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Latin Jazz
Latin jazz is a genre of jazz with Latin American rhythms. The two main categories are Afro-Cuban jazz, rhythmically based on Cuban popular dance music, with a rhythm section employing ostinato patterns or a clave (rhythm), clave, and Afro-Brazilian jazz, which includes samba and bossa nova. Afro-Cuban jazz "Spanish tinge"—The Cuban influence in early jazz and proto-Latin jazz African American music began incorporating Afro-Cuban musical motifs in the 19th century, when the habanera (music), habanera (Cuban contradanza) gained international popularity. The habanera was the first written music to be rhythmically based on an African motif. The ''habanera rhythm'' (also known as ''congo'', ''tango-congo'', or ''tango (music), tango'' ) can be thought of as a combination of tresillo (rhythm), tresillo and the beat (music)#Backbeat, backbeat. Wynton Marsalis considers tresillo (rhythm), tresillo to be the New Orleans "clave," although technically, the pattern is only half a clave ( ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Cuban Music
The music of Cuba, including its instruments, performance, and dance, comprises a large set of unique traditions influenced mostly by west African and European (especially Spanish) music. Due to the syncretic nature of most of its genres, Cuban music is often considered one of the richest and most influential regional music in the world. For instance, the son cubano merges an adapted Spanish guitar (tres), melody, harmony, and lyrical traditions with Afro-Cuban percussion and rhythms. Almost nothing remains of the original native traditions, since the native population was exterminated in the 16th century. Since the 19th century, Cuban music has been hugely popular and influential throughout the world. It has been perhaps the most popular form of regional music since the introduction of recording technology. Cuban music has contributed to the development of a wide variety of genres and musical styles around the globe, most notably in Latin America, the Caribbean, West Africa, and ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Beat (music)
In music and music theory, the beat is the basic unit of time, the pulse (regularly repeating event), of the ''mensural level'' (or ''beat level''). The beat is often defined as the rhythm listeners would tap their toes to when listening to a piece of music, or the numbers a musician counts while performing, though in practice this may be technically incorrect (often the first multiple level). In popular use, ''beat'' can refer to a variety of related concepts, including pulse, tempo, meter, specific rhythms, and groove. Rhythm in music is characterized by a repeating sequence of stressed and unstressed beats (often called "strong" and "weak") and divided into bars organized by time signature and tempo indications. Beats are related to and distinguished from pulse, rhythm (grouping), and meter: Metric levels faster than the beat level are division levels, and slower levels are multiple levels. Beat has always been an important part of music. Some music genres such as ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Mario Bauza
Mario (; ) is a character created by the Japanese game designer Shigeru Miyamoto. He is the star of the '' Mario'' franchise, a recurring character in the '' Donkey Kong'' franchise, and the mascot of the Japanese video game company Nintendo. Mario is an Italian plumber who lives in the Mushroom Kingdom with his younger twin brother, Luigi. Their adventures generally involve rescuing Princess Peach from the villain Bowser while using power-ups that give them different abilities. Mario is distinguished by his large nose and mustache, overalls, red cap, and high-pitched, exaggerated Italian accent. Mario debuted as the player character of '' Donkey Kong'', a 1981 platform game. Miyamoto created Mario because Nintendo was unable to license Popeye as the protagonist. The graphical limitations of arcade hardware influenced Mario's design, such as his nose, mustache, and overalls, and he was named after Nintendo of America's landlord, Mario Segale. Mario then starred in ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Machito And His Sister Graciella Grillo
Frank Grillo (born Francisco Raúl Gutiérrez Grillo; December 3, 1909 – April 15, 1984) known professionally as Machito (previously as Macho), was a Latin jazz musician who helped refine Afro-Cuban jazz and create both Cubop and salsa music. Ginell, Richard S. ''Biography''. Allmusic, 2011/ref> He was raised in Havana with his sister, singer Graciela. In New York City, Machito formed the Afro-Cubans in 1940, and with Mario Bauzá as musical director, brought together Cuban rhythms and big band arrangements in one group. He made numerous recordings from the 1940s to the 1980s, many with Graciela as singer. Machito changed to a smaller ensemble format in 1975, touring Europe extensively. He brought his son and daughter into the band, and received a Grammy Award in 1983, one year before he died. Machito's music had an effect on the careers of many musicians who played in the Afro-Cubans over the years, and on those who were attracted to Latin jazz after hearing him. George S ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Juan Tizol
Juan Tizol Martínez (22 January 1900 – 23 April 1984) was a Puerto Rican jazz trombonist and composer. He is best known as a member of Duke Ellington's big band, and for writing the jazz standards " Caravan", "Pyramid", and " Perdido". Biography Tizol was born in Vega Baja, Puerto Rico. Music was a large part of his life from an early age. His first instrument was the violin, but he soon switched to valve trombone, the instrument he played throughout his career. His musical training came mostly from his uncle Manuel Tizol, the director of the municipal band and symphony in San Juan. In his youth, Tizol played in his uncle's band and also gained experience by playing in local operas, ballets, and dance bands. In 1920, he joined a band that was traveling to the United States to work in Washington, D.C. The group made it to Washington as stowaways and established residence at the Howard Theater, where it played for touring shows and silent films. At Howard, it was hired to ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Caravan (1937 Song)
"Caravan" is an American jazz standard by Juan Tizol and Duke Ellington, first performed by Ellington in 1936. Irving Mills wrote lyrics, but they are rarely sung. The song has regained popularity since being featured prominently in the 2014 film ''Whiplash (2014 film), Whiplash''. Original recording The first version of the song was recorded in Hollywood, Los Angeles, Hollywood in 1936 and performed as an instrumental by Barney Bigard#Barney Bigard and His Jazzopators, Barney Bigard and His Jazzopators. Two takes were recorded, of which the first (Variety VA-515-1) was published. The band members were: * Cootie Williams – trumpet * Juan Tizol – trombone * Barney Bigard – clarinet * Harry Carney – baritone saxophone * Duke Ellington – piano * Billy Taylor (jazz bassist), Billy Taylor – double bass * Sonny Greer – drums The musicians were members of the Duke Ellington Orchestra, which often split into smaller combinations to record songs under different band names. Fo ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Big Four Buddy Bolden
Big or BIG may refer to: * Big, of great size or degree Film and television * ''Big'' (film), a 1988 fantasy-comedy film starring Tom Hanks * ''Big'', a 2023 Taiwanese children's film starring Van Fan and Chie Tanaka * ''Big!'', a Discovery Channel television show * ''Richard Hammond's Big'', a television show presented by Richard Hammond * ''Big'' (TV series), a 2012 South Korean TV series * "Big" (''My Hero''), a 2003 television episode * ''Banana Island Ghost'', a 2017 fantasy action comedy film Music * '' Big: the musical'', a 1996 musical based on the film * Big Records, a record label * ''Big!'' (Betty Who album) * ''Big'' (album), a 2007 album by Macy Gray * "Big" (Brassmunk song) * "Big" (Dead Letter Circus song) * "Big" (Fontaines D.C. song) * "Big" (Juice Wrld song) * "Big" (Sneaky Sound System song) * "Big" (Rita Ora and Imanbek song) * "Big" (Young M.A song) * "Big", a 1990 song by New Fast Automatic Daffodils * "Big", a 2021 song by Jade Eagleson fro ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Buddy Bolden
Charles Joseph "Buddy" Bolden (September 6, 1877 – November 4, 1931) was an American cornetist who was regarded by contemporaries and later jazz scholars as a key figure in the development of a New Orleans style of ragtime music, or "jass", which later came to be known as jazz. Childhood When he was born, Bolden's father, Westmore Bolden, was working as a driver for William Walker, the former employer of Buddy's grandfather Gustavus Bolden, who was born in Louisiana in 1806 and died in 1866. Gustavus was most likely born into slavery, though no definitive records say. His mother, Alice (née Harris), was aged 18 when she married Westmore on August 14, 1873. Westmore Bolden was around 25 at the time, as records show that he was 19 in August 1866. When Buddy was six years old, his father died, after which the boy lived with his mother and other family members. In records of the period the family name is variously spelled ''Bolen'', ''Bolding'', ''Boldan'', and ''Bolden'', t ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Spanish Tinge
The ''Spanish tinge'' is an Afro-Latin rhythmic touch that spices up the more conventional rhythms commonly used in jazz and pop music. The phrase is a quotation from Jelly Roll Morton. In his Library of Congress recordings, after referencing the influence of his own French Creole culture in his music, he noted the Spanish (read Cuban) presence: What Morton called "Spanish" were the tresillo and habanera rhythms of the Cuban contradanza ("habanera"). Morton demonstrated the "tinge" to Alan Lomax in the 1938 Library of Congress recordings. What is known in Latin music as the habanera rhythm is also known as the ''congo'', '' tango-congo'', and '' tango''.Mauleón (1999: 4) Morton categorized his compositions in three groups: blues, stomps, and ''Spanish tinge'', for those with habanera rhythms. Tunes with the "tinge" include "New Orleans Blues" (a.k.a. "New Orleans Joys"), "La Paloma", "The Crave", and "The Spanish Tinge". Morton also called attention to the habanera in " S ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jelly Roll Morton
Ferdinand Joseph LaMothe ( Lemott, later Morton; c. September 20, 1890 – July 10, 1941), known professionally as Jelly Roll Morton, was an American blues and jazz pianist, bandleader, and composer of Louisiana Creole descent. Morton was jazz's first arranger, proving that a genre rooted in improvisation could retain its essential characteristics when notated. His composition " Jelly Roll Blues", published in 1915, was one of the first published jazz compositions. He also claimed to have invented the genre. Morton also wrote " King Porter Stomp", " Wolverine Blues", " Black Bottom Stomp", and "I Thought I Heard Buddy Bolden Say", the last being a tribute to New Orleans musicians from the turn of the 20th century. Morton's claim to have invented jazz in 1902 was criticized. Music critic Scott Yanow wrote, "Jelly Roll Morton did himself a lot of harm posthumously by exaggerating his worth ... Morton's accomplishments as an early innovator are so vast that he did not really n ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Arna Bontemps
Arna Wendell Bontemps ( ) (October 13, 1902 – June 4, 1973) was an American poet, novelist and librarian, and a noted member of the Harlem Renaissance. Early life Bontemps was born in 1902 in Alexandria, Louisiana, into a Louisiana Creole people, Louisiana Creole family. His ancestors included free people of color and French colonists. His father was a contractor and sometimes would take his son to construction sites. As the boy got older, his father would take him along to speak-easies at night that featured jazz. His mother, Maria Carolina Pembroke, was a schoolteacher.Robert E. Fleming"Bontemps, Arna Wendell" ''American National Biography Online'', February 2000. Retrieved June 3, 2007. The family was Catholic Church, Catholic, and Bontemps was baptized at St. Francis Xavier Cathedral (Alexandria, Louisiana), St. Francis Xavier Cathedral. They would later become Seventh-day Adventist Church, Seventh-day Adventists. When Bontemps was three years old, his family moved to Los An ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
