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L'attaque Du Moulin
''L'attaque du moulin'' (''The Attack on the Mill'') is a ''drame lyrique'' (opera) in four acts by the French composer Alfred Bruneau. The libretto, by Louis Gallet with the collaboration of Émile Zola, is based on a short story by Zola (included in the collection ''Les soirées de Médan''). Zola's story is about the Franco-Prussian War, but the setting of the opera was changed to the period of the French Revolution. Performance history ''L'attaque du moulin'' was first performed on 23 November 1893 by the Opéra-Comique at the former Théâtre Lyrique (the present Théâtre de la Ville) on the Place du Châtelet in Paris. The ''mise-en-scène'' was by Léon Carvalho, the scenery by Marcel Jambon, and the costumes by Théophile Thomas. The original production was performed a total of 39 times. The Gaîté Lyrique revived the opera on 16 December 1907, and the Opéra-Comique, on 25 March 1922 (14 performances). By 1917 the opera had been presented outside France in eleven diff ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Opera
Opera is a form of theatre in which music is a fundamental component and dramatic roles are taken by singers. Such a "work" (the literal translation of the Italian word "opera") is typically a collaboration between a composer and a librettist and incorporates a number of the performing arts, such as acting, scenery, costume, and sometimes dance or ballet. The performance is typically given in an opera house, accompanied by an orchestra or smaller musical ensemble, which since the early 19th century has been led by a conductor. Although musical theatre is closely related to opera, the two are considered to be distinct from one another. Opera is a key part of the Western classical music tradition. Originally understood as an entirely sung piece, in contrast to a play with songs, opera has come to include numerous genres, including some that include spoken dialogue such as '' Singspiel'' and '' Opéra comique''. In traditional number opera, singers employ two styles of ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Hague
The Hague ( ; nl, Den Haag or ) is a city and municipality of the Netherlands, situated on the west coast facing the North Sea. The Hague is the country's administrative centre and its seat of government, and while the official capital of the Netherlands is Amsterdam, The Hague has been described as the country's de facto capital. The Hague is also the capital of the province of South Holland, and the city hosts both the International Court of Justice and the International Criminal Court. With a population of over half a million, it is the third-largest city in the Netherlands, after Amsterdam and Rotterdam. The Hague is the core municipality of the Greater The Hague urban area, which comprises the city itself and its suburban municipalities, containing over 800,000 people, making it the third-largest urban area in the Netherlands, again after the urban areas of Amsterdam and Rotterdam. The Rotterdam–The Hague metropolitan area, with a population of approximately 2.6&n ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Edmond Clément
Edmond Clément (28 March 1867, Paris - 24 February 1928, Nice) was a French lyric tenor who earned an international reputation due to the polished artistry of his singing. During his career he also held a private studio, one of his students being the internationally recognized soprano Marie Sundelius. Biography Clément began his studies at the Conservatoire de Paris with Victor Warot, subsequently making his debut at the Opéra-Comique in 1889, as Vincent in ''Mireille''. He was the theater's principle tenor until 1909, appearing in many roles such as Ottavio, Tamino, Almaviva, Georges Brown, Fra Diavolo, Gérald, des Grieux, Werther and Hoffmann, along with many more. Such roles were the bulk of his repertoire and qualified him to be considered between a Lyrischer Tenor and Italienischer tenor. He was part of the inaugural performance of '' Le Juif polonais'' by Camille Erlanger and '' Hélène'' by Camille Saint-Saëns, and sang in the Parisian premieres of '' Falstaff'' ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Max Bouvet
Maximilien-Nicolas Bouvet (1854 – 1943) was a French operatic baritone. Bouvet was born at La Rochelle. In 1875, he appeared at the Eldorado café-concert in Paris with the song ''Les myrtes son flétries'' by Gustave Nadaud and de Faure. He made his debut at the Opéra Royal de Wallonie in Liege, and appeared at the Théâtre des Folies-Dramatiques in Paris in the premiere of ''Fanfan la Tulipe'' (title role) on 21 October 1882, followed in 1883 by ''La fille de Madame Angot'', ''L'amour qui passe'' and '' François les bas-bleus''.Noel E & Stoullig E. ''Les Annales du Théâtre et de la Musique, 9eme edition, 1883.'' G Charpentier et Cie, Paris, 1884. His debut at the Opéra-Comique was in 1884 as Figaro in '' Le Barbier de Seville''. At the Opéra-Comique he also sang Alfio (''Cavalleria rusticana''), Oreste (''Iphigénie en Tauride''), Garrido (''La Navarraise''), the Dutchman (''Flying Dutchman''), Marcel (''La Boheme''), Albert (''Werther''), Escamillo (''Carmen'' ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Baritone
A baritone is a type of classical male singing voice whose vocal range lies between the bass and the tenor voice-types. The term originates from the Greek (), meaning "heavy sounding". Composers typically write music for this voice in the range from the second F below middle C to the F above middle C (i.e. F2–F4) in choral music, and from the second A below middle C to the A above middle C (A2 to A4) in operatic music, but the range can extend at either end. Subtypes of baritone include the baryton-Martin baritone (light baritone), lyric baritone, ''Kavalierbariton'', Verdi baritone, dramatic baritone, ''baryton-noble'' baritone, and the bass-baritone. History The first use of the term "baritone" emerged as ''baritonans'', late in the 15th century, usually in French sacred polyphonic music. At this early stage it was frequently used as the lowest of the voices (including the bass), but in 17th-century Italy the term was all-encompassing and used to describe the averag ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tenor
A tenor is a type of classical music, classical male singing human voice, voice whose vocal range lies between the countertenor and baritone voice types. It is the highest male chest voice type. The tenor's vocal range extends up to C5. The low extreme for tenors is widely defined to be B2, though some roles include an A2 (two As below middle C). At the highest extreme, some tenors can sing up to the second F above middle C (F5). The tenor voice type is generally divided into the ''leggero'' tenor, lyric tenor, spinto tenor, dramatic tenor, heldentenor, and tenor buffo or . History The name "tenor" derives from the Latin word ''wikt:teneo#Latin, tenere'', which means "to hold". As Fallows, Jander, Forbes, Steane, Harris and Waldman note in the "Tenor" article at ''Grove Music Online'': In polyphony between about 1250 and 1500, the [tenor was the] structurally fundamental (or 'holding') voice, vocal or instrumental; by the 15th century it came to signify the male voice that ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Marie Delna
Marie Delna (Paris, 3 April 1875 - Paris, 24 July 1932) was a French contralto. A major singer in Paris, particularly at the Opéra-Comique, she enjoyed an international career in the 1890s through to the 1910s and left several recordings. Life and career Born Marie Ledant to a working-class family in the Marais area of the French capital, she was orphaned aged 15 months, and she and her sister grew up first with her maternal grandmother in Longjumeau. Then from 1881 she lived with her paternal grandparents, who ran the 'Café du Panorama' near Meudon station, while she attended a convent school.Père-Lachaise entry for Marie Delna accessed 24 July 2013. Her grandmother started her with singing lessons and she studied with [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Mezzo-soprano
A mezzo-soprano or mezzo (; ; meaning "half soprano") is a type of classical female singing voice whose vocal range lies between the soprano and the contralto voice types. The mezzo-soprano's vocal range usually extends from the A below middle C to the A two octaves above (i.e. A3–A5 in scientific pitch notation, where middle C = C4; 220–880 Hz). In the lower and upper extremes, some mezzo-sopranos may extend down to the F below middle C (F3, 175 Hz) and as high as "high C" (C6, 1047 Hz). The mezzo-soprano voice type is generally divided into the coloratura, lyric, and dramatic mezzo-soprano. History While mezzo-sopranos typically sing secondary roles in operas, notable exceptions include the title role in Bizet's '' Carmen'', Angelina (Cinderella) in Rossini's ''La Cenerentola'', and Rosina in Rossini's ''Barber of Seville'' (all of which are also sung by sopranos and contraltos). Many 19th-century French-language operas give the leading female role to mezzos, includin ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Georgette Leblanc
Georgette Leblanc (8 February 1869, Rouen – 27 October 1941, Le Cannet) was a French operatic soprano, actress, author, and the sister of novelist Maurice Leblanc. She became particularly associated with the works of Jules Massenet and was an admired interpreter of the title role in Bizet's ''Carmen''. For many years Leblanc was the lover of Belgian playwright and writer Maurice Maeterlinck, and he wrote several parts for her within his stage plays. She portrayed the role of Ariane in ''Ariane et Barbe-bleue'', both in the original 1899 stage play by Maeterlinck and in the 1907 opera adaptation by Paul Dukas, as well as La Mort de Tintagiles in 1905 in Paris. Leblanc also appeared in a couple of French films, most notably ''L'Inhumaine'' in 1924. In the last few decades of her life she turned to writing, producing two commercially successful autobiographies and several children's books and travelogues. Biography Georgette Leblanc was born into a cultured family that va ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Soprano
A soprano () is a type of classical female singing voice and has the highest vocal range of all voice types. The soprano's vocal range (using scientific pitch notation) is from approximately middle C (C4) = 261 Hz to "high A" (A5) = 880 Hz in choral music, or to "soprano C" (C6, two octaves above middle C) = 1046 Hz or higher in operatic music. In four-part chorale style harmony, the soprano takes the highest part, which often encompasses the melody. The soprano voice type is generally divided into the coloratura, soubrette, lyric, spinto, and dramatic soprano. Etymology The word "soprano" comes from the Italian word '' sopra'' (above, over, on top of),"Soprano" '' |
Jules Danbé
Jules Danbé (16 November 1840 – 30 October 1905) was a French violinist, composer and conductor, mainly of opera. Biography Danbé was born in Caen, Calvados. Trained as a violinist, he was a pupil of Narcisse Girard and Marie Gabriel Augustin Savard, in 1859 winning a first prize for violin. He gained much experience playing in the orchestras of the Vaudeville, Théâtre Lyrique and with the Concerts Pasdeloup, and in 1871 founded the Concerts Danbé at the Grand-Hôtel in Paris, as well mounting concerts at the Salle Herz in 1874 and the Salle Ventadour in 1875.''Cinquante Ans de Musique Française de 1874 à 1925.'' Les Éditions Musicales de la Librairie de France, Paris, 1925. Danbé was principal conductor at the Théâtre de la Gaîté-Lyrique in 1876, conducting ''Dimitri'', ''Les Erynnies'' and ''Paul et Virginie'' (whose premiere at the Opéra-Comique he also conducted). Appointed conductor at the Opéra-Comique on 2 June 1877, he took up his duties on 1 Septem ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Voice Type
A voice type is a group of voices with similar vocal ranges, capable of singing in a similar tessitura, and with similar vocal transition points ('' passaggi''). Voice classification is most strongly associated with European classical music, though it, and the terms it utilizes, are used in other styles of music as well. A singer will choose a repertoire that suits their voice. Some singers such as Enrico Caruso, Rosa Ponselle, Joan Sutherland, Maria Callas, Jessye Norman, Ewa Podleś, and Plácido Domingo have voices that allow them to sing roles from a wide variety of types; some singers such as Shirley Verrett and Grace Bumbry change type and even voice part over their careers; and some singers such as Leonie Rysanek have voices that lower with age, causing them to cycle through types over their careers. Some roles are hard to classify, having very unusual vocal requirements; Mozart wrote many of his roles for specific singers who often had remarkable voices, and some of ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
