Live At The BBC (Fleetwood Mac Album)
''Live at the BBC '' is a double compact disc compilation album by British blues rock band Fleetwood Mac, recorded at various BBC radio sessions between 1967 and 1971. It contains many tracks by Fleetwood Mac which are otherwise unavailable. According to Mick Fleetwood, the release was initiated around 1992 by a fan of Fleetwood Mac when they informed him that some BBC tapes of the band were still intact. Fleetwood then contacted the BBC, who insisted that the tapes had actually been destroyed. The BBC was eventually able to supply these recordings to Fleetwood and spent 15 months preparing them for release and clearing the licensing. He was impressed with the quality of the tapes and said that they "represented everything this band was when we first started." Track listing Disc one Disc two Personnel Fleetwood Mac * Peter Green – guitar, harmonica, vocals *Jeremy Spencer – guitar, piano, vocals *Danny Kirwan – guitar, vocals *John McVie – bass guitar *Mick Fleetwo ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Fleetwood Mac
Fleetwood Mac are a British-American Rock music, rock band formed in London in 1967 by the singer and guitarist Peter Green (musician), Peter Green. Green named the band by combining the surnames of the drummer, Mick Fleetwood, and the bassist, John McVie, who have remained with the band throughout its many line-up changes. Fleetwood Mac have sold more than 120 million records worldwide, making them one of the List of best-selling music artists, world's best-selling bands. Primarily a British blues band in their early years, Fleetwood Mac achieved a UK number one single in 1968 with the instrumental "Albatross (instrumental), Albatross" and had other UK top ten hits with "Man of the World (song), Man of the World", "Oh Well (song), Oh Well" (both 1969), and "The Green Manalishi (With the Two Prong Crown)" (1970). Green left the band in May 1970 and McVie's wife, Christine McVie, joined as an official member on vocals and keyboards two months later, having previously contribute ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Honey Hush
"Honey Hush", is a blues song, written by Big Joe Turner (although he assigned the copyright to his wife, Lou Willie Turner), recorded in May 1953 in New Orleans, Louisiana, and released that August by Atlantic Records. It was a number-one song on ''Billboard's'' Rhythm and Blues chart for eight weeks. The single was Turner's second million-seller, following his 1951 " Chains of Love". Recording Turner, a big Kansas City blues shouter, had been spending all of his time out on the road, while Atlantic's Ahmet Ertegun was getting nervous that his backlog of Turner recordings was running low. When Turner was near New Orleans, Ertegun insisted that he make some recordings. Atlantic's New Orleans recording studio was fully booked, so Turner recorded some sides in the studio of local radio station WDSU. He did not have his own band, but was able to round up the trombonist Pluma Davis and his band, the Rockers, as well as the boogie rhythm pianist, James Tolliver. Other musicians on t ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Frank Slay
Frank Conley Slay Jr. (July 8, 1930 – September 30, 2017) was an American songwriter, A&R director, record producer, and record label owner. He wrote with Bob Crewe in the late 1950s and early 1960s, the partnership's most successful songs, including "Silhouettes," a hit for several artists, including The Rays and Herman's Hermits, " Daddy Cool", and " Tallahassee Lassie". As a producer, his biggest hit was " Incense and Peppermints" by the Strawberry Alarm Clock. Career He was born in Dallas, Texas, and moved to New York City in 1951, attempting to find work as a songwriter. In 1957, he and Crewe wrote "Silhouettes" and "Daddy Cool" for the Rays. Initially released on the XYZ label set up by Slay and Crewe, "Silhouettes" became a top ten pop hit in the US for both the Rays (#3) and the Diamonds (#10), and was re-recorded successfully by Herman's Hermits in 1965 (#5 US, #3 UK), and Cliff Richard in 1990 (#10 UK). The song "Daddy Cool" – originally on the B-side of the Ra ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Tallahassee Lassie
"Tallahassee Lassie" is a song written by Bob Crewe, Frank Slay, and Frederick Picariello and performed by Freddy Cannon (Picariello's stage name). The song was featured on his 1960 album '' The Explosive! Freddy Cannon''. The song was produced and arranged by Bob Crewe and Frank Slay. Chart performance It reached #6 on the U.S. pop chart, #13 on the U.S. R&B chart, and #17 on UK Singles Chart in 1959. The song was ranked #40 on ''Billboard's'' Year-End Hot 100 singles of 1959. It sold over one million copies, and was awarded a gold disc by the RIAA. Other charting versions *Tommy Steele released a version of the song which reached #16 on the UK Singles chart in 1959. Other versions *Hep Stars released a version of the song on their 1965 album '' Hep Stars on Stage''. *Flamin' Groovies released a version of the song as the B-side to their 1972 single "Slow Death". * Shakin' Stevens and the Sunsets released a version of the song on their 1972 Budget Album Rockin' & Shakin ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Stop Messin' Round
"Stop Messin' Round" is a song first recorded by English blues rock group Fleetwood Mac in 1968. It was written by the group's principal guitarist and singer Peter Green, with an additional credit for manager C.G. Adams. The song is an upbeat 12-bar blues shuffle and is representative of the group's early repertoire of conventional electric blues. The lyrics deal with the common blues theme of the unfaithful lover and share elements with earlier songs. "Stop Messin' Round" was first released in mid-1968 as the B-side of "Need Your Love So Bad", which appeared on the UK singles chart. A different take of the song was later used as the opening track on Fleetwood Mac's second UK and US albums. Music writers have viewed the song favourably, with Green's guitar work singled out as a highlight. Other artists, such as Gary Moore and Aerosmith, have recorded renditions for their blues-inspired albums. Lyrics "Stop Messin' Round" is credited to Peter Green and C.G. Adams, Fleetwood Mac ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Little Walter
Marion Walter Jacobs (May 1, 1930 – February 15, 1968), known as Little Walter, was an American blues musician, singer, and songwriter, whose revolutionary approach to the harmonica had a strong impact on succeeding generations, earning him comparisons to such seminal artists as Django Reinhardt, Charlie Parker and Jimi Hendrix. His virtuosity and musical innovations fundamentally altered many listeners' expectations of what was possible on blues harmonica. He was inducted into The Rock and Roll Hall of Fame in 2008, the first and, to date, only artist to be inducted specifically as a harmonica player. Biography Early years Jacobs' date of birth is usually given as May 1, 1930, in Marksville, Louisiana. He was born without a birth certificate and when he applied for a Social Security card in 1940, his birthdate was listed as May 1, 1923. Over the years he often gave different years, but May 1 was constant. In some other documents he filled out before reaching the age of the ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Blues With A Feeling
"Blues with a Feeling" is a blues song written and first recorded by Rabon Tarrant with Jack McVea and His All Stars in 1947, as the B-side of "Slowly Goin' Crazy Blues". Although the original release was commercially unsuccessful, the song later became an important hit for Little Walter, with whom it is usually identified. Walter transformed the tune from Tarrant's jump blues-oriented style to a Chicago blues harmonica classic. It became a blues standard and an important piece for blues harp players. Original song Rabon Tarrant, a drummer with saxophone player Jack McVea's band, wrote "Blues with a Feeling" and also provided the vocals. The song was performed as a mid-tempo twelve-bar jump blues that features sax and trumpet soloing over a strong backbeat. The opening verses reflect on lost love: In its "Advance Record Releases" column, ''Billboard'' describes the single on Black & White Records as "slowly goin'". The notice appears on May 10, 1947, about one month af ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Marshall Sehorn
Marshall Estus Sehorn (June 25, 1934 – December 5, 2006) was an American A&R man, songwriter, music publisher and entrepreneur who played an important role in the development of R&B and popular music in New Orleans between the 1950s and 1970s, particularly as the business partner of record producer Allen Toussaint. Early years He was born in Concord, North Carolina, and played guitar in local bands while attending North Carolina State University. Career After graduating, he moved to New York City in 1958, and joined the A&R staff at Bobby Robinson's Fury and Fire record labels as their Southern promotions executive.Red Kelly, ''Marshall Sehorn'' CharlieGillett.com. Retrieved 8 July 2013 He soon discovered singer [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Elmore James
Elmore James ( Brooks; January 27, 1918 – May 24, 1963) was an American blues guitarist, singer, songwriter, and bandleader. Noted for his use of loud amplification and his stirring voice, James was inducted into the Rock and Roll Hall of Fame in 1992. His slide guitar technique earned him the nickname "King of the Slide Guitar". Biography Elmore James was born Elmore Brooks in Richland, Holmes County, Mississippi, the son of 15-year-old Leola Brooks, a field hand. His father was probably Joe Willie "Frost" James, who moved in with Leola, and Elmore took his surname. He began making music at the age of 12, using a simple one-string instrument ( diddley bow, or jitterbug) strung on a shack wall. As a teen he performed at dances under the names Cleanhead and Joe Willie James. James was influenced by Robert Johnson, Kokomo Arnold and Tampa Red. He recorded several of Tampa Red's songs. He also inherited from Tampa Red's band two musicians who joined his own backing band, t ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Sweet Home Chicago
"Sweet Home Chicago" is a blues standard first recorded by Robert Johnson in 1936. While often credited to Johnson, the song has precedents in several earlier blues songs. It has become a popular anthem for the city of Chicago, despite ambiguity in Johnson's original lyrics. Numerous artists have interpreted the song in a variety of styles. Earlier songs The melody of "Sweet Home Chicago" can be found in several blues songs, including "Honey Dripper Blues," "Red Cross Blues," and "Kokomo Blues," which served as the immediate model. The lyrics for "Honey Dripper Blues No. 2" by Edith North Johnson follow a typical AAB structure: Lucille Bogan (as Bessie Jackson) used an AB plus refrain structure in "Red Cross Man": Blues historian Elijah Wald suggests that Scrapper Blackwell was the first to reference a specific city in his "Kokomo Blues," using an AAB verse: "Kokola Blues," recorded by Madlyn Davis in 1927, also references Kokomo, Indiana, in the refrain: In 1932, Jabo ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Little Willie John
William Edward "Little Willie" John (November 15, 1937 – May 26, 1968) was an American R&B singer who performed in the 1950s and early 1960s. He is best known for his successes on the record charts, with songs such as " All Around the World" (1955), " Need Your Love So Bad" (1956), " Talk to Me, Talk to Me" (1958), " Leave My Kitten Alone" (1960), "Sleep" (1960), and his number-one R&B hit "Fever" (1956). An important figure in R&B music of the 1950s, he faded into obscurity in the 1960s and died while serving a prison sentence for manslaughter. John was posthumously inducted into the Rock and Roll Hall of Fame in 1996. In 2022, John was inducted into the Blues Hall of Fame. Biography John was born in Cullendale, Arkansas, on November 15, 1937. He was one of ten children born to Lillie (née Robinson) and Mertis John. Many sources erroneously give his middle name as Edgar. His family moved to Detroit, Michigan, when he was four, so that his father could find factory work. ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Need Your Love So Bad
"Need Your Love So Bad", sometimes known as "I Need Your Love So Bad", is a song first recorded by Little Willie John in 1955. Called a "unique amalgam of gospel, blues and rhythm & blues", it was John's second single as well as his second record to reach the US charts. The song is one of John's best known and appears on various compilation albums. Several other artists have also recorded renditions of the song. Composition and recording "Need Your Love So Bad" follows an AABA form and a harmonic layout typical for the R&B ballad. However, the song has been described as "A tightly wound and intense plea for love... quite different from the usual R&B ballad fare". John recorded the song in New York City on September 20, 1955. He provides the vocal, accompanied by Robert "Bubber" Johnson on piano, Mickey Baker on guitar, Milton Hinton on bass, Calvin Shields on drums, Willis Jackson and David Van Dyke on tenor saxes, and Reuben Phillips on baritone sax. Songwriting credits an ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |