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List Of Compositions For Piano And Orchestra
This is a list of compositions for piano and orchestra. For a description of related musical forms, see Concerto and Piano concerto. Piano concertos and works in concertante form A * Johann Christian Ludwig Abeille **Grand Concerto in D major, Op. 6 (1763), for one piano four-hands and orchestra *Carl Friedrich Abel ** 6 Concertos for harpsichord (or pianoforte), two violins and cello, Op. 11 (first printed in 1771; F, B-flat, E-flat, D, G, C) * Anton García Abril **Piano Concerto * Jean Absil **Concerto for Piano and Orchestra No. 1, Op. 30 (1938) **Concerto for Piano and Orchestra No. 2, Op. 131 (1967) **Concerto for Piano and Orchestra No. 3, Op. 162 (1973) *John Adams **'' Grand Pianola Music'' (1982) **'' Eros Piano'' (1989) **''Century Rolls'' for piano and orchestra (1997) **''Must the Devil Have All the Good Tunes?'' (2018) *Richard Addinsell **''Warsaw Concerto'' (1941) *Thomas Adès **''Concerto conciso'', Op. 18 **''In Seven Days'', Op. 25 (2008) ** Concerto for ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Musical Form
In music, ''form'' refers to the structure of a musical composition or performance. In his book, ''Worlds of Music'', Jeff Todd Titon suggests that a number of organizational elements may determine the formal structure of a piece of music, such as "the arrangement of musical units of rhythm, melody, and/or harmony that show repetition or variation, the arrangement of the instruments (as in the order of solos in a jazz or bluegrass performance), or the way a symphonic piece is orchestrated", among other factors. It is, "the ways in which a composition is shaped to create a meaningful musical experience for the listener."Kostka, Stefan and Payne, Dorothy (1995). ''Tonal Harmony'', p.152. McGraw-Hill. . These organizational elements may be broken into smaller units called phrases, which express a musical idea but lack sufficient weight to stand alone. Musical form unfolds over time through the expansion and development of these ideas. In tonal harmony, form is articulated pr ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Eugen D'Albert
Eugen (originally Eugène) Francis Charles d'Albert (10 April 1864 – 3 March 1932) was a Scottish-born pianist and composer. Educated in Britain, d'Albert showed early musical talent and, at the age of seventeen, he won a scholarship to study in Austria. Feeling a kinship with German culture and music, he soon emigrated to Germany, where he studied with Franz Liszt and began a career as a concert pianist. D'Albert repudiated his early training and upbringing in Scotland and considered himself German. While pursuing his career as a pianist, d'Albert focused increasingly on composing, producing 21 operas and a considerable output of piano, vocal, chamber and orchestral works. His most successful opera was '' Tiefland'', which premiered in Prague in 1903. His successful orchestral works included his cello concerto (1899), a symphony, two string quartets and two piano concertos. In 1907 d'Albert became the director of the Hochschule für Musik in Berlin, where he exerted a wide ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Alexander Arutiunian
Alexander Grigori Arutiunian ( hy, Ալեքսանդր Գրիգորի Հարությունյան), also known as Arutunian, Arutyunyan, Arutjunjan, Harutyunian or Harutiunian (23 September 1920 – 28 March 2012), was a Soviet and Armenian composer and pianist, widely known for his 1950 Trumpet Concerto. A professor at Yerevan State Conservatory, he was recognized with many awards for his work, including the Stalin Prize in 1949 and People's Artist of the USSR in 1970, as well as numerous honors from his homeland of Armenia. Biography Arutiunian was born in Yerevan, First Republic of Armenia, in the family of Grigor and Eleonora Arutiunian. His father was a military serviceman. In 1927, Arutiunian became a member of the Yerevan State Conservatory's children group, then, at age 14, he was admitted to the Conservatory to the studios of Olga Babasyan (piano), and Sergei Barkhudaryan and Vardges Talyan (composition). He graduated from the Music Conservatory of Yerevan on the eve of W ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
John Field (composer)
John Field (26 July 1782 – 23 January 1837), was an Irish pianist, composer, and teacher. Field is best known as the inventor of the nocturne. He was born in Dublin into a musical family, and received his early education there, in particular with the Italian composer Tommaso Giordani. The Fields soon moved to London, where Field studied under Muzio Clementi. Under his tutelage, Field quickly became a famous and sought-after concert pianist. Together, master and pupil visited Paris, Vienna, and St. Petersburg. Ambiguity surrounds Field's decision to remain in the former Russian capital, but it is likely that Field acted as a sales representative for the Clementi Pianos. Field was very highly regarded by his contemporaries and his playing and compositions influenced many major composers, including Frédéric Chopin, Johannes Brahms, Robert Schumann, and Franz Liszt. Although little is known of Field in Russia, he undoubtedly contributed substantially to concerts and teaching, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Cyril Smith (pianist)
Cyril James Smith OBE (11 August 1909 – 2 August 1974) was a virtuoso concert pianist of the 1930s, 1940s and 1950s, and a piano teacher. Personal life Smith was born at Costa Street, Middlesbrough, England, the son of Charles Smith, a foundry bricklayer, and Eva Harrison, and had an older brother and sister. He married Andrée Antoinette Marie Paty in 1931, but the couple divorced. In 1937 he married Phyllis Sellick. They had a son, Graham, and a daughter, Clare and remained married until his death. Smith died in 1974 at his home in East Sheen, London, as a result of a stroke. Performing From 1926 to 1930, Cyril Smith studied with Herbert Fryer (a student of Tobias Matthay and Ferruccio Busoni) at the Royal College of Music, winning medals and prizes including the Daily Express piano contest in 1928 and made his concert début in Birmingham in 1929. He performed as an off-screen piano accompanist in several of the 30-line Baird system television broadcasts of 1935 and j ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Phyllis Sellick
Phyllis Sellick, OBE (16 June 191126 May 2007)John Amis, Obituaries''Phyllis Sellick'' Guardian UnlimitedObituaries''Phyllis Sellick'' The Daily TelegraphObituariesPhyllis Sellick, The Independent was a British pianist and teacher, best known for her partnership with her pianist husband Cyril Smith. Biography Born at Ilford, Essex, Phyllis Sellick started to play the piano by ear at the age of three and had her first music lesson on her fifth birthday. Four years later she won the ''Daily Mirrors "Pip, Squeak and Wilfred" contest for young musicians and was awarded two years' private tuition with Cuthbert Whitemore, subsequently winning an open scholarship to continue her study with him at the Royal Academy of Music. She later studied with Isidor Philipp in Paris. She specialised in French and English music.''Grove's Dictionary of Music and Musicians'', 5th edition, 1954 She first met Cyril Smith at a concert in the Queen's Hall, London. They married in 1937 and had two childr ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Malcolm Arnold
Sir Malcolm Henry Arnold (21 October 1921 – 23 September 2006) was an English composer. His works feature music in many genres, including a cycle of nine symphonies, numerous concertos, concert works, chamber music, choral music and music for brass band and wind band. His style is tonal and rejoices in lively rhythms, brilliant orchestration, and an unabashed tunefulness. He wrote extensively for the theatre, with five ballets specially commissioned by the Royal Ballet, as well as two operas and a musical. He also produced scores for more than a hundred films, among these ''The Bridge on the River Kwai'' (1957), for which he won an Oscar. Early life Malcolm Arnold was born in Northampton, Northamptonshire, England, the youngest of five children from a prosperous Northampton family of shoemakers. Although shoemakers, his family was full of musicians; both of his parents were pianists, and his aunt was a violinist. His great great grandfather was the composer William Hawes, a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Thomas Arne
Thomas Augustine Arne (; 12 March 17105 March 1778) was an English composer. He is best known for his patriotic song " Rule, Britannia!" and the song "A-Hunting We Will Go", the latter composed for a 1777 production of '' The Beggar's Opera'', which has since become popular as a folk song and a nursery rhyme. Arne was a leading British theatre composer of the 18th century, working at the West End's Drury Lane and Covent Garden. He wrote many operatic entertainments for the London theatres and pleasure gardens, as well as concertos, sinfonias, and sonatas. Early life Arne was born on March 12th, 1710 in Covent Garden and baptised at St Paul's, Covent Garden. Arne's father and grandfather were both upholsterers and both held office in the Worshipful Company of Upholders of the City of London. His grandfather fell on hard times and died in the debtors' prison of Marshalsea. His father earned enough money not only to rent 31 King Street, a large house in Covent Garden, but also ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Piano Concerto (Arensky)
A piano concerto is a type of concerto, a solo composition in the classical music genre which is composed for a piano player, which is typically accompanied by an orchestra or other large ensemble. Piano concertos are typically virtuoso showpieces which require an advanced level of technique on the instrument. These concertos are typically written out in music notation, including sheet music for the pianist (which they typically memorize for a more virtuosic performance), orchestra parts for the orchestra members, and a full score for the conductor, who leads the orchestra in the accompaniment of the soloist. Depending on the era in which a piano concerto was composed, the orchestra parts may provide a fairly subordinate accompaniment role, setting out the bassline and chord progression over which the piano plays solo parts (more typical during the Baroque music era, from 1600 to 1750 and the Classical period, from 1730 to 1800), or the orchestra may be given an almost equal ro ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Anton Arensky
Anton Stepanovich Arensky (russian: Анто́н Степа́нович Аре́нский; – ) was a Russian composer of Romantic classical music, a pianist and a professor of music. Biography Arensky was born into an affluent, music-loving family in Novgorod, Russia. He was musically precocious and had composed a number of songs and piano pieces by the age of nine. With his mother and father, he moved to Saint Petersburg in 1879, after which he studied composition at the Saint Petersburg Conservatory with Nikolai Rimsky-Korsakov. After graduating from the Saint Petersburg Conservatory in 1882, Arensky became a professor at the Moscow Conservatory. Among his students there were Alexander Scriabin, Sergei Rachmaninoff, and Alexander Gretchaninov. In 1895, Arensky returned to Saint Petersburg as the director of the Imperial Choir, a post for which he had been recommended by Mily Balakirev. He retired from this position in 1901, living off a comfortable pension and spending hi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Eyvind Alnæs
Eyvind Alnæs (29 April 1872 – 24 December 1932) was a Norwegian composer, pianist, organist and choir director. Personal life Alnæs was born in Fredrikstad, as the son of headmaster Johannes Jørgen Lauritz Alnæs (1835–1916) and Elise Martine Hansen (1851–1931). He married Emilie Thorne (1882–1976) in 1903. He was the father of author Lise Børsum, and grandfather of novelist Finn Alnæs and artist Bente Børsum. Career In 1888 he was enrolled at the Music and Organist School in Oslo (''Musikkonservatoriet i Oslo''). Alnæs studied piano with Westye Waaler, organ with Peter Brynie Lindeman as well as harmony, counterpoint and composition with Iver Holter. In April 1892, after Alnæs had finished his studies in Oslo, he studied in Leipzig with Carl Reinecke and, after the première of his first symphony in 1896, in Berlin with Julius Ruthardt. For many years he played the organ in several churches and conducted choirs. During the years 1895-1907 he was organi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Peter Allen (composer)
Peter Allen (born 18 February 1952) is a Canadian composer, organist, and keyboard player. An associate of the Canadian Music Centre and a member of the Canadian League of Composers, his compositions encompass a broad repertoire from film scores and commercial jingles to sacred music and avant-garde electroacoustic music. He has composed numerous works for CBC Radio and CBC Television. Education and career Born in Ottawa, Ontario, Allen was a pupil of Boyd McDonald and Robert Turner at the University of Manitoba where he earned a Bachelor of Music degree in 1975. Between 1976 and 1977 he pursued graduate studies at McGill University where his teachers included Bengt Hambraeus, Alcides Lanza, and Bruce Mather. During the 1970s he was a founding member of the contemporary concert series IZ Music, along with three other Manitoba composers; Bruce Carlson, William Pura and James Hiscott. Their concerts were regularly recorded by the CBC and broadcast on Two New Hours, CBC Rad ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
