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Little Red Rooster
"Little Red Rooster" (or "The Red Rooster" as it was first titled) is a blues standard credited to arranger and songwriter Willie Dixon. The song was first recorded in 1961 by American blues musician Howlin' Wolf in the Chicago blues style. His vocal and slide guitar playing are key elements of the song. It is rooted in the Delta blues tradition and the theme is derived from folklore. Musical antecedents to "Little Red Rooster" appear in earlier songs by blues artists Charlie Patton and Memphis Minnie. A variety of musicians have interpreted and recorded "Little Red Rooster". Some add new words and instrumentation to mimic the sounds of animals mentioned in the lyrics. American soul music singer Sam Cooke adapted the song using a more uptempo approach and it became a successful single on both the US rhythm and blues and pop record charts in 1963. Concurrently, Dixon and Howlin' Wolf toured the UK with the American Folk Blues Festival and helped popularize Chicago blu ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Howlin' Wolf
Chester Arthur Burnett (June 10, 1910January 10, 1976), better known by his stage name Howlin' Wolf, was an American blues singer, guitarist and harmonica player. He was at the forefront of transforming acoustic Delta blues into electric Chicago blues, and over a four-decade career, recorded blues, rhythm and blues, rock and roll, and psychedelic rock. He is regarded as one of the most influential blues musicians of all time. Born into poverty in Mississippi, Burnett became a protégé of Delta blues musician Charley Patton in the 1930s. In the Deep South, he began a solo career by performing with other notable blues musicians of the day. By the end of the decade, he had established himself in the Mississippi Delta. Following a number of legal issues, a stint in prison, and Army service, he was recruited by A&R man Ike Turner to record for producer Sam Phillips in Memphis. His first record "Moanin' at Midnight" (1951) led to a record deal with Chess Records in Chicago. Between ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Brian Jones
Lewis Brian Hopkin Jones (28 February 1942 – 3 July 1969) was an English musician and founder of the Rolling Stones. Initially a slide guitarist, he went on to sing backing vocals and played a wide variety of instruments on Rolling Stones recordings and in concerts. After he founded the Rolling Stones as a British blues outfit in 1962 and gave the band its name, Jones's fellow band members Keith Richards and Mick Jagger began to take over the band's musical direction, especially after they became a successful Jagger–Richards, songwriting team. When Jones developed alcohol and drug problems, his performance in the studio became increasingly unreliable, leading to a diminished role within the band he had founded. In June 1969, the Rolling Stones dismissed Jones; guitarist Mick Taylor took his place in the group. Less than a month later, Jones died by drowning at the 27 Club, age of 27 in the swimming pool at his home at Cotchford Farm, East Sussex. His death was referenced ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Hubert Sumlin
Hubert Charles Sumlin (November 16, 1931 – December 4, 2011) was a Chicago blues guitarist and singer, best known for his "wrenched, shattering bursts of notes, sudden cliff-hanger silences and daring rhythmic suspensions" as a member of Howlin' Wolf's band. He was ranked number 43 in ''Rolling Stone''s "100 Greatest Guitarists of All Time". Biography Sumlin was born in Greenwood, Mississippi, and raised in Hughes, Arkansas. He got his first guitar when he was eight years old. As a boy, he met Howlin' Wolf by sneaking into a performance. Wolf relocated from Memphis to Chicago in 1953, but his longtime guitarist Willie Johnson chose not to join him. In Chicago, Wolf hired the guitarist Jody Williams, but in 1954 he invited Sumlin to move to Chicago to play second guitar in his band. Williams left the band in 1955, leaving Sumlin as the primary guitarist, a position he held almost continuously (except for a brief spell playing with Muddy Waters around 1956) for the remain ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Smokestack Lightning
"Smokestack Lightning" (also "Smoke Stack Lightning" or "Smokestack Lightnin'") is a blues song recorded by Howlin' Wolf in 1956. It became one of his most popular and influential songs. It is based on earlier blues songs, and numerous artists later interpreted it. Background Wolf had performed "Smokestack Lightning" in one form or another at least by the early 1930s, when he was performing with Charley Patton in small Delta communities. The song, described as "a hypnotic one-chord drone piece", draws on earlier blues, such as Tommy Johnson's "Big Road Blues", the Mississippi Sheiks' "Stop and Listen Blues", and Charley Patton's "Moon Going Down". Wolf said the song was inspired by watching trains in the night: "We used to sit out in the country and see the trains go by, watch the sparks come out of the smokestack. That was smokestack lightning." In 1951, he recorded the song as "Crying at Daybreak". It contains the line "O-oh smokestack lightnin', shinin', just like gold, o ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Spoonful
"Spoonful" is a blues song written by Willie Dixon and first recorded in 1960 by Howlin' Wolf. Called "a stark and haunting work", it’s one of Dixon's best known and most interpreted songs. Etta James and Harvey Fuqua had a pop and R&B record chart hit with their duet cover of "Spoonful" in 1961 and it was popularized in the late 1960s by the British rock group Cream (band), Cream. Background and lyrics Dixon's "Spoonful" is loosely based on "A Spoonful Blues", a song recorded in 1929 by Charley Patton. Earlier related songs include "All I Want Is a Spoonful" by Papa Charlie Jackson (1925) and "Cocaine Blues#.22Cocaine.22, Cocaine Blues" by Luke Jordan (1927). The lyrics relate men's sometimes violent search to satisfy their cravings, with "a spoonful" used mostly as a metaphor for pleasures, which have been interpreted as sex, love, and drugs: Composition and recording "Spoonful" has a one-chord, modal blues structure found in other songs Dixon wrote for Howlin' Wolf, suc ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Hot R&B/Hip-Hop Songs
The Hot R&B/Hip-Hop Songs chart ranks the most popular R&B and hip hop songs in the United States and is published weekly by '' Billboard''. Rankings are based on a measure of radio airplay, sales data, and streaming activity. The chart had 100 positions but was shortened to 50 positions in October 2012. The chart is used to track the success of popular music songs in urban, or primarily African-American, venues. Dominated over the years at various times by jazz, rhythm and blues, doo-wop, rock and roll, soul, and funk, it is today dominated by contemporary R&B and hip hop. Since its inception, the chart has changed its name many times in order to accurately reflect the industry at the time. History Beginning in 1942, ''Billboard'' published a chart of bestselling African-American music, first as the Harlem Hit Parade, then as Race Records. Then in 1949, ''Billboard'' began publishing a Rhythm and Blues chart, which entered "R&B" into mainstream lexicon. These three ch ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Billboard (magazine)
''Billboard'' (stylized in letter case, lowercase since 2013) is an American music and entertainment magazine published weekly by Penske Media Corporation. The magazine provides music charts, news, video, opinion, reviews, events and styles related to the music industry. Its Billboard charts, music charts include the Billboard Hot 100, Hot 100, the Billboard 200, 200, and the Billboard Global 200, Global 200, tracking the most popular albums and songs in various music genres. It also hosts events, owns a publishing firm and operates several television shows. ''Billboard'' was founded in 1894 by William Donaldson and James Hennegan as a trade publication for bill posters. Donaldson acquired Hennegan's interest in 1900 for $500. In the early years of the 20th century, it covered the entertainment industry, such as circuses, fairs and burlesque shows, and also created a mail service for travelling entertainers. ''Billboard'' began focusing more on the music industry as the jukebox ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Broadcast Music, Inc
Broadcast Music, Inc. (BMI) is a performance rights organization in the United States. It collects blanket license fees from businesses that use music, entitling those businesses to play or sync any songs from BMI's repertoire of over 22.4 million musical works. On a quarterly basis, BMI distributes the money to songwriters, composers, and music publishers as royalties to those members whose works have been performed. In FY 2022, BMI collected $1.573 billion in revenues and distributed $1.471 billion in royalties. BMI's repertoire includes over 1.4 million songwriters and 22.4 million compositions. BMI is the biggest performing rights organization in the United States and is one of the largest such organizations in the world. BMI songwriters create music in virtually every genre. BMI represents artists such as Patti LaBelle, Selena, Miley Cyrus, Lil Wayne, Lil Nas X, Birdman, Lady Gaga, Taylor Swift, Eminem, Rihanna, Shakira, Doja Cat, Megan Thee Stallion, Ed Sheeran, Karol G ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Dot Records
Dot Records was an American record label founded by Randy Wood (record producer), Randy Wood and Gene Nobles that was active between 1950 and 1978. The original headquarters of Dot Records were in Gallatin, Tennessee. In its early years, Dot specialized in artists from Tennessee. Then it branched out to include musicians from across the U.S. It recorded country music, rhythm and blues, polkas, waltzes, Gospel music, gospel, rockabilly, pop music, pop, and early rock and roll. After moving to Hollywood in 1956, Dot Records bought many recordings by small local independent labels and issued them nationally. In 1957, Wood sold the label to Paramount Pictures, but remained in charge until 1967, when he departed to join Lawrence Welk in the formation of Ranwood Records. In 1968, the label was acquired as part of the acquisition of Paramount by Gulf and Western Industries, Gulf+Western, which transitioned it to recording exclusively country music and placed it under the management of ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Musical Ensemble
A musical ensemble, also known as a music group, musical group, or a band is a group of people who perform Instrumental music, instrumental and/or vocal music, with the ensemble typically known by a distinct name. Some music ensembles consist solely of instrumentalists, such as the jazz quartet or the orchestra. Other music ensembles consist solely of singers, such as choirs and doo wop, doo-wop groups. In both popular music and classical music, there are ensembles in which both instrumentalists and singers perform, such as the Band (rock and pop), rock band or the Baroque chamber group for basso continuo (harpsichord and cello) and one or more singers. In classical music, trios or quartets either blend the sounds of musical instrument families (such as piano, strings (music), strings, and wind instruments) or group instruments from the same instrument family, such as string ensembles (e.g., string quartet) or wind ensembles (e.g., wind quintet). Some ensembles blend the sounds ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jump Blues
Jump blues is an uptempo style of blues, jazz, and boogie woogie usually played by small groups and featuring horn instruments. It was popular in the 1940s and was a precursor of rhythm and blues and rock and roll. Appreciation of jump blues was renewed in the 1990s as part of the swing revival. Origins Jump blues evolved from the music of big bands such as those of Lionel Hampton and Lucky Millinder in the early 1940s. The typical jump blues lineup consisted of 5-7 members including sax, bass, drums and piano and/or guitar. The genre produced musicians such as Louis Jordan, Jack McVea, Earl Bostic, and Arnett Cobb. Jordan was the most popular of the jump blues stars; other artists who played the genre include Roy Brown, Amos Milburn, and Joe Liggins, as well as sax soloists Jack McVea, Big Jay McNeely, and Bull Moose Jackson. Hits included singles such as Jordan's " Saturday Night Fish Fry", Roy Brown's " Good Rockin' Tonight" and Big Jay McNeely's "Deacon's Hop". One ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Griffin Brothers
The Griffin Brothers were an American rhythm and blues band from Norfolk, Virginia, sometimes credited on record as the Griffin Brothers Orchestra. They made successful recordings with singer Margie Day, and had a no.1 hit on the ''Billboard'' R&B chart in 1951 with "Weepin' and Cryin'", featuring Tommy Brown. Biography The group was formed by brothers Jimmy (born James Rudolph Griffin, Norfolk, Virginia, November 26, 1921–November 14, 2000) and "Buddy" Griffin (born Edward Elijah Griffin, Elizabeth City, North Carolina, October 5, 1919–October 22, 1981).Eagle and Leblanc, ''Blues - A Regional Experience'', p.331 By 1920, the family lived in Norfolk, Virginia. Both Jimmy and Buddy studied music at the Juilliard School. Jimmy played trombone, and Buddy played piano. The band was completed by Wilbur Dyer (alto saxophone), Virgil Wilson (tenor saxophone), Jimmy Reeves (bass), and Emmett "Nab" Shields (drums). In the late 1940s they played local clubs in Washington ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
