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La Forza Del Destino
' (; ''The Power of Fate'', often translated ''The Force of Destiny'') is an Italian opera by Giuseppe Verdi. The libretto was written by Francesco Maria Piave based on a Spanish drama, ' (1835), by Ángel de Saavedra, 3rd Duke of Rivas, with a scene adapted from Friedrich Schiller's ''Wallenstein (trilogy of plays)#Wallenstein's Camp, Wallensteins Lager'' (''Wallenstein's Camp''). It was first performed in the Bolshoi Kamenny Theatre of Saint Petersburg, Russia, on 29 November 1862 Old Style and New Style dates, O.S. (N.S. 10 November). ' is frequently performed, and there have been a number of complete recordings. In addition, the overture (to the revised version of the opera) is part of the standard Musical repertoire, repertoire for orchestras, often played as the opening piece at concerts. Performance history Revisions After its premiere in Russia, ''La forza'' underwent some revisions and made its debut abroad with performances in Rome in 1863 under the title ' ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Giuseppe Verdi
Giuseppe Fortunino Francesco Verdi (; 9 or 10 October 1813 – 27 January 1901) was an Italian composer best known for his operas. He was born near Busseto to a provincial family of moderate means, receiving a musical education with the help of a local patron. Verdi came to dominate the Italian opera scene after the era of Gioachino Rossini, Gaetano Donizetti, and Vincenzo Bellini, whose works significantly influenced him. In his early operas, Verdi demonstrated a sympathy with the Risorgimento movement which sought the unification of Italy. He also participated briefly as an elected politician. The chorus "Va, pensiero" from his early opera ''Nabucco'' (1842), and similar choruses in later operas, were much in the spirit of the unification movement, and the composer himself became esteemed as a representative of these ideals. An intensely private person, Verdi did not seek to ingratiate himself with popular movements. As he became professionally successful, he was able to ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Antonio Ghislanzoni
Antonio Ghislanzoni (; 25 November 1824 – 16 July 1893) was an Italian journalist, poet, and novelist who wrote librettos for Verdi, among other composers, of which the best known are '' Aida'' and the revised version of '' La forza del destino''. Life and career Ghislanzoni was born in Lecco, Lombardy, and studied briefly in a seminary, but was expelled for bad conduct in 1841. He then decided to study medicine in Pavia, but abandoned this after a short time to pursue a singing career as a baritone and to cultivate his literary interests. In 1848, stimulated by the nationalist ideas of Mazzini, Ghislanzoni founded several republican newspapers in Milan but eventually had to take refuge in Switzerland. While travelling to Rome, where he wanted to help defend the nascent republic, Ghislanzoni was arrested by the French and briefly detained in Corsica. In the mid-1850s, having forsaken the stage, Ghislanzoni became active in journalism in the bohemian circles of Milan, s ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Baritone
A baritone is a type of classical male singing voice whose vocal range lies between the bass and the tenor voice-types. The term originates from the Greek (), meaning "heavy sounding". Composers typically write music for this voice in the range from the second F below middle C to the F above middle C (i.e. F2–F4) in choral music, and from the second A below middle C to the A above middle C (A2 to A4) in operatic music, but the range can extend at either end. Subtypes of baritone include the baryton-Martin baritone (light baritone), lyric baritone, ''Kavalierbariton'', Verdi baritone, dramatic baritone, ''baryton-noble'' baritone, and the bass-baritone. History The first use of the term "baritone" emerged as ''baritonans'', late in the 15th century, usually in French sacred polyphonic music. At this early stage it was frequently used as the lowest of the voices (including the bass), but in 17th-century Italy the term was all-encompassing and used to describe the aver ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Teresa Stolz
Teresa Stolz (born 2 June 1834, Elbekosteletz (Czech: Kostelec nad Labem), Bohemia – died 23 August 1902, Milan) was a Bohemian soprano, long resident in Italy, who was associated with significant premieres of the works of Giuseppe Verdi, and may have been his mistress. She has been described as "the Verdian dramatic soprano par excellence, powerful, passionate in utterance, but dignified in manner and secure in tone and control".Porter (1998), in Grove, p. 549 Biography Teresa Stolz was born Tereza Stolzová (Tereza is sometimes seen in diminutive versions such as ''Teresina'', ''Teresie'' or ''Terezie'') in Kostelec nad Labem in the Austrian Empire in 1834. This is now in the Czech Republic. She studied under Josef Neruda then at the Prague Conservatoire under Giovanni Battista Gardigiani. She was expelled from the Conservatoire in October 1851 but continued her study with Vojtěch Čaboun. She moved to Trieste to be with her brother, and where she studied with Lui ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Caroline Barbot
Caroline Barbot, born in Paris 27 April 1830, died 17 September 1893, was a French operatic soprano. She is most notable for creating the role of Leonora in " La Forza del Destino" by Verdi in Saint Petersburg, Russia, in 1862. Training and career Caroline Barbot studied at the Paris Conservatoire with Manuel Garcia the younger and won first prize for singing upon completion of her studies in 1850. She married the tenor Joseph-Théodore-Désiré Barbot and appeared with him in operas in France, Belgium, Italy and Russia. Upon their return to Paris, her husband created the role of Faust in Gounod's opera of the same name at the Théâtre Lyrique while Caroline appeared in leading roles in operas by Bellini, Meyerbeer and Verdi at the Paris Opera. Verdi saw her in his opera "Les vêpres siciliennes ''Les vêpres siciliennes'' (''The Sicilian Vespers'') is a grand opera in five acts by the Italian romantic composer Giuseppe Verdi set to a French libretto by Eugène Scribe ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Soprano
A soprano () is a type of classical female singing voice and has the highest vocal range of all voice types. The soprano's vocal range (using scientific pitch notation) is from approximately middle C (C4) = 261 Hz to "high A" (A5) = 880 Hz in choral music, or to "soprano C" (C6, two octaves above middle C) = 1046 Hz or higher in operatic music. In four-part chorale style harmony, the soprano takes the highest part, which often encompasses the melody. The soprano voice type is generally divided into the coloratura, soubrette, lyric, spinto, and dramatic soprano. Etymology The word "soprano" comes from the Italian word '' sopra'' (above, over, on top of),"Soprano" '' |
Bass (voice Type)
A bass is a type of classical male singing voice and has the lowest vocal range of all voice types. According to ''The New Grove Dictionary of Opera'', a bass is typically classified as having a vocal range extending from around the second E below middle C to the E above middle C (i.e., E2–E4).; ''The Oxford Dictionary of Music'' gives E2–E4/F4 Its tessitura, or comfortable range, is normally defined by the outermost lines of the bass clef. Categories of bass voices vary according to national style and classification system. Italians favour subdividing basses into the ''basso cantante'' (singing bass), ''basso buffo'' ("funny" bass), or the dramatic ''basso profondo'' (low bass). The American system identifies the bass-baritone, comic bass, lyric bass, and dramatic bass. The German ''Fach'' system offers further distinctions: Spielbass (Bassbuffo), Schwerer Spielbass (Schwerer Bassbuffo), Charakterbass (Bassbariton), and Seriöser Bass. These classification systems ca ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Voice Type
A voice type is a group of voices with similar vocal ranges, capable of singing in a similar tessitura, and with similar vocal transition points ('' passaggi''). Voice classification is most strongly associated with European classical music, though it, and the terms it utilizes, are used in other styles of music as well. A singer will choose a repertoire that suits their voice. Some singers such as Enrico Caruso, Rosa Ponselle, Joan Sutherland, Maria Callas, Jessye Norman, Ewa Podleś, and Plácido Domingo have voices that allow them to sing roles from a wide variety of types; some singers such as Shirley Verrett and Grace Bumbry change type and even voice part over their careers; and some singers such as Leonie Rysanek have voices that lower with age, causing them to cycle through types over their careers. Some roles are hard to classify, having very unusual vocal requirements; Mozart wrote many of his roles for specific singers who often had remarkable voices, and so ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Caramoor International Music Festival
The Caramoor Summer Music Festival is a music festival founded in 1945 that is held on the estate of the Caramoor Center for Music and the Arts, which includes a Mediterranean-style stucco villa and is located about north of New York City in Katonah, New York. The Caramoor estate became a centre for the arts and music following the World War II death of the son of its owners, Walter and Lucie Rosen. The couple donated the property in their son's memory, and it quickly became an established summer festival. Performances are given in the Spanish Courtyard of the house and in the 1,700-seat Venetian Theater, a tented facility on the grounds. The Music Room in the house is also used for year-round concerts. For the past twenty years, the opera focus has been ''Bel Canto at Caramoor'', with explorations of the ''bel canto'' repertoire under the direction of the conductor, Will Crutchfield. Semi-staged performances of such rarities (for the New York area) as Rossini's ''Otello'' ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
San Francisco Opera
San Francisco Opera (SFO) is an American opera company founded in 1923 by Gaetano Merola (1881–1953) based in San Francisco, California. History Gaetano Merola (1923–1953) Merola's road to prominence in the Bay Area began in 1906 when he first visited the city. In 1909, he returned as the conductor of the International Opera Company of Montreal, one of the many visiting troupes that frequented the bustling city. Continued visits for the next decade convinced him that a San Francisco company was viable. In 1921, Merola returned to live in the city under the patronage of Mrs. Oliver Stine. During this time, Merola conceived of branching away from the area's reliance on visiting troupes for entertainment that had been common place since the Gold Rush era. By the fall, he was planning his first season, and the very next year, Merola organized a trial season at Stanford University. The first performance occurred in the Stanford Cardinal's football stadium on June 3rd, 1922 w ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
University Of Chicago
The University of Chicago (UChicago, Chicago, U of C, or UChi) is a private university, private research university in Chicago, Illinois. Its main campus is located in Chicago's Hyde Park, Chicago, Hyde Park neighborhood. The University of Chicago is consistently ranked among the best universities in the world and it is among the most selective in the United States. The university is composed of College of the University of Chicago, an undergraduate college and five graduate research divisions, which contain all of the university's graduate programs and interdisciplinary committees. Chicago has eight professional schools: the University of Chicago Law School, Law School, the Booth School of Business, the Pritzker School of Medicine, the Crown Family School of Social Work, Policy, and Practice, the Harris School of Public Policy, the University of Chicago Divinity School, Divinity School, the Graham School of Continuing Liberal and Professional Studies, and the Pritzker School of ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Philip Gossett
Philip Gossett (September 27, 1941 – June 12, 2017) was an American musicologist and historian, and Robert W. Reneker Distinguished Service Professor of Music at the University of Chicago. His lifelong interest in 19th-century Italian opera began with listening to Metropolitan Opera broadcasts in his youth. ''Divas and Scholars: Performing Italian Opera'', a major work on the subject, won the Otto Kinkeldey Award of the American Musicological Society as best book on music of 2006. Philip Gossett's contributions to opera scholarship and how they can influence operatic performance may best be summed up by ''Newsdays comment that "some encomiasts claim that soprano Maria Callas did as much for Italian opera as Arturo Toscanini or Verdi. Musicologist Philip Gossett arguably has done as much for Italian opera as any of those geniuses." Career Gossett earned degrees from the Juilliard School, Amherst College, and Princeton University. He studied in Paris on a Fulbright Scholarship. At ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
