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Le Roi Carotte
''Le roi Carotte'' (''King Carrot'') is a 4-act opéra- bouffe- féerie with music by Jacques Offenbach and libretto by Victorien Sardou, after E. T. A. Hoffmann. The libretto, written before the French defeat in the Franco-Prussian War, lampooned Bonapartists, monarchists and republicans. Staging the piece required elaborate costumes and grand spectacle, including a wide range of locations and numerous scene changes. Performance history The opera premiered at the Théâtre de la Gaîté on 15 January 1872. The first run lasted 195 performances, making a daily profit of 3,000 francs, and introducing Anna Judic in a principal operetta role. The work was seen in London in 1872 and Vienna in 1876. The U.S. premiere of ''Le roi Carotte'' took place in New York on 26 August 1872. The ''New York Times'' said that "the music is to be given with additions and alterations made for this country by Offenbach himself". Its run lasted until late autumn. After small-scale performances by ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jacques Offenbach By Nadar
Ancient and noble French family names, Jacques, Jacq, or James are believed to originate from the Middle Ages in the historic northwest Brittany region in France, and have since spread around the world over the centuries. To date, there are over one hundred identified noble families related to the surname by the Nobility & Gentry of Great Britain & Ireland. Origins The origin of this surname ultimately originates from the Latin, Jacobus which belongs to an unknown progenitor. Jacobus comes from the Hebrew name, Yaakov, which translates as "one who follows" or "to follow after". Ancient history A French knight returning from the Crusades in the Holy Land, Holy Lands probably adopted the surname from "Saint Jacques" (or "James the Greater"). James the Greater was one of Jesus' Twelve Apostles, and is believed to be the first martyred apostle. Being endowed with this surname was an honor at the time and it is likely that the Church allowed it because of acts during the Crusad ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Henri Meyer - Affiche Le Roi Carotte - 1892
Henri is an Estonian, Finnish, French, German and Luxembourgish form of the masculine given name Henry. People with this given name ; French noblemen :'' See the 'List of rulers named Henry' for Kings of France named Henri.'' * Henri I de Montmorency (1534–1614), Marshal and Constable of France * Henri I, Duke of Nemours (1572–1632), the son of Jacques of Savoy and Anna d'Este * Henri II, Duke of Nemours (1625–1659), the seventh Duc de Nemours * Henri, Count of Harcourt (1601–1666), French nobleman * Henri, Dauphin of Viennois (1296–1349), bishop of Metz * Henri de Gondi (other) * Henri de La Tour d'Auvergne, Duke of Bouillon (1555–1623), member of the powerful House of La Tour d'Auvergne * Henri Emmanuel Boileau, baron de Castelnau (1857–1923), French mountain climber * Henri, Grand Duke of Luxembourg (born 1955), the head of state of Luxembourg * Henri de Massue, Earl of Galway, French Huguenot soldier and diplomat, one of the principal commanders of Ba ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Costume Design For The Ballet Of Insects," Le Roi Carotte", Offenbach
Costume is the distinctive style of dress or cosmetic of an individual or group that reflects class, gender, profession, ethnicity, nationality, activity or epoch. In short costume is a cultural visual of the people. The term also was traditionally used to describe typical appropriate clothing for certain activities, such as riding costume, swimming costume, dance costume, and evening costume. Appropriate and acceptable costume is subject to changes in fashion and local cultural norms. This general usage has gradually been replaced by the terms "dress", "attire", "robes" or "wear" and usage of "costume" has become more limited to unusual or out-of-date clothing and to attire intended to evoke a change in identity, such as theatrical, Halloween, and mascot costumes. Before the advent of ready-to-wear apparel, clothing was made by hand. When made for commercial sale it was made, as late as the beginning of the 20th century, by "costumiers", often women who ran businesses that ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Moravia
Moravia ( , also , ; cs, Morava ; german: link=yes, Mähren ; pl, Morawy ; szl, Morawa; la, Moravia) is a historical region in the east of the Czech Republic and one of three historical Czech lands, with Bohemia and Czech Silesia. The medieval and early modern Margraviate of Moravia was a crown land of the Lands of the Bohemian Crown from 1348 to 1918, an imperial state of the Holy Roman Empire from 1004 to 1806, a crown land of the Austrian Empire from 1804 to 1867, and a part of Austria-Hungary from 1867 to 1918. Moravia was one of the five lands of Czechoslovakia founded in 1918. In 1928 it was merged with Czech Silesia, and then dissolved in 1949 during the abolition of the land system following the communist coup d'état. Its area of 22,623.41 km2 is home to more than 3 million people. The people are historically named Moravians, a subgroup of Czechs, the other group being called Bohemians. Moravia also had been home of a large German-speaking popu ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Paladin
The Paladins, also called the Twelve Peers, are twelve legendary knights, the foremost members of Charlemagne's court in the 8th century. They first appear in the medieval (12th century) ''chanson de geste'' cycle of the Matter of France, where they play a similar role to the Knights of the Round Table in Arthurian romance."Paladin" From the ''''. Retrieved November 23, 2008. In these romantic portrayals, the |
Brasserie
In France, Flanders, and the Francophone world, a brasserie () is a type of French restaurant with a relaxed setting, which serves single dishes and other meals. The word ''brasserie'' is also French for "brewery" and, by extension, "the brewing business". A brasserie can be expected to have professional service, printed menus, and, traditionally, white linen—unlike a bistro which may have none of these. Typically, a brasserie is open Wednesday to Sunday and serves the same menu all day. A classic example of a brasserie dish is steak frites. Etymology The term ''brasserie'' is French for "brewery", from Middle French ''brasser'' "to brew", from Old French ''bracier'', from Vulgar Latin ''braciare'', of Celtic origin. Its first usage in English was in 1864. The origin of the word probably stems from the fact that beer was brewed on the premises rather than brought in: thus an inn would brew its own beer as well as supply food and invariably accommodation too. In 1901 ''C ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Draner - Costume Du Roi Carotte - 1872
Draner, actually Jules Joseph Georges Renard (12 November 1833 in Liège – 1926 in Paris), was a Belgian painter, Illustrator and cartoonist. Draner, who began working as an illustrator for renowned newspapers in 1861 and resided in Paris, created late costumes for a variety of renowned theaters and opera houses. He is also considered to be an early Belgian comics artist. Biography Life Jules Renard was born in 1833 in Liège, the son of a printer and bookseller who printed in 1850 the ''Almanac of Mathieu Lansberg.'' Later he formed his name "Draner" as an anagram of his surname Renard, a name that he used all his life in all his drawings, although he was also known as "Paf". After leaving school, he worked as secretary in the administration of the ''Société des Mines et de Zinc de la Vieille Fonderies-Montagne'', an enterprise of the zinc industry in his home town. As an autodidact, he began drawing and creating his first caricatures on motives that he found in the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Pierre Grivot
Pierre-Antonin-François Grivot (1834 (or possibly 1836) in Paris – 1912) was a French singer and actor who enjoyed a long career in Paris, in both operetta and opéra comique. His wife was the actress and singer Laurence Grivot. Life and career He made his stage debut at the Théâtre Molière before entering the Théâtre Montmartre and Théâtre des Batignolles. At the Théâtre des Délassements-Comiques he appeared in 1862 in ''La reine Crinoline''.La Roque A. ''Acteurs & Actrices de Paris.'' 33 Édition, 4 Serie. Paris, 1899. Appearing at the Théâtre du Vaudeville, he sang in ''La chercheuse d'esprit'' by Charles-Simon Favart where he met his future wife. After touring for two years, Grivot joined the Théâtre de la Gaîté in 1869, helping it through the crisis of the Paris Commune, and spent a season in Cairo with his wife. Returning to France they both were engaged by Offenbach for operettas : at the Théâtre de la Renaissance and again at the Gaîté, wi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bass (vocal Range)
A bass is a type of classical male singing voice and has the lowest vocal range of all voice types. According to '' The New Grove Dictionary of Opera'', a bass is typically classified as having a vocal range extending from around the second E below middle C to the E above middle C (i.e., E2–E4).; ''The Oxford Dictionary of Music'' gives E2–E4/F4 Its tessitura, or comfortable range, is normally defined by the outermost lines of the bass clef. Categories of bass voices vary according to national style and classification system. Italians favour subdividing basses into the ''basso cantante'' (singing bass), ''basso buffo'' ("funny" bass), or the dramatic ''basso profondo'' (low bass). The American system identifies the bass-baritone, comic bass, lyric bass, and dramatic bass. The German '' Fach'' system offers further distinctions: Spielbass (Bassbuffo), Schwerer Spielbass (Schwerer Bassbuffo), Charakterbass (Bassbariton), and Seriöser Bass. These classification systems ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jacqueline Seveste
Jacqueline Angélique Julie Laure Seveste called Madame Normand (7 August 1844 – 13 December 1927) was a 19th-century French opera singer. Biography Born in Montmartre, the daughter of Jules Seveste and sister of . Seveste was raised at the Maison d'éducation de la Légion d'honneur where she graduated as a teacher (1862). She entered the Conservatoire de Paris in 1865 and made her debut at the Opéra-Comique in September 1866 as mezzo-soprano. In 1871, she performed in Cairo then sang at the Théâtre de la Gaîté in ''Le Roi Carotte'' (1872) before being engaged in January 1875 at the Royal Theater of The Hague where she obtained great success in the main roles of operas and opéras comiques. She also toured around the provinces and performed at the casino of Vichy and in Moulins to help the flooded. In 1875-1876, she entered the Theatre of Montpellier. On 25 June 1888, she married . After the death of her husband in 1896, she founded and financed at her home on 12 ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Zulma Bouffar
Zulma Madeleine Boufflar, known as Zulma Bouffar, (24 May 1841 – 20 January 1909), was a French actress and soprano singer, associated with the opéra-bouffe of Paris in the second half of the 19th century who enjoyed a successful career around Europe. Life and career At the age of six, Bouffar appeared in ''La fille bien gardée'' in Marseille, and followed this with successful performances in Lyon. Her father then toured with her around western Europe and Scandinavia. After her father’s death in 1854 she continued travelling, bringing into her repertoire some of the contemporary songs of Offenbach, who heard her sing in Hamburg in 1864. The same year Bouffar appeared at Bad Ems in Offenbach's ''Lischen et Fritzchen'', and repeated her success in Paris.Gänzl K. ''The Encyclopaedia of the Musical Theatre.'' Blackwell, Oxford, 1994. From this time for about 12 years Bouffar was probably Offenbach's mistress – his longest extra-marital liaison. She created Nani in '' L ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Mezzo-soprano
A mezzo-soprano or mezzo (; ; meaning "half soprano") is a type of classical female singing voice whose vocal range lies between the soprano and the contralto voice types. The mezzo-soprano's vocal range usually extends from the A below middle C to the A two octaves above (i.e. A3–A5 in scientific pitch notation, where middle C = C4; 220–880 Hz). In the lower and upper extremes, some mezzo-sopranos may extend down to the F below middle C (F3, 175 Hz) and as high as "high C" (C6, 1047 Hz). The mezzo-soprano voice type is generally divided into the coloratura, lyric, and dramatic mezzo-soprano. History While mezzo-sopranos typically sing secondary roles in operas, notable exceptions include the title role in Bizet's '' Carmen'', Angelina ( Cinderella) in Rossini's '' La Cenerentola'', and Rosina in Rossini's '' Barber of Seville'' (all of which are also sung by sopranos and contraltos). Many 19th-century French-language operas give the leading female role to mezzos, in ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
