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Worldbeat
Worldbeat is a music genre that blends pop music or rock music with world music or traditional music. Worldbeat is similar to other cross-pollination labels of contemporary and roots genres, and which suggest a rhythmic, harmonic or textural contrast and synthesis between its modern and ethnic elements. Definition Worldbeat is akin to world fusion and global fusion, each of which primarily manifest as a blend of non-Western music tradition and Western, popular music. These particular music genres can also reflect in a cross-blend of more than one "traditional" flavor, producing innovative, hybrid expressions of world music. As with most "world"-laden genre categories, worldbeat is not clearly defined as are the many classic world music subgenres, such as gamelan, or calypso. In general, the expanding family of ethnic music subgenres under the world music umbrella represents an intrinsically nebulous terminology, which depending on how one interprets a particular hybrid of wor ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Toasting (Jamaican Music)
Toasting (rap in other parts of the Anglo Caribbean) or deejaying is the act of Speech, talking, usually in a monotone melody, over a rhythm or Beat (music), beat by a Disc jockey#reggae, deejay. It can either be improvised or pre-written. Toasting developed in Jamaica, before it took up that name and being part of the sound system era, a similar sound of it is found in mento and now can be heard over musical styles including ska, reggae, dancehall, dub music, dub, Grime music, grime, Hip hop music, hip hop, Soca music, soca and bouyon music. The combination of singing and toasting is known as singjaying. In the late 1950s in Jamaica, one of the first Selector, also being a promoter optimized of using a mic and to entertain an audience while playing records was Count Matchuki. He conceived the idea for being comically entertaining from listening to commercial ads and disc jockeys on American radio stations etc. He would create and come up with comical phrases also doing African ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Dancehall
Dancehall is a genre of Jamaican popular music that originated in the late 1970s. Initially, dancehall was a more sparse version of reggae than the roots reggae, roots style, which had dominated much of the 1970s.Barrow, Steve & Dalton, Peter (2004) "The Rough Guide to Reggae, 3rd edn.", Rough Guides, This music genre wasn't officially named until the 1980s, when the two words ''Dance'' and ''Hall'' (referring to the common venue) were joined to form ''Dancehall'', which was then promoted internationally for the first time. At that time digital instrumentation became more prevalent, changing the sound considerably, with digital dancehall (or "ragga") becoming increasingly characterized by faster rhythms. Key elements of dancehall music include its extensive use of Jamaican Patois rather than Jamaican English, Jamaican standard English and a focus on the track instrumentals (or "riddims"). Dancehall saw initial mainstream success in Jamaica in the 1980s; by the 1990s, it became i ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Disco
Disco is a music genre, genre of dance music and a subculture that emerged in the late 1960s from the United States' urban nightclub, nightlife, particularly in African Americans, African-American, Italian-Americans, Italian-American, LGBTQ community, Gay and Hispanic and Latino Americans, Latino communities. Its sound features four-on-the-floor (music), four-on-the-floor beats, syncopation, syncopated basslines, string sections, brass instrument, brass and horn (musical instrument), horns, electric pianos, synthesizers, and electric rhythm guitars. Discothèques, mostly a French invention, were imported to the United States with the opening of Le Club, a members-only restaurant and nightclub at 416 East 55th Street in Manhattan, by French expatriate Olivier Coquelin, on New Year's Eve 1960. Disco music originated from music popular with African-American culture, African Americans, Hispanic and Latino Americans#Cultural matters, Latino Americans, and Italian Americans#Influe ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Vibe (magazine)
''Vibe'' is an American music and entertainment magazine founded by producers David Salzman and Quincy Jones. The publication predominantly features R&B and hip hop music artists, actors and other entertainers. After shutting down production in the summer of 2009, it was purchased by the private equity investment fund InterMedia Partners, then issued bi-monthly with double covers and a larger online presence. The magazine's target demographic is predominantly young, urban followers of hip hop culture. In 2014, the magazine discontinued its print version. The magazine features a broader range of interests than its closest competitors ''The Source (magazine), The Source'' and ''XXL (magazine), XXL'', which focus more narrowly on rap music, or the rock- and pop-centric ''Rolling Stone'' and ''Spin (magazine), Spin''. The May 1998 ''Vibe'' article "Racer X" by Ken Li is credited as the basis for the 2001 film ''The Fast and the Furious (2001 film), The Fast and the Furious'' and th ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Smash Hits
''Smash Hits'' was a British music magazine aimed at young adults, originally published by EMAP. It ran from 1978 to 2006, and, after initially appearing monthly, was issued fortnightly during most of that time. The name survived as a brand for a spin-off digital television channel, which was later renamed Box Hits, and website. A digital radio station was also available but closed on 5 August 2013. Overview ''Smash Hits'' featured the lyrics of latest hits and interviews with big names in music. It was initially published monthly, then went fortnightly. The style of the magazine was initially serious, but from the mid-1980s became increasingly irreverent. Its interviewing technique was novel at the time and, rather than looking up to the big names, it often made fun of them, asking strange questions rather than talking about their music. Created by journalist Nick Logan, the title was launched in 1978 and appeared monthly for its first few issues. He based the idea on ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Record Mirror
''Record Mirror'' was a British weekly music newspaper published between 1954 and 1991, aimed at pop fans and record collectors. Launched two years after ''New Musical Express'', it never attained the circulation of its rival. The first UK Albums Chart, UK album chart was published in ''Record Mirror'' in 1956, and during the 1980s it was the only consumer music paper to carry the official UK Singles Chart, UK singles and UK albums charts used by the BBC for BBC Radio 1, Radio 1 and ''Top of the Pops'', as well as the USA's ''Billboard (magazine), Billboard'' charts. The title ceased to be a stand-alone publication in April 1991 when UBM plc, United Newspapers closed or sold most of their consumer magazines, including ''Record Mirror'' and its sister music magazine ''Sounds (magazine), Sounds'', to concentrate on trade papers like ''Music Week''. In 2010, Giovanni Di Stefano (fraudster), Giovanni di Stefano bought the name ''Record Mirror'' and relaunched it as an online music go ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
James Hamilton (DJ And Journalist)
James Hamilton (25 December 1942 – 17 June 1996) was a British DJ and dance music columnist for ''Record Mirror'', and later for ''Music Week'', where he worked until his death in 1996. He is recognised as a pioneering advocate of disco mixing in the UK and the addition of beats per minute (bpm) calculations to record reviews. Hamilton started as a DJ in his early 20s, playing rhythm & blues in nightclubs in London. He then headed to New York to work for Seltaeb, the US company who had acquired the merchandising rights for the Beatles, becoming a talent scout for their newly formed music division. After returning to the UK, he adopted the DJ name Doctor Soul, and also compiled an album with this title for Sue Records. He set up as one of the first mobile DJs, and began writing US reviews for ''Record Mirror'' in 1964. In 1975, he began the magazine's weekly ‘Disco’ column, named ''James Hamilton's Disco Page''. He pioneered several features that was copied by other da ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Reading Evening Post
The ''Reading Post'' (formerly the ''Reading Evening Post'') was an English local newspaper covering Reading, Berkshire and surrounding areas. The title page of the paper featured the Maiwand Lion, a local landmark at Forbury Gardens. The paper was most recently published by Surrey & Berkshire Media Ltd., a division of Trinity Mirror plc. After it ceased print publication in 2015, the ''Reading Post'' became online-only and was renamed ''Get Reading''. It was relaunched as ''BerkshireLive'' in 2019, before closing in November 2023. Editions In 2009, the paper changed from daily publication to publishing weekly on a Wednesday as a paid-for paper with a free edition on a Friday titled ''Get Reading''. The paper was previously promoted as an evening paper and published Monday to Friday. In recent years, all editions were tabloid though it was launched as a broadsheet. Sale In February 2010 the division of Guardian Media Group Guardian Media Group plc (GMG) is a British-bas ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
No Coke
"No Coke" is a song recorded by Sweden-based musician and producer Dr. Alban. It was originally released as the B-side of the 12-inch version of his debut single, " Hello Afrika", and became the second single off his debut album, '' Hello Afrika'' (1990). Released in November 1990, the song was a hit in several European countries and reached number one in Sweden. To date, it is one of Dr. Alban's most successful songs, along with " It's My Life" and " Sing Hallelujah". It was produced by Denniz Pop, who recorded the song's signature bassline using a Roland Juno-106 synthesizer. The song is performed in English, and the lyrics describe a tragic event outside Dr. Alban's nightclub Alphabet Street in Stockholm. In November 2017, it was the topic of SVT's ''Hitlåtens historia''. Critical reception Larry Flick from ''Billboard'' viewed the song as a "cleverly written anti-drug anthem", "particularly potent and U.S. club-friendly." He added that "pure (and clever) toasting is wov ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Music Week
''Music Week'' is a trade publication for the UK record industry distributed via a website and a monthly print magazine. It is published by Future. History Founded in 1959 as ''Record Retailer'', it relaunched on 18 March 1972 as ''Music Week''. On 17 January 1981, the title again changed, owing to the increasing importance of sell-through videos, to ''Music & Video Week''. The rival '' Record Business'', founded in 1978 by Brian Mulligan and Norman Garrod, was absorbed into Music Week in February 1983. Later that year, the offshoot ''Video Week'' launched and the title of the parent publication reverted to ''Music Week''. Since April 1991, ''Music Week'' has incorporated ''Record Mirror'', initially as a 4 or 8-page chart supplement, later as a dance supplement of articles, reviews and charts. In the 1990s, several magazines and newsletters become part of the Music Week family: ''Music Business International (MBI)'', ''Promo'', ''MIRO Future Hits'', ''Tours Report'', ''Fono ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
