|
Legitimate Theatre
Legitimate theatre is live performance that relies almost entirely on diegetic elements, with actors performing through speech and natural movement.Joyce M. Hawkins and Robert Allen, eds. "Legitimate" entry. ''The Oxford Encyclopedic English Dictionary.'' Oxford University Press, 1991. pp. 820-821. "''—adj.'' 5. constituting or relating to serious drama (including both comedy and tragedy) as distinct from musical comedy, farce, revue, etc. The term arose in the 18th c. ... It covered plays dependent entirely on acting with little or no singing, dancing or spectacle."Mark Hodin. "The Disavowal of Ethnicity: Legitimate Theatre and the Social Construction of Literary Value in Turn-of-the-Century America." ''Theatre Journal.'' 52.2: May 2000. p. 212. "The expression ''legitimate theatre''...became vernacular within heturn-of-the- 0thcentury amusement market. The legitimate prefix confirmed the fact that conventional stage plays no longer monopolized the definition of legitimate the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Diegetic
Diegesis (; from the Greek from , "to narrate") is a style of fiction storytelling that presents an interior view of a world in which: # Details about the world itself and the experiences of its characters are revealed explicitly through narrative. # The story is told or recounted, as opposed to shown or enacted. # There is a presumed detachment from the story of both the speaker and the audience. In diegesis, the narrator ''tells'' the story. The narrator presents the actions (and sometimes thoughts) of the characters to the readers or audience. In a rather different usage, diegetic elements are part of the fictional world ("part of the story"), as opposed to non-diegetic elements which are stylistic elements of how the narrator tells the story ("part of the storytelling"). Diegesis and mimesis according to the Greeks ''Diegesis'' (Greek διήγησις "narration") and ''mimesis'' (Greek μίμησις "imitation") have been contrasted since Plato's and Aristotle's times ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Pantomime
Pantomime (; informally panto) is a type of musical comedy stage production designed for family entertainment. It was developed in England and is performed throughout the United Kingdom, Ireland and (to a lesser extent) in other English-speaking countries, especially during the Christmas and New Year season. Modern pantomime includes songs, gags, slapstick comedy and dancing. It employs gender-crossing actors and combines topical humour with a story more or less based on a well-known fairy tale, fable or folk tale.Reid-Walsh, Jacqueline. "Pantomime", ''The Oxford Encyclopedia of Children's Literature'', Jack Zipes (ed.), Oxford University Press (2006), Pantomime is a participatory form of theatre, in which the audience is encouraged and expected to sing along with certain parts of the music and shout out phrases to the performers. Pantomime has a long theatrical history in Western culture dating back to the era of classical theatre. It developed partly from the 16th century ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Royal Court Theatre
The Royal Court Theatre, at different times known as the Court Theatre, the New Chelsea Theatre, and the Belgravia Theatre, is a non-commercial West End theatre in Sloane Square, in the Royal Borough of Kensington and Chelsea, London, England. In 1956 it was acquired by and remains the home of the English Stage Company, which is known for its contributions to contemporary theatre and won the Europe Prize Theatrical Realities in 1999. History The first theatre The first theatre on Lower George Street, off Sloane Square, was the converted Nonconformist Ranelagh Chapel, opened as a theatre in 1870 under the name The New Chelsea Theatre. Marie Litton became its manager in 1871, hiring Walter Emden to remodel the interior, and it was renamed the Court Theatre. Several of W. S. Gilbert's early plays were staged here, including ''Randall's Thumb'', ''Creatures of Impulse'' (with music by Alberto Randegger), ''Great Expectations'' (adapted from the Dickens novel), and ''On G ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Saved (play)
''Saved'' is a play by Edward Bond which premiered at the Royal Court Theatre, London, in November 1965. The play itself is set in London during the 1960s. Its subject is the cultural poverty and frustration of a generation of young people on the dole and living on council estates. In response to the censorship of the play, Laurence Olivier wrote a letter to ''The Observer'', saying that: "''Saved'' is not a play for children but it is for grown-ups, and the grown-ups of this country should have the courage to look at it." U.S. novelist Mary McCarthy praised its "remarkable delicacy". ''Saved'' was originally refused a licence without severe cuts by the Lord Chamberlain. When it was performed to large private audiences, the Lord Chamberlain decided to prosecute those who were involved in the production of the play. Although the defendants pleaded guilty and were fined, the case reflected badly on the censorship office and was pivotal in the abolition of theatre censorship a f ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Edward Bond
Edward Bond (born 18 July 1934) is an English playwright, theatre director, poet, theorist and screenwriter. He is the author of some fifty plays, among them ''Saved (play), Saved'' (1965), the production of which was instrumental in the abolition of Theatre censorship, theatre censorship in the UK. Other well-received works include ''Narrow Road to the Deep North'' (1968), Lear (play), ''Lear'' (1971), The Sea (play), ''The Sea'' (1973), The Fool (play), ''The Fool'' (1975), Restoration (play), ''Restoration'' (1981), and the The War Plays, ''War'' trilogy (1985). Bond is broadly considered among the major living dramatists but he has always been and remains highly controversial because of the violence shown in his plays, the radicalism of his statements about modern theatre and society, and his theories on drama. Early life Edward Bond was born on 18 July 1934 into a lower-working-class family in Holloway, London, Holloway, North London. As a child during World War II he was ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Club Theatre
Club may refer to: Arts, entertainment, and media * ''Club'' (magazine) * Club, a '' Yie Ar Kung-Fu'' character * Clubs (suit), a suit of playing cards * Club music * "Club", by Kelsea Ballerini from the album ''kelsea'' Brands and enterprises * Club (cigarette), a Scottish brand of cigarettes * Club (German cigarette), a German brand of cigarettes * Club Med, a holiday company Food * Club (soft drink) * Club Crackers * Club sandwich * Club (biscuit), a brand of biscuits manufactured by Jacob's (Ireland) and McVitie's (UK) Objects * Club (weapon), a blunt-force weapon * Golf club * Indian club, an exercise device * Juggling club * Throwing club, an item of sport equipment used in the club throw * Throwing club, an alternative name for a throwing stick Organizations * Club (organization), a type of association * Book discussion club, also called a book club or reading circle * Book sales club, a marketing mechanism * Cabaret club * Gentlemen's club (traditional) * Heal ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Public House
A pub (short for public house) is a kind of drinking establishment which is licensed to serve alcoholic drinks for consumption on the premises. The term ''public house'' first appeared in the United Kingdom in late 17th century, and was used to differentiate private houses from those which were, quite literally, open to the public as "alehouses", " taverns" and " inns". By Georgian times, the term had become common parlance, although taverns, as a distinct establishment, had largely ceased to exist by the beginning of the 19th century. Today, there is no strict definition, but CAMRA states a pub has four characteristics:GLA Economics, Closing time: London's public houses, 2017 # is open to the public without membership or residency # serves draught beer or cider without requiring food be consumed # has at least one indoor area not laid out for meals # allows drinks to be bought at a bar (i.e., not only table service) The history of pubs can be traced to Roman taverns ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Local Authority
Local government is a generic term for the lowest tiers of public administration within a particular sovereign state. This particular usage of the word government refers specifically to a level of administration that is both geographically-localised and has limited powers. While in some countries, "government" is normally reserved purely for a national administration (government) (which may be known as a central government or federal government), the term local government is always used specifically in contrast to national government – as well as, in many cases, the activities of sub-national, first-level administrative divisions (which are generally known by names such as cantons, provinces, states, oblasts, or regions). Local governments generally act only within powers specifically delegated to them by law and/or directives of a higher level of government. In federal states, local government generally comprises a third or fourth tier of government, whereas in unitary s ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Theatres Act 1843
The Theatres Act 1843 (6 & 7 Vict., c. 68) (also known as the Theatre Regulation Act) is a defunct Act of Parliament in the United Kingdom. It amended the regime established under the Licensing Act 1737 for the licensing of the theatre in Great Britain, implementing the proposals made by a select committee of the House of Commons in 1832. Under the Licensing Act 1737 (10 Geo.II, c. 28), the Lord Chamberlain was granted the ability to vet the performance of any new plays: he could prevent any new play, or any modification to an existing play, from being performed for any reason, and was not required to justify his decision. New plays were required to be submitted to the Lord Chamberlain for a licence before they could be performed, and theatre owners could be prosecuted for staging a play (or part of a play) that had not received prior approval. A licence, once granted, could be also withdrawn. The Licensing Act 1737 also limited spoken drama to the patent theatres, originally on ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Extravaganza
An extravaganza is a literary or musical work (often musical theatre) usually containing elements of burlesque, pantomime, music hall and parody in a spectacular production and characterized by freedom of style and structure. It sometimes also has elements of cabaret, circus, revue, variety, vaudeville and mime. ''Extravaganza'' may more broadly refer to an elaborate, spectacular, and expensive theatrical production. 19th-century British dramatist, James Planché, was known for his extravaganzas. Planché defined the genre as "the whimsical treatment of a poetical subject."Planché. ''The recollections and reflections of J.R. Planché (Somerset herald): a professional biography'' (1872), Vol. II, p. 43 The term is derived from the Italian word ''stravaganza'', meaning extravagance. See also * Spectacle *Victorian burlesque Victorian burlesque, sometimes known as travesty or extravaganza, is a genre of theatrical entertainment that was popular in Victorian England an ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Burletta
In theater and music history, a burletta (Italian, meaning "little joke", sometimes burla or burlettina) is a brief comic opera. In eighteenth-century Italy, a burletta was the comic intermezzo between the acts of an ''opera seria''. The extended work Pergolesi's ''La serva padrona'' was also designated a "burletta" at its London premiere in 1758. In England, the term began to be used, in contrast to burlesque, for works that satirized opera but did not employ musical parody. Burlettas in English began to appear in the 1760s, the earliest identified as such being '' Midas'' by Kane O'Hara, first performed privately in 1760 near Belfast, and produced at Covent Garden in 1764. The form became debased when the term ''burletta'' began to be used for English comic or ballad operas, as a way of evading the monopoly on "legitimate drama" in London belonging to Covent Garden and Drury Lane. After the passage of the Theatres Act of 1843, which repealed crucial regulations of the Licen ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Victorian Burlesque
Victorian burlesque, sometimes known as travesty or extravaganza, is a genre of theatrical entertainment that was popular in Victorian England and in the New York theatre of the mid-19th century. It is a form of parody in which a well-known opera or piece of classical theatre or ballet is adapted into a broad comic play, usually a musical play, usually risqué in style, mocking the theatrical and musical conventions and styles of the original work, and often quoting or pastiching text or music from the original work. Victorian burlesque is one of several forms of burlesque. Like ballad opera, burlesques featured musical scores drawing on a wide range of music, from popular contemporary songs to operatic arias, although later burlesques, from the 1880s, sometimes featured original scores. Dance played an important part, and great attention was paid to the staging, costumes and other spectacular elements of stagecraft, as many of the pieces were staged as extravaganzas. Many of ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
