbook, “Poor Uncle Tom, Good-Night!” Interpretations of the song vary widely. Frederick Douglass wrote in his 1855 autobiography '' My Bondage and My Freedom'' that the song "awakens sympathies for the slave, in which antislavery principles take root, grow, and flourish". However, the song’s publication by Firth & Pond as a minstrel song and its use in “Tom shows” (stagings of Stowe’s novel of varying degrees of sincerity and faithfulness to the original text), and other settings, have clouded its reception. Creation and career impact The creation of the song "My Old Kentucky Home, Good-Night!" established a decisive moment within Steph ...
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