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Love Is A Battlefield
"Love Is a Battlefield" is a song by American singer Pat Benatar, released on September 12, 1983, as a single from Benatar's live album '' Live from Earth'' (1983), though the song itself was a studio recording. It was written by Holly Knight and Mike Chapman. The song was ranked at number 30 in VH1's list of the 100 Greatest Songs of the 1980s. "Love Is a Battlefield" went on to sell over a million records. Background and composition Knight and Chapman wrote this song for Benatar initially as a mid tempo song. After some exploration with drum machines and the band, producer Neil Giraldo decided to make it an uptempo song. The single was Benatar's second US million-seller and is tied with " We Belong" as her highest-charting single in the United States. It topped ''Billboard'''s Mainstream Rock Tracks chart for four weeks and peaked at number five on the ''Billboard'' Hot 100 in December 1983. It reached number one on the Australian singles chart in February 1984 and remaine ...
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Pat Benatar
Patricia Mae Giraldo (née Andrzejewski; formerly and still professionally Benatar ; born January 10, 1953) is an American singer and songwriter. In the United States, she has two multi-platinum albums, five platinum albums, and 15 US ''Billboard Hot 100, Billboard'' top 40 Single (music), singles, while in Canada she had eight straight platinum albums, and she has sold over 36 million albums worldwide. She is also a four-time Grammy Award winner. She was inducted into the Rock and Roll Hall of Fame in November 2022. Benatar's 1979 debut album, ''In the Heat of the Night (Pat Benatar album), In the Heat of the Night'', was her breakthrough in North America, especially in Canada where it reached No. 3 on the album chart. Two hit singles from the album were released: "Heartbreaker (Pat Benatar song), Heartbreaker" and "We Live for Love", the latter written by her lead guitarist and future husband, Neil Giraldo. Her second album, 1980's ''Crimes of Passion (Pat Benatar album), Crim ...
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Mainstream Rock Tracks
Mainstream Rock is a music chart published by '' Billboard'' magazine that ranks the most-played songs on mainstream rock radio stations in the United States. It is an administrative category that combines the " active rock" and " heritage rock" formats. The chart was launched in March 1981 as Rock Albums & Top Tracks. The name changed multiple times afterwards: first to Top Rock Tracks, then to Album Rock Tracks, and finally to its current Mainstream Rock in 1996. The first number-one song on this chart was " I Can't Stand It" by Eric Clapton on March 21, 1981. History The "Rock Albums & Top Tracks" charts were introduced in the issue of ''Billboard'' that the parent company published on March 21, 1981.Joel Whitburn. ''Joel Whitburn Presents Rock Tracks 1981–2008.'' Hal Leonard Corporation, 2008p. 6. The 50-slot based and 60-slot based positional charts ranked airplay on album rock type radio stations in the United States. Because album-oriented rock stations often focused o ...
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Music & Media
''Music & Media'' was a pan-European magazine for radio, music and entertainment. It was published for the first time in 1984 as ''Eurotipsheet'', but in 1986 it changed name to ''Music & Media''. It was originally based in Amsterdam, but later moved to London. The magazine focused specifically on radio, TV, music, charts and related areas of entertainment such as music festivals and events. ''Music & Media'' ceased publication in August 2003. ''Music & Media'' was the sister publication of '' Billboard'' magazine. Record charts Main charts * European Top 100 Albums (sales) * European Hot 100 Singles (sales) *European Airplay Top 50 (airplay) (previously called European Hit Radio Top 40) *European Border Breakers (airplay of European songs breaking out of their country of signing) *Top 10 Sales in Europe - top 10 singles and albums charts for sixteen European countries: the United Kingdom, Germany, France, Italy, Spain, Holland, Belgium, Sweden, Denmark, Norway, Finland, Ireland, ...
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European Hot 100 Singles
The European Hot 100 Singles was compiled by '' Billboard'' and ''Music & Media'' magazine from March 1984 until December 2010. The chart was based on national singles sales charts in 17 European countries: Austria, Belgium (two charts separately for Flanders and Wallonia), Denmark, Finland, France, Germany, Greece, Hungary, Ireland, Italy, Netherlands, Norway, Portugal, Spain, Sweden, Switzerland, and the United Kingdom. , the European Hot 100 had accumulated 400 number one hits. The final chart was published on December 11, 2010, following the news of ''Billboard'' closing their London office and letting their UK-based staff go. The final number one single on the chart was " Only Girl (in the World)" by Rihanna. History Europarade top 30 The first attempt at a Europe-wide chart was the Europarade, which was started in early 1976 by the Dutch TROS radio network. The chart initially consisted of only six countries: the Netherlands, UK, France, Germany, Belgium and Spain. In 1 ...
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Kent Music Report
The Kent Music Report was a weekly record chart of Australian music singles and albums which was compiled by music historian David Kent from May 1974 through to January 1999. The chart was re-branded the Australian Music Report (AMR) in July 1987. From June 1988, the Australian Recording Industry Association, which had been using the top 50 portion of the report under licence since mid-1983, chose to produce their own listing as the ARIA Charts. Before the Kent Report, ''Go-Set'' magazine published weekly Top 40 Singles from 1966, and albums chart from 1970 until the magazine's demise in August 1974. David Kent later published Australian charts from 1940 to 1973 in a retrospective fashion, using state by state chart data obtained from various Australian radio stations. Background Kent had spent a number of years previously working in the music industry at both EMI and Phonogram records and had developed the report initially as a hobby. The Kent Music Report was first releas ...
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MTV Video Music Award For Best Female Video
The MTV Video Music Award for Best Female Video is one of the original general awards that has been handed out every year since the first annual MTV Video Music Awards in 1984. In 2007, however, the award was briefly renamed Female Artist of the Year, and it awarded the artist's whole body of work for that year rather than a specific video. In 2008, though, the award returned to its original name and was once again awarded for a specific video. The category would become defunct beginning with the 2017 ceremony after the gender specific categories would be merged into the Artist of the Year category. Madonna, Taylor Swift and Beyoncé are the biggest winners with three wins each, while the former also holds the record for most nominations with 12. Meanwhile, Beyoncé, Kelly Clarkson and Lady Gaga are the only artists to win the award for two consecutive years. Recipients 1980s 1990s 2000s 2010s Statistics Artists with multiple wins ; 3 wins * Beyoncé * Madonna ...
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Philip Bailey
Philip James Bailey (born May 8, 1951) is an American singer, songwriter and percussionist, best known as an early member and one of the two lead singers (along with group founder Maurice White) of the band Earth, Wind & Fire. Noted for his four-octave vocal range and distinctive falsetto register, Bailey was inducted into the Rock and Roll Hall of Fame and the Vocal Group Hall of Fame as a member of Earth, Wind & Fire. Bailey was also inducted into the Songwriters Hall of Fame for his work with the band. Bailey has released several solo albums, the most notable being '' Chinese Wall'', released in 1984, which earned a Grammy nomination for Best R&B Vocal Performance, Male. This LP included the hit single, " Easy Lover", a duet with Phil Collins, who also produced the album. The track won an MTV Video Music Award for Best Overall Performance in a Video in , was nominated for an American Music Award in the category of Favorite Pop/Rock Video, and earned a Grammy nomination f ...
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Jellybean Benitez
John Benitez (born November 7, 1957), also known as Jellybean, is an American musician, songwriter, DJ, remixer, and music producer. He has produced and remixed artists such as Madonna, Whitney Houston, Michael Jackson, and the Pointer Sisters. He was later the executive producer of Studio 54 Radio. In December 2016, ''Billboard magazine'' ranked him as the 99th most successful dance artist of all-time. Early life Benitez was born in the South Bronx neighborhood of New York City, the son of Puerto Rican parents. After his parents divorced, Benitez and his younger sister Debbie were raised by their mother, who worked in the executive offices of Sloan's supermarkets. Benitez grew up enjoying music and would watch deejays at local clubs. Benitez borrowed his sister's record player and practiced on two turntables. His sister nicknamed him Jellybean as his initials are J.B. and from the expression "Know what I mean, Jellybean?", he said. Benitez attended De Witt Clinton High School a ...
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Michael Peters (choreographer)
Michael Douglas Peters (August 6, 1948August 29, 1994) was an American choreographer, dancer and director who is best known for his innovative choreography in music videos. Early Michael Peters was born on August 8, 1948 in Brooklyn, New York. He attended the Fiorello H. La Guardia High School in Manhattan, one of nine specialized schools in New York City, which focuses on visual and performing arts. However, he disliked school and never graduated. Instead, he learned to dance at the Bernice Johnson Cultural Arts Center in Queens. Career Michael choreographed some of the most memorable videos during the 80s. His most well-known choreography is the “ Thriller” video. He worked again with Michael Jackson on “Beat It” where he also served as one of two gang leaders in the video. Michael won a 1982 Tony Award for his choreography in the stage version of “Dreamgirls.” He was nominated for and won two Primetime Emmy Awards for “ Liberty Weekend 1986 — Closing Ce ...
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Taxi Dancer
A taxi dancer is a paid dance partner in a ballroom dance. Taxi dancers work (sometimes for money but not always) on a dance-by-dance basis. When taxi dancing first appeared in taxi-dance halls during the early 20th century in the United States, male patrons typically bought dance tickets for a small sum each. When a patron presented a ticket to a chosen taxi dancer, she danced with him for the length of a song. She earned a commission on every dance ticket she received. Though taxi dancing has for the most part disappeared in the United States, it is still practiced in some other countries. Etymology The term "taxi dancer" comes from the fact that, as with a taxi-cab driver, the dancer's pay is proportional to the time they spend dancing with the customer. Patrons in a taxi-dance hall typically purchased dance tickets for ten cents each, which gave rise to the term "dime-a-dance girl". Other names for a taxi dancer are "dance hostess" and "taxi" (in Argentina). In the 1920s ...
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Trey Wilson
Donald Yearnsley "Trey" Wilson III (January 21, 1948 – January 16, 1989) was an American character actor known for playing rural, authoritarian-type characters, most notably in comedies such as ''Raising Arizona'' and ''Bull Durham''. Career During his career, Wilson appeared in numerous stage productions and 30 films or television shows, including guest roles on ''Spenser: For Hire'' and ''The Equalizer (1985 TV series), The Equalizer''. On stage, he co-starred in the ragtime-era musical ''Tintypes'' on Broadway theatre, Broadway, appeared in ''The Front Page'' at Lincoln Center and on Broadway theatre, Broadway, and appeared with Sandy Duncan in ''Peter Pan''. He also appeared in Pat Benatar's music video "Love Is a Battlefield", as the father who throws her out of the house. His most memorable roles on film were in ''Raising Arizona'', as unpainted furniture store owner Nathan Arizona, and ''Bull Durham'', as Joe Riggins, manager of the Durham Bulls minor league baseball tea ...
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Tempo
In musical terminology, tempo (Italian for 'time'; plural 'tempos', or from the Italian plural), measured in beats per minute, is the speed or pace of a given musical composition, composition, and is often also an indication of the composition's character or atmosphere. In classical music, tempo is typically indicated with an instruction at the start of a piece (often using conventional Italian terms) and, if a specific metrical pace is desired, is usually measured in beat (music), beats per minute (bpm or BPM). In modern classical compositions, a "metronome mark" in beats per minute, indicating only measured speed and not any form of expression, may supplement or replace the normal tempo marking, while in modern genres like electronic dance music, tempo will typically simply be stated in bpm. Tempo (the underlying pulse of the music) is one of the three factors that give a piece of music its texture (music), texture. The others are meter (music), meter, which is indicated by a ...
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