List Of Songwriter Collaborations
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List Of Songwriter Collaborations
This is a list of notable songwriter teams. Rock, soul and pop , 1980–present , "Kings of the Wild Frontier"" Dog Eat Dog""Antmusic""Stand and Deliver""Prince Charming""Ant Rap""Goody Two Shoes""Friend or Foe"" Desperate But Not Serious" , - , Ashford & Simpson , 1964–2011 , "Ain't No Mountain High Enough""You're All I Need to Get By""Ain't Nothing Like the Real Thing""Reach Out and Touch (Somebody's Hand)" , - , Burt Bacharach (music) and Hal David (lyrics) , 1957–1973 , " Alfie""Raindrops Keep Fallin' on My Head""This Guy's in Love with You""(They Long to Be) Close to You""Walk On By"" The Look of Love""One Less Bell to Answer""Do You Know the Way to San Jose" , - , Randy Bachman and Burton Cummings of The Guess Who , , "These Eyes"" No Time""American Woman" (with Garry Peterson and Jim Kale)"No Sugar Tonight/New Mother Nature" , - , Jeff Barry and Ellie Greenwich , 1962–late 1960s , "Da Doo Ron Ron" (with Phil Spector)"Be My Baby" (with Spector)"Leader of ...
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Songwriter
A songwriter is a person who creates musical compositions or writes lyrics for songs, or both. The writer of the music for a song can be called a composer, although this term tends to be used mainly in the classical music genre and film scoring. A songwriter who mainly writes the lyrics for a song is referred to as a lyricist. The pressure from the music industry to produce popular hits means that song writing is often an activity for which the tasks are distributed among a number of people. For example, a songwriter who excels at writing lyrics might be paired with a songwriter with the task of creating original melodies. Pop songs may be composed by group members from the band or by staff writers – songwriters directly employed by music publishers. Some songwriters serve as their own music publishers, while others have external publishers. The old-style apprenticeship approach to learning how to write songs is being supplemented by university degrees, college diplomas and ...
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Prince Charming (song)
"Prince Charming" was a number-one single in the UK Singles Chart for four weeks in September 1981 for Adam and the Ants. Written by Adam Ant and Marco Pirroni, and featuring on the album of the same name, it was Adam and the Ants' second number-one single in a row and was the fifth biggest hit of 1981. Music video Band member and producer Merrick (Chris Hughes), normally on drums, played a stirring riff on an open-tuned acoustic guitar throughout the song. Lead guitarist Pirroni mimed to this part on both an orchestral harp and a miniature harp in the promotional video. The music video was notable for its extravagant production compared to the videos being produced at the time. It featured Adam Ant in a male ''Cinderella'' role, complete with moustached drag queen evil step-sisters. The sisters accept an invitation to "Come to the ball, and dance the Prince Charming", leaving Adam home doing the chores. Sitting at a table in an old-style kitchen, Adam is surrounded by his ban ...
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Alfie (Burt Bacharach Song)
"Alfie" is a song written by Burt Bacharach and Hal David to promote the 1966 film '' Alfie''. The song was a major hit for Cilla Black (UK) and Dionne Warwick (US). At the 10th Annual Grammy Awards in 1968, Burt Bacharach won the Grammy for Best Instrumental Arrangement. Background Although Bacharach has cited "Alfie" as his personal favorite of his compositions, he and Hal David were not eager to write a song to promote the film '' Alfie'' (a release from Paramount Pictures, which owned Famous Music) when approached by Ed Wolpin of the Composers' Guild. David thought the title character's name pedestrian: "Writing a song about a man called 'Alfie' didn't seem too exciting at the time." The composers agreed to submit an "Alfie" song if they could complete it within three weeks. Bacharach, in California, was inspired by a rough cut of the film about the Cockney womanizer played by Michael Caine. Bacharach felt that: "with 'Alfie' the lyric had to come first because it had to sa ...
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Hal David
Harold Lane David (May 25, 1921 – September 1, 2012) was an American lyricist. He was best known for his collaborations with composer Burt Bacharach and his association with Dionne Warwick. Early life David was born and raised in New York City, a son of Austrian Jewish immigrants Lina (née Goldberg) and Gedalier David, who owned a delicatessen in New York. He is the younger brother of American lyricist and songwriter Mack David. David attended Thomas Jefferson High School in Brooklyn and studied Journalism at New York University. Career David is credited with popular music lyrics, beginning in the 1940s with material written for bandleader Sammy Kaye and for Guy Lombardo. He worked with Morty Nevins of The Three Suns on four songs for the feature film '' Two Gals and a Guy'' (1951), starring Janis Paige and Robert Alda. They also wrote the classic Christmas song I Believe in Santa Claus which was recorded by The Stargazers in 1950. In 1956, David began workin ...
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Burt Bacharach
Burt Freeman Bacharach ( ; May 12, 1928 – February 8, 2023) was an American composer, songwriter, record producer, and pianist who is widely regarded as one of the most important and influential figures of 20th-century popular music. Starting in the 1950s, he composed hundreds of pop songs, many in collaboration with lyricist Hal David. Bacharach's music is characterized by unusual chord progressions and time signature changes, influenced by his background in jazz, and uncommon selections of instruments for small orchestras. He arranged, conducted, and produced much of his recorded output. More than 1,000 different artists have recorded Bacharach's songs. From 1961 to 1972, most of Bacharach and David's hits were written specifically for and performed by Dionne Warwick, but earlier associations (from 1957 to 1963) saw the composing duo work with Marty Robbins, Perry Como, Gene McDaniels, and Jerry Butler. Following the initial success of these collaborations, Bacharach w ...
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Reach Out And Touch (Somebody's Hand)
"Reach Out and Touch (Somebody's Hand)" is the debut solo single of singer Diana Ross, released in April 1970 as the first single from her solo self-titled debut 1970 album by Motown Records. Background Diana Ross, having just left The Supremes after a decade of serving as that group's lead singer, went through a difficult situation trying to piece a solo album together. With Nickolas Ashford and Valerie Simpson writing and producing for her, and Paul Riser arranging, Ross recorded "Reach Out and Touch", which carried a heavy gospel influence, and was one of the few songs the singer recorded to express her social conscience, previously experimented with Supremes singles such as " Love Child" and "I'm Livin' in Shame". While the song's initial success fell short of expectations, "Reach Out and Touch" became one of Ross' most popular and notable songs. During her concert performances of the song, Ross often had the whole crowd turn to their neighbors, and "reach out and touch" t ...
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Ain't Nothing Like The Real Thing
"Ain't Nothing Like the Real Thing" is a single released by American R&B/soul duo Marvin Gaye and Tammi Terrell, on the Tamla label in 1968. The B-side of the single is "Little Ole Boy, Little Ole Girl" from the duo's ''United'' LP. The first release off the duo's second album: '' You're All I Need'', the song—written and produced by regular Gaye/Terrell collaborators Ashford & Simpson—became a hit within weeks of release eventually peaking at number eight on the US ''Billboard'' Hot 100 and number one on the Hot Soul Singles chart, the first of the duo's two number-one R&B hits. In the UK "Ain't Nothing Like the Real Thing" reached number 34. ''Cash Box'' called it "a potent ballad", saying that "Detroit backing puts a beat into the session" and praising the "splendid vocals." "Ain't Nothing Like the Real Thing" was ranked as the 57th-biggest US hit of 1968. Charts Weekly charts Year-end charts Personnel * All lead vocals by Marvin Gaye and Tammi Terrell * Bac ...
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You're All I Need To Get By
"You're All I Need to Get By" is a song recorded by the American R&B/soul duo Marvin Gaye and Tammi Terrell and released on Motown Records' Tamla label in 1968. It was the basis for the 1995 single " I'll Be There for You/You're All I Need to Get By" from Method Man and Mary J. Blige. Overview Written by Nickolas Ashford & Valerie Simpson, it became one of the few Motown recordings of the 1960s that was not recorded with the familiar " Motown sound". Instead, "You're All I Need to Get By" had a more soulful and gospel-oriented theme surrounding it, that was influenced by the writers, who also sing background vocals on the recording, sharing vocals in a church choir in New York City. Marvin and Tammi recorded the song at Hitsville. Ashford & Simpson later stated how the session was hard as Terrell was recovering from surgery on the malignant brain tumor that ultimately caused her death less than two years after they recorded the song. During moments in the recording, Gaye can ...
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Ain't No Mountain High Enough
"Ain't No Mountain High Enough" is a song written by Nickolas Ashford & Valerie Simpson in 1966 for the Tamla label, a division of Motown. The composition was first successful as a 1967 hit single recorded by Marvin Gaye and Tammi Terrell, and became a hit again in 1970 when recorded by former Supremes frontwoman Diana Ross. The song became Ross's first solo number-one hit on the ''Billboard'' Hot 100 chart and was nominated for the Grammy Award for Best Female Pop Vocal Performance. Background The song was written by Ashford and Simpson prior to joining Motown. British soul singer Dusty Springfield wanted to record the song but the duo declined, hoping it would give them access to the Detroit-based label. As Valerie Simpson later recalled, "We played that song for her (Springfield) but wouldn't give it to her, because we wanted to hold that back. We felt like that could be our entry to Motown. Nick called it the 'golden egg'." Springfield recorded a song with a similar v ...
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The Guardian
''The Guardian'' is a British daily newspaper. It was founded in Manchester in 1821 as ''The Manchester Guardian'' and changed its name in 1959, followed by a move to London. Along with its sister paper, ''The Guardian Weekly'', ''The Guardian'' is part of the Guardian Media Group, owned by the Scott Trust Limited. The trust was created in 1936 to "secure the financial and editorial independence of ''The Guardian'' in perpetuity and to safeguard the journalistic freedom and liberal values of ''The Guardian'' free from commercial or political interference". The trust was converted into a limited company in 2008, with a constitution written so as to maintain for ''The Guardian'' the same protections as were built into the structure of the Scott Trust by its creators. Profits are reinvested in its journalism rather than distributed to owners or shareholders. It is considered a newspaper of record in the UK. The editor-in-chief Katharine Viner succeeded Alan Rusbridger in 2015. S ...
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Ashford & Simpson
Ashford & Simpson were an American husband-and-wife songwriting, production and recording duo composed of Nickolas Ashford (May 4, 1941 – August 22, 2011) and Valerie Simpson (born August 26, 1946). Ashford was born in Fairfield, South Carolina, and Simpson in the Bronx, New York City. Ashford's family relocated to Ypsilanti, Michigan, where he became a member of Christ Temple Baptist Church. While there, he sang with a group called the Hammond Singers (named after the founding minister, James Hammond). Later, Ashford attended and graduated from Willow Run High School in Ypsilanti, Michigan, before pursuing his professional career, when he would ultimately meet his wife, Valerie Simpson. They met at Harlem's White Rock Baptist Church in 1964. After having recorded unsuccessfully as a duo, they joined an aspiring solo artist and former member of The Ikettes, Joshie Jo Armstead, at the Scepter/Wand label, where their compositions were recorded by Ronnie Milsap ("Never Had It S ...
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Desperate But Not Serious (song)
"Desperate But Not Serious" is a song by Adam Ant, released on 19 November 1982 as the third single from his first solo album, '' Friend or Foe''. It peaked at number 33 on the UK Singles Chart, and number 66 on the ''Billboard'' Hot 100 in the US. Ant performed "Desperate but Not Serious" and "Goody Two Shoes" on the very first ''American Bandstand'' episode of 1983. The song appears on the greatest hits collection, '' Antics in the Forbidden Zone'', and both the studio version and a live version appear on the double Adam Ant compilation, '' Antmusic: The Very Best of Adam Ant''. Credits "Desperate But Not Serious" was written by Adam Ant and Marco Pirroni. The track features Adam on vocals and bass guitar, Marco on guitar, Geoff Daly on saxophone, Martin Drover on trumpet and Bogdan Wiczling on drums. "Why Do Girls Love Horses?" It was fairly common for Ant to record new versions of his pre-1980 compositions for the B-side of his singles. For this single, an old Ant song fro ...
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