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La Nonne Sanglante
''La nonne sanglante'' (''The Bloody Nun''), is a five-act opera by Charles Gounod to a libretto by Eugène Scribe and Germain Delavigne. Written between 1852 and 1854, it was first produced on 18 October 1854 at the Salle Le Peletier by the Paris Opéra. It received 11 performances between October and November 1854. Its poor reception, in the midst of various crises, contributed to the overthrow of the Opéra director Nestor Roqueplan, who was replaced by his adversary François Crosnier. Crosnier immediately cancelled the run, saying that 'such filth' (''pareilles ordures'') would no longer be tolerated. Performance history Although the first run sold well, Gounod's opera disappeared completely for a very long time. After the unfortunate beginning, no other opera manager took the risk. One year later, British composer Edward James Loder presented his version of the subject, ''Raymond and Agnes''. This opera was first shown in Manchester and was brought to London in 1859. Loder ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Charles Gounod
Charles-François Gounod (; ; 17 June 181818 October 1893), usually known as Charles Gounod, was a French composer. He wrote twelve operas, of which the most popular has always been ''Faust (opera), Faust'' (1859); his ''Roméo et Juliette'' (1867) also remains in the international repertory. He composed a large amount of church music, many songs, and popular short pieces including his Ave Maria (Bach/Gounod), Ave Maria (an elaboration of a Johann Sebastian Bach, Bach piece), and ''Funeral March of a Marionette''. Born in Paris into an artistic and musical family Gounod was a student at the Conservatoire de Paris and won France's most prestigious musical prize, the Prix de Rome. His studies took him to Italy, Austria and then Prussia, where he met Felix Mendelssohn, whose advocacy of the music of Bach was an early influence on him. He was deeply religious, and after his return to Paris, he briefly considered becoming a priest. He composed prolifically, writing church music, songs ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Narcisse Girard
Narcisse Girard (28 January 179716 January 1860) was a French violinist, conductor and composer.Walsh TJ. ''Second Empire Opera – The Théâtre-Lyrique Paris 1851-1870.'' John Calder Ltd, London, 1981. Life Girard was born in Nantes. A pupil of Pierre Baillot (violin, winning first prize in 1820), and Anton Reicha (counterpoint) at the Conservatoire, after completing his studies there he went to Italy for a year to further his training.Dandelot A. ''La Société des Concerts du Conservatoire 1828-1897, 5th edition.'' G Havard Fils, Paris, 1898. After conducting orchestras at the Hotel de Ville, Girard became the conductor of the Opéra Italien from 1830 to 1832. He was chief conductor at the Opéra Comique from 1837 to 1846, then moving to the Paris Opéra, where he conducted the premieres of ''Le prophète'' and '' Sapho''. On 30 October 1849 Girard conducted Mozart's ''Requiem'' as part of the funeral service for Frédéric Chopin. From 18 October 1848 to 17 January 1860 ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Gothic Novel
Gothic fiction, sometimes called Gothic horror in the 20th century, is a loose literary aesthetic of fear and haunting. The name is a reference to Gothic architecture of the European Middle Ages, which was characteristic of the settings of early Gothic novels. The first work to call itself Gothic was Horace Walpole's 1764 novel ''The Castle of Otranto'', later subtitled "A Gothic Story". Subsequent 18th century contributors included Clara Reeve, Ann Radcliffe, William Thomas Beckford, and Matthew Lewis. The Gothic influence continued into the early 19th century, works by the Romantic poets, and novelists such as Mary Shelley, Charles Maturin, Walter Scott and E. T. A. Hoffmann frequently drew upon gothic motifs in their works. The early Victorian period continued the use of gothic, in novels by Charles Dickens and the Brontë sisters, as well as works by the American writers Edgar Allan Poe and Nathaniel Hawthorne. Later prominent works were ''Dracula'' by Bram Stoker ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bohemia
Bohemia ( ; cs, Čechy ; ; hsb, Čěska; szl, Czechy) is the westernmost and largest historical region of the Czech Republic. Bohemia can also refer to a wider area consisting of the historical Lands of the Bohemian Crown ruled by the Bohemian kings, including Moravia and Czech Silesia, in which case the smaller region is referred to as Bohemia proper as a means of distinction. Bohemia was a duchy of Great Moravia, later an independent principality, a kingdom in the Holy Roman Empire, and subsequently a part of the Habsburg monarchy and the Austrian Empire. After World War I and the establishment of an independent Czechoslovak state, the whole of Bohemia became a part of Czechoslovakia, defying claims of the German-speaking inhabitants that regions with German-speaking majority should be included in the Republic of German-Austria. Between 1938 and 1945, these border regions were joined to Nazi Germany as the Sudetenland. The remainder of Czech territory became the Seco ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Mezzo-soprano
A mezzo-soprano or mezzo (; ; meaning "half soprano") is a type of classical female singing voice whose vocal range lies between the soprano and the contralto voice types. The mezzo-soprano's vocal range usually extends from the A below middle C to the A two octaves above (i.e. A3–A5 in scientific pitch notation, where middle C = C4; 220–880 Hz). In the lower and upper extremes, some mezzo-sopranos may extend down to the F below middle C (F3, 175 Hz) and as high as "high C" (C6, 1047 Hz). The mezzo-soprano voice type is generally divided into the coloratura, lyric, and dramatic mezzo-soprano. History While mezzo-sopranos typically sing secondary roles in operas, notable exceptions include the title role in Bizet's '' Carmen'', Angelina ( Cinderella) in Rossini's '' La Cenerentola'', and Rosina in Rossini's '' Barber of Seville'' (all of which are also sung by sopranos and contraltos). Many 19th-century French-language operas give the leading female role to mezzos, in ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Anne Poinsot
Anne, alternatively spelled Ann, is a form of the Latin female given name Anna. This in turn is a representation of the Hebrew Hannah, which means 'favour' or 'grace'. Related names include Annie. Anne is sometimes used as a male name in the Netherlands, particularly in the Frisian speaking part (for example, author Anne de Vries). In this incarnation, it is related to Germanic arn-names and means 'eagle'.See entry on "Anne" in th''Behind the Name'' databaseand th"Anne"an"Ane"entries (in Dutch) in the Nederlandse Voornamenbank (Dutch First Names Database) of the Meertens Instituut (23 October 2018). It has also been used for males in France ( Anne de Montmorency) and Scotland (Lord Anne Hamilton). Anne is a common name and the following lists represent a small selection. For a comprehensive list, see instead: . As a feminine name Anne * Saint Anne, Mother of the Virgin Mary * Anne, Queen of Great Britain (1665–1714), Queen of England, Scotland, and Ireland (1702–07) ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Soprano
A soprano () is a type of classical female singing voice and has the highest vocal range of all voice types. The soprano's vocal range (using scientific pitch notation) is from approximately middle C (C4) = 261 Hz to "high A" (A5) = 880 Hz in choral music, or to "soprano C" (C6, two octaves above middle C) = 1046 Hz or higher in operatic music. In four-part chorale style harmony, the soprano takes the highest part, which often encompasses the melody. The soprano voice type is generally divided into the coloratura, soubrette, lyric, spinto, and dramatic soprano. Etymology The word "soprano" comes from the Italian word '' sopra'' (above, over, on top of),"Soprano" '' |
Louis Guéymard
Louis Guéymard (17 August 1822 – July 1880) was a French operatic tenor. Born in Chaponnay, his parents were farmers and he worked on his family's farm until the age of 19. He then received voice training at the Opéra National de Lyon. He made his opera debut there in 1845 and then pursued further voice studies at the Conservatoire de Paris from 1846–1848. Biography In 1848 Guéymard became a leading tenor at the Paris Opera where he sang until 1868. He created roles in several world premieres with that company, including Philippe d'Autriche in Louis Clapisson's ''Jeanne la folle'' (1848), Jonas in Giacomo Meyerbeer's ''Le prophète'' (1849), Phaon in Charles Gounod's '' Sapho'' (1851), Rodolphe in Armand Limnander's ''Le maître chanteur'' (1853), Rodolphe in Gounod's ''La nonne sanglante'' (1854), Henri in Giuseppe Verdi's ''Les vêpres siciliennes'' (1855), Fromental Halévy's ''La magicienne'' (1858), Julien de Médicis in Józef Michał Poniatowski's ''Pierre de Mé ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tenor
A tenor is a type of classical male singing voice whose vocal range lies between the countertenor and baritone voice types. It is the highest male chest voice type. The tenor's vocal range extends up to C5. The low extreme for tenors is widely defined to be B2, though some roles include an A2 (two As below middle C). At the highest extreme, some tenors can sing up to the second F above middle C (F5). The tenor voice type is generally divided into the ''leggero'' tenor, lyric tenor, spinto tenor, dramatic tenor, heldentenor, and tenor buffo or . History The name "tenor" derives from the Latin word '' tenere'', which means "to hold". As Fallows, Jander, Forbes, Steane, Harris and Waldman note in the "Tenor" article at ''Grove Music Online'': In polyphony between about 1250 and 1500, the enor was thestructurally fundamental (or 'holding') voice, vocal or instrumental; by the 15th century it came to signify the male voice that sang such parts. All other voices were normal ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Peter The Hermit
Peter the Hermit ( 1050 – 8 July 1115 or 1131), also known as Little Peter, Peter of Amiens ( fr. ''Pierre d'Amiens'') or Peter of Achères ( fr. ''Pierre d'Achères''), was a Roman Catholic priest of Amiens and a key figure during the military expedition from France to Jerusalem, known as the People's Crusade and the First Crusade and the murdering of Jews on the way, the Rhineland massacres. He is by some called Blessed Peter the Hermit, though he has not been beatified in the Catholic Church. Family He is called Pierre l'Ermite in French. The structure of this name in French unlike in English has led some francophone scholars to treat l'Ermite as a surname rather than a title. According to some authors, he was born around 1050 and was the son of Renauld L'Ermite of Auvergne, and his wife Alide Montaigu, de Picardie. Others claim he was a member of the ''L'Hermite'' family of Auvergne in the Netherlands. These claims are disputed by other authors, who argue that nothing can ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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