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Le Bone Florence Of Rome
''Le Bone Florence of Rome'' is a medieval English chivalric romance.Carol Falvo Heffernan, ''Le Bone Florence of Rome'', p vii , Featuring the innocent persecuted heroine, it is subcategorized into the Crescentia cycle of romances because of two common traits: the heroine is accused by her brother-in-law after an attempted seduction, and the story ends with her fame as a healer bringing all her persecutors to her.Laura A. Hibbard, ''Medieval Romance in England'' p12 New York Burt Franklin,1963 Synopsis Florence, daughter of King Otes of Rome, rejects Garcy, the king of Constantinople, because of his age. Garcy attacks Rome, and Mylys and Emere, sons of the King of Hungary, comes to its aid. Emere and Florence fall in love and are betrothed, but in his absence, Mylys tries to seduce her, and she imprisons him, but frees him when his brother returns. He attacks her again in forest. She is brought to a refuge but another rebuffed suitor kills her host's daughter and frames Flor ...
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Chivalric Romance
As a literary genre, the chivalric romance is a type of prose and verse narrative that was popular in the noble courts of High Medieval and Early Modern Europe. They were fantastic stories about marvel-filled adventures, often of a chivalric knight-errant portrayed as having heroic qualities, who goes on a quest. It developed further from the epics as time went on; in particular, "the emphasis on love and courtly manners distinguishes it from the ''chanson de geste'' and other kinds of epic, in which masculine military heroism predominates." Popular literature also drew on themes of romance, but with ironic, satiric, or burlesque intent. Romances reworked legends, fairy tales, and history to suit the readers' and hearers' tastes, but by c. 1600 they were out of fashion, and Miguel de Cervantes famously burlesqued them in his novel '' Don Quixote''. Still, the modern image of "medieval" is more influenced by the romance than by any other medieval genre, and the word ''m ...
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Fairy Tale
A fairy tale (alternative names include fairytale, fairy story, magic tale, or wonder tale) is a short story that belongs to the folklore genre. Such stories typically feature magic, enchantments, and mythical or fanciful beings. In most cultures, there is no clear line separating myth from folk or fairy tale; all these together form the literature of preliterate societies. Fairy tales may be distinguished from other folk narratives such as legends (which generally involve belief in the veracity of the events described) and explicit moral tales, including beast fables. In less technical contexts, the term is also used to describe something blessed with unusual happiness, as in "fairy-tale ending" (a happy ending) or "fairy-tale romance". Colloquially, the term "fairy tale" or "fairy story" can also mean any far-fetched story or tall tale; it is used especially of any story that not only is not true, but could not possibly be true. Legends are perceived as real within their ...
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The Book Of The City Of Ladies
''The Book of the City of Ladies'' or ''Le Livre de la Cité des Dames'' (finished by 1405), is perhaps Christine de Pizan's most famous literary work, and it is her second work of lengthy prose. Pizan uses the vernacular French language to compose the book, but she often uses Latin-style syntax and conventions within her French prose. The book serves as her formal response to Jean de Meun's popular ''Roman de la Rose''. Pizan combats Meun's statements about women by creating an allegorical city of ladies. She defends women by collecting a wide array of famous women throughout history. These women are "housed" in the City of Ladies, which is actually the book. As Pizan builds her city, she uses each famous woman as a building block for not only the walls and houses of the city, but also as building blocks for her thesis. Each woman introduced to the city adds to Pizan's argument towards women as valued participants in society. She also advocates in favour of education for women. C ...
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Christine De Pizan
Christine de Pizan or Pisan (), born Cristina da Pizzano (September 1364 – c. 1430), was an Italian poet and court writer for King Charles VI of France and several French dukes. Christine de Pizan served as a court writer in medieval France after the death of her husband. Christine's patrons included dukes Louis I of Orleans, Philip the Bold of Burgundy, and his son John the Fearless. Considered to be some of the earliest feminist writings, her work includes novels, poetry, and biography, and she also penned literary, historical, philosophical, political, and religious reviews and analyses. Her best known works are ''The Book of the City of Ladies'' and '' The Treasure of the City of Ladies'', both written when she worked for John the Fearless of Burgundy. Her books of advice to princesses, princes, and knights remained in print until the 16th century. In recent decades, Christine's work has been returned to prominence by the efforts of scholars Charity Cannon Willard, Ear ...
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Vitae Duorum Offarum
The '' Vitae duorum Offarum'' "The lives of the two Offas" is a literary history written in the mid-thirteenth century, apparently by the St Albans monk Matthew Paris; however, the most recent editor and translator of the work rejects this attribution and argues for an earlier date, in the late twelfth century. The earliest editor, William Wats, argues that the texts are older than Matthew's day but were revised by him; he bases this view on stylistic elements, such as the inclusion in the first ''Vita'' of a quotation from Lucan (''Pharsalia'' I. 92–3) which also appears repeatedly in Matthew's '' Chronica maiora''. Account The text concerns two kings, King Offa of the Angles, a fourth or fifth-century ancestor figure of the Mercians, and King Offa of Mercia (r. 757-796), through whose lives the text recounts the foundation of St Alban's Abbey: Offa of Angel made the vow to found a monastery, while several centuries later, his namesake Offa of Mercia executed this plan on dis ...
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The Wife's Lament
"The Wife's Lament" or "The Wife's Complaint" is an Old English poem of 53 lines found on folio 115 of the Exeter Book and generally treated as an elegy in the manner of the German '' frauenlied'', or "women's song". The poem has been relatively well preserved and requires few if any emendations to enable an initial reading. Thematically, the poem is primarily concerned with the evocation of the grief of the female speaker and with the representation of her state of despair. The tribulations she suffers leading to her state of lamentation, however, are cryptically described and have been subject to many interpretations. Indeed, Professor Stephen Ramsay has said, "the 'correct' interpretation of "The Wife's Lament" is one of the more hotly debated subjects in medieval studies." Genre Though the description of the text as a woman's song or ''frauenlied''—lamenting for a lost or absent lover—is the dominant understanding of the poem, the text has nevertheless been subject to a ...
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Elizabeth Of Hungary
Elizabeth of Hungary (german: Heilige Elisabeth von Thüringen, hu, Árpád-házi Szent Erzsébet, sk, Svätá Alžbeta Uhorská; 7 July 1207 – 17 November 1231), also known as Saint Elizabeth of Thuringia, or Saint Elisabeth of Thuringia, was a princess of the Kingdom of Hungary and the landgravine of Thuringia in Germany. Elizabeth was married at the age of 14, and widowed at 20. After her husband's death, she regained her dowry, using the money to build a hospital where she herself served the sick. She became a symbol of Christian charity after her death at the age of 24 and was canonized on 25 May 1235. She is venerated as a saint by the Catholic Church. She was an early member of the Third Order of St. Francis, and is today honored as its patroness. Early life and marriage Elizabeth was the daughter of King Andrew II of Hungary and Gertrude of Merania. Her mother's sister was Hedwig of Andechs, wife of Duke Heinrich I of Silesia. Her ancestry included many notable fi ...
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The King Of Tars
''The King of Tars'' is a medieval English chivalric romance, an amplified version of the oldest variant found in the ''Reimchronik'', which is found in three manuscripts including the Auchinleck manuscript.Laura A. Hibbard, ''Medieval Romance in England'' p45 New York Burt Franklin,1963 It dates from c. 1330, or perhaps earlier. It contains many specific religious phrases, and is consistently religious in intent. In addition, ''The King of Tars'' exhibits attributes of other genres typical of the medieval period, including hagiography, political drama, and miracle tale. Synopsis The king of Tars refuses the proposal from the pagan king of Damas (Damascus) to marry the princess of Tars, but after the king of Damas wages war on the land of Tars, slaughtering numerous Christian knights, the princess agrees to marry him to prevent further conflict. The couple does not wed directly after the princess reaches the Sultan’s palace, however, since she has not yet converted to his pagan f ...
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Margaret Schlauch
Margaret Schlauch (September 25, 1898 – July 19, 1986) was a scholar of medieval studies at New York University and later, after she left the United States for political reasons in 1951, at the University of Warsaw, where she headed the departments of English and General Linguistics. Her work covered many topics but included focuses on Chaucer, Anglo-Saxon, and Old Norse literature. Early life and education Schlauch was born in Philadelphia; her father was a German-born professor of mathematics.Christine M. Rose, "Margaret Schlauch (1898–1986)", in ''Women Medievalists and the Academy'', ed. Jane Chance, Madison, Wisconsin / London: University of Wisconsin, 2005, , pp. 523–39, p. 526. She earned a bachelor's degree from Barnard College in 1918 and Master's and Ph.D. degrees from Columbia University in 1919 and 1927; in 1923–24, she studied at the University of Munich on a fellowship from the American Association of University Women. During her graduate studi ...
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Crescentia (romance)
''Crescentia'' is an Early Middle High German language chivalric romance, included in the '' Kaiserchronik'' about 1150. Other versions appeared in the thirteenth and fourteenth centuries, in prose and verse. Numerous romances, such as ''Le Bone Florence of Rome'', are classified as belonging to the "Crescentia cycle" because of the common plot; it is the oldest known variant of it.Laura A. Hibbard, ''Medieval Romance in England'' p. 12 New York Burt Franklin,1963 Romance Crescentia is approached by her brother-in-law, in her husband's absence, with offers of love. She tricks him into a tower imprisonment, but frees him out of joy at her husband's imminent return. He accuses her of adultery to his brother, and she is thrown in the Tiber by her husband and saved by St. Peter. She finds refuge in a court, where she rebuffs another lover, who frames for murder of her fosterling by a bloody dagger, and she is thrown in the water again. St. Peter grants her healing powers. Her p ...
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Gesta Romanorum
''Gesta Romanorum'', meaning ''Deeds of the Romans'' (a very misleading title), is a Latin collection of anecdotes and tales that was probably compiled about the end of the 13th century or the beginning of the 14th. It still possesses a two-fold literary interest, first as one of the most popular books of the time, and secondly as the source, directly or indirectly, of later literature, in Geoffrey Chaucer, John Gower, Giovanni Boccaccio, Thomas Hoccleve, William Shakespeare, and others. Of its authorship nothing certain is known. It is conjecture to associate it either with the name of Helinandus or with that of Petrus Berchorius (Pierre Bercheure). It is debated whether it originated in England, Germany or France. Content The work was evidently intended as a manual for preachers, and was probably written by one of the clerical profession. The name, ''Deeds of the Romans'', is only partially appropriate to the collection in its present form, since, besides the titles from Gree ...
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Stock Character
A stock character, also known as a character archetype, is a fictional character in a work of art such as a novel, play, or a film whom audiences recognize from frequent recurrences in a particular literary tradition. There is a wide range of stock characters, covering men and women of various ages, social classes and demeanors. They are archetypal characters distinguished by their simplification and flatness. As a result, they tend to be easy targets for parody and to be criticized as clichés. The presence of a particular array of stock characters is a key component of many genres, and they often help to identify a genre or subgenre. For example, a story with a knight-errant and a witch is probably a fairy tale or fantasy. There are several purposes to using stock characters. Stock characters are a time- and effort-saving shortcut for story creators, as authors can populate their tale with existing well-known character types. Another benefit is that stock characters help to ...
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