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Louvre Come Back To Me!
''Louvre Come Back to Me!'' is a 1962 Warner Bros. ''Looney Tunes'' cartoon directed by Chuck Jones. The short was released on August 18, 1962, and stars Pepé Le Pew in his last cartoon of the "classic" Warner Bros. animation age. Plot In Paris, Pepé is strolling and causing a disturbance with his fumes. At one point Penelope Pussycat is walking with a ginger cat and Pepé's stink causes the ginger cat to faint and Penelope to spring into the air in shock, her back making contact with a fresh white-painted flagpole before she falls right into Pepé's arms. As Pepé introduces himself, Penelope scurries away. Pepé chases Penelope into the Louvre, with the ginger cat following. Pepé's stench ruins a couple of sculptures (correcting one into the ''Venus de Milo'') as well as thwarting the ginger cat's ambush attempt (who Pepé mistakes for a sculpture due to him turning white; the cat's teeth, whiskers, tail, and nose fall off, which, after briefly fleeing, he comes back to swe ...
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Chuck Jones
Charles Martin Jones (September 21, 1912 – February 22, 2002) was an American animator, painter, voice actor and filmmaker, best known for his work with Warner Bros. Cartoons on the ''Looney Tunes'' and ''Merrie Melodies'' series of shorts. He wrote, produced, and/or directed many classic animated cartoon shorts starring Bugs Bunny, Daffy Duck, Wile E. Coyote and the Road Runner, Pepé Le Pew, Marvin the Martian, and Porky Pig, among others. Jones started his career in 1933 alongside Tex Avery, Friz Freleng, Bob Clampett, and Robert McKimson at the Leon Schlesinger Production's Termite Terrace studio, the studio that made Warner Brothers cartoons, where they created and developed the Looney Tunes characters. During the Second World War, Jones directed many of the ''Private Snafu'' (1943–1946) shorts which were shown to members of the United States military. After his career at Warner Bros. ended in 1962, Jones started MGM Animation/Visual Arts, Sib Tower 12 Productions and be ...
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Penelope Pussycat
Penelope Pussycat is an animated cartoon character, featured in the Warner Bros. classic ''Looney Tunes'' animated shorts along with Pepé Le Pew. Although she is typically a non-speaker, her "meows" and "purrs" (or "le mews" and "le purrs") were most often provided by Mel Blanc using a feminine voice. The character did not originally have a permanent name; she was alternately referred to as "Penelope", "Fifi", and "Fabrette", and animator Chuck Jones' 1960 model sheet calls her "Le Cat". The name Penelope Pussycat was created retroactively for Warner Bros. marketing. The character first appeared in the 1949 short '' For Scent-imental Reasons'', which won an Academy Award. While the skunk had been used in several earlier cartoons since '' Odor-able Kitty'' (1945), the addition of his main love interest in ''For Scent-imental Reasons'' solidified his characterization and the structure of all further Pepé films. In the 1959 short '' Really Scent'', she was voiced by June Foray; in ...
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Bob Bransford
Bob, BOB, or B.O.B. may refer to: People, fictional characters, and named animals *Bob (given name), a list of people and fictional characters * Bob (surname) * Bob (dog), a dog that received the Dickin Medal for bravery in World War II *Bob the Railway Dog, a part of South Australian Railways folklore Places * Mount Bob, New York, United States *Bob Island, Palmer Archipelago, Antarctica Television, games, and radio * ''Bob'' (TV series), an American comedy series starring Bob Newhart * ''B.O.B.'' (video game), a side-scrolling shooter *Bob FM, on-air brand of a number of FM radio stations in North America Music Musicians and groups * B.o.B (born 1988), American rapper and record producer *Bob (band), a British indie pop band *The Bobs, an American a cappella group * Boyz on Block, a British pop supergroup Songs * "B.O.B" (song), by OutKast * "Bob" ("Weird Al" Yankovic song), from the 2003 album ''Poodle Hat'' by "Weird Al" Yankovic *"Bob", a song from the album '' Brighter ...
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John Dunn (animator)
John W. Dunn (25 February 1919 – 17 January 1983) was a Scottish screenwriter and animator for animated cartoons, active from 1951 to 1983. Biography Born on February 25, 1919, he graduated from Oroville High School, did comics during WWII in The Army Times, and studied at the California College of the Arts and the Chicago Academy of Fine Arts. Dunn began his career at the Walt Disney cartoon studio in 1951 as a inbetweener, where his first animation credit—''Man in Space''—received an Oscar nomination. He moved to Warner Bros. Cartoons in 1960; there, he began with '' The Pied Piper of Guadalupe'', which was also nominated for an Oscar. He and fellow Disney man David Detiege replaced Warner Brothers' top writers Michael Maltese and Warren Foster after they went to Hanna-Barbera to receive higher billing in the 1960s. He usually worked under Friz Freleng and Chuck Jones' units. After the Warner's cartoon studio closed in 1963, Dunn joined DePatie–Freleng Enterpr ...
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Fourth Wall
The fourth wall is a performance dramatic convention, convention in which an invisible, imaginary wall separates actors from the audience. While the audience can see through this "wall", the convention assumes the actors act as if they cannot. From the 16th century onward, the rise of illusionism in staging practices, which culminated in the realism (theatre), realism and naturalism (theatre), naturalism of the Nineteenth-century theatre, theatre of the 19th century, led to the development of the fourth wall concept. The metaphor suggests a relationship to the mise-en-scène behind a proscenium, proscenium arch. When a scene is set indoors and three of the walls of its room are presented onstage, in what is known as a Box set (theatre), box set, the fourth of them would run along the line (technically called the proscenium) dividing the room from the auditorium. The ''fourth wall'', though, is a theatrical convention, rather than of set design. The actors ignore the audience, f ...
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Mona Lisa
The ''Mona Lisa'' is a half-length portrait painting by the Italian artist Leonardo da Vinci. Considered an archetypal masterpiece of the Italian Renaissance, it has been described as "the best known, the most visited, the most written about, the most sung about, [and] the most parodied work of art in the world." The painting's novel qualities include the subject's enigmatic expression, monumentality of the composition, the subtle modelling of forms, and the atmospheric Illusionism (art), illusionism. The painting has been traditionally considered to depict the Italian noblewoman Lisa del Giocondo. It is painted in oil on a Populus alba, white poplar panel painting, panel. Leonardo never gave the painting to the Giocondo family. It was believed to have been painted between 1503 and 1506; however, Leonardo may have continued working on it as late as 1517. King Francis I of France acquired the ''Mona Lisa'' after Leonardo's death in 1519, and it is now the property of the French ...
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Edgar Degas
Edgar Degas (, ; born Hilaire-Germain-Edgar De Gas, ; 19 July 183427 September 1917) was a French Impressionist artist famous for his pastel drawings and oil paintings. Degas also produced bronze sculptures, prints, and drawings. Degas is especially identified with the subject of dance; more than half of his works depict dancers. Although Degas is regarded as one of the founders of Impressionism, he rejected the term, preferring to be called a realist,Gordon and Forge 1988, p. 31 and did not paint outdoors as many Impressionists did. Degas was a superb draftsman, and particularly masterly in depicting movement, as can be seen in his rendition of dancers and bathing female nudes. In addition to ballet dancers and bathing women, Degas painted racehorses and racing jockeys, as well as portraits. His portraits are notable for their psychological complexity and their portrayal of human isolation. At the beginning of his career, Degas wanted to be a history painter, a callin ...
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The Gleaners
''The Gleaners'' (''Des glaneuses'') is an oil painting by Jean-François Millet completed in 1857. It is held in the Musée d'Orsay, in Paris. It depicts three peasant women gleaning a field of stray stalks of wheat after the harvest. The painting is famous for featuring in a sympathetic way what were then the lowest ranks of rural society; it was received poorly by the French upper classes. History Millet's ''The Gleaners'' was preceded by a vertical painting of the image in 1854 and an etching in 1855. Millet unveiled ''The Gleaners'' at the Salon in 1857. It immediately drew negative criticism from the middle and upper classes, who viewed the topic with suspicion: one art critic, speaking for other Parisians, perceived in it an alarming intimation of "the scaffolds of 1793." Having recently come out of the French Revolution of 1848, these prosperous classes saw the painting as glorifying the lower-class worker. To them, it was a reminder that French society was built upon t ...
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Jean-François Millet
Jean-François Millet (; 4 October 1814 – 20 January 1875) was a French artist and one of the founders of the Barbizon school in rural France. Millet is noted for his paintings of peasant farmers and can be categorized as part of the Realism art movement. Toward the end of his career, he became increasingly interested in painting pure landscapes. He is known best for his oil paintings but is also noted for his pastels, Conté crayon drawings, and etchings. Life and work Youth Millet was the first child of Jean-Louis-Nicolas and Aimée-Henriette-Adélaïde Henry Millet, members of the farming community in the village of Gruchy, in Gréville-Hague, Normandy, close to the coast.Murphy, p.xix. Under the guidance of two village priests—one of them was vicar Jean Lebrisseux—Millet acquired a knowledge of Latin and modern authors. But soon he had to help his father with the farm work, because Millet was the eldest of the sons. So all the farmer's work was familiar to him: to ...
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American Gothic
''American Gothic'' is a 1930 oil on beaverwood painting by the American Regionalist artist Grant Wood. Depicting a Midwestern farmer and his wife or daughter standing in front of their Carpenter Gothic style home, ''American Gothic'' is one of the most famous American paintings of the 20th century and is frequently referenced in popular culture. Wood was inspired to paint what is now known as the ''American Gothic'' House in Eldon, Iowa, along with "the kind of people efancied should live in that house".Fineman, Mia (June 8, 2005).The Most Famous Farm Couple in the World: Why American Gothic still fascinates. ''Slate''. "...Wood’s famous portrait of a dour Iowa farmer and his stiff-necked wife (or daughter)..." The figures were modeled after Wood's sister Nan Wood Graham and Byron McKeeby, the Wood family's dentist. The woman is dressed in a colonial print apron evoking 20th-century rural Americana while the man is adorned in overalls covered by a suit jacket and c ...
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Grant Wood
Grant DeVolson Wood (February 13, 1891February 12, 1942) was an American artist and representative of Regionalism (art), Regionalism, best known for his paintings depicting the rural American Midwest. He is particularly well known for ''American Gothic'' (1930), which has become an iconic example of early 20th-century Visual art of the United States, American art. Early life Wood was born in rural Iowa, 4 mi (6.43 km) east of Anamosa, Iowa, Anamosa, on February 13, 1891, the son of Hattie DeEtte Wood (''née'' Weaver) and Francis Maryville Wood. Hattie moved the family to Cedar Rapids, Iowa, Cedar Rapids after Francis died in 1901. Soon thereafter, Wood began as an apprentice in a local metal shop. After graduating from Washington High School (Cedar Rapids, Iowa), Washington High School, he enrolled in The Handicraft Guild, an art school run entirely by women in Minneapolis in 1910. In 1913, Wood enrolled at the School of the Art Institute of Chicago, where he studie ...
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The Persistence Of Memory
''The Persistence of Memory'' (, ) is a 1931 painting by artist Salvador Dalí and one of the most recognizable works of Surrealism. First shown at the Julien Levy Gallery in 1932, since 1934 the painting has been in the collection of the Museum of Modern Art (MoMA) in New York City, which received it from an anonymous donor. It is widely recognized and frequently referred to in popular culture, and sometimes referred to by more descriptive titles, such as "The Melting Clocks", "The Soft Watches" or "The Melting Watches". Analysis The well-known surrealist piece introduced the image of the soft melting pocket watch. It epitomizes Dalí's theory of "softness" and "hardness", which was central to his thinking at the time. As Dawn Adès wrote, "The soft watches are an unconscious symbol of the relativity of space and time, a Surrealist meditation on the collapse of our notions of a fixed cosmic order". This interpretation suggests that Dalí was incorporating an understanding of ...
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